UC Irvine Electronic Theses and Dissertations
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Juliet Ouyoung 917-528-9764
Feb. 2015 Page #1 of 2 Juliet Ouyoung 917-528-9764 www.jouyoung.com Costume Designer Assistant Costume Designer The Shanghai Hotel 2006 Late Show With David Letterman 2006-2015 Feature / Cornucopia Productions Talk –Variety TV Show \ CBS – Worldwide Pants INC. 2006 Contemporary Drama/ Human Trafficking Fast Paste Sketch Characters \ Comedy Hill Harper, Pei Pei Cheng, Eugenia Yuan Bruce Willis, Steve Martin, Martin Short, Bill Murray,Chris Elliott Jerry Davis, Director Jerry Foley , Director ; Sue Hum, CD Neurotica 2000 Bernard & Doris 2005 Feature / Three Forks Productions Feature / Trigger Street Productions 2000 Contemporary Comedy / Road Trip 1980’s-1990’s Drama / Doris Duke Biopic Brian D’Arcy James, Amy Sedaris Ralph Fiennes, Susan Sarandon Roger Rawlings, Director Bob Balaban, Director ; Joe Aulissi, CD Mob Queen 1997 Copshop 2003 Feature / Etoile Productions Pilot / PBS Television 1956 Comedy / Mafia Meets Transvestite 2003 Contemporary Drama / NYPD - Brothel Tony Sirico, David Proval, Candice Kane Richard Dreyfuss, Rosey Perez, Rita Moreno, Blair Brown Jon Carnoy, Director Anita Addison & Joe Cacaci , director ; Bobby Tilly, CD Harwood 1999 Like Mother Like Son 2002 Feature / Absolutely Legitimate Film MOW / CBS Televison 1999 Contemporary / Sci-fi Thriller 1998 Contemporary Drama / Sente Kimes’ Story Morgan Roberts, Director Mary Tyler Moore, Jean Stapleton Arthur Seidelman, Director; Martin Pakledinaz, CD The Floys Of Neighborly Lane 1998 Deconstructing Harry 1996 Short / Once Upon A Picture Production Feature / Sweetheart Productions -
“I'm Rare As Affordable Health Care...Or Going to Wealth
Media RepresentationsAugust of Poverty 2020 “I’M RARE AS AFFORDABLE HEALTH CARE...OR GOING TO WEALTH FROM WELFARE” * Poverty & Wealth Narratives in Popular Culture INTERIM SUMMARY OF RESEARCH PREPARED FOR: Bill & Melinda Gates Foundation PREPARED BY: USC Annenberg Norman Lear Center Erica L. Rosenthal, Veronica Jauriqui, Shawn Van Valkenburgh, Dana Weinstein, and Emily Peterson *The title of this report comes from lyrics in the song, “Big Bank,” www.learcenter.org by YG, featuring 2 Chainz, Big Sean and Nicki Minaj. Interim Summary of Research TABLE OF CONTENTS 3 INTRODUCTION 6 MERITOCRACY: THE DOMINANT NARRATIVE 10 DEPICTING THE LIMITATIONS OF MERITOCRACY 13 HIGHLIGHTING SYSTEMIC BARRIERS AS THE REASON MERITOCRACY FAILS 16 DISCUSSING THE ROLE OF RACISM 19 SHOWING ALTRUISTIC SOLUTIONS AND RESILIENCE 22 MODELING SYSTEMIC SOLUTIONS 24 TWO CRISES 25 RECOMMENDATIONS FOR STORYTELLERS AND ADVOCATES 28 REFERENCES 32 APPENDIX: METHODOLOGY Interim Summary Report page 2 Interim Summary of Research INTRODUCTION The USC Annenberg Norman Lear Center — with funding from the Bill & Melinda Gates Foundation (the foundation) — is conducting a cultural audit of poverty narratives. A cultural audit is a method of gaining a deeper understanding of priority audiences by understanding the pop culture narratives they consume. The project has two overarching goals. The first is to provide evidence-based insights to the foundation’s Voices for Economic Opportunity grantee cohort, a group of organizations who are designing new narratives of poverty to correct misconceptions and address systemic barriers to mobility. The second is to establish a baseline of existing narratives for longitudinal tracking by Harmony Labs, another foundation grantee. The formative research summarized in this report examines how poverty and wealth are constructed in the pop culture narratives in which media consumers are immersed — specifically scripted TV and film, popular music, and top-selling video games.1 In later stages, the Lear Center will expand this analysis to TV news and unscripted content. -
Fact Or Fiction: Hollywood Looks at the News
