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Dr CT Leitmeir

Accone, Frank A. D’, and Biblioteca comunale di Siena. 1986. Siena, Biblioteca Comunale Degli Intronati, MS K.I.2. Vol. in facsimile. New York: Garland Pub.

Accone, Frank A. D’, and Biblioteca estense (Modena, Italy). 1987. Modena, Biblioteca Estense E Universitaria, MS Alpha F. 9.9. Vol. Renaissance music in facsimile. New York: Garland.

Accone, Frank A. D’, and Biblioteca nazionale centrale di Firenze. 1986. Florence, Biblioteca Nazionale Centrale, MS Banco Rari 230. Vol. Renaissance music in facsimile. New York: Garland Pub.

Accone, Frank A. D’, and Biblioteca nazionale di Torino. 1986. Turin, Biblioteca Nazionale Universitaria, MS Ris. I. 27 (olim Qm III. 59). Vol. Renaissance music in facsimile. New York: Garland Pub.

Accone, Frank A. D’, and Opera di S. Maria del Fiore (Florence, Italy). 1987. Florence, Archivio Musicale dell’Opera Di Santa Maria Del Fiore, Ms 11. Vol. Renaissance music in facsimile. New York: Garland.

Accone, Frank A. D’, and Università di Pavia. 1986. Pavia, Biblioteca Universitaria, Aldini MS 362. Vol. Renaissance music in facsimile. New York: Garland.

Agricola, Alexander. 1504. Misse Alexandri Agricole. Venezia: Petrucci.

Aichinger, Gregor. 1598. Tricinia Mariana, Quibus Antiphonae, Hymni, Magnificat, Litaniae et Variae. Œniponti (Innsbruck): Apud Ioannem Agricolam.

Anon. 1502. Motetti A. Numero Trentatre. Venezia: Petrucci.

Anon. 1503. Motetti de Passione, de Cruce, de Sacramento, de Beata Virgine et Huius Modi . Venezia: Petrucci.

Anon. 1504a. Frottole, Libro Primo. Venezia: Petrucci.

Anon. 1504b. Motetti C. Venezia: Petrucci.

Anon. 1505a. Fragmenta Missae. Venezia: Petrucci.

Anon. 1505b. Frottole, Libro Quinto. Venezia: Petrucci.

Anon. 1505c. Frottole, Libro Sexto. Venezia: Petrucci.

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Anon. 1506. Lamentationum, Liber Secundus. Venezia: Petrucci.

Anon. 1507a. Frottole, Libro Secondo. Venezia: Petrucci.

Anon. 1507b. Frottole, Libro Tertio. Venezia: Petrucci.

Anon. 1507c. Strambotti, Ode, Frottole, Sonetti, et Modo de Cantar Versi Latini E Capituli, Libro Quarto. Venezia: Petrucci.

Anon. 1508. Frottole, Libro Nono. Venezia: Petrucci.

Anon. 1509. Tenori E Cotrabassi Intabulati Col Sopran in Canto Figurato per Cantar E Sonar Col Lauto: Libro Primo. Venezia: Petrucci.

Anon. 1510. Canzoni Nove Con Alcune Scelte de Varii Libri Di Canto. Roma: Antiquo.

Anon. 1519. In Dissem Buechlyn Fynt Man LXXV Hubscher Lieder Myt Discant, Alt, Bas Und Tenor: Lustick Zu Syngen, Auch Etlich Zu Fleiten, Schwegelen Und an Deren Musicalisch Instrumenten Artlichen Zu Gebrauchen. [Köln: Aich.

Anon. 1521. Motetti Liber Quartus. Venezia: Antico.

Anon. 1526. Canzoni Frottole et Capitoli Da Diversi Eccellentissimi Musici Composti Nuovamente Stampati et Corretti: Libro Primo : De La Croce. Roma: Pasoti et Dorico.

Anon. 1532. Viginti Missarum Libri Septem. Paris: Attaingnant.

