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Notation and Editing | Prifysgol Bangor University 09/24/21 Notation and Editing | Prifysgol Bangor University Notation and Editing View Online Dr CT Leitmeir Accone, Frank A. D’, and Biblioteca comunale di Siena, Siena, Biblioteca Comunale Degli Intronati, MS K.I.2 (New York: Garland Pub, 1986), Renaissance music in facsimile Accone, Frank A. D’, and Biblioteca estense (Modena, Italy), Modena, Biblioteca Estense E Universitaria, MS Alpha F. 9.9 (New York: Garland, 1987), Renaissance music in facsimile Accone, Frank A. D’, and Biblioteca nazionale centrale di Firenze, Florence, Biblioteca Nazionale Centrale, MS Banco Rari 230 (New York: Garland Pub, 1986), Renaissance music in facsimile Accone, Frank A. D’, and Biblioteca nazionale di Torino, Turin, Biblioteca Nazionale Universitaria, MS Ris. I. 27 (olim Qm III. 59) (New York: Garland Pub, 1986), Renaissance music in facsimile Accone, Frank A. D’, and Opera di S. Maria del Fiore (Florence, Italy), Florence, Archivio Musicale dell’Opera Di Santa Maria Del Fiore, Ms 11 (New York: Garland, 1987), Renaissance music in facsimile Accone, Frank A. D’, and Università di Pavia, Pavia, Biblioteca Universitaria, Aldini MS 362 (New York: Garland, 1986), Renaissance music in facsimile Agricola, Alexander, Misse Alexandri Agricole (Venezia: Petrucci, 1504) Aichinger, Gregor, Tricinia Mariana, Quibus Antiphonae, Hymni, Magnificat, Litaniae et Variae (niponti (Innsbruck): Apud Ioannem Agricolam, 1598) Apel, Willi, The Notation of Polyphonic Music, 900-1600, 5th ed. rev. and with commentary (Cambridge, Mass: Mediaeval Academy of America, 1953) Arcadelt, Jacob, Jacob Arcadelt, Jacob Arcadelt, Jacob Arcadelt, and Adrian Le Roy & Robert Ballard (Firm), Missae Tres: Nunc Primum in Lucem Aeditae, Cum Quatuor & Quinque Vocibus, Ad Imitationem Modulorum: Noe, Noe, Ave Regina Coelorum, Missae Vulgaris Beate Virginis (Lutetiae: Le Roy et Ballard, 1557) Attaingnant, Pierre, Six Gaillardes et Six Pavanes Avec Treze Chansons (Paris: Attaingnant) Bent, Margaret, ‘Editing Early Music: The Dilemma of Translation’, in Counterpoint, Composition, and Musica Ficta (New York: Routledge, 2002), Criticism and analysis of early music, 219–40 <http://whelf-bangor.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveS 1/8 09/24/21 Notation and Editing | Prifysgol Bangor University ervice&package_service_id=5237212780002422&institutionId=2422&customerId=2415> Brown, Howard Mayer, Trium Vocum Cantiones Centum, à Praestantissimis Diversarum Nationum Ac Liguarum Musicis Compositae: Tomi Primi (New York: Garland Pub, 1986), Renaissance music in facsimile Brown, Howard Mayer, and Biblioteca capitolare di Verona, Verona, Biblioteca Capitolare, MS DCCLVII (New York: Garland, 1987), Renaissance music in facsimile Brown, Howard Mayer, and Biblioteca nazionale centrale di Firenze, Florence, Biblioteca Nazionale Centrale, MSS Magl. XIX, 164-167 (New York: Garland, 1987), Renaissance music in facsimile Brown, Howard Mayer, and British Library, London, British Library, MS Royal 20 A.XVI (New York: Garland Pub, 1987), Renaissance music in facsimile Brown, Howard Mayer, and Franchinus Gaffurius, Milan, Archivio Della Veneranda Fabbrica Del Duomo, Sezione Musicale, Librone 1-3 (olim 2269, 2268, 2267) (New York: Garland Pub, 1987), Renaissance music in facsimile Brown, Howard Mayer, and Josquin, Novum et Insigne Opus Musicum: Sex, Quinque, et Quatuor Vocum, Cuius in Germania Hactenus Nihil Simile Usquam Est Editum : Nunc Quidem Locupletatum plus Centum Non Minus Elegantibus Carminibus, Tum Josquini, Tum Aliorum Clarissimorum Symphonistarum Tam Veterum Quam Recentiorum, Quorum Quaedam Antehac Sunt Edita, Multa Nunc Primum in Lucem Exeuent (New York: Garland, 1986), Renaissance music in facsimile Brown, Howard Mayer, and Magdalene College (University of Cambridge), Cambridge, Magdalene College, Pepys MS 1760 (New York: Garland Pub, 1988), Renaissance music in