Jun 10, 1977, Vol. 05 No. E-11
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CINERAMA: the First Really Big Show
CCINEN RRAMAM : The First Really Big Show DIVING HEAD FIRST INTO THE 1950s:: AN OVERVIEW by Nick Zegarac Above left: eager audience line ups like this one for the “Seven Wonders of the World” debut at the Cinerama Theater in New York were short lived by the end of the 1950s. All in all, only seven feature films were actually produced in 3-strip Cinerama, though scores more were advertised as being shot in the process. Above right: corrected three frame reproduction of the Cypress Water Skiers in ‘This is Cinerama’. Left: Fred Waller, Cinerama’s chief architect. Below: Lowell Thomas; “ladies and gentlemen, this is Cinerama!” Arguably, Cinerama was the most engaging widescreen presentation format put forth during the 1950s. From a visual standpoint it was the most enveloping. The cumbersome three camera set up and three projector system had been conceptualized, designed and patented by Fred Waller and his associates at Paramount as early as the 1930s. However, Hollywood was not quite ready, and certainly not eager, to “revolutionize” motion picture projection during the financially strapped depression and war years…and who could blame them? The standardized 1:33:1(almost square) aspect ratio had sufficed since the invention of 35mm celluloid film stock. Even more to the point, the studios saw little reason to invest heavily in yet another technology. The induction of sound recording in 1929 and mounting costs for producing films in the newly patented 3-strip Technicolor process had both proved expensive and crippling adjuncts to the fluidity that silent B&W nitrate filming had perfected. -
Our Right to Pursue Happiness
UFCW Official Publication of Local 1167, United Food and Commercial Workers Union July 2010 Boron miners ratify contract ending bitter labor dispute President ’s r ePort iners in Boron, Calif., who “I think we got a really, really good Our right to had been locked out of contract,” Local 30 member Kevin their jobs for three and a Martz told the Bakersfield Californian M half months returned to after the ratification vote. pursue happiness work on May 24 after voting to rati - The bitter labor dispute pitted 560 fy a six-year labor contract. union workers at the world’s second- year ago, while writing The agreement, approved on May largest borax mine against the Rio about the freedoms we 15 by 75 percent of the voting mem - Tinto Group, a British-Australian celebrate on Independence bers of International Longshore and conglomerate that had demanded Day, I referred to the tur - Warehouse Union Local 30, includes drastic concessions in benefits and A moil in Iran, where thousands of a $5,000 signing bonus and wage working conditions. people took to the streets to increases of 2.5 percent a year, in On Jan. 31, immediately after the protest a rigged election. addition to seniority protections and mine workers rejected Rio Tinto’s As if we needed a reminder, other workplace guarantees. Please see page 3 those protests dramatized how millions around the globe sorely wish they had the freedoms we Our next Quarterly Membership Meeting take for granted. Wednesday, Sept. 22, 2010 The streets of Teheran, Iran’s the meeting will start at 7 p.m. -
DFHS Summer 2012
DOBBS FERRY HISTORICAL SOCIETY Fostering an awareness and appreciation for the history of Dobbs Ferry and all the people, noted and humble, who transmitted the good things of the past The to the present and the future. Would you please be our Treasures in the attic - Ferryman“Friend”? Fanny Garrison His Father’s and in our archives Villard son Have you seen our Facebook A simple question leads Your marching orders page yet? Dobbs Ferry’s own This Our 7th annual Road to Did you know us on a hunt and yields remarkable that Mike Todd Denise Wilson has done a two pictures that reveal Freedom March which traces fabulous job of posting woman called the steps of General George Jr. (left) and his a historic treasure that Dobbs Ferry father, both interesting and entertaining still exists in Dobbs Washington and the tidbits about the history of home. The daughter of an Continental Army in the famous movie producers from Ferry today. You American Abolitionist, and the 1960’s, made their homes Dobbs Ferry for all to enjoy. probably have summer of 1781 - will take Check it out! wife of a tycoon, she co- place on Sunday, August in the Rivertowns? Learn wondered what it was. founded two organizations more about these interesting Would you be able to 19th rain or shine! Our that changed and improved special program this year men as different as night and recognize it? the lives of millions. day! Pages 6 & 7 includes a concert. Pages 4 & 5 Page 8 Pages 1, 2 & 3 Volume XXV, Issue No 2 Summer 2012 FATHER & SON, THE TWO MIKE TODDS For flamboyant producer Mike Todd, Sr., only the purchase of a showplace estate in Irvington-on-Hudson, plus marriage to famous actress Joan Blondell (and later to actress Elizabeth Taylor), could satisfy his appetite for grandiose display. -
