View Entire Issue As
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
2019 Silent Auction List
September 22, 2019 ………………...... 10 am - 10:30 am S-1 2018 Broadway Flea Market & Grand Auction poster, signed by Ariana DeBose, Jay Armstrong Johnson, Chita Rivera and others S-2 True West opening night Playbill, signed by Paul Dano, Ethan Hawk and the company S-3 Jigsaw puzzle completed by Euan Morton backstage at Hamilton during performances, signed by Euan Morton S-4 "So Big/So Small" musical phrase from Dear Evan Hansen , handwritten and signed by Rachel Bay Jones, Benj Pasek and Justin Paul S-5 Mean Girls poster, signed by Erika Henningsen, Taylor Louderman, Ashley Park, Kate Rockwell, Barrett Wilbert Weed and the original company S-6 Williamstown Theatre Festival 1987 season poster, signed by Harry Groener, Christopher Reeve, Ann Reinking and others S-7 Love! Valour! Compassion! poster, signed by Stephen Bogardus, John Glover, John Benjamin Hickey, Nathan Lane, Joe Mantello, Terrence McNally and the company S-8 One-of-a-kind The Phantom of the Opera mask from the 30th anniversary celebration with the Council of Fashion Designers of America, designed by Christian Roth S-9 The Waverly Gallery Playbill, signed by Joan Allen, Michael Cera, Lucas Hedges, Elaine May and the company S-10 Pretty Woman poster, signed by Samantha Barks, Jason Danieley, Andy Karl, Orfeh and the company S-11 Rug used in the set of Aladdin , 103"x72" (1 of 3) Disney Theatricals requires the winner sign a release at checkout S-12 "Copacabana" musical phrase, handwritten and signed by Barry Manilow 10:30 am - 11 am S-13 2018 Red Bucket Follies poster and DVD, -
Our Right to Pursue Happiness
UFCW Official Publication of Local 1167, United Food and Commercial Workers Union July 2010 Boron miners ratify contract ending bitter labor dispute President ’s r ePort iners in Boron, Calif., who “I think we got a really, really good Our right to had been locked out of contract,” Local 30 member Kevin their jobs for three and a Martz told the Bakersfield Californian M half months returned to after the ratification vote. pursue happiness work on May 24 after voting to rati - The bitter labor dispute pitted 560 fy a six-year labor contract. union workers at the world’s second- year ago, while writing The agreement, approved on May largest borax mine against the Rio about the freedoms we 15 by 75 percent of the voting mem - Tinto Group, a British-Australian celebrate on Independence bers of International Longshore and conglomerate that had demanded Day, I referred to the tur - Warehouse Union Local 30, includes drastic concessions in benefits and A moil in Iran, where thousands of a $5,000 signing bonus and wage working conditions. people took to the streets to increases of 2.5 percent a year, in On Jan. 31, immediately after the protest a rigged election. addition to seniority protections and mine workers rejected Rio Tinto’s As if we needed a reminder, other workplace guarantees. Please see page 3 those protests dramatized how millions around the globe sorely wish they had the freedoms we Our next Quarterly Membership Meeting take for granted. Wednesday, Sept. 22, 2010 The streets of Teheran, Iran’s the meeting will start at 7 p.m. -
329 Hill Street San Francisco CA 94114 O
Conservatory of Vocal Arts and Music Theater American Conservatory Theater San Francisco Conservatory of Music ! " # " $ % & ' " ( # ) * " Peter Maleitzke has recently completed a ten year residence at the American Conservatory Theater as Associate Artist and Music Director. This past year he continued on to Music Direct the first San Francisco performances of Adam Guettel's Myths and Hymns and as the Master Singing Teacher in the M.F.A. program. Recent projects: composing an original score for The Gamester, winning the Bay Area Theater Critics Circle Award for best Original Score, work-shopping Far From The Maddening Crowd, directing a cabaret production of Pippin, arranger and composer for The Three Sisters; musical direction for Carey Perloff's The Colossus of Rhodes; Brecht’s and Weill’s Happy End (featuring Betty Buckley); and the Gershwin's Of Thee I Sing (performed in three cities to sold out houses), world-premiere A.C.T. productions of The Difficulty of Crossing a Field ( Featuring Julia Migenes and Kronos) and Blitzstein's No for an Answer, A.C.T.'s The Threepenny Opera featuring Bebe Neuworth, Nancy Dusault, Lisa Vroman and Anika Noni Rose (Mr Maleitzke won the Bay Area Theatre Critics' Circle Award and BackStageWest Garland Award for this production). He was the conductor of the first national production of The Phantom of the Opera. His regional credits include Gypsy (Dean Goodman Award), A Little Night Music, Rags, and The Most Happy Fella and Closer Than Ever. Mr Maleitzke has worked extensively as a vocal coach, studio recording pianist and producer for most of the major networks and studios of Los Angeles, most notibly the series: Taken: Executive Producer: Steven Spielberg. -
Marisa Mccarthy [email protected] (626) 793-7172 Ext
FOR IMMEDIATE RELEASE Pasadena Symphony Association Pasadena Symphony & POPS Contact: Marisa McCarthy [email protected] (626) 793-7172 ext. 13 For images visit: https://pasadenasymphony-pops.org/press-release-home-for-the-holidays/ December 3, 2020 PASADENA’S MOST CHERISHED HOLIDAY CONCERT GOES HOME FOR THE HOLIDAYS WITH A FREE LIVE STREAM DECEMBER 19 Pasadena, CA – The Pasadena Symphony’s annual Holiday Candlelight concert will be transformed into Home for the Holidays this season, delivered to viewers in a free live-stream on December 19 at 4pm, available through December 21, 2020. Pasadena’s most sought-after holiday concert has sold out for the past nine years, and now patrons can enjoy this beloved event from the best seats in their house. This heartwarming community celebration will carry on the Pasadena Symphony’s tradition of filling your holidays with the joy of music. Music Director David Lockington will host this festive concert that features an array of ensembles including the Los Angeles Children’s Chorus, the Donald Brinegar Singers and the L.A. Bronze Handbell Ensemble, along with a sextet of Pasadena Symphony musicians. Lockington will also appear throughout the program on cello, including for a piece he composed himself, with solo handbell artist Linda Krantz. Special guest Lisa Vroman will add her sparkling vocals to the performance. Regarded as a “musical and theatrical marvel” by the San Francisco Chronicle, Vroman has countless Broadway credits under her belt, most notably starring for over eight years on Broadway, in San Francisco, and in Los Angeles as Christine Daaé in The Phantom of the Opera. -
Reflection and Emergence: Celebrating 20 Years of the Academy for the Love of Learning and Leonard Bernstein’S 100Th
Reflection and Emergence: Celebrating 20 years of the Academy for the Love of Learning and Leonard Bernstein’s 100th 201 AUGUST 25 8 1 Copyright © 2018 Academy for the Love of Learning, Inc. © Kate Russell About the Academy 2018 marks both The Academy for the Love of Learning’s 20th anniversary and the centennial of the birth of the 20th century musical giant Leonard Bernstein. The Academy shares a deep history with Leonard Bernstein, and ultimately was birthed from an intense collaboration between Bernstein and Academy founder and President Aaron Stern during the fnal decade of Bernstein’s life. Stern, then Dean of the American Conservatory of Music in Chicago, had a profound discovery about learning while observing how music students learned music. From that discovery, Stern recognized that a restoration of the human capacity to learn was essential not only to the revitalization of music, but all of education and more generally, Western culture itself. From this, Stern began to develop a body of work, pedagogy and learning methodologies that are now at the center of the Academy for the Love of Learning. Stern’s approach to learning found its counterpart in Bernstein’s vision for a better world and a lifelong commitment to sharing that vision through music. Stern’s clear conviction that by “taking the lid of learning, we can learn ourselves to a better world, individually and collectively” touched and inspired Bernstein deeply toward the end of his life. Bernstein invested in Stern enormously during that last decade of his life. Following Bernstein’s death in 1990, Stern developed further and implemented peripatetically the methodologies he frst began to explore while at the Conservatory. -