FACT OR FICTION: HOLLYWOOD LOOKS AT THE NEWS Loren Ghiglione Dean, Medill School of Journalism, Northwestern University Joe Saltzman Director of the IJPC, associate dean, and professor of journalism USC Annenberg School for Communication Curators “Hollywood Looks at the News: the Image of the Journalist in Film and Television” exhibit Newseum, Washington D.C. 2005 “Listen to me. Print that story, you’re a dead man.” “It’s not just me anymore. You’d have to stop every newspaper in the country now and you’re not big enough for that job. People like you have tried it before with bullets, prison, censorship. As long as even one newspaper will print the truth, you’re finished.” “Hey, Hutcheson, that noise, what’s that racket?” “That’s the press, baby. The press. And there’s nothing you can do about it. Nothing.” Mobster threatening Hutcheson, managing editor of the Day and the editor’s response in Deadline U.S.A. (1952) “You left the camera and you went to help him…why didn’t you take the camera if you were going to be so humane?” “…because I can’t hold a camera and help somebody at the same time. “Yes, and by not having your camera, you lost footage that nobody else would have had. You see, you have to make a decision whether you are going to be part of the story or whether you’re going to be there to record the story.” Max Brackett, veteran television reporter, to neophyte producer-technician Laurie in Mad City (1997) An editor risks his life to expose crime and print the truth. -
ANNUAL REPORT 2015 16 A70 TV Acad Ad.Qxp Layout 1 7/8/16 11:43 AM Page 1
ANNUAL REPORT 2015 16_A70_TV_Acad_Ad.qxp_Layout 1 7/8/16 11:43 AM Page 1 PROUD MEMBER OF »CBS THE TELEVISION ACADEMY 2 ©2016 CBS Broadcasting Inc. MESSAGE FROM THE CHAIRMAN AND CHIEF EXECUTIVE OFFICER AS THE QUANTITY AND QUALITY OF CONTENT HAVE INCREASED in what is widely regarded as television’s second Golden Age, so have employment opportunities for the talented men and women who create that programming. And as our industry, and the content we produce, have become more relevant, so has the relevance of the Television Academy increased as an essential resource for television professionals. In 2015, this was reflected in the steady rise in our membership — surpassing 20,000 for the first time in our history — as well as the expanding slate of Academy-sponsored activities and the heightened attention paid to such high-profile events as the Television Academy Honors and, of course, the Creative Arts Awards and the Emmy Awards. Navigating an industry in the midst of such profound change is both exciting and, at times, a bit daunting. Reimagined models of production and distribution — along with technological innovations and the emergence of new over-the-top platforms — have led to a seemingly endless surge of creativity, and an array of viewing options. As the leading membership organization for television professionals and home to the industry’s most prestigious award, the Academy is committed to remaining at the vanguard of all aspects of television. Toward that end, we are always evaluating our own practices in order to stay ahead of industry changes, and we are proud to guide the conversation for television’s future generations. -
Completeandleft
MEN WOMEN 1. Adam Ant=English musician who gained popularity as the Amy Adams=Actress, singer=134,576=68 AA lead singer of New Wave/post-punk group Adam and the Amy Acuff=Athletics (sport) competitor=34,965=270 Ants=70,455=40 Allison Adler=Television producer=151,413=58 Aljur Abrenica=Actor, singer, guitarist=65,045=46 Anouk Aimée=Actress=36,527=261 Atif Aslam=Pakistani pop singer and film actor=35,066=80 Azra Akin=Model and actress=67,136=143 Andre Agassi=American tennis player=26,880=103 Asa Akira=Pornographic act ress=66,356=144 Anthony Andrews=Actor=10,472=233 Aleisha Allen=American actress=55,110=171 Aaron Ashmore=Actor=10,483=232 Absolutely Amber=American, Model=32,149=287 Armand Assante=Actor=14,175=170 Alessandra Ambrosio=Brazilian model=447,340=15 Alan Autry=American, Actor=26,187=104 Alexis Amore=American pornographic actress=42,795=228 Andrea Anders=American, Actress=61,421=155 Alison Angel=American, Pornstar=642,060=6 COMPLETEandLEFT Aracely Arámbula=Mexican, Actress=73,760=136 Anne Archer=Film, television actress=50,785=182 AA,Abigail Adams AA,Adam Arkin Asia Argento=Actress, film director=85,193=110 AA,Alan Alda Alison Armitage=English, Swimming=31,118=299 AA,Alan Arkin Ariadne Artiles=Spanish, Model=31,652=291 AA,Alan Autry Anara Atanes=English, Model=55,112=170 AA,Alvin Ailey ……………. AA,Amedeo Avogadro ACTION ACTION AA,Amy Adams AA,Andre Agasi ALY & AJ AA,Andre Agassi ANDREW ALLEN AA,Anouk Aimée ANGELA AMMONS AA,Ansel Adams ASAF AVIDAN AA,Army Archerd ASKING ALEXANDRIA AA,Art Alexakis AA,Arthur Ashe ATTACK ATTACK! AA,Ashley -