Anon. 1534a. Der Erst Teil, Hundert Vnd Ainundzweintzig Newe Lieder: Von Beruembtenn Dieser Kunst Gesetzt ; Lustig Zu Singen Vnd Auff Allerley Instrument Dienstlich, Vormals Dergleichen Im Truck Nye Außgangen. Nürnberg: Formschneider.

Anon. 1534b. Lib. Nonus. XVIII. Dauiticos [daviticos] Musicales Psalmos Habet. Paris: Attaingnant.

Anon. 1539. Primus Liber Cum Sex Vocibus: Mottetti Del Frutto ; a Sei Voci. Venezia: Gardane.

Anon. n.d. ‘DIAMM | Digital Image Archive of Medieval Music.’ Retrieved (http://www.diamm.ac.uk/).

Anon. n.d. ‘DIAMM | Digital Image Archive of Medieval Music.’ Retrieved (http://www.diamm.ac.uk/).

Anon. n.d. ‘Early English Books Online - EEBO.’ Retrieved (https://ezproxy.bangor.ac.uk/login?url=http://eebo.chadwyck.com/home).

Anon. n.d. ‘Europeana Collections.’ Retrieved (http://www.europeana.eu/).

Anon. n.d. ‘Gloval Chant Database.’ Retrieved (http://www.globalchant.org/).

Anon. n.d. Lamentationum Jeremie Prophete, Liber Primus. Venezia.

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Anon. n.d. ‘ Online Database.’ Retrieved (http://www.arts.ufl.edu/motet/default.asp).

Anon. n.d. Ré pertoire International Des Sources Musicales. A / I, Einzeldrucke Vor 1800. Band 2, Cabezo ́ n-Eyre / = A / = I, = Einzeldrucke Vor 1800. = Band 2, = Cabezo ́ n-Eyre / = A / = I, = Einzeldrucke Vor 1800. = Band 2, = Cabezo ́ n-Eyre (Book, 1972) [WorldCat.org].

Apel, Willi. 1953. The Notation of Polyphonic Music, 900-1600. 5th ed. rev. and with commentary. Cambridge, Mass: Mediaeval Academy of America.

Arcadelt, Jacob, Jacob Arcadelt, Jacob Arcadelt, Jacob Arcadelt, and Adrian Le Roy & Robert Ballard (Firm). 1557. Missae Tres: Nunc Primum in Lucem Aeditae, Cum Quatuor & Quinque Vocibus, Ad Imitationem Modulorum: Noe, Noe, Ave Regina Coelorum, Missae Vulgaris Beate Virginis. Lutetiae: Le Roy et Ballard.

Attaingnant, Pierre. n.d. Six Gaillardes et Six Pavanes Avec Treze Chansons. Paris: Attaingnant.

Bent, Margaret. 2002. ‘Editing Early Music: The Dilemma of Translation.’ Pp. 219–40 in Counterpoint, composition, and musica ficta. Vol. Criticism and analysis of early music. New York: Routledge.

Brown, Howard Mayer. 1986. Trium Vocum Cantiones Centum, à Praestantissimis Diversarum Nationum Ac Liguarum Musicis Compositae: Tomi Primi. Vol. Renaissance music in facsimile. New York: Garland Pub.

Brown, Howard Mayer, and Biblioteca capitolare di Verona. 1987. Verona, Biblioteca Capitolare, MS DCCLVII. Vol. Renaissance music in facsimile. New York: Garland.

Brown, Howard Mayer, and Biblioteca nazionale centrale di Firenze. 1987. Florence, Biblioteca Nazionale Centrale, MSS Magl. XIX, 164-167. Vol. Renaissance music in facsimile. New York: Garland.

Brown, Howard Mayer, and British Library. 1987. London, British Library, MS Royal 20 A.XVI . Vol. Renaissance music in facsimile. New York: Garland Pub.

Brown, Howard Mayer, and Franchinus Gaffurius. 1987. Milan, Archivio Della Veneranda Fabbrica Del Duomo, Sezione Musicale, Librone 1-3 (olim 2269, 2268, 2267). Vol. Renaissance music in facsimile. New York: Garland Pub.