With Recent Appearances in Jackass, the Bonnie Hunt Show and Next in Rob Reiner's New Movie Alex and Emma, the Legendary King Of
With recent appearances in JackAss, The Bonnie Hunt Show and next in Rob Reiner's new movie Alex and Emma, the legendary King of Confetti, Rip Taylor, has been introduced to a new generation of fans, which is another reason he has a star on Hollywood Boulevard for movies, film and television. Although most of his new admirers don't realize it, Rip Taylor has dazzled audiences worldwide in a career that has spanned over forty years. A master of comedic timing and consummate showman, Rip has headlined in Las Vegas, appeared on hundreds of television shows, played the lead in various plays and musicals, and frequently taken a dramatic turn in feature films. It is no exaggeration to say that Rip Taylor has succeeded in every facet of the entertainment industry. The phenomenon that is Rip Taylor began when Ed Sullivan could not remember the young comedian's name; he introduced Rip as "The Crying Comedian." Ed Sullivan accidentally stumbled upon Rip's niche, and after that appearance Rip found himself booked solid for months. This taught the young performer the importance of having a memorable hook. Bright costumes, outrageous props, wacky wigs and colorful confetti soon followed - and Rip Taylor became a pop culture sensation. Rip is one of television's most recognizable celebrities. A guest star with over 2 ,000 television appearances under his belt, Rip brought his wild energy to The G ong Show, Password, The Merv Griffin Show, The Mike Douglas Show, T he Tonight Show, Late Night with David Letterman and to the coveted c enter square on Hollywood Squares. -
Determining Stephen Sondheim's
“I’VE A VOICE, I’VE A VOICE”: DETERMINING STEPHEN SONDHEIM’S COMPOSITIONAL STYLE THROUGH A MUSIC-THEORETIC ANALYSIS OF HIS THEATER WORKS BY ©2011 PETER CHARLES LANDIS PURIN Submitted to the graduate degree program in Music and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ___________________________ Chairperson Dr. Scott Murphy ___________________________ Dr. Deron McGee ___________________________ Dr. Paul Laird ___________________________ Dr. John Staniunas ___________________________ Dr. William Everett Date Defended: August 29, 2011 ii The Dissertation Committee for PETER PURIN Certifies that this is the approved version of the following dissertation: “I’VE A VOICE, I’VE A VOICE”: DETERMINING STEPHEN SONDHEIM’S COMPOSITIONAL STYLE THROUGH A MUSIC-THEORETIC ANALYSIS OF HIS THEATER WORKS ___________________________ Chairperson Dr. Scott Murphy Date approved: August 29, 2011 iii Abstract This dissertation offers a music-theoretic analysis of the musical style of Stephen Sondheim, as surveyed through his fourteen musicals that have appeared on Broadway. The analysis begins with dramatic concerns, where musico-dramatic intensity analysis graphs show the relationship between music and drama, and how one may affect the interpretation of events in the other. These graphs also show hierarchical recursion in both music and drama. The focus of the analysis then switches to how Sondheim uses traditional accompaniment schemata, but also stretches the schemata into patterns that are distinctly of his voice; particularly in the use of the waltz in four, developing accompaniment, and emerging meter. Sondheim shows his harmonic voice in how he juxtaposes treble and bass lines, creating diagonal dissonances. -
SYMPHONIC SONDHEIM Tuesday, January 29, 2013, 7
01-29 Sondheim:Layout 1 1/23/13 10:55 AM Page 19 SYMPHONIC SONDHEIM Tuesday , January 29, 2013, 7:30 p.m. 15,492nd Concert This concert is made possible with generous support from Perry and Martin Granoff, Ted and Mary Jo Shen, and Thomas and Alice Tisch. Paul Gemignani, Conductor Nathan Lane , Host (New York Philharmonic debut) Global Sponsor Guest artist appearances are made possible through the This concert will last approximately two and one-quarter Hedwig van Ameringen Guest hours, which includes one intermission. Artists Endow ment Fund . Avery Fisher Hall at Lincoln Center Home of the New York Philharmonic Exclusive Timepiece of the New York Philharmonic January 2013 19 01-29 Sondheim:Layout 1 1/23/13 10:55 AM Page 20 New York Philharmonic SYMPHONIC SONDHEIM Paul Gemignani, Conductor