Uptown Theater Nomination
GOVERNMENT OF THE DISTRICT OF COLUMBIA HISTORIC PRESERVATION OFFICE HISTORIC PRESERVATION REVIEW BOARD APPLICATION FOR HISTORIC LANDMARK OR HISTORIC DISTRICT DESIGNATION New Designation __X___ Amendment of a previous designation _____ Please summarize any amendment(s) _______________________________________________ Property Name: Uptown Theater______________________________________ If any part of the interior is being nominated, it must be specifically identified and described in the narrative statements. Address 3426 Connecticut Avenue NW Washington, DC 20008 Square and lot number(s) Square 2069, Lot 0816 Affected Advisory Neighborhood Commission 3C Date of Construction: 1936 Date of major alteration(s) _______ Architect(s) _John J. Zink Architectural style(s): Moderne Original use Theater Present use Vacant/Not in Use Property owner Circle Management Company_____________________ ____________________ Legal address of property owner 4018 Brandywine Street NW Washington, DC 20016-1844 NAME OF APPLICANT(S) DC Preservation League and Cleveland Park Historical Society ___ If the applicant is an organization, it must submit evidence that among its purposes is the promotion of historic preservation in the District of Columbia. A copy of its charter, articles of incorporation, or by-laws, setting forth such purpose, will satisfy this requirement. Address/Telephone of applicant(s) 1221 Connecticut Avenue. NW Suite 5A, Washington, DC 200036; 202-783-5144 and P.O. Box 4862 Washington, DC 20008 Name and title of authorized representative: Rebecca Miller, Executive Director, DCPL and Rick Nash, President, Board of Directors, Cleveland Park Historical Society___________________ Signature of applicant representative: ______________________________ Date: 10/29/20 Signature of applicant representative: Date: 10/29/20 Name and telephone of author of application DC Preservation League 202-783-5144; Cleveland Park Historical Society 202-237-5241 Date received ___________ H.P.O. -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability. -
With Recent Appearances in Jackass, the Bonnie Hunt Show and Next in Rob Reiner's New Movie Alex and Emma, the Legendary King Of
With recent appearances in JackAss, The Bonnie Hunt Show and next in Rob Reiner's new movie Alex and Emma, the legendary King of Confetti, Rip Taylor, has been introduced to a new generation of fans, which is another reason he has a star on Hollywood Boulevard for movies, film and television. Although most of his new admirers don't realize it, Rip Taylor has dazzled audiences worldwide in a career that has spanned over forty years. A master of comedic timing and consummate showman, Rip has headlined in Las Vegas, appeared on hundreds of television shows, played the lead in various plays and musicals, and frequently taken a dramatic turn in feature films. It is no exaggeration to say that Rip Taylor has succeeded in every facet of the entertainment industry. The phenomenon that is Rip Taylor began when Ed Sullivan could not remember the young comedian's name; he introduced Rip as "The Crying Comedian." Ed Sullivan accidentally stumbled upon Rip's niche, and after that appearance Rip found himself booked solid for months. This taught the young performer the importance of having a memorable hook. Bright costumes, outrageous props, wacky wigs and colorful confetti soon followed - and Rip Taylor became a pop culture sensation. Rip is one of television's most recognizable celebrities. A guest star with over 2 ,000 television appearances under his belt, Rip brought his wild energy to The G ong Show, Password, The Merv Griffin Show, The Mike Douglas Show, T he Tonight Show, Late Night with David Letterman and to the coveted c enter square on Hollywood Squares. -
Itfiomm CARPET SALE INDIA PRINTS W New Snow Due in State
