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“I'm Rare As Affordable Health Care...Or Going to Wealth
Media RepresentationsAugust of Poverty 2020 “I’M RARE AS AFFORDABLE HEALTH CARE...OR GOING TO WEALTH FROM WELFARE” * Poverty & Wealth Narratives in Popular Culture INTERIM SUMMARY OF RESEARCH PREPARED FOR: Bill & Melinda Gates Foundation PREPARED BY: USC Annenberg Norman Lear Center Erica L. Rosenthal, Veronica Jauriqui, Shawn Van Valkenburgh, Dana Weinstein, and Emily Peterson *The title of this report comes from lyrics in the song, “Big Bank,” www.learcenter.org by YG, featuring 2 Chainz, Big Sean and Nicki Minaj. Interim Summary of Research TABLE OF CONTENTS 3 INTRODUCTION 6 MERITOCRACY: THE DOMINANT NARRATIVE 10 DEPICTING THE LIMITATIONS OF MERITOCRACY 13 HIGHLIGHTING SYSTEMIC BARRIERS AS THE REASON MERITOCRACY FAILS 16 DISCUSSING THE ROLE OF RACISM 19 SHOWING ALTRUISTIC SOLUTIONS AND RESILIENCE 22 MODELING SYSTEMIC SOLUTIONS 24 TWO CRISES 25 RECOMMENDATIONS FOR STORYTELLERS AND ADVOCATES 28 REFERENCES 32 APPENDIX: METHODOLOGY Interim Summary Report page 2 Interim Summary of Research INTRODUCTION The USC Annenberg Norman Lear Center — with funding from the Bill & Melinda Gates Foundation (the foundation) — is conducting a cultural audit of poverty narratives. A cultural audit is a method of gaining a deeper understanding of priority audiences by understanding the pop culture narratives they consume. The project has two overarching goals. The first is to provide evidence-based insights to the foundation’s Voices for Economic Opportunity grantee cohort, a group of organizations who are designing new narratives of poverty to correct misconceptions and address systemic barriers to mobility. The second is to establish a baseline of existing narratives for longitudinal tracking by Harmony Labs, another foundation grantee. The formative research summarized in this report examines how poverty and wealth are constructed in the pop culture narratives in which media consumers are immersed — specifically scripted TV and film, popular music, and top-selling video games.1 In later stages, the Lear Center will expand this analysis to TV news and unscripted content. -
Marlon Riggs Papers, 1957-1994 M1759
http://oac.cdlib.org/findaid/ark:/13030/kt8v19s4ch No online items Marlon Riggs Papers, 1957-1994 M1759 Finding aid prepared by Lydia Pappas Department of Special Collections and University Archives Green Library 557 Escondido Mall Stanford, California, 94305-6064 [email protected] 2011-12-05 Marlon Riggs Papers, 1957-1994 M1759 1 M1759 Title: Marlon Riggs Papers Identifier/Call Number: M1759 Contributing Institution: Department of Special Collections and University Archives Language of Material: English Physical Description: 112.0 Linear feet(37 manuscript boxes, 5 half-boxes, 3 card boxes, 34 flat boxes, 28 cartons, 1 oversize box) Date (inclusive): 1957-1994 Abstract: This collection documents the life and career of the documentary director, Marlon Troy Riggs, 1957-1994. The majority of the materials in the Collection are from the period between 1984 and Riggs' death in 1994, the decade of his concentrated film-making activity, as well as some more personal materials from the late 1970s onwards. The papers include correspondence, manuscripts, subject files, teaching files, project files, research, photographs, audiovisual materials, personal and biographical materials created and compiled by Riggs. General Physical Description note: Audio/Visual material housed in 90 cartons containing: 16 Film reels, 149 VHS videotapes, 437 Umatic videotapes, 602 Betacam videotapes, 50 Digibeta videotapes, I Betamax videotape, 1 D8 tape, 6 micro cassette tapes, 2 DARS tapes, 14 Hi-8 tapes, 10 DAT tapes, 8 reels 2inch video, 27 reels 1inch video, 49 DVDs, 108 audio cassettes, 48 audio reels, 2 compact discs; Computer Media: 1 floppy disc 8inch, 171 floppy discs 5.25inch, 190 3.5-inch floppy discs, and papers housed in 77 boxes, 62 flat boxes, and 11 half boxes. -
The Norman Conquest: the Style and Legacy of All in the Family