Nathan Lane, Host (New York Philharmonic debut) STEPHEN SONDHEIM ( b. 1930) Suite from Sunday in the Park with George (1983–84), arr. Michael Starobin Selections from The Enclave (1973) ERIC HUEBNER, STEVEN BECK , piano CHRISTOPHER S. LAMB, DANIEL DRUCKMAN , percussion Dances from Pacific Overture s Prologue “The Advantages of Floating in the Middle of the Sea ” “There is No Other Way” (Tamate’s Dance) “March to the Treaty House” “Someone in a Tree” “Pretty Lady” “Next” Intermission Suite from Into the Woods (1985–87) Suite from Stavisky (1974) Suite from Sweeney Todd: The Demon Barber of Fleet Street (1978–79) Host remarks co-written by Nathan Lane and Mark Horowitz. The New York Philharmonic thanks the Musicians of the Orchestra for donating their services to benefit the pension fund of the New York Philharmonic. -
Kent Garvey Photographs, Circa 1970-2000 Coll2012-043
http://oac.cdlib.org/findaid/ark:/13030/c8jq0zdp No online items Finding aid to the Kent Garvey photographs, circa 1970-2000 Coll2012-043 John Thompson, Kyle Morgan, and Loni Shibuyama ONE Archives at the USC Libraries, University of Southern California © 2012, revised 2021 909 West Adams Boulevard Los Angeles, California 90007 [email protected] URL: http://one.usc.edu Finding aid to the Kent Garvey Coll2012-043371 1 photographs, circa 1970-2000 Coll2012-043 Contributing Institution: ONE Archives at the USC Libraries, University of Southern California Title: Kent Garvey photographs Creator: Garvey, Kent Identifier/Call Number: Coll2012-043 Identifier/Call Number: 371 Physical Description: 5.9 Linear Feet7 boxes. Date (inclusive): 1970-2000 Abstract: Slides, contact sheets, negatives, photographic prints, and papers, circa 1970-2000, from photojournalist Kent Garvey, whose photographs appeared in gay and lesbian newspapers such as the Advocate and Update. Materials in the collection mostly document gay and lesbian events in California such as pride parades, chorus concerts, marching band performances, AIDS benefits, protest marches, gay athletic competitions, men's beauty pageants, drag, and fundraisers for LGBT organizations. Language of Material: English . Biographical / Historical Oren Kent Garvey was born in 1941. He was an independent photojournalist whose photographs in appeared in gay and lesbian newspapers such as Advocate and Update. He was also a member of the Great American Yankee (GAY) Freedom Band in the early 1980s. Garvey died in 2010. Access The collection is open to researchers. There are no access restrictions. Publication Rights All requests for permission to publish or quote from manuscripts must be submitted in writing to the ONE Archivist. -
Singing Legit in Musical Theatre
Shen Shenandoah Conservatory Singing Legit in Musical Theatre Edrie Means Associate Professor of Voice and Voice Pedagogy, Shenandoah University Musical Theatre Styles Specialist Co-Founder, Contemporary Commercial Music Vocal Pedagogy Institute Advisory Board, NATS National Musical Theatre Competition Advisory Board, The Voice Foundation AEA, AGMA, [email protected] Bridging The Gap Classical Broadway/Commercial Respiration Respiration Phonation Phonation Resonance Resonance Articulation Articulation Artistry Artistry New Musicals Jane Eyre (2000) People in the Picture, The (2011) Beautiful Game, The (2000) Chaplin (2012) Amour (2002) Christmas Story, A (2012) Jerry Springer, the Opera (2003) Cinderella (2012) Dance of the Vampires (2004) Nice Work If You Can Get It (2012) Light in the Piazza, The (2005) A Gentleman's Guide to Love & Murder (2013) Mary Poppins (2005) The Bridges of Madison County (2014) Grey Gardens (2006) Little Dancer (2014) A Catered Affair (2008) Amazing Grace (2015) Adding Machine (2008) An American in Paris (2015) White Christmas (2008) Gigi (2015) Love Never Dies (2010) Doctor Zhivago (2015) Death Takes a Holiday (2011) On the Twentieth Century (2015) Julie Andrews Brent Barrett Judy Kaye Laura Osnes Liz Callaway Danny Burstein Judy Kuhn Brian Stokes Len Cariou Norbert Leo Butz Rebecca LuKer Mitchell Kristin Chenoweth Robert Goulet Audra MacDonald Ron Raines Victoria ClarK Victor Gerber Marin Mazzie Paulo Szot Gavin Creel George Hearn Kelly O’Hara Recent Rivals a. Women - lean towards “mix” and keys are often lowered b. Men – not much change except minor stylistic adjustments. c. Musical Arrangements – Often keys are lowered from original and sometimes have a modern feeling. Copyright © Edrie Means, All Rights Reserved http://edriemeans.wix.com/edriemeans CCMInstitute.com [email protected] 703-470-9443 Shen Shenandoah Conservatory Voice – Requires Classical vocal quality and resonance 1. -
