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Thursday 15 October 11:00 an Introduction to Cinerama and Widescreen Cinema 18:00 Opening Night Delegate Reception (Kodak Gallery) 19:00 Oklahoma!
Thursday 15 October 11:00 An Introduction to Cinerama and Widescreen Cinema 18:00 Opening Night Delegate Reception (Kodak Gallery) 19:00 Oklahoma! Please allow 10 minutes for introductions Friday 16 October before all films during Widescreen Weekend. 09.45 Interstellar: Visual Effects for 70mm Filmmaking + Interstellar Intermissions are approximately 15 minutes. 14.45 BKSTS Widescreen Student Film of The Year IMAX SCREENINGS: See Picturehouse 17.00 Holiday In Spain (aka Scent of Mystery) listings for films and screening times in 19.45 Fiddler On The Roof the Museum’s newly refurbished digital IMAX cinema. Saturday 17 October 09.50 A Bridge Too Far 14:30 Screen Talk: Leslie Caron + Gigi 19:30 How The West Was Won Sunday 18 October 09.30 The Best of Cinerama 12.30 Widescreen Aesthetics And New Wave Cinema 14:50 Cineramacana and Todd-AO National Media Museum Pictureville, Bradford, West Yorkshire. BD1 1NQ 18.00 Keynote Speech: Douglas Trumbull – The State of Cinema www.nationalmediamuseum.org.uk/widescreen-weekend 20.00 2001: A Space Odyssey Picturehouse Box Office 0871 902 5756 (calls charged at 13p per minute + your provider’s access charge) 20.00 The Making of The Magnificent Seven with Brian Hannan plus book signing and The Magnificent Seven (Cubby Broccoli) Facebook: widescreenweekend Twitter: @widescreenwknd All screenings and events in Pictureville Cinema unless otherwise stated Widescreen Weekend Since its inception, cinema has been exploring, challenging and Tickets expanding technological boundaries in its continuous quest to provide Tickets for individual screenings and events the most immersive, engaging and entertaining spectacle possible. can be purchased from the Picturehouse box office at the National Media Museum or by We are privileged to have an unrivalled collection of ground-breaking phoning 0871 902 5756. -
CINERAMA: the First Really Big Show
CCINEN RRAMAM : The First Really Big Show DIVING HEAD FIRST INTO THE 1950s:: AN OVERVIEW by Nick Zegarac Above left: eager audience line ups like this one for the “Seven Wonders of the World” debut at the Cinerama Theater in New York were short lived by the end of the 1950s. All in all, only seven feature films were actually produced in 3-strip Cinerama, though scores more were advertised as being shot in the process. Above right: corrected three frame reproduction of the Cypress Water Skiers in ‘This is Cinerama’. Left: Fred Waller, Cinerama’s chief architect. Below: Lowell Thomas; “ladies and gentlemen, this is Cinerama!” Arguably, Cinerama was the most engaging widescreen presentation format put forth during the 1950s. From a visual standpoint it was the most enveloping. The cumbersome three camera set up and three projector system had been conceptualized, designed and patented by Fred Waller and his associates at Paramount as early as the 1930s. However, Hollywood was not quite ready, and certainly not eager, to “revolutionize” motion picture projection during the financially strapped depression and war years…and who could blame them? The standardized 1:33:1(almost square) aspect ratio had sufficed since the invention of 35mm celluloid film stock. Even more to the point, the studios saw little reason to invest heavily in yet another technology. The induction of sound recording in 1929 and mounting costs for producing films in the newly patented 3-strip Technicolor process had both proved expensive and crippling adjuncts to the fluidity that silent B&W nitrate filming had perfected. -
Uptown Theater Nomination
GOVERNMENT OF THE DISTRICT OF COLUMBIA HISTORIC PRESERVATION OFFICE HISTORIC PRESERVATION REVIEW BOARD APPLICATION FOR HISTORIC LANDMARK OR HISTORIC DISTRICT DESIGNATION New Designation __X___ Amendment of a previous designation _____ Please summarize any amendment(s) _______________________________________________ Property Name: Uptown Theater______________________________________ If any part of the interior is being nominated, it must be specifically identified and described in the narrative statements. Address 3426 Connecticut Avenue NW Washington, DC 20008 Square and lot number(s) Square 2069, Lot 0816 Affected Advisory Neighborhood Commission 3C Date of Construction: 1936 Date of major alteration(s) _______ Architect(s) _John J. Zink Architectural style(s): Moderne Original use Theater Present use Vacant/Not in Use Property owner Circle Management Company_____________________ ____________________ Legal address of property owner 4018 Brandywine