Brown, Howard Mayer, and Josquin. 1986. Novum et Insigne Opus Musicum: Sex, Quinque, et Quatuor Vocum, Cuius in Germania Hactenus Nihil Simile Usquam Est Editum : Nunc Quidem Locupletatum plus Centum Non Minus Elegantibus Carminibus, Tum Josquini, Tum

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Aliorum Clarissimorum Symphonistarum Tam Veterum Quam Recentiorum, Quorum Quaedam Antehac Sunt Edita, Multa Nunc Primum in Lucem Exeuent. Vol. Renaissance music in facsimile. New York: Garland.

Brown, Howard Mayer, and Magdalene College (University of Cambridge). 1988. Cambridge, Magdalene College, Pepys MS 1760. Vol. Renaissance music in facsimile. New York: Garland Pub.

Brown, Howard Mayer, and Uppsala universitetsbibliotek. 1987. Uppsala, Universitetsbiblioteket, Vokalmusik I Handskrift 76a. Vol. Renaissance music in facsimile. New York: Garland.

Brown, Howard Mayer, Lukas Wagenrieder, Ludwig Senfl, Josquin, and Bayerische Staatsbibliothek. 1986. Munich, Bayerische Staatsbibliothek, Mus. Ms. 10. Vol. Renaissance music in facsimile. New York: Garland Pub.

Bruck, Arnold von, Benedictus Appenzeller, Andreas De Silva, Heinrich Finck, Nicolas Gombert, Wolfgang Grefinger, Nicolle des Celliers d’Hesdin, Heinrich Isaac, Pierre de La Rue, Leonhard Paminger, Ludwig Senfl, Thomas Stoltzer, , , Hieronymus Formschneyder, Jacquet, and Josquin. 1996. Secundus Tomus Novi Operis Musici: RISM 15383 : Nürnberg, H. Formschneider. Vol. Faksimile Heilbronner Musikschatz. Stuttgart: Cornetto-Verlag.

Brumel, Antoine, , Antoine Brumel, Antoine de Févin, Andrea Antico, Antoine de Févin, Antoine de Févin, Pierre de La Rue, Pierre de La Rue, , Jean Mouton, Matthaeus Pipelare, Petrus Roselli, and Josquin. 2006. Liber Quindecim Missarum: Electarum Quae per Excellentissimos Musicos Compositae Fuerent. Vol. Faksimile-Edition Rara. Stuttgart: Cornetto-Verlag.

Brumel, Antoine, Heinrich Isaac, Pierre de La Rue, Alexander Agricola, Johannes Ockeghem, Martin Picker, Josquin, and Bibliothèque royale Albert Ier. 1988. Chansonnier of Marguerite of Austria: Brussel, Koninklijke Bibliotheck, MS. 11 239. Vol. Facsimile Alamire. 2nd ed. Peer, Belgium: Musica-Alamire.

Brumel, Antoine, Pierre de La Rue, and Josquin. 1539a. Liber Quindecim Missarum, a Praestantissimis Musicis Compositarum. Norimbergae: Petreium.

Brumel, Antoine, Pierre de La Rue, and Josquin. 1539b. Missae Tredecim Quatuor Vocum a Praestantiss. Artificib. Compositae. Norimbergensis: Graphei.

Caldwell, John. 1995. Editing Early Music. Vol. Early music series. 2nd ed. Oxford: Clarendon Press.

Call, Jerry, Charles Hamm, Herbert Kellman, and University of Illinois at Urbana-Champaign. 1979. Census-Catalogue of Manuscript Sources of Polyphonic Music, 1400- 1550. Vol. Renaissance manuscript studies. []: American Institute of Musicology.

Catholic Church, and Abbaye Saint-Pierre de Solesmes. 1983. Liber Hymnarius: Cum Invitatoriis & Aliquibus Responsoriis. Vol. Antiphonale Romanum, secundum liturgiam horarum ordinemque cantus officii dispositum. Solesmis: Abbaye Saint-Pierre de Solesmes.

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Catholic Church, and Abbaye Saint-Pierre de Solesmes. 1997. The Liber Usualis: With Introduction and Rubrics in English. Republished with additional material. Great Falls, Mont: St. Bonaventure Publications.