FILM SENIOR MOMENT (Goff Productions) Director: Giorgio Serafini
Pat McCorkle, CSA Jeffrey Dreisbach, Casting Partner Katja Zarolinski, CSA Kristen Kittel, Casting Assistant FILM SENIOR MOMENT (Goff Productions) Director: Giorgio Serafini. Starring: William Shatner, Christopher Lloyd, Jean Smart. THE MURPHYS (Independent Feature; Producer(s): The Murphy's LLC). Director: Kaitlan McGlaughlin. BERNARD & HUEY (In production. Independent Feature; Producer(s): Dan Mervish/Bernie Stein). Director: Dan Mervish. AFTER THE SUN FELL (Post Production. Independent feature; Producer(s): Joanna Bayless). Director: Tony Glazer. Starring: Lance Henriksen, Chasty Ballesteros, Danny Pudi. FAIR MARKET VALUE (Post Production. Feature ; Producer(s): Judy San Romain). Director: Kevin Arbouet. Starring: Jerry Adler, D.C. Anderson, Michael J. Arbouet. YEAR BY THE SEA (Festival circuit. Feature; Producer(s): Montabella Productions ). Director: Alexander Janko. Starring: Karen Allen, Yannick Bisson, Michael Cristofer. CHILD OF GRACE (Lifetime Network Feature; Producer(s): Empathy + Pictures/Sternamn Productions). Director: Ian McCrudden. Starring: Ted Lavine, Maggy Elizabeth Jones, Michael Hildreth. POLICE STATE (Independent Feature; Producer(s): Edwin Mejia\Vlad Yudin). Director: Kevin Arbouet. Starring: Sean Young, Seth Gilliam, Christina Brucato. MY MAN IS A LOSER (Lionsgate, Step One Entertainment; Producer(s): Step One of Many/Imprint). Director: Mike Young. Starring: John Stamos, Tika Sumpter, Michael Rapaport. PREMIUM RUSH (Columbia Pictures; Producer(s): Pariah). Director: David Koepp . Starring: Joseph Gordon-Levitt, Jamie Chung, Michael Shannon. JUNCTION (Movie Ranch; Producer(s): Choice Films). Director: David Koepp . Starring: Joseph Gordon-Levitt, Jamie Chung, Michael Shannon. GHOST TOWN* (Paramount Pictures; Producer(s): Dreamworks SKG). Director: David Koepp. Starring: Ricky Gervais, Tea Leoni, Greg Kinnear. WAR EAGLE (Empire Film; Producer(s): Downstream Productions). Director: Robert Milazzo. Starring: Brian Dennehy, Mary Kay Place, Mare Winningham. -
Jun 10, 1977, Vol. 05 No. E-11
June KJ7T977 KAUNDAR Rajje 3 June B . 1977 KALENDAR Page 2 Gay Victories At NIMH Confer. by Gary C ollins 3. Laws on rape should not discrimi For the first time ever at a national of the female victim. Most significantly, the group of nate against victims because of sexual One member of my group a therapist conference, the gay male as a victim Of affectional preference." Latina women, some twenty plus of sexual assault or rape was a part of from Salt Lake City, revealed that in strong, carried through a resolution the agenda. I believe that this is the first time Utah all a gay amel has to admit in supporting gay rights and condemning From Jime 5 through S, in Oakland, ever, also, that a Federally funded court is that he has engaged in con the results in MiamL Lilia Medina, the prestigious National Institute of conference has ever adopted such sensual- oral copulation or sodomy and .the facilitator of this group, announced Mental Health conducted a confer stands which bear so directly on the be is considered as much a criminal to the -entire conference that this ence titled " Sexual Assault in Specia 1 rights and protections due to gay males. as the man who taped him. In Utal; resolution- also unanimously approved- Populations." The Institute-generally I intend to present this resolution to two males doing in bed what they would oe conveyed in writing to c know as NIMH- asked me t o o e a gay organizations for endorsement. I want to do are both considered guilty State 4.egislators, the Governor, Facilitator a 11 hat conference and to will go before the Human Rights Com each of " enticing" the other into a Congressmen in Washington and es condjct a "focus group" on gay males mission and otiier government agencies criminal act! pecially to officials in the state of ICALENDAR PUBLICATIONS, INC.