Street NW Washington, DC 20016-1844 NAME OF APPLICANT(S) DC Preservation League and Cleveland Park Historical Society ___ If the applicant is an organization, it must submit evidence that among its purposes is the promotion of historic preservation in the District of Columbia. A copy of its charter, articles of incorporation, or by-laws, setting forth such purpose, will satisfy this requirement. Address/Telephone of applicant(s) 1221 Connecticut Avenue. NW Suite 5A, Washington, DC 200036; 202-783-5144 and P.O. Box 4862 Washington, DC 20008 Name and title of authorized representative: Rebecca Miller, Executive Director, DCPL and Rick Nash, President, Board of Directors, Cleveland Park Historical Society___________________ Signature of applicant representative: ______________________________ Date: 10/29/20 Signature of applicant representative: Date: 10/29/20 Name and telephone of author of application DC Preservation League 202-783-5144; Cleveland Park Historical Society 202-237-5241 Date received ___________ H.P.O. -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability. -
Itfiomm CARPET SALE INDIA PRINTS W New Snow Due in State
' • 7 i. '■;v N t I N i-'S* ,1 .1 ■} MGNDAY, FEBRUARY 17, 1961 . PAGE SIXTEEN . L. ATcrage Dally Net Preaa R ub The Weather jHanrljirHtpr Itirn tn g HrraUk .For the W e^ Ended Ferecoet of V. S. Weather Boreoe. February 18, 1958 Fair, continued very eoid to Group C of: the Center Congrega ertie#, political democracy, minori night. Low dero t « 5 below U tional Church will meet tomorrow No' Skating ty right# and human dignity, 12,635 citim,’ down to 15 below in ruml About Town Foi^Qrashes AJC ta Hear Schuman Is the aulhor of many r nf^ht in the Robbins Room of the nreoe. Wedneedoy net quite oe church. The Rev. R. Ruaaell Peery articles and books. Among the. SAVE ANYTIME! Member ef the Audit cold. High 15-30. ' The Profe»*tonal -Women'* Club No ice skating until further works he has authored are “The Bureau ef OIrenIntloa will J>e. the speaker. Dessert will notice, the Park Department an Author Speak AFTE R W'ORK . or while Manchester— A City of VUlaffe Charm . will meet tomorrow nlRht at 8 be served at 7:30 by Mrs. Frank During Storm Conimonwealth of Man," "Night shopping. o'clock at the Center Church. Mil- nounced today. Ov?r Europe," "The Conduct of Fairweather and her committee. Closed are' Center Springs ton Stocking of th«{ Connecticut Four mutomobile accident* In Frederick L. Schuman, author, German Foreign Policy," and, OPEN V V n L 5 P.M. Monday* Pond, Center Spring* Annex journalist, world-traveler and TuMdays, Fridays. -
Hollywood & Television
Hollywood & Television Network TV in the US 1947-- Color • Differentiating the Theatrical Product • Herbert Kalmus & Technicolor • 3 Strip Technicolor 1950 Eastmancolor • Eastmancolor negative monopak film • 1967 All color films • 1969 TV full color • Chemical Eastmancolor fades • Dye transfer Technicolor prints (1934-1974) & B&W negatives do not fade Cinerama 1952-1962 • 1952 Sept THIS IS CINERAMA • 1955 CINERAMA HOLIDAY • 1962 WONDERFUL WORLD OF THE BROTHERS GRIMM • 1962 HOW THE WEST WAS WON 3D Film • 1951 BWANA DEVIL • 1953 HOUSE OF WAX • 1954 DIAL M FOR MURDER Widescreen • Anamorphic lens • CinemaScope • Aspect Ratio • 1:37 to 1 • Academy Ratio • 2.35 to 1 • 1.85 to 1 •20th Century Fox • 1953 THE ROBE 70mm Film Stereophonic Sound • 1955 Mike Todd, Todd AO • 70mm release prints • Super Panavision • Paramount’s VistaVision • Magnetic Recording • High Fidelity Stereophonic Sound Blockbusters • Frozen foreign profits • casts of 1000’s, exotic locations • Event releases • Roadshows and long runs The Production Code & Adult Content • Geoffrey Shurlock -- MPAA • 1951 The MIRACLE decision • 1953 THE MOON IS BLUE • 1955 MAN WITH A GOLDEN ARM • 1966 End of the Production Code MPAA Ratings Board • 1966 Jack Valenti 1921-2007 • Motion Picture Association of America • 1968 Ratings G, PG, R, X • 1969 MIDNIGHT COWBOY • 1972 DEEP THROAT •PG-13 • NC-17 • 2005 Dan Glickman The Youth Audience • 1953 THE WILD ONE • 1955 REBEL WITHOUT A CAUSE • 1956 BLACKBOARD JUNGLE • 1957 Elvis Presley & Hal Wallis • 1963 A HARD DAY’S NIGHT Teen Exploitation Films • American International Pictures • Roger Corman The Drive-In • 1932 First Drive-In • 1958 4000 Drive-Ins Southern California Drive-Ins • 107 So. -
Jun 10, 1977, Vol. 05 No. E-11
