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Notation and Editing | Prifysgol Bangor University 09/24/21 Notation and Editing | Prifysgol Bangor University Notation and Editing View Online Dr CT Leitmeir Accone, Frank A. D’, and Biblioteca comunale di Siena. 1986. Siena, Biblioteca Comunale Degli Intronati, MS K.I.2. Vol. Renaissance music in facsimile. New York: Garland Pub. Accone, Frank A. D’, and Biblioteca estense (Modena, Italy). 1987. Modena, Biblioteca Estense E Universitaria, MS Alpha F. 9.9. Vol. Renaissance music in facsimile. New York: Garland. Accone, Frank A. D’, and Biblioteca nazionale centrale di Firenze. 1986. Florence, Biblioteca Nazionale Centrale, MS Banco Rari 230. Vol. Renaissance music in facsimile. New York: Garland Pub. Accone, Frank A. D’, and Biblioteca nazionale di Torino. 1986. Turin, Biblioteca Nazionale Universitaria, MS Ris. I. 27 (olim Qm III. 59). Vol. Renaissance music in facsimile. New York: Garland Pub. Accone, Frank A. D’, and Opera di S. Maria del Fiore (Florence, Italy). 1987. Florence, Archivio Musicale dell’Opera Di Santa Maria Del Fiore, Ms 11. Vol. Renaissance music in facsimile. New York: Garland. Accone, Frank A. D’, and Università di Pavia. 1986. Pavia, Biblioteca Universitaria, Aldini MS 362. Vol. Renaissance music in facsimile. New York: Garland. Agricola, Alexander. 1504. Misse Alexandri Agricole. Venezia: Petrucci. Aichinger, Gregor. 1598. Tricinia Mariana, Quibus Antiphonae, Hymni, Magnificat, Litaniae et Variae. niponti (Innsbruck): Apud Ioannem Agricolam. Anon. 1502. Motetti A. Numero Trentatre. Venezia: Petrucci. Anon. 1503. Motetti de Passione, de Cruce, de Sacramento, de Beata Virgine et Huius Modi . Venezia: Petrucci. Anon. 1504a. Frottole, Libro Primo. Venezia: Petrucci. Anon. 1504b. Motetti C. Venezia: Petrucci. Anon. 1505a. Fragmenta Missae. Venezia: Petrucci. Anon. 1505b. Frottole, Libro Quinto. Venezia: Petrucci. Anon. 1505c. Frottole, Libro Sexto. Venezia: Petrucci. 1/8 09/24/21 Notation and Editing | Prifysgol Bangor University Anon. 1506. Lamentationum, Liber Secundus. Venezia: Petrucci. Anon. 1507a. Frottole, Libro Secondo. Venezia: Petrucci. Anon. 1507b. Frottole, Libro Tertio. Venezia: Petrucci. Anon. 1507c. Strambotti, Ode, Frottole, Sonetti, et Modo de Cantar Versi Latini E Capituli, Libro Quarto. Venezia: Petrucci. Anon. 1508. Frottole, Libro Nono. Venezia: Petrucci. Anon. 1509. Tenori E Cotrabassi Intabulati Col Sopran in Canto Figurato per Cantar E Sonar Col Lauto: Libro Primo. Venezia: Petrucci. Anon. 1510. Canzoni Nove Con Alcune Scelte de Varii Libri Di Canto. Roma: Antiquo. Anon. 1519. In Dissem Buechlyn Fynt Man LXXV Hubscher Lieder Myt Discant, Alt, Bas Und Tenor: Lustick Zu Syngen, Auch Etlich Zu Fleiten, Schwegelen Und an Deren Musicalisch Instrumenten Artlichen Zu Gebrauchen. [Köln: Aich. Anon. 1521. Motetti Liber Quartus. Venezia: Antico. Anon. 1526. Canzoni Frottole et Capitoli Da Diversi Eccellentissimi Musici Composti Nuovamente Stampati et Corretti: Libro Primo : De La Croce. Roma: Pasoti et Dorico. Anon. 1532. Viginti Missarum Libri Septem. Paris: Attaingnant. Anon. 1534a. Der Erst Teil, Hundert Vnd Ainundzweintzig Newe Lieder: Von Beruembtenn Dieser Kunst Gesetzt ; Lustig Zu Singen Vnd Auff Allerley Instrument Dienstlich, Vormals Dergleichen Im Truck Nye Außgangen. Nürnberg: Formschneider. Anon. 1534b. Lib. Nonus. XVIII. Dauiticos [daviticos] Musicales Psalmos Habet. Paris: Attaingnant. Anon. 1539. Primus Liber Cum Sex Vocibus: Mottetti Del Frutto ; a Sei Voci. Venezia: Gardane. Anon. n.d. ‘DIAMM | Digital Image Archive of Medieval Music.’ Retrieved (http://www.diamm.ac.uk/). Anon. n.d. ‘DIAMM | Digital Image Archive of Medieval Music.’ Retrieved (http://www.diamm.ac.uk/). Anon. n.d. ‘Early English Books Online - EEBO.’ Retrieved (https://ezproxy.bangor.ac.uk/login?url=http://eebo.chadwyck.com/home). Anon. n.d. ‘Europeana Collections.’ Retrieved (http://www.europeana.eu/). Anon. n.d. ‘Gloval Chant Database.’ Retrieved (http://www.globalchant.org/). Anon. n.d. Lamentationum Jeremie Prophete, Liber Primus. Venezia. 2/8 09/24/21 Notation and Editing | Prifysgol Bangor University Anon. n.d. ‘MOTET Online Database.’ Retrieved (http://www.arts.ufl.edu/motet/default.asp). Anon. n.d. Ré pertoire International Des Sources Musicales. A / I, Einzeldrucke Vor 1800. Band 2, Cabezo ́ n-Eyre / = A / = I, = Einzeldrucke Vor 1800. = Band 2, = Cabezo ́ n-Eyre / = A / = I, = Einzeldrucke Vor 1800. = Band 2, = Cabezo ́ n-Eyre (Book, 1972) [WorldCat.org]. Apel, Willi. 1953. The Notation of Polyphonic Music, 900-1600. 5th ed. rev. and with commentary. Cambridge, Mass: Mediaeval Academy of America. Arcadelt, Jacob, Jacob Arcadelt, Jacob Arcadelt, Jacob Arcadelt, and Adrian Le Roy & Robert Ballard (Firm). 1557. Missae Tres: Nunc Primum in Lucem Aeditae, Cum Quatuor & Quinque Vocibus, Ad Imitationem Modulorum: Noe, Noe, Ave Regina Coelorum, Missae Vulgaris Beate Virginis. Lutetiae: Le Roy et Ballard. Attaingnant, Pierre. n.d. Six Gaillardes et Six Pavanes Avec Treze Chansons. Paris: Attaingnant. Bent, Margaret. 2002. ‘Editing Early Music: The Dilemma of Translation.’ Pp. 219–40 in Counterpoint, composition, and musica ficta. Vol. Criticism and analysis of early music. New York: Routledge. Brown, Howard Mayer. 1986. Trium Vocum Cantiones Centum, à Praestantissimis Diversarum Nationum Ac Liguarum Musicis Compositae: Tomi Primi. Vol. Renaissance music in facsimile. New York: Garland Pub. Brown, Howard Mayer, and Biblioteca capitolare di Verona. 1987. Verona, Biblioteca Capitolare, MS DCCLVII. Vol. Renaissance music in facsimile. New York: Garland. Brown, Howard Mayer, and Biblioteca nazionale centrale di Firenze. 1987. Florence, Biblioteca Nazionale Centrale, MSS Magl. XIX, 164-167. Vol. Renaissance music in facsimile. New York: Garland. Brown, Howard Mayer, and British Library. 1987. London, British Library, MS Royal 20 A.XVI . Vol. Renaissance music in facsimile. New York: Garland Pub. Brown, Howard Mayer, and Franchinus Gaffurius. 1987. Milan, Archivio Della Veneranda Fabbrica Del Duomo, Sezione Musicale, Librone 1-3 (olim 2269, 2268, 2267). Vol. Renaissance music in facsimile. New York: Garland Pub. Brown, Howard Mayer, and Josquin. 1986. Novum et Insigne Opus Musicum: Sex, Quinque, et Quatuor Vocum, Cuius in Germania Hactenus Nihil Simile Usquam Est Editum : Nunc Quidem Locupletatum plus Centum Non Minus Elegantibus Carminibus, Tum Josquini, Tum 3/8 09/24/21 Notation and Editing | Prifysgol Bangor University Aliorum Clarissimorum Symphonistarum Tam Veterum Quam Recentiorum, Quorum Quaedam Antehac Sunt Edita, Multa Nunc Primum in Lucem Exeuent. Vol. Renaissance music in facsimile. New York: Garland. Brown, Howard Mayer, and Magdalene College (University of Cambridge). 