13489 Hon. George Radanovich Hon. Roscoe G. Bartlett Hon. Sam Graves
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Payerson,N.•" class="text-overflow-clamp2"> CUISINE ) ' T • , / 20HAMILTON STREET / " > Payerson,N.•
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Exhibition Hall
exhibition hall 15 the weird west exhibition hall - november 2010 chris garcia - editor, ariane wolfe - fashion editor james bacon - london bureau chief, ric flair - whooooooooooo! contact can be made at [email protected] Well, October was one of the stronger months for Steampunk in the public eye. No conventions in October, which is rare these days, but there was the Steampunk Fortnight on Tor.com. They had some seriously good stuff, including writing from Diana Vick, who also appears in these pages, and myself! There was a great piece from Nisi Shawl that mentioned the amazing panel that she, Liz Gorinsky, Michael Swanwick and Ann VanderMeer were on at World Fantasy last year. Jaymee Goh had a piece on Commodification and Post-Modernism that was well-written, though slightly troubling to me. Stephen Hunt’s Steampunk Timeline was good stuff, and the omnipresent GD Falksen (who has never written for us!) had a couple of good piece. Me? I wrote an article about how Tomorrowland was the signpost for the rise of Steampunk. You can read it at http://www.tor.com/blogs/2010/10/goodbye-tomorrow- hello-yesterday. The second piece is all about an amusement park called Gaslight in New Orleans. I’ll let you decide about that one - http://www.tor.com/blogs/2010/10/gaslight- amusement. The final one all about The Cleveland Steamers. This much attention is a good thing for Steampunk, especially from a site like Tor.com, a gateway for a lot of SF readers who aren’t necessarily a part of fandom. -
Here ~ and Affach Directions
See the GREATEST! See the LATEST 100 NEW oNnJ ’ r.EspaRngSledA Lhan[! Lj oJvjeS ! DORIS DAY STEVE ALLEN SANDRA DEE "PILLOW TALK .... BENNY GOODMAN STORY" "THE WILD AND THE INNOCENT" with Rock Hudson and Tony Randall with Donna Reed with Audio Murphy and Gilbed Roland COMPLETE OCTOBER SCHEDULE WLAC-TV NASHVILLE 5.45- 6:00 AM Farm News--Man. thru Frl. 10:00-10:30 AM Camera 3--Sunday 12:30- I:00 PM Sky King--Saturday 6:00- 7~00 AM Sunrise Semester--Sunday 10:00-10:30 AM Andy of Mayber~--Mon. thru Frl. ~:00- | :30 PM Password--Mon~ thru Fri. 6:00- 7:45 AM Country Junction--Man. thru Frl. 10:00-10:30 AM Tom & Jerry (c)--Saturday 1:00- 1:30 PM Lassie--Saturday 6:30- 7:00 AM Sunrise Semester--Saturday 10:30-11:00 AM Word of Life--Sunday 1:30- 2~00 PM House Party--Man. thru Frl. 7:00- 8:00 AM Singln* Time in Dixie--Sunday 10:30-1t:00 AM Dick Van Dyke--Man thru Frl. 1:30* 3:00 PM Movie--Saturday Eddie HIll Variety Show--Saturday I 0:30-11:00 AM Quick Draw McGraw (c)--Saturday 7:00- 8:00 AM 11:00-11:30 AM Faith For Today--Sunday 2:00- 2~25 PM To Tell The Truth--Man. thru Fri. 7:45- 8:00 AM Morning News Weather--Man. thru Fr{. 1h00-11:25 AM Love of Life--Man. thru Fri, 2:25- 2:30 PM Doug Edwards CB5 News--Man. thru Fri. 8:00- 9~00 AM Heaven’s Jubilee--Sunday 1 I:00-12:00 N Papaya Party--Saturday 2:30- 3:00 PM The Edge of Night--Man. -
Les Mystères De L'ouest
Les Mystères de l ’Ouest (The Wild Wild West , 1965-1969) : Ils étaient deux célibataires, ou Le Surmâle et le Travesti Emmanuel LE VAGUERESSE Université de Reims Champagne-Ardenne Institut d’Études Politiques de Paris Les choses que l ’on voit ne sont que très rarement ce qu ’elles paraissent 1 1 Cité in Liardet, Didier, « Les Mystères de l’Ouest ». Les Nuits de l’imaginaire , Pézilla-la-Rivière, … Car rien n’a d’importance, « Le guide du téléfan », 1995 (2 e éd. Montpellier, DLM, 1997), p. 49, Chapitre « La perversion de la réalité » (p. 49-57) (repris comme titre de chapitre dans son autre ouvrage sur la série : « Les Mystères de l’Ouest ». Les Reflets de l’étrange , préface de Robert Conrad, Marseille, Yris, « Télévision en séries », 2003, avec Bibliographie – récente et élargie au merchandising – p. 269-285 [nouvelle éd. augmentée de l’originale de 1999 chez le même éditeur], p. 208-216), avec ce commentaire de l’auteur : « Cette phrase prononcée dans “La Nuit du mort -vivant” [« The