Clemens, Raymond, and Timothy Graham. 2007. Introduction to Manuscript Studies. Ithaca: Cornell University Press.

Dean, Jeffrey J., and Biblioteca apostolica vaticana. 1986. Vatican City, Biblioteca Apostolica Vaticana, Cappella Sistina MS 46. Vol. Renaissance music in facsimile. New York: Garland Pub.

Fallows, David, and Bodleian Library. 1995. Oxford, Bodleian Library, MS. Canon. Misc. 213. Vol. Late medieval and early Renaissance music in facsimile. Chicago: University of Chicago Press.

Feder, Georg. 2011. Music Philology: An Introduction to Musical Textual Criticism, Hermeneutics, and Editorial Technique. Vol. Monographs in musicology. Hillsdale, NY: Pendragon Press.

Fitch, Fabrice, Philip, Juana, and Bibliothèque royale Albert Ier. 2000. Choirbook for Philip the Fair and Juana of Castile: C. 1504-6 : Brussel, Koninklijke Bibliotheek, MS. 9126. Vol. Facsimile editions of prints and manuscripts. Peer, Belgium: Alamire.

Flötner, Peter. 1967. Die Flötnerschen Spielkarten Und Andere Curiosa Der Musiküberlieferung Des 16. Jahrhunderts Aus Franken. Vol. Denkmäler der Tonkunst in Bayern. Neue Folge. Sonderband. edited by C. R. Crosby. Wiesbaden: Breitkopf & Härtel.

Gaucquier, Alard Du. 1581. Quatuor Missa, Quinque Sex et Octo Vocum. Antwerp: Plantin.

Gombert, Nicolas. 1541a. Gomberti Excellentissimi ... Musica Quatuor Vocum, (vulgo Motecta Nuncupatur): Additis Etiam Nonnullis Excelletissimi Morales Motectis ... Ac Nuper Accuratissime in Lucem Aeditum ; Liber Primus ; Quatuor Vocum. Venezia: Scotto.

Gombert, Nicolas. 1541b. Nicolai Gomberti ... Motectorum, Nuperrime Maxima Diligentia in Lucem æditorum: Liber Secundus. Venetiis: Hieronymum Scotum.

Grier, James. 1996. The Critical Editing of Music: History, Method, and Practice. Cambridge: Cambridge University Press.

Hiley, David. 1993. Western Plainchant: A Handbook. Oxford: Clarendon Press.

Hofhaimer, Paul, and Ludwig Senfl. 1539. Harmoniae Poeticae Pauli Hofheimeri: Tum Uocibus Humanis, Tum Etiam Instrumentis Accommodatissimæ. Quibus Præfixus Est Libellus Plenus Doctissimorum Uiroru de Eodem D. Paulo Testimonijs. Unà Cum Selectis Ad Hanc Rem Locis, è Poetis, Accommodatioribus, Seorsim Tum Decantandis, Tum Prælegendis. Norimbergæ: Apud Iohan. Petreium.

Janequin, Clément. 1533. Vingt et Quatre Chansons Musicales a Quatre Parties. Paris: Attaingnant.

Judenkünig, Hans. n.d. Utilis & Compendiaria Introductio, qua Ut Fundamento Jactoque

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Facillime Musicum Exercitiu, Instrumentore et Lutine et Quod Uulgo Geygen Nominant.

Kellman, Herbert. 1987. Vatican City, Biblioteca Apostolica Vaticana, MS Chigi C VIII 234. Vol. Renaissance music in facsimile. New York: Garland.

Kellman, Herbert, and British Library. 1987. London, British Library, Royal 8 G. VII. Vol. Renaissance music in facsimile. New York: Garland Pub.

Kerle, Jacobus de. 1582. Quatuor Missae Suavissimis Modulationibus Refertae: Quarum Una Quatuor, Reliquae Vero Quinque Vocibus Concinendae ; Adiuncto in Fine ‘Te Deum Laudamus’. Antwerp: Plantin.