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Boston University Institutional Repository (OpenBU) Boston University OpenBU http://open.bu.edu Theses & Dissertations Boston University Theses & Dissertations 2016 The Norman conquest: the style and legacy of All in the Family https://hdl.handle.net/2144/17119 Boston University BOSTON UNIVERSITY COLLEGE OF COMMUNICATION Thesis THE NORMAN CONQUEST: THE STYLE AND LEGACY OF ALL IN THE FAMILY by BAILEY FRANCES LIZOTTE B.A., Emerson College, 2013 Submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts 2016 © 2016 by BAILEY FRANCES LIZOTTE All rights reserved Approved by First Reader ___________________________________________________ Deborah L. Jaramillo, Ph.D. Assistant Professor of Film and Television Second Reader ___________________________________________________ Michael Loman Professor of Television DEDICATION This thesis is dedicated to Jean Lizotte, Nicholas Clark, and Alvin Delpino. iv ACKNOWLEDGMENTS First, I’m exceedingly thankful for the guidance and patience of my thesis advisor, Dr. Deborah Jaramillo, whose investment and dedication to this project allowed me to explore a topic close to my heart. I am also grateful for the guidance of my second reader, Michael Loman, whose professional experience and insight proved invaluable to my work. Additionally, I am indebted to all of the professors in the Film and Television Studies program who have facilitated my growth as a viewer and a scholar, especially Ray Carney, Charles Warren, Roy Grundmann, and John Bernstein. Thank you to David Kociemba, whose advice and encouragement has been greatly appreciated throughout this entire process. A special thank you to my fellow graduate students, especially Sarah Crane, Dani Franco, Jess Lajoie, Victoria Quamme, and Sophie Summergrad. -
Panelist Bios
PANELIST BIOGRAPHIES CATE ADAIR Catherine Adair was born in England, spent her primary education in Switzerland, and then returned to the UK where she earned her degree in Set & Costume Design from the University of Nottingham. After a series of apprenticeships in the London Theater, Catherine immigrated to the United States where she initially worked as a costume designer in East Coast theater productions. Her credits there include The Kennedy Center, Washington Ballet, Onley Theater Company, The Studio and Wolf Trap. Catherine then moved to Los Angeles, joined the West Coast Costume Designers Guild, and started her film and television career. Catherine’s credits include The 70s mini-series for NBC; The District for CBS; the teen film I Know What You Did Last Summer and Dreamworks’ Win a Date with Tad Hamilton. Currently Catherine is the costume designer for the new ABC hit series Desperate Housewives. ROSE APODACA As the West Coast Bureau Chief for Women's Wear Daily (WWD) and a contributor to W, Rose Apodaca and her team cover the fashion and beauty industries in a region reaching from Seattle to Las Vegas to San Diego, as well as report on the happenings in Hollywood and the culture-at-large. Apodaca is also instrumental in the many events and related projects tied to WWD and the fashion business in Los Angeles, including the establishment of LA Fashion Week, and has long been a champion of the local design community. Before joining Fairchild Publications in June 2000, Apodaca covered fashion and both popular and counter culture for over a decade for the Los Angeles Times, USA Today, Sportswear International, Detour, Paper and others. -
SCAN Rethink Aging 11 17 17
RETHINK AGING Key Findings from Rethink Aging Original Content Videos A Report to The SCAN Foundation November 2017 Hollywood, Health & Society | The Norman Lear Center Annenberg School for Communication and Journalism University of Southern California PREPARED BY Lauren A. Cafferty, M.A. Research Analyst Erica L. Rosenthal, Ph.D. Senior Research Associate EXECUTIVE SUMMARY From an early age, entertainment influences the way we think about the world. We adopt stereotypes that can stay with us past childhood and influence future interactions. The way in which society views aging and older adults has relevance to every individual. However, entertainment portrayals of older adults are often misleading and misrepresentative. While older adults account for a large portion of regular TV viewers, the proportion of screen time they represent does not