Night of the Undead »] par [le personnage de] Mariah Eddington est symptomatique de la série et résume les spécificités de son concept de base » (tous les épisodes commencent par l’anaphore « La Nuit de/du/des… » [« The Night of… »], ce qui nous permet de demander, avec Marguerite Duras, de « [l]aisser entrer la nuit dans ses livres »… ou ses séries TV, dans le cas présent, cf. Duras, Marguerite, Écrire , Paris, Gallimard, 1993, p. 67). Liardet, le chercheur et spécialiste français de la série ne croit pas si bien dire, lui qui est pourtant fort peu enclin à décrypter le sous-texte gay éventuel des Mystères de l’Ouest , cf. -
LOU SCHEIMER: CREATING the FILMATION GENERATION 1946–1948Chapter TWO Driving Japan Crazy
CONTENTS... PREFACE ..........................................5 chapter seventeeN ......149 Anthologies and Expansion (1978–1979) chapter one .............................7 Wherein My Father Punched Out Adolf Hitler Years chapter eighteen .....161 Before Captain America Did (1928–1946) The Year of Legal Discontent (1979–1980) chapter two ..........................17 chapter nineteen .....171 Driving Japan Crazy (1946–1948) Silver Bullets and Soccer Balls (1980–1981) chapter three .................23 chapter twenty ..........179 Carnegie and an Early Proposal (1948–1955) Forced To Runaway (1981–1982) chapter FOUR .....................31 chapter twenty-one ....189 Clowns, Cats, Rockets, and Jesus (1955–1965) A Farewell to Networks / The Last Man Standing (1982–1983) chapter five ........................43 And Who, Disguised As A Real Animation Studio… chapter twenty-two ....197 We Have the Power! (1983–1984) chapter six ............................51 The Super Superheroes (1967) COLOR GALLERY ..............209 chapter seven .................59 The Fantastic Shrinking Bat-Teenager (1968) chapter twenty-three ....521 Morals and Media Battles (1984–1985) chapter eight ....................69 Gold Records and Witches (1969) chapter twenty-four ....223 Sisters Are Doing it for Themselves (1985–1986) chapter nine ........................75 Hey Lady! More Monsters & Music! (1970–1971) chapter twenty-five ......235 Let’s Go Ghostbusters! (1986-1987) chapter ten .........................81 Funnies, Games, and Fables (1971) chapter twenty-six ......241 -
The Western by Eric Patterson the Cowboy Member of the Disco Group the Encyclopedia Copyright © 2015, Glbtq, Inc
The Western by Eric Patterson The cowboy member of the Disco group The Encyclopedia Copyright © 2015, glbtq, Inc. Village People wears a Entry Copyright © 2008 glbtq, Inc. costume derived from Reprinted from http://www.glbtq.com those found in the Hollywood Western to create an instantly The Western is a distinctive American narrative genre that has developed over more recognizable than two centuries and now is recognized and consumed worldwide. Its most familiar hypermasculine persona. expressions are in literature, popular fiction, film, and television, but it also is This image created by important in painting, photography, music, sport, and advertising. Flickr contributor Jackie from Monouth County, New Jersey appears Heroic Western narratives have served to justify transformation and often destruction under the Creative of indigenous peoples and ecosystems, to rationalize the supposedly superior Commons Attribution 2.0 economic and social order organized by European Americans, and particularly to License. depict and enforce the dominant culture's ideals of competitive masculine individualism. The celebration of male power, beauty, and homosocial relationships in Westerns is compelling to many readers and viewers. Although the form of masculinity idealized in the Western is in opposition to the majority's stereotypical constructions of male homosexuality, both man-loving men and those who claim to reject same-sex attraction have found a great deal of interest in the narrative. Development and Form of the Western The national fantasy of the Western has its roots in the seventeenth and eighteenth centuries in the wars between Native Americans and European colonists. It developed during the rapid westward movement of settlers and the continuing conflict with native peoples after the American Revolution. -