Kugelmann, Hans. 1540. Concentus Novi: Trium Vocum ; Ecclesiarum Usui in Prussia Precipue Accomodati ; Item Etliche Stuck Mit Acht, Sechs, Fünf Und Vier Stymmen Hinzugethan = Neus Gesanng. Augsburg: Kriesstein.

Di Lasso, Orlando. 1562. Li Madrigali a Quatro Voci, Libro Primo. Nvovamente ristamp. Vinegia: Scotto.

Di Lasso, Orlando. 1582. Libro de Villanelle, Moresche et Altre Canzoni: à 4, 5, 6 & 8 [voci]. Antwerpen: Bellère.

Di Lasso, Orlando. 1584. Psalmi Davidis Poenitentiales: Modis Musicis Redditi Atque Antehac Nunquam in Lucem Aediti ; His Accessit Psalmus ‘Laudate Dominum’ ; Quinque Vocum. München: Berg.

Di Lasso, Orlando. 1588. Orlandi Lassi, Adriani Havvil, Ac Nonnullorum Aliorum Musicorum Missæ, Quatuor & Quinq[ue] Vocibus Decantandæ ; Accessit in Fine Alia Missa Iac. Ant. Piccioli à Corbario, Quinque Vocibus Concinenda: Liber Primus. Mediolani: Tini.

Di Lasso, Orlando, Jessie Ann Owens, Johannes Pollet, Hans Mielich, Orlando di Lasso, and Österreichische Nationalbibliothek. 1986. Vienna, Österreichische Nationalbibliothek, Musiksammlung, Mus. Hs. 18,744. Vol. Renaissance music in facsimile. New York: Garland Pub.

Latham, Alison. 2002. The Oxford Companion to Music. Oxford: Oxford University Press.

Lincoln, Harry B. 1988. The Italian Madrigal and Related Repertories: Indexes to Printed Collections, 1500-1600. New Haven: Yale University Press.

MacCracken, Thomas G., and Uppsala universitetsbibliotek. 1986. Uppsala, Universitetsbiblioteket, Vokalmusik I Handskrift 76b. Vol. Renaissance music in facsimile. New York: Garland Pub.

Marbach, Carolus, and Catholic Church. 1994. Carmina Scripturarum. Hildesheim: G. Olms.

Meconi, Honey. 1990. Basevi Codex: Florence, Biblioteca Del Conservatorio, MS 2439. Peer: Alamire.

Memelsdorff, Pedro, Johannes Bonadies, P. des Molins, Antonio Zachara da Teramo, Francesco Landini, John Hothby, Bernardus Ycart, Guillaume, Jacopo, Bartolino, and

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Johannes. 2013. The Codex Faenza 117: Instrumental Polyphony in Late Medieval Italy. Vol. Ars nova. Lucca, Italy: Libreria Musicale Italiana.

Milsom, John, and Bodleian Library. 1986. Oxford, Bodleian Library, MSS. Mus. Sch. E. 376-381. Vol. Renaissance music in facsimile. New York: Garland Pub.

Moderne, Jacques. 1540. Liber Decem Missarum a Praeclaris et Maximi Nominis Musicis Contextus. Lugduni (Lyon): Jacobus Modernus.

Monte, Philippe de. 1579. Missa Ad Modulum ‘Benedicta Es’: Sex Vocum. Antwerp: Plantin.

Morales, Cristóbal de. 1545. Magnificat: Cum Quatuor Vocibus, Liber Primus. Venetijs: Gardane.

Nádas, John Louis, Agostino Ziino, and Italy. 1990. The Lucca Codex: Codice Mancini, Lucca, Archivio Di Stato, MS 184, Perugia, Biblioteca Comunale ‘Augusta,’ MS 3065 : Introductory Study and Facsimile Edition. Vol. Ars nova. Lucca: Libreria musicale italiana. Obrecht, Jacob. 1503. Misse Obreht. Venetiarum: [s.l.].

Obrecht, Jacob, Philippe Basiron, Antoine Brumel, Gaspar van Weerbeke, and Pierre de La Rue. 1508. Missarum Diversorum Auctorum: Liber Primus. Venetiarum.