reflect that reality. With funding from the SCAN Foundation and in collaboration with Next Avenue, Hollywood, Health & Society (HH&S) is working to change cultural narratives around aging. HH&S developed two original videos—The Entrepreneur and The Student—challenging individuals of all ages to reconsider their attitudes and beliefs about aging. This report outlines findings from an experimental study investigating the impact of each of these videos on attitudes towards aging across different demographic groups. Three samples were recruited through Qualtrics panels: young adults age 18-35 (N = 153), adults age 50-65 (N = 155), and hiring managers (N = 156). Within each sample, participants were randomly assigned to view one of the two short videos or an article from NextAvenue.com on aging with dignity. For the two age-based samples, there were relatively minimal differences between the three experimental conditions. -
2010 Annual Report
2010 ANNUAL REPORT Table of Contents Letter from the President & CEO ......................................................................................................................5 About The Paley Center for Media ................................................................................................................... 7 Board Lists Board of Trustees ........................................................................................................................................8 Los Angeles Board of Governors ................................................................................................................ 10 Media Council Board of Governors ..............................................................................................................12 Public Programs Media As Community Events ......................................................................................................................14 INSIDEMEDIA Events .................................................................................................................................14 PALEYDOCFEST ......................................................................................................................................20 PALEYFEST: Fall TV Preview Parties ...........................................................................................................21 PALEYFEST: William S. Paley Television Festival ......................................................................................... 22 Robert M. -
Reverendly Speaking
St. Andrew's Episcopal Church Honoring the Past — Embracing the Future! Downtown Tampa, Florida May 2018 Reverendly Speaking (Peter addressed the people), “Repent therefore, and turn to God so that your sins may be wiped out, so that times of refreshing may come from the presence of the Lord.” —Acts 3:19 Dear People of St. Andrew’s, Sexual abuse scandals have been hitting the political, media and entertainment industries left and right lately. Big names are involved - Harvey Weinstein, Al Franken, Charlie Rose, Louis C.K., Matt Lauer, Dustin Hoffman, Kevin Spacey and others. Many of those implicated or accused have admitted wrongdoing and offered some sort of apology. But, there are apolo- gies, and there are apologies. Let’s begin by going back to Archie Bunker. If you’re of the Boomer generation or older, you remember Norman Lear’s groundbreaking 1970s television sitcom, “All in the Family.” Every Saturday night at 8pm, my parents and I would turn the TV knob (yes, the ‘knob’) to CBS (Channel 2 in New York City) and watch Carroll O’Connor and Jean Stapleton play Archie and Edith Bunker, a husband and wife duo known for Archie’s outbursts and Edith’s compliant behavior. In one scene, Amelia, a cousin of Edith’s, comments on Archie and Edith’s marriage: “Of all the people I know, you’re practically the only one who has a happy marriage.” “Really? Me and Archie? Oh, thank you.” “What’s your secret, Edith?” “Oh, I ain’t got no secret. Archie and me still have our fights. -
FOR IMMEDIATE RELEASE: July 17, 2020