' • 7 i. '■;v N t I N i-'S* ,1 .1 ■} MGNDAY, FEBRUARY 17, 1961 . PAGE SIXTEEN . L. ATcrage Dally Net Preaa R ub The Weather jHanrljirHtpr Itirn tn g HrraUk .For the W e^ Ended Ferecoet of V. S. Weather Boreoe. February 18, 1958 Fair, continued very eoid to Group C of: the Center Congrega ertie#, political democracy, minori night. Low dero t « 5 below U tional Church will meet tomorrow No' Skating ty right# and human dignity, 12,635 citim,’ down to 15 below in ruml About Town Foi^Qrashes AJC ta Hear Schuman Is the aulhor of many r nf^ht in the Robbins Room of the nreoe. Wedneedoy net quite oe church. The Rev. R. Ruaaell Peery articles and books. Among the. SAVE ANYTIME! Member ef the Audit cold. High 15-30. ' The Profe»*tonal -Women'* Club No ice skating until further works he has authored are “The Bureau ef OIrenIntloa will J>e. the speaker. Dessert will notice, the Park Department an Author Speak AFTE R W'ORK . or while Manchester— A City of VUlaffe Charm . will meet tomorrow nlRht at 8 be served at 7:30 by Mrs. Frank During Storm Conimonwealth of Man," "Night shopping. o'clock at the Center Church. Mil- nounced today. Ov?r Europe," "The Conduct of Fairweather and her committee. Closed are' Center Springs ton Stocking of th«{ Connecticut Four mutomobile accident* In Frederick L. Schuman, author, German Foreign Policy," and, OPEN V V n L 5 P.M. Monday* Pond, Center Spring* Annex journalist, world-traveler and TuMdays, Fridays. -
Hollywood & Television
Hollywood & Television Network TV in the US 1947-- Color • Differentiating the Theatrical Product • Herbert Kalmus & Technicolor • 3 Strip Technicolor 1950 Eastmancolor • Eastmancolor negative monopak film • 1967 All color films • 1969 TV full color • Chemical Eastmancolor fades • Dye transfer Technicolor prints (1934-1974) & B&W negatives do not fade Cinerama 1952-1962 • 1952 Sept THIS IS CINERAMA • 1955 CINERAMA HOLIDAY • 1962 WONDERFUL WORLD OF THE BROTHERS GRIMM • 1962 HOW THE WEST WAS WON 3D Film • 1951 BWANA DEVIL • 1953 HOUSE OF WAX • 1954 DIAL M FOR MURDER Widescreen • Anamorphic lens • CinemaScope • Aspect Ratio • 1:37 to 1 • Academy Ratio • 2.35 to 1 • 1.85 to 1 •20th Century Fox • 1953 THE ROBE 70mm Film Stereophonic Sound • 1955 Mike Todd, Todd AO • 70mm release prints • Super Panavision • Paramount’s VistaVision • Magnetic Recording • High Fidelity Stereophonic Sound Blockbusters • Frozen foreign profits • casts of 1000’s, exotic locations • Event releases • Roadshows and long runs The Production Code & Adult Content • Geoffrey Shurlock -- MPAA • 1951 The MIRACLE decision • 1953 THE MOON IS BLUE • 1955 MAN WITH A GOLDEN ARM • 1966 End of the Production Code MPAA Ratings Board • 1966 Jack Valenti 1921-2007 • Motion Picture Association of America • 1968 Ratings G, PG, R, X • 1969 MIDNIGHT COWBOY • 1972 DEEP THROAT •PG-13 • NC-17 • 2005 Dan Glickman The Youth Audience • 1953 THE WILD ONE • 1955 REBEL WITHOUT A CAUSE • 1956 BLACKBOARD JUNGLE • 1957 Elvis Presley & Hal Wallis • 1963 A HARD DAY’S NIGHT Teen Exploitation Films • American International Pictures • Roger Corman The Drive-In • 1932 First Drive-In • 1958 4000 Drive-Ins Southern California Drive-Ins • 107 So. -
Kent Garvey Photographs, Circa 1970-2000 Coll2012-043
http://oac.cdlib.org/findaid/ark:/13030/c8jq0zdp No online items Finding aid to the Kent Garvey photographs, circa 1970-2000 Coll2012-043 John Thompson, Kyle Morgan, and Loni Shibuyama ONE Archives at the USC Libraries, University of Southern California © 2012, revised 2021 909 West Adams Boulevard Los Angeles, California 90007 [email protected] URL: http://one.usc.edu Finding aid to the Kent Garvey Coll2012-043371 1 photographs, circa 1970-2000 Coll2012-043 Contributing Institution: ONE Archives at the USC Libraries, University of Southern California Title: Kent Garvey photographs Creator: Garvey, Kent Identifier/Call Number: Coll2012-043 Identifier/Call Number: 371 Physical Description: 5.9 Linear Feet7 boxes. Date (inclusive): 1970-2000 Abstract: Slides, contact sheets, negatives, photographic prints, and papers, circa 1970-2000, from photojournalist Kent Garvey, whose photographs appeared in gay and lesbian newspapers such as the Advocate and Update. Materials in the collection mostly document gay and lesbian events in California such as pride parades, chorus concerts, marching band performances, AIDS benefits, protest marches, gay athletic competitions, men's beauty pageants, drag, and fundraisers for LGBT organizations. Language of Material: English . Biographical / Historical Oren Kent Garvey was born in 1941. He was an independent photojournalist whose photographs in appeared in gay and lesbian newspapers such as Advocate and Update. He was also a member of the Great American Yankee (GAY) Freedom Band in the early 1980s. Garvey died in 2010. Access The collection is open to researchers. There are no access restrictions. Publication Rights All requests for permission to publish or quote from manuscripts must be submitted in writing to the ONE Archivist. -
The Las Vegas Strip...The Early Years