UC Irvine Electronic Theses and Dissertations
UC Irvine UC Irvine Electronic Theses and Dissertations Title Queering and Qualifying the Wasteland: Network Television, Awards Discourse, and Gay Legitimation in Primetime from 1971-1995 Permalink https://escholarship.org/uc/item/0576m18j Author Kruger-Robbins, Benjamin Publication Date 2019 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA, IRVINE Queering and Qualifying the Wasteland: Network Television, Awards Discourse, and Gay Legitimation in Primetime from 1971-1995 DISSERTATION submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in Visual Studies by Benjamin Kruger-Robbins Dissertation Committee: Associate Professor Victoria E. Johnson, Chair Associate Professor Allison Perlman Professor Jennifer Terry © 2019 Benjamin Kruger-Robbins TABLE OF CONTENTS Page LIST OF FIGURES iii ACKNOWLEDGMENTS v CURRICULUM VITAE vi ABSTRACT OF THE DISSERTATION x INTRODUCTION: GAY UPLIFT FROM THE TELEVISION WASTELAND 1 Taste Cultures and Media Pedagogy 3 Historicizing Quality TV 16 Chapter Summaries 25 CHAPTER 1: AWARDS DISCOURSE AND HISTORIES OF QUALIFICATION 33 The Emmys and Industrial Standards 34 The Golden Globes: Misfit Journalists and Queer Selections 48 The Peabody’s Academic Shifts 57 Conclusion: GLAAD, From Watchdog to Lapdog 66 CHAPTER 2: SUPERIOR PRODUCTIONS ON SENSITIVE TOPICS – ELEVATING 70 1970S GAY PROGRAMMING Mainstreaming Homosexuality in Early 1970s Urban Spheres 72 Dawn of 1970s “Relevance” Programming: -
American Heritage Center
UNIVERSITY OF WYOMING AMERICAN HERITAGE CENTER GUIDE TO ENTERTAINMENT INDUSTRY RESOURCES Child actress Mary Jane Irving with Bessie Barriscale and Ben Alexander in the 1918 silent film Heart of Rachel. Mary Jane Irving papers, American Heritage Center. Compiled by D. Claudia Thompson and Shaun A. Hayes 2009 PREFACE When the University of Wyoming began collecting the papers of national entertainment figures in the 1970s, it was one of only a handful of repositories actively engaged in the field. Business and industry, science, family history, even print literature were all recognized as legitimate fields of study while prejudice remained against mere entertainment as a source of scholarship. There are two arguments to be made against this narrow vision. In the first place, entertainment is very much an industry. It employs thousands. It requires vast capital expenditure, and it lives or dies on profit. In the second place, popular culture is more universal than any other field. Each individual’s experience is unique, but one common thread running throughout humanity is the desire to be taken out of ourselves, to share with our neighbors some story of humor or adventure. This is the basis for entertainment. The Entertainment Industry collections at the American Heritage Center focus on the twentieth century. During the twentieth century, entertainment in the United States changed radically due to advances in communications technology. The development of radio made it possible for the first time for people on both coasts to listen to a performance simultaneously. The delivery of entertainment thus became immensely cheaper and, at the same time, the fame of individual performers grew. -
Weekend Binge: Made-For-TV MOW16 the Love Boat: the Secret Life of Burl Smith Movies Gavin Macleod, Bernie Kopell (1979) - 10A / 4A Comedy T.J
Monday Tuesday Wednesday Thursday Friday Weekend 11/6/17 11/7/17 11/8/17 11/9/17 11/10/17 11/11/17 - 11/12/17 7a / 1p / 7p / 10p Through the Decades 171106 {CC} Through the Decades 171107 {CC} Through the Decades 171108 {CC} Through the Decades 171109 {CC} Through the Decades 171110 {CC} 8a / 2a The Love Boat: A Time for Everything Gavin Macleod, Bernie Kopell (1978) - Gunsmoke I: Return to Dodge Get Smart, Again: The Movie Wild, Wild West Revisited, The Comedy The Pretender 2001 James Arness, Amanda Blake (1987) - Don Adams, Barbara Feldon (1989) - Comedy Robert Conrad, Ross Martin (1980) - Comedy TV-PG {CC} Michael T. Weiss, Andrea Parker (2001) - Drama Western TV-PG {CC} TV-PG {CC} MOW29 TV-PG 1AER00 {CC} TV-PG V {CC} 9a / 3a LIOND034 MOW50 Weekend Binge: Made-for-TV MOW16 