FOR IMMEDIATE RELEASE: July 17, 2020 CONTACT: Erin Clarke, [email protected], 347-831-1096 Megan Douglas, [email protected], 347-793-2211 Jane Alexander, Viola Davis, America Ferrera, Rita Moreno, Zoe Saldana and Meryl Streep to Portray Sojourner Truth, Susan B. Anthony & Elizabeth Cady Stanton in ‘Talking Statues’ Monologue to Accompany First Statue of Real Women Set to Be Unveiled in Central Park on August 26, 2020 by Monumental Women. Actors Voice Women’s Rights Pioneers in English and Spanish-Language Monologues. New York, NY – Today Monumental Women, the all-volunteer nonprofit group bringing the first statue depicting real women to Central Park, is pleased to announce that award-winning actors Jane Alexander, Viola Davis, America Ferrera, Rita Moreno, Zoe Saldana and Meryl Streep will portray Sojourner Truth, Susan B. Anthony and Elizabeth Cady Stanton in English and Spanish-Language ‘Talking Statues’ monologues that will accompany the Women’s Rights Pioneers Monument. The Monument featuring Truth, Anthony and Stanton is set to be unveiled on Central Park’s Literary Walk on August 26, 2020, the centennial anniversary of the th ratification of the 19 Amendment, when women won the right to vote. Actors Jane Alexander and America Ferrera will voice Susan B. Anthony, Viola Davis and Zoe Saldana will voice Sojourner Truth, and Meryl Streep and Rita Moreno will voice Elizabeth Cady Stanton. Monumental Women began working to develop the Women’s Rights Pioneers Monument and “break the bronze ceiling” by securing a prominent location on Central Park’s famed Literary Walk in 2014. The organization raised $1.5 million in private funding to pay for the statue, which is being designed by nationally-recognized sculptor Meredith Bergmann. -
Africa in the Media
January 2019 By Johanna Blakley, Adam Amel Rogers, Erica Watson-Currie and Kristin (Eun Jung) Jung TABLE OF CONTENTS INTRODUCTION 3 SUMMARY OF KEY FINDINGS 6 TELEVISION FINDINGS 6 TWITTER FINDINGS 7 CROSSCUTTING FINDINGS 8 AFRICA ON TELEVISION 9 NUMBER OF MENTIONS 9 TYPES OF MENTIONS 10 AFRICA IN SCRIPTED ENTERTAINMENT 12 TYPES OF ENTERTAINMENT DEPICTIONS 12 SENTIMENT OF DEPICTIONS 14 AFRICAN CHARACTERS AND PERSONALITIES 23 AFRICA ON TWITTER 26 VOLUME OF TWEETS 27 SENTIMENT TOWARD AFRICA 28 BLACK PANTHER ON TV AND TWITTER 37 CONCLUSION AND RECOMMENDATIONS 42 METHODOLOGY 45 APPENDIX 48 ABOUT US 51 AFRICA NARRATIVE | USC LEAR CENTER Africa in the Media INTRODUCTION THE AFRICA NARRATIVE, WHICH IS BASED AT THE that provide a counterpoint showing the success, diversity, Norman Lear Center at the USC Annenberg School for Com- opportunity and vibrancy of Africa — its emerging middle munication and Journalism, was established to create great- class; technology and innovation; solutions-driven culture; er public knowledge and understanding of and engagement growing economies and democracies; and talent in the ar- with Africa through research, creative communications cam- eas of the arts and entertainment, technology, business and paigns and collaborations with private, public and non-profit government. partners. Even when the coverage of Africa was, on its surface, posi- Recognizing the pivotal role of media and entertainment in tive, it was described as often glib, simplistic, predictable, shaping perceptions and opinions of Africa and African peo- and sometimes sensationalist or extreme, at the expense of ple, Africa in the Media is the Africa Narrative’s inaugural re- showcasing regular voices and stories of Africa. -
The Audiences and Fan Memories of I Love Lucy, the Dick Van Dyke Show, and All in the Family
Viewers Like You: The Audiences and Fan Memories of I Love Lucy, The Dick Van Dyke Show, and All in the Family Mollie Galchus Department of History, Barnard College April 22, 2015 Professor Thai Jones Senior Thesis Seminar 1 Table of Contents Acknowledgements..........................................................................................................................3 Introduction......................................................................................................................................4 Chapter 1: I Love Lucy: Widespread Hysteria and the Uniform Audience...................................20 Chapter 2: The Dick Van Dyke Show: Intelligent Comedy for the Sophisticated Audience.........45 Chapter 3: All in the Family: The Season of Relevance