The Las Vegas Strip the early years by Pam Goertler assisted by Brian Cashman El Rancho Vegas The first hotel on the Strip In the 1930’s there was no Las Vegas “Strip”. Las Vegas was a railroad town, built to house the railroad workers and their families. The clubs, casinos, stores, schools, hotels, professional offices, and railroad station were all downtown. Highway 91 (now the Strip) went from Los Angeles to Salt Lake City, passing through Las Vegas. Scattered along the highway, leading into Las Vegas, were some small clubs, but they were few and far between. his new hotel. Mrs. Jessie Hunt owned the proper- As the legend goes…in 1938 Tommy Hull and ty, and Tommy began negotiations with her. Mrs. a friend were driving along highway 91. They were Hunt felt that the property was worthless. She offered a few miles outside of Las Vegas when to give it to Tommy, just to get rid of it! She finally they got a flat tire. Tommy waited with accepted payment of $150 per acre, for about 33 acres. the car while his friend hitchhiked into Las Vegas to get help. While waiting, After months of planning and construction, El Rancho Tommy counted the cars that passed Vegas opened on April 3, 1941. Having seen the beautiful him on the highway, and began to get resort while it was being built, Las Vegans dressed in their an idea. Highway 91 was a long stretch of finest attire to attend the gala opening. Wanting a com- road through a hot, dusty desert. -
The Animated Movie Guide
THE ANIMATED MOVIE GUIDE Jerry Beck Contributing Writers Martin Goodman Andrew Leal W. R. Miller Fred Patten An A Cappella Book Library of Congress Cataloging-in-Publication Data Beck, Jerry. The animated movie guide / Jerry Beck.— 1st ed. p. cm. “An A Cappella book.” Includes index. ISBN 1-55652-591-5 1. Animated films—Catalogs. I. Title. NC1765.B367 2005 016.79143’75—dc22 2005008629 Front cover design: Leslie Cabarga Interior design: Rattray Design All images courtesy of Cartoon Research Inc. Front cover images (clockwise from top left): Photograph from the motion picture Shrek ™ & © 2001 DreamWorks L.L.C. and PDI, reprinted with permission by DreamWorks Animation; Photograph from the motion picture Ghost in the Shell 2 ™ & © 2004 DreamWorks L.L.C. and PDI, reprinted with permission by DreamWorks Animation; Mutant Aliens © Bill Plympton; Gulliver’s Travels. Back cover images (left to right): Johnny the Giant Killer, Gulliver’s Travels, The Snow Queen © 2005 by Jerry Beck All rights reserved First edition Published by A Cappella Books An Imprint of Chicago Review Press, Incorporated 814 North Franklin Street Chicago, Illinois 60610 ISBN 1-55652-591-5 Printed in the United States of America 5 4 3 2 1 For Marea Contents Acknowledgments vii Introduction ix About the Author and Contributors’ Biographies xiii Chronological List of Animated Features xv Alphabetical Entries 1 Appendix 1: Limited Release Animated Features 325 Appendix 2: Top 60 Animated Features Never Theatrically Released in the United States 327 Appendix 3: Top 20 Live-Action Films Featuring Great Animation 333 Index 335 Acknowledgments his book would not be as complete, as accurate, or as fun without the help of my ded- icated friends and enthusiastic colleagues. -
View Entire Issue As
ufisconisni (111, Volume 1, Issue 9 WRECK // Ep May 31 - June 13, 1984 May 29, 1984 (i) JO (f) THANK YOU MILWAUKEE for your help and support with this year's Wreck Room Classic. C Sincerely, A 0) ti) 1 ra .1) co co O O An Interview With Rip Taylor — See Page 24 M*A*G*I*CcmaI / IN,TEP If You Could Tell s.q=1\- 11 500 Million People About Milwaukee Goes To Madison Lesbian and Gay Rights Saturday, July 21st for $25, Would You Do It? Depart on our chartered, air-conditioned, fully- equipped bus at Noon from Milwaukee. We'll provide you with Bloody Mary's and Screwdrivers all the way NATIONAL MARCH to Mad-City's annual picnic. Bring along your FOR swimsuit for swimming, your playclothes for gaming, and your "flats" for dancing under the pavillion. Lots of free food/beer/soda. View the action at Madison's 1st Annual Volleyball Tourney. LESBIAN/GAY RIGHTS Then we'll round you all up for a "crawl" of SAN FRANCISCO • 1984 Madison's gay/lesbian bars. We'll depart Madison at 1 a.m. for the return trip. (We'll provide the coffee to On Sunday. July 15th. tens of thousands of Lesbians and Gay men will march from sober you up.) Castro Street to a rally at the Democratic Convention site. Once there. oustanding speakers from our community nation-wide will speak out against the oppression of Lesbian and Gay people. They will reach a protected media audience of over 500 19.00 (Includes round trip million (according to convention officials) 20.000 reporters from around the world bus, picnic admission, drinks on will cover the convention_ the bus, and a specially-made LOIN US IN THE CREATION OF THIS HISTORIC EVENT! button.) Enclose $19.00 check or money order for each ticket O Yes.