The Love Boat: The Secret Life of Burl Smith Movies Gavin Macleod, Bernie Kopell (1979) - 10a / 4a Comedy T.J. Hooker: The Protectors William Shatner, TV-PG {CC} More Wild, Wild West Gunsmoke II: The Last Apache Adrian Zmed (1982) - Drama The Pretender: Island of the Haunted MOW34 Robert Conrad, Ross Martin (1980) - Comedy James Arness, Richard Kiley (1990) - Western TV-PG 00 Michael T. Weiss, Andrea Parker (2001) - Drama TV-PG {CC} TV-PG V {CC} The Love Boat: The Horse Lover TV-PG 2AER00 {CC} 11a / 5a MOW44 MOW17 Gavin Macleod, Bernie Kopell (1980) - Comedy The Mod Squad: The Teeth of the Barracuda TV-PG {CC} 12p / 6a Peggy Lipton, Clarence Williams III (1968) - MOW32 Drama TV-PG 001 {CC} Vega$: The Golden Gate Cop Killer Back to the Streets of San Francisco Gunsmoke -
Janfeb03 (Page 2)
January - February, 2003 50 Years Ago... by Carla Whalen The lot was humming with activity in Allen, Slim Pickens, Eddy Waller, Roy the years 1952 and 1953. Republic Pictures Barcroft, Rod Cameron, Forrest Tucker, owned the facility, continued to produce Harry Carey, Jr., John Agar and Jim Davis; feature films, and was beginning to enter with cowgirls Mary Ellen Kay, Penny into television production. Republic made Edwards, Marjorie Lord, Estelita Rodriguez forty-six features in ’52 and ’53, of which and Gale Storm. The most famous feature twenty six were westerns starring big B- of this two-year period was The Quiet Man movie cowboys Allan "Rocky" Lane, Rex starring John Wayne, Maureen O’Hara, Barry Fitzgerald and Ward Bond. This was shot mostly on distant location in a very rainy Ireland, with the interiors done back here on the lot on what are now Stages #9 and #10. Republic also continued producing the "cliffhanger" serials it was famous for and Bill Williams, Kit Carson produced four 12-episode Chapterplays during 1952-53; Canadian Mounties vs. over three-hundred fifty B-westerns, Atomic Invaders, Radar Men from the Moon, including fifty-six Gene Autry and eighty- Zombies of the Stratosphere and Jungle Drums two Roy Rogers singing cowboy oaters. By of Africa starring Clayton Moore, who was the early 50’s Republic’s production schedule taking a break from his role as "The Lone was the lowest it had been since 1935, and Ranger." Republic produced Commando Cody most shows were shot on location leaving the – Sky Marshal of the Universe as a television stages available to independent producers. -
Programs Magazine
WEEK'S COMPLETE TELEVISION PROGRAMS THE SUNDAY NORTH JERSEY'S ONLY WEEKLY PICTORIAL-. MAGAZINE Clifton East Paterson air Lawn Garfield Haledon Hawthorne L•d• Little Falls Mountain View ß Nerth Haledon Pat.•rson ssaic Por.•pton Lakes Prospect Park S•ga½ Totowa Wayne West Paterson JANUARY 10, 1960 Freeholder Director Frank X. Graves Jr. and Family ¾OL. XXXII, No. 2 WHITE ..d SHAUGER, Inc. A GoodName to Rememberfor !!?i•::..••"/:•'i•"• •+!?•.i/.i•: FURNITURE " l. LivingRoom - BedRoom •. ....•,• i . Dining Room ........... RUGS AND CARPETS A SPECIALTY Quality and Low Price 39 Years Serving the Public 435-S•OHT ST.1i•!•T (Co•rm•20th Ave) PA'rBR•ON, N.J. "The Pi•ee witit the C!oe•' -- MUI• 4-•8M Headquarters for Engaged Couples THE IDEAL PLACE TO DINE AND WINE ITALIAN-AMERICAh•"11•- , J• • • •.,'• ••--'••'-•' -- •--•• SEA.,.c..'"FOOD •d-•.• q ' • -•_ _ •--•' ß BROILED LOBSTER • --DAILY FROGS' I,EG.'•- S•I;'F SHELb CR^•J:,- BLUEFISH - RAINBOW TItOUT - HALIBUT - SALMON - SHIIIM['S- SCALLOPS- OYSTh•HS - CLAM - COD F!•'!! - SWORD FISH - DAILY DINNERS 168 BELMONTAVE. {Cor. Burhans).HALEDON - - - LAmbert 5-9•85 CASTRO'SYEAR- Cuban Premier Fidel Castro, whosemobile face reflects the victories and problems of his regime, will be seen in "Castro's Year of Power" Saturday, Jan. 23 on the NBC- TV Network. The program has been filmed over the past two months by an NBC News camera team of 10 who have examined every phase of Cuban life. The telecast is the first in NBC'8 new "World Wide 60" series of public affairs programs featur- ing Frank McGee as host and covering subjects ranging from P.•*.arctica ta suh.rhi=. -
World's Best (P)HD(CC) CBS 21 News :35 the Late WHPD (21) (L) HD (CC) Atlanta, Ga
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