facsimile Brown, Howard Mayer, and Uppsala universitetsbibliotek, Uppsala, Universitetsbiblioteket, Vokalmusik I Handskrift 76a (New York: Garland, 1987), Renaissance music in facsimile Brown, Howard Mayer, Lukas Wagenrieder, Ludwig Senfl, Josquin, and Bayerische Staatsbibliothek, Munich, Bayerische Staatsbibliothek, Mus. Ms. 10 (New York: Garland Pub, 1986), Renaissance music in facsimile Bruck, Arnold von, Benedictus Appenzeller, Andreas De Silva, Heinrich Finck, Nicolas Gombert, Wolfgang Grefinger, and others, Secundus Tomus Novi Operis Musici: RISM 15383 : Nürnberg, H. Formschneider (Stuttgart: Cornetto-Verlag, 1996), Faksimile Heilbronner Musikschatz Brumel, Antoine, Antoine Brumel, Antoine Brumel, Antoine de Févin, Andrea Antico, Antoine de Févin, and others, Liber Quindecim Missarum: Electarum Quae per Excellentissimos Musicos Compositae Fuerent (Stuttgart: Cornetto-Verlag, 2006), Faksimile-Edition Rara Brumel, Antoine, Heinrich Isaac, Pierre de La Rue, Alexander Agricola, Johannes Ockeghem, Martin Picker, and others, Chansonnier of Marguerite of Austria: Brussel, Koninklijke Bibliotheck, MS. 11 239, 2nd ed (Peer, Belgium: Musica-Alamire, 1988), 2/8 09/24/21 Notation and Editing | Prifysgol Bangor University Facsimile Alamire Brumel, Antoine, Pierre de La Rue, and Josquin, Liber Quindecim Missarum, a Praestantissimis Musicis Compositarum (Norimbergae: Petreium, 1539) ———, Missae Tredecim Quatuor Vocum a Praestantiss. Artificib. Compositae (Norimbergensis: Graphei, 1539) Caldwell, John, Editing Early Music, 2nd ed (Oxford: Clarendon Press, 1995), Early music series Call, Jerry, Charles Hamm, Herbert Kellman, and University of Illinois at Urbana-Champaign, Census-Catalogue of Manuscript Sources of Polyphonic Music, 1400- 1550 ([Rome]: American Institute of Musicology, 1979), Renaissance manuscript studies Canzoni Frottole et Capitoli Da Diversi Eccellentissimi Musici Composti Nuovamente Stampati et Corretti: Libro Primo : De La Croce (Roma: Pasoti et Dorico, 1526) Canzoni Nove Con Alcune Scelte de Varii Libri Di Canto (Roma: Antiquo, 1510) Catholic Church, and Abbaye Saint-Pierre de Solesmes, Liber Hymnarius: Cum Invitatoriis & Aliquibus Responsoriis (Solesmis: Abbaye Saint-Pierre de Solesmes, 1983), Antiphonale Romanum, secundum liturgiam horarum ordinemque cantus officii dispositum ———, The Liber Usualis: With Introduction and Rubrics in English, Republished with additional material (Great Falls, Mont: St. Bonaventure Publications, 1997) Clemens, Raymond, and Timothy Graham, Introduction to Manuscript Studies (Ithaca: Cornell University Press, 2007) Dean, Jeffrey J., and Biblioteca apostolica vaticana, Vatican City, Biblioteca Apostolica Vaticana, Cappella Sistina MS 46 (New York: Garland Pub, 1986), Renaissance music in facsimile Der Erst Teil, Hundert Vnd Ainundzweintzig Newe Lieder: Von Beruembtenn Dieser Kunst Gesetzt ; Lustig Zu Singen Vnd Auff Allerley Instrument Dienstlich, Vormals Dergleichen Im Truck Nye Außgangen (Nürnberg: Formschneider, 1534) ‘DIAMM | Digital Image Archive of Medieval Music’ <http://www.diamm.ac.uk/> ——— <http://www.diamm.ac.uk/> ‘Early English Books Online - EEBO’ <https://ezproxy.bangor.ac.uk/login?url=http://eebo.chadwyck.com/home> ‘Europeana Collections’ <http://www.europeana.eu/> Fallows, David, and Bodleian Library, Oxford, Bodleian Library, MS. Canon. Misc. 213 (Chicago: University of Chicago Press, 1995), Late medieval and early Renaissance music in facsimile Feder, Georg, Music Philology: An Introduction to Musical Textual Criticism, Hermeneutics, 3/8 09/24/21 Notation and Editing | Prifysgol Bangor University and Editorial Technique (Hillsdale, NY: Pendragon Press, 2011), Monographs in musicology Fitch, Fabrice, Philip, Juana, and Bibliothèque royale Albert Ier, Choirbook for Philip the Fair and Juana of Castile: C. 1504-6 : Brussel, Koninklijke Bibliotheek, MS. 9126 (Peer, Belgium: Alamire, 2000), Facsimile editions of prints and manuscripts Flötner, Peter, Die