Orologio, Alessandro. 1597. Intradae Alessandri Orologii, Quinque & Sex Vocibus, Quarum in Omni Genere Instrumentorum Musicorum Usus Esse Potest: Liber Primus. Helmstaedt: J. Lucius.

Owens, Jessie Ann. 1988. Bologna, Civico Museo Bibliografico Musicale, MS. Q19: The Rusconi Codex. Vol. Renaissance music in facsimile. New York: Garland Pub.

Owens, Jessie Ann, and John Baldwin. 1987. London, British Library, R.M. 24.d.2. Vol. Renaissance music in facsimile. New York: Garland Pub.

Owens, Jessie Ann, and Biblioteka Jagiellonska. 1986. Kraków, Biblioteka Jagiellónska [sic], Glogauer Liederbuch. Vol. Renaissance music in facsimile. New York: Garland.

Parrish, Carl. 1958. The Notation of Medieval Music. London: Faber and Faber.

Petrucci, Ottaviano, Stanley Boorman, and Ellen S. Beebe. 2001. Harmonice Musices Odhecaton A. Vol. Critical facsimiles. New York: Broude Trust.

Picker, Martin, Pierre de La Rue, Alexander Agricola, Loyset Compère, Margaret, Josquin, and Bibliothèque royale Albert Ier. 1997. Album de Marguerite d’Autriche: Brussel, Koninklijke Bibliotheek, Ms. 228. Vol. Facsimile editions of prints and manuscripts. Peer [Belgium]: Alamire.

Rastall, Richard. 2010. The Notation of Western Music: An Introduction. Second revised edition, republished, with corrections. London: Travis & Emery.

Reynolds, Christopher A., and Biblioteca apostolica vaticana. 1986. Vatican City, Biblioteca Apostolica Vaticana, San Pietro B80. Vol. Renaissance music in facsimile. New York: Garland.

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Rhaw, Georg. 1541. Opus Decem Missarum, Quatuor Vocum: In Gratiam Scholarum Atque Adeo Omnium Musices Studiosorum. Wittenberg: Rhaw.

Rore, Cipriano de. n.d. Di Cipriano Il Secondo Libro de Madregali a Cinque Voci: Insieme Alcuni Di M. Adriano et Altri Autori a Misura Comune Novamente Posti in Luce a Cinque Voci. Venezia.

Ruffo, Vincenzo. n.d. Il Terzo Libro de Madregali a Quatro Voci: Novamente ... Composti ... & Dati in Luce. Venezia.

Salé, François. 2011. Officiorum Missalium: Prag, Georg Nigrinus 1596. Vol. Faksimile-Edition Kremsmünster. Stuttgart: Cornetto.

Schneider, Matthias, Eugeen Schreurs, Ludwig Senfl, Martine Sanders, and Österreichische Nationalbibliothek. 1987. Collection of German French and Instrumental Pieces: Wien, O ¨sterreichische National Bibliothek Ms 18810. Vol. Facsimileseries. Peer [Belgium] : Musica.

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Senfl, Ludwig, Hieronymus Formschneyder, and Josquin. 1996. Novum et Insigne Opus Musicum: Sex, Quinque, et Quatuor Vocum, Cuius in Germania Hactenus Nihil Simile Usquam Est Editum. Vol. Faksimile Heilbronner Musikschatz. Stuttgart: Cornetto-Verlag.

Sicher, Fridolin, and David Fallows. 1996. The Songbook of Fridolin Sicher: Around 1515 : Sankt Gallen, Stiftsbibliothek Cod. Sang. 461. Vol. Facsimile editions of prints and manuscripts. Peer [Belgium]: Alamire.

Tarasconi, Alessandro, Jessie Ann Owens, and Conservatorio di musica Giuseppe Verdi (Milan, Italy). 1986. Milan, Biblioteca Del Conservatorio Di Musica Giuseppe Verdi, the Tarasconi Codex. Vol. Renaissance music in facsimile. New York: Garland Pub.

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