and Targeted Audiences........................68 Conclusion: Fan Memories of the Sitcoms Since Their Original Runs.........................................85 Bibliography................................................................................................................................109 2 Acknowledgments First, I’d like to thank my thesis advisor, Thai Jones, for guiding me through the process of writing this thesis, starting with his list of suggestions, back in September, of the first few secondary sources I ended up reading for this project, and for suggesting the angle of the relationship between the audience and the sitcoms. I’d also like to thank my fellow classmates in the senior thesis seminar for their input throughout the year. Thanks also -
UC Irvine Electronic Theses and Dissertations
UC Irvine UC Irvine Electronic Theses and Dissertations Title Queering and Qualifying the Wasteland: Network Television, Awards Discourse, and Gay Legitimation in Primetime from 1971-1995 Permalink https://escholarship.org/uc/item/0576m18j Author Kruger-Robbins, Benjamin Publication Date 2019 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA, IRVINE Queering and Qualifying the Wasteland: Network Television, Awards Discourse, and Gay Legitimation in Primetime from 1971-1995 DISSERTATION submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in Visual Studies by Benjamin Kruger-Robbins Dissertation Committee: Associate Professor Victoria E. Johnson, Chair Associate Professor Allison Perlman Professor Jennifer Terry © 2019 Benjamin Kruger-Robbins TABLE OF CONTENTS Page LIST OF FIGURES iii ACKNOWLEDGMENTS v CURRICULUM VITAE vi ABSTRACT OF THE DISSERTATION x INTRODUCTION: GAY UPLIFT FROM THE TELEVISION WASTELAND 1 Taste Cultures and Media Pedagogy 3 Historicizing Quality TV 16 Chapter Summaries 25 CHAPTER 1: AWARDS DISCOURSE AND HISTORIES OF QUALIFICATION 33 The Emmys and Industrial Standards 34 The Golden Globes: Misfit Journalists and Queer Selections 48 The Peabody’s Academic Shifts 57 Conclusion: GLAAD, From Watchdog to Lapdog 66 CHAPTER 2: SUPERIOR PRODUCTIONS ON SENSITIVE TOPICS – ELEVATING 70 1970S GAY PROGRAMMING Mainstreaming Homosexuality in Early 1970s Urban Spheres 72 Dawn of 1970s “Relevance” Programming: -
Case Study 2 from Shellfish to Seaweed
Farmer Veterans and Small Scale Fisheries John Adams Sound Fresh Clams and Oysters Washington Chapter, Farmer Veteran Coalition This is the story so far: Continue to improve together 2 11/21/19 WA Farmer Veteran Coalition Supporting the veterans and family members engaged in agricultural pursuits 3 11/21/19 Why farming works for me • Constant challenge • Growing food • Mental health 4 11/21/19 Tides Respiration of the estuary 5 11/21/19 Our Seagreen Project • Pickleweed/ sea beans (Salicornia) • Jaumea carnosa 6 11/21/19 Seafood Supply Farmer Chain Buyer Processor Where is your Distributor margin? Retail Consumer 7 11/21/19 Habitat Trends Ocean Acidification (pH/chemistry change) Sea Level Rise (shifts intertidal stratification) Ocean Temperature (disrupts metabolism, ecosystem timing) Climate Events. Rainfall, wind, sun, cold, drought Frequency, severity duration 8 11/21/19 Ocean Acidification Trophic system creates ripples of tertiary effects 9 11/21/19 Business Models Scale Value based Agritourism (10-50%) Restoration Aquaculture Composite models are best 10 11/21/19 Agri- tourism Facilitates self discovery of food Helps connect food with place and environment Fully Engages senses 11 11/21/19 Seaweed is Food Experience level of target market in product knowledge and food prep expertise Need for translation to market 12 11/21/19 Farming and Resilience Purpose: 40- 70% of small businesses do not survive 13 11/21/19 Resilience • Identify single points of failure • Assess your risks, hazards and vulnerabilities • Identify critical resources • Contingency business planning • Prepare. Reduce risks or vulnerabilities, build surplus, rehearse plan • Develop collaborative network. 14 11/21/19 Questions? John Adams Sound Fresh Clams and Oysters [email protected] 15 11/21/19 Washington Sea Grant Seaweed farming workshop webinar 20 November, 2019 Case study #2 – Patriot Shellfish Farms/Blue Greens co.