1988. Cambridge, Magdalene College, Pepys MS 1760. Vol. Renaissance music in facsimile. New York: Garland Pub. Brown, Howard Mayer, and Uppsala universitetsbibliotek. 1987. Uppsala, Universitetsbiblioteket, Vokalmusik I Handskrift 76a. Vol. Renaissance music in facsimile. New York: Garland. Brown, Howard Mayer, Lukas Wagenrieder, Ludwig Senfl, Josquin, and Bayerische Staatsbibliothek. 1986. Munich, Bayerische Staatsbibliothek, Mus. Ms. 10. Vol. Renaissance music in facsimile. New York: Garland Pub. Bruck, Arnold von, Benedictus Appenzeller, Andreas De Silva, Heinrich Finck, Nicolas Gombert, Wolfgang Grefinger, Nicolle des Celliers d’Hesdin, Heinrich Isaac, Pierre de La Rue, Leonhard Paminger, Ludwig Senfl, Thomas Stoltzer, Philippe Verdelot, Adrian Willaert, Hieronymus Formschneyder, Jacquet, and Josquin. 1996. Secundus Tomus Novi Operis Musici: RISM 15383 : Nürnberg, H. Formschneider. Vol. Faksimile Heilbronner Musikschatz. Stuttgart: Cornetto-Verlag. Brumel, Antoine, Antoine Brumel, Antoine Brumel, Antoine de Févin, Andrea Antico, Antoine de Févin, Antoine de Févin, Pierre de La Rue, Pierre de La Rue, Jean Mouton, Jean Mouton, Matthaeus Pipelare, Petrus Roselli, and Josquin. 2006. Liber Quindecim Missarum: Electarum Quae per Excellentissimos Musicos Compositae Fuerent. Vol. Faksimile-Edition Rara. Stuttgart: Cornetto-Verlag. Brumel, Antoine, Heinrich Isaac, Pierre de La Rue, Alexander Agricola, Johannes Ockeghem, Martin Picker, Josquin, and Bibliothèque royale Albert Ier. 1988. Chansonnier of Marguerite of Austria: Brussel, Koninklijke Bibliotheck, MS. 11 239. Vol. Facsimile Alamire. 2nd ed. Peer, Belgium: Musica-Alamire. Brumel, Antoine, Pierre de La Rue, and Josquin. 1539a. Liber Quindecim Missarum, a Praestantissimis Musicis Compositarum. Norimbergae: Petreium. Brumel, Antoine, Pierre de La Rue, and Josquin. 1539b. Missae Tredecim Quatuor Vocum a Praestantiss. Artificib. Compositae. Norimbergensis: Graphei. Caldwell, John. 1995. Editing Early Music. Vol. Early music series. 2nd ed. Oxford: Clarendon Press. Call, Jerry, Charles Hamm, Herbert Kellman, and University of Illinois at Urbana-Champaign. 1979. Census-Catalogue of Manuscript Sources of Polyphonic Music, 1400- 1550. Vol. Renaissance manuscript studies. [Rome]: American Institute of Musicology. Catholic Church, and Abbaye Saint-Pierre de Solesmes. 1983. Liber Hymnarius: Cum Invitatoriis & Aliquibus Responsoriis. Vol. Antiphonale Romanum, secundum liturgiam horarum ordinemque cantus officii dispositum. Solesmis: Abbaye Saint-Pierre de Solesmes. 4/8 09/24/21 Notation and Editing | Prifysgol Bangor University Catholic Church, and Abbaye Saint-Pierre de Solesmes. 1997. The Liber Usualis: With Introduction and Rubrics in English. Republished with additional material. Great Falls, Mont: St. Bonaventure Publications. Clemens, Raymond, and Timothy Graham. 2007. Introduction to Manuscript Studies. Ithaca: Cornell University Press.
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