View / Open Bratslavsky Oregon 0171A 10830
FROM EPHEMERAL TO LEGITIMATE: AN INQUIRY INTO TELEVISION’S MATERIAL TRACES IN ARCHIVAL SPACES, 1950s -1970s by LAUREN MICHELLE BRATSLAVSKY A DISSERTATION Presented to the School of Journalism and Communication and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Doctor of Philosophy September 2013 DISSERTATION APPROVAL PAGE Student: Lauren Michelle Bratslavsky Title: From Ephemeral to Legitimate: An Inquiry into Television’s Material Traces in Archival Spaces, 1950s -1970s This dissertation has been accepted and approved in partial fulfillment of the requirements for the Doctor of Philosophy degree in the School of Journalism and Communication by: Dr. Janet Wasko Chairperson Dr. Carol Stabile Core Member Dr. Julianne Newton Core Member Dr. Daniel Pope Institutional Representative and Kimberly Andrews Espy Vice President for Research and Innovation; Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded September 2013 ii © 2013 Lauren M. Bratslavsky This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs (United States) License. iii DISSERTATION ABSTRACT Lauren Michelle Bratslavsky Doctor of Philosophy School of Journalism and Communication September 2013 Title: From Ephemeral to Legitimate: An Inquiry into Television’s Material Traces in Archival Spaces, 1950s -1970s The dissertation offers a historical inquiry about how television’s material traces entered archival spaces. Material traces refer to both the moving image products and the assortment of documentation about the processes of television as industrial and creative endeavors. By identifying the development of television-specific archives and collecting areas in the 1950s to the 1970s, the dissertation contributes to television studies, specifically pointing out how television materials were conceived as cultural and historical materials “worthy” of preservation and academic study. -
Lee Phillip Bell with the Lifetime the with Bell Phillip Lee Co-Creator Drama Aey of Cademy Bell: Phillip Lee Worker
The National Academy of Television Arts & Sciences presents daytime at nighttime friday, june 15, 2007 Broadcast live on from the Kodak Theatre in Los angeles. Official Partners of the 34th Annual Daytime Entertainment Emmy® Awards The national academy of Television arts & Sciences 111 West 57th Street, Suite 600 new york, ny 10019 • 212.586.8424 • www.emmyonline.tv a messaGe frOm THe PreSidenT COnTents S On behalf of our Chairman Herb Granath and all our Trustees, I ContentsOutstanding Game Show Host 4 would like to congratulate our nominees for their exceptional Outstanding Supporting actress 4 work. The National Academy in a drama Series of Television Arts & Sciences is ward proud to take a leadership role in Outstanding Supporting actor 6 a recognizing pioneers of our past, in a drama Series ® the best of our present, and the next generation of our creative Outstanding Talk Show Host 6 and technical talent. The 34th Annual Daytime Entertainment Outstanding Performer in a Emmy Awards salute all these communities of our prominent Children’s Series 8 mmy membership. e Outstanding younger actress 8 It is with special pleasure that we recognize the legacy of Mike in a drama Series T Douglas and the Bell family, in addition to the extraordinary and continuing achievements of our colleague Jim Lipton. Outstanding younger actor 10 The quality of their contributions is mirrored in that of all our in a drama Series nominees being recognized tonight. In order to make the ceremony possible, we are grateful to our telecast partner CBS, Outstanding Lead actress 10 our colleagues at the Academy of Television Arts & Sciences, in a drama Series and to all our sponsors for making the 34th Annual Daytime Entertainment Emmy Awards a memorable event. -
ZOOM- Press Kit.Docx