June KJ7T977 KAUNDAR Rajje 3 June B . 1977 KALENDAR Page 2 Gay Victories At NIMH Confer. by Gary C ollins 3. Laws on rape should not discrimi For the first time ever at a national of the female victim. Most significantly, the group of nate against victims because of sexual One member of my group a therapist conference, the gay male as a victim Of affectional preference." Latina women, some twenty plus of sexual assault or rape was a part of from Salt Lake City, revealed that in strong, carried through a resolution the agenda. I believe that this is the first time Utah all a gay amel has to admit in supporting gay rights and condemning From Jime 5 through S, in Oakland, ever, also, that a Federally funded court is that he has engaged in con the results in MiamL Lilia Medina, the prestigious National Institute of conference has ever adopted such sensual- oral copulation or sodomy and .the facilitator of this group, announced Mental Health conducted a confer stands which bear so directly on the be is considered as much a criminal to the -entire conference that this ence titled " Sexual Assault in Specia 1 rights and protections due to gay males. as the man who taped him. In Utal; resolution- also unanimously approved- Populations." The Institute-generally I intend to present this resolution to two males doing in bed what they would oe conveyed in writing to c know as NIMH- asked me t o o e a gay organizations for endorsement. I want to do are both considered guilty State 4.egislators, the Governor, Facilitator a 11 hat conference and to will go before the Human Rights Com each of " enticing" the other into a Congressmen in Washington and es condjct a "focus group" on gay males mission and otiier government agencies criminal act! pecially to officials in the state of ICALENDAR PUBLICATIONS, INC. -
WIDE SCREEN MOVIES CORRECTIONS - Rev
WIDE SCREEN MOVIES CORRECTIONS - Rev. 2.0 - Revised December, 2004. © Copyright 1994-2004, Daniel J. Sherlock. All Rights Reserved. This document may not be published in whole or in part or included in another copyrighted work without the express written permission of the author. Permission is hereby given to freely copy and distribute this document electronically via computer media, computer bulletin boards and on-line services provided the content is not altered other than changes in formatting or data compression. Any comments or corrections individuals wish to make to this document should be made as a separate document rather than by altering this document. All trademarks belong to their respective companies. ========== COMMENTS FOR VERSION 1.0 (PUBLISHED APRIL, 1994): The following is a list of corrections and addenda to the book Wide Screen Movies by Robert E. Carr and R.M. Hayes, published in 1988 by McFarland & Company, Inc., Jefferson, NC and London; ISBN 0-89950-242-3. This document may be more understandable if you reference the book, but it is written so that you can read it by itself and get the general idea. This document was written at the request of several individuals to document the problems I found in the book. I am not in the habit of marking up books like I had done with this particular book, but the number of errors I found was overwhelming. The corrections are referenced with the appropriate page number and paragraph in the book. I have primarily limited my comments to the state of the art as it was when the book was published in 1988. -
Hollywood and the Dawn of Television 1
Foster_ch01_001-010.qxd 1/28/10 1:33 PM Page 1 Hollywood and the Dawn of Television 1 INVENTING TELEVISION Scientists began experimenting with a form of mechanical image scanning in the first years of the twentieth century. By the twenties the term television was being applied to these inventions. No doubt the fledgling movie industry was giving some impetus to this endeavor. Early in the decade two very different inventors began to make major breakthroughs in the development of electronic image scanning, Philo T. Farnsworth and Vladimir Zworykin. Farnsworth was a farm boy from Utah who had won his high school science fair with a diagram for an instrument he called an image dissector. Due to his father’s early demise, Farnsworth was not able to complete his college studies. He was able to interest a few financial backers in supporting his research and opened a small labora- tory in San Francisco in 1926. The following year he applied for a patent for his inven- tion of a primitive television picture tube. Zworykin was an important member of the Russian scientific community when the revolution broke out in 1917. He managed to escape to Paris and, in 1919, settled in Pittsburgh to work in the Westinghouse research laboratories. He was fascinated by the possibilities of television and worked after hours on his own experiments with electronic image scanning. By 1923 Zworykin’s work was sufficiently advanced that he applied for a patent for a camera tube device he called the iconoscope. Westinghouse was not enthused about his work because television was not one of the company’s research priorities but Zworykin continued to labor late into the night after completing his workday for the corporation. -