PRESENTS ZOOM PRODUCTION NOTES A film by Pedro Morelli Starring Gael García Bernal, Alison Pill, Mariana Ximenes, Don McKellar Tyler Labine, Jennifer Irwin and Jason Priestley Theatrical Release Date: September 2, 2016 Run Time: 96 Minutes Rating: Not Rated Official Website: www.zoomthefilm.com Facebook: www.facebook.com/screenmediafilm Twitter: @screenmediafilm Instagram: @screenmediafilms Theater List: http://screenmediafilms.net/productions/details/1782/Zoom Trailer: www.youtube.com/watch?v=M80fAF0IU3o Publicity Contact: Prodigy PR, 310-857-2020 Alex Klenert, [email protected] Rob Fleming, [email protected] Screen Media Films, Elevation Pictures, Paris Filmes,and WTFilms present a Rhombus Media and O2 Filmes production, directed by Pedro Morelli and starring Gael García Bernal, Alison Pill, Mariana Ximenes, Don McKellar, Tyler Labine, Jennifer Irwin and Jason Priestley in the feature film ZOOM. ZOOM is a fast-paced, pop-art inspired, multi-plot contemporary comedy. The film consists of three seemingly separate but ultimately interlinked storylines about a comic book artist, a novelist, and a film director. Each character lives in a separate world but authors a story about the life of another. The comic book artist, Emma, works by day at an artificial love doll factory, and is hoping to undergo a secret cosmetic procedure. Emma’s comic tells the story of Edward, a cocky film director with a debilitating secret about his anatomy. The director, Edward, creates a film that features Michelle, an aspiring novelist who escapes to Brazil and abandons her former life as a model. Michelle, pens a novel that tells the tale of Emma, who works at an artificial love doll factory… And so it goes.. -
Emmy Award-Winning Actor and Activist Edward Asner to Speak at the University of Dayton on Oct
University of Dayton eCommons News Releases Marketing and Communications 10-4-1993 Emmy Award-Winning Actor and Activist Edward Asner to Speak at the University of Dayton on Oct. 14 Follow this and additional works at: https://ecommons.udayton.edu/news_rls Recommended Citation "Emmy Award-Winning Actor and Activist Edward Asner to Speak at the University of Dayton on Oct. 14" (1993). News Releases. 7806. https://ecommons.udayton.edu/news_rls/7806 This News Article is brought to you for free and open access by the Marketing and Communications at eCommons. It has been accepted for inclusion in News Releases by an authorized administrator of eCommons. For more information, please contact [email protected], [email protected]. 70A(l) The University of Dayton News Release Oct. 4, 1993 Contact: Candace Stuart EMMY AWARD-WINNING ACTOR AND ACTIVIST EDWARD ASNER TO SPEAK AT THE UNIVERSITY OF DAYTON ON OCT. 14 DAYTON, Ohio -- Edward Asner, the acclaimed actor and activist who portrayed the popular TV character Lou Grant on "The Mary Tyler Moore Show" and the dramatic series "Lou Grant," will speak at the University of Dayton at 8 p.m. Thursday, Oct. 14, in the ballroom of the Kennedy Union on campus. The lecture, titled "Morality and Freedom of Speech in the Media," is free and open to the public. As the gruff but good-hearted Lou Grant, Asner symbolized many of the ideals of journalism, both as a no-fluff television producer in the comedy "The Mary Tyler Moore Show" and as an ethical city editor in "Lou Grant." He won five Emmy awards for his Lou Grant portrayals and added two more to his collection for roles in "Rich Man, Poor Man" and "Roots." "I fear the Lou Grants of this world are a dying breed, a species failing to adapt to a rapidly changing environment," Asner wrote in the prologue to Unreliable Sources: A Guide to Detecting Bias in the News Media by journalists Martin Lee and Norman Solomon. -
Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960S and Early 1970S
TV/Series 12 | 2017 Littérature et séries télévisées/Literature and TV series Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960s and early 1970s Dennis Tredy Electronic version URL: http://journals.openedition.org/tvseries/2200 DOI: 10.4000/tvseries.2200 ISSN: 2266-0909 Publisher GRIC - Groupe de recherche Identités et Cultures Electronic reference Dennis Tredy, « Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960s and early 1970s », TV/Series [Online], 12 | 2017, Online since 20 September 2017, connection on 01 May 2019. URL : http://journals.openedition.org/tvseries/2200 ; DOI : 10.4000/tvseries.2200 This text was automatically generated on 1 May 2019. TV/Series est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. Light Shadows: Loose Adaptations of Gothic Literature in American TV Series o... 1 Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960s and early 1970s Dennis Tredy 1 In the late 1960’s and early 1970’s, in a somewhat failed attempt to wrestle some high ratings away from the network leader CBS, ABC would produce a spate of supernatural sitcoms, soap operas and investigative dramas, adapting and borrowing heavily from major works of Gothic literature of the nineteenth and early twentieth century. The trend began in 1964, when ABC produced the sitcom The Addams Family (1964-66), based on works of cartoonist Charles Addams, and CBS countered with its own The Munsters (CBS, 1964-66) –both satirical inversions of the American ideal sitcom family in which various monsters and freaks from Gothic literature and classic horror films form a family of misfits that somehow thrive in middle-class, suburban America. -
2018 Annual Report
Annual Report 2018 Dear Friends, welcome anyone, whether they have worked in performing arts and In 2018, The Actors Fund entertainment or not, who may need our world-class short-stay helped 17,352 people Thanks to your generous support, The Actors Fund is here for rehabilitation therapies (physical, occupational and speech)—all with everyone in performing arts and entertainment throughout their the goal of a safe return home after a hospital stay (p. 14). nationally. lives and careers, and especially at times of great distress. Thanks to your generous support, The Actors Fund continues, Our programs and services Last year overall we provided $1,970,360 in emergency financial stronger than ever and is here for those who need us most. Our offer social and health services, work would not be possible without an engaged Board as well as ANNUAL REPORT assistance for crucial needs such as preventing evictions and employment and training the efforts of our top notch staff and volunteers. paying for essential medications. We were devastated to see programs, emergency financial the destruction and loss of life caused by last year’s wildfires in assistance, affordable housing, 2018 California—the most deadly in history, and nearly $134,000 went In addition, Broadway Cares/Equity Fights AIDS continues to be our and more. to those in our community affected by the fires and other natural steadfast partner, assuring help is there in these uncertain times. disasters (p. 7). Your support is part of a grand tradition of caring for our entertainment and performing arts community. Thank you Mission As a national organization, we’re building awareness of how our CENTS OF for helping to assure that the show will go on, and on. -
Marlon Riggs Papers, 1957-1994 M1759
http://oac.cdlib.org/findaid/ark:/13030/kt8v19s4ch No online items Marlon Riggs Papers, 1957-1994 M1759 Finding aid prepared by Lydia Pappas Department of Special Collections and University Archives Green Library 557 Escondido Mall Stanford, California, 94305-6064 [email protected] 2011-12-05 Marlon Riggs Papers, 1957-1994 M1759 1 M1759 Title: Marlon Riggs Papers Identifier/Call Number: M1759 Contributing Institution: Department of Special Collections and University Archives Language of Material: English Physical Description: 112.0 Linear feet(37 manuscript boxes, 5 half-boxes, 3 card boxes, 34 flat boxes, 28 cartons, 1 oversize box) Date (inclusive): 1957-1994 Abstract: This collection documents the life and career of the documentary director, Marlon Troy Riggs, 1957-1994. The majority of the materials in the Collection are from the period between 1984 and Riggs' death in 1994, the decade of his concentrated film-making activity, as well as some more personal materials from the late 1970s onwards. The papers include correspondence, manuscripts, subject files, teaching files, project files, research, photographs, audiovisual materials, personal and biographical materials created and compiled by Riggs. General Physical Description note: Audio/Visual material housed in 90 cartons containing: 16 Film reels, 149 VHS videotapes, 437 Umatic videotapes, 602 Betacam videotapes, 50 Digibeta videotapes, I Betamax videotape, 1 D8 tape, 6 micro cassette tapes, 2 DARS tapes, 14 Hi-8 tapes, 10 DAT tapes, 8 reels 2inch video, 27 reels 1inch video, 49 DVDs, 108 audio cassettes, 48 audio reels, 2 compact discs; Computer Media: 1 floppy disc 8inch, 171 floppy discs 5.25inch, 190 3.5-inch floppy discs, and papers housed in 77 boxes, 62 flat boxes, and 11 half boxes.