W.E.B. Du Bois: a Biography
W.E.B. DU BOIS Recent Titles in Greenwood Biographies Sacagawea: A Biography April R. Summitt Yo-Yo Ma: A Biography Jim Whiting Ellen DeGeneres: A Biography Lisa Iannucci Frida Kahlo: A Biography Claudia Schaefer John McCain: A Biography Elaine S. Povich Beyonce Knowles: A Biography Janice Arenofsky Jerry Garcia: A Biography Jacqueline Edmondson Coretta Scott King: A Biography Laura T. McCarty Kanye West: A Biography Bob Schaller Peyton Manning: A Biography Lew Freedman Miley Cyrus: A Biography Kimberly Dillon Summers Ted Turner: A Biography Michael O’Connor George Clooney: A Biography Joni Hirsch Blackman Will Smith: A Biography Lisa M. Iannucci W.E.B. DU BOIS A Biography Gerald Horne GREENWOOD BIOGRAPHIES GREENWOOD PRESS An Imprint of ABC-CLIO, LLC Copyright 2010 by Gerald Horne All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, except for the inclusion of brief quotations in a review, without prior permission in writing from the publisher. Library of Congress Cataloging-in-Publication Data Horne, Gerald. W.E.B. Du Bois : a biography / Gerald Horne. p. cm. — (Greenwood biographies) Includes bibliographical references and index. ISBN 978-0-313-34979-9 (hard copy : acid-free paper)— ISBN 978-0-313-34980-5 (ebook) 1. Du Bois, W.E.B. (William Edward Burghardt), 1868–1963. 2. African Americans — Biography. 3. African American authors —Biography. 4. African American intellectuals—Biography. 5. African American civil rights workers —Biography. 6. Intellectuals —United States—Biography. 7. Civil rights workers —United States —Biography. -
Diocese Again Tops $10 Million in Building Program for 1962
THE VOICE 6301 Biscayne Blvd. Pope John Appeals Miami 38, Fla. Return Requested For Peace, Unity Weekly Publication of the Diocese of Miami Covering the 16 Counties of South Florida In Christmas Talk VOL. IV, NO. 41 Price $5 a year ... 15 cents a copy DECEMBER 28, 1962 Diocese Again Tops $10 Million In Building Program For 1962 f -pansion of the Diocese of than $8 million in construction also are new and necessary un- iceeds from Development Fund \ jfyi continued at an explosive was completed during the year dertakings being planned in con- drives of previous years; rate as it closed the fourth year and nearly $3 million worth nection with the annual Dioce- building in the diocese by non- of its existence in 1962. additional is still in progress, san Development Fund Cam- diocesan groups and institu- Once again the building pro- much of it to be finished soon. paign for 1963. tions, and projects financed gram for the 13-month pro- Not included are projects al- The 1963 report includes by individual parishes and gram soared beyond the $10 ready in the advanced planning many strictly diocesan proj- • missions. million mark. Of this, more stage. Soon to be announced ects, financed largely by pro-" These facts are brought to light in a year-end report pre- pared for Bishop Coleman F. Carroll. In a report compiled last year, covering the first 39 months after Bishop Carroll was installed as first Bishop of Miami, it was revealed that the building program up to that time had exceeded $30 million. -
Villas on the Hudson: an Architectural and Biographical Examination
City University of New York (CUNY) CUNY Academic Works Publications and Research Lehman College 1993 Villas on the Hudson: An Architectural and Biographical Examination Janet Butler Munch Lehman College, CUNY How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/le_pubs/229 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] AM E RICAN P U BLISHER S ' CIR CU LAR ======~~~~~====~==== nono L 1860. IN PRESS BY BOSTON TRADE SALE WI LL Cmnl[XCC WEDNESDAY MORNING, D. APPLETON &: COMPANY, ACGCST 1, 1800. r. I' r U l ~. m . W rn A T ,' .. n.ead k Co. ~:~ r-);. 'r ~':7:·: . ~~ ro ~ :~~,L ~~ ~ ~' ~" '\· ~ I . , •. \\" •• & (' 0 C ~ I 5 "" " 0. D.," rr "- Co. TI:I,.N "'1.I.,lr .. lr~ J,. I," \\' ,,~ ~ J ... "., ~L u""~, .... ":0. Coillo. '" IIr o: ~", 1,IIII ·, oI. II L•. ,r . TnE EBOXY IDO L. A :NOl' ti, wriUen by .. Lady of Sew r esiDed. C I• • k. -, "011". ~ Ior n •• d '" ""0 (; 1\ 1 ' ''I 'r ~1I C~ • • lr. :! ,' , . , f lO 4: <.: " II "" .. 1I "r 1:1' " 4: ~ 1 '''U '' '' O '''''C J H l ' l'i" h,oll oi Co LIFE OF 'IHLLI.U! T. PORTER, Ili te EJ itor of .. POtl er', Spirit of the ,., W OuJ" 11 1• .,, 10 . "1 ,\.1 .... Ap Jll r ~ . , .. .. ('D. J\ ~ "' . u. 4: Ti... eo . ~ J C.. G oI. l'. Mr , n . m. or II I' .. ,~, ,, n .. lI.alb" • •• J uhn t::Kch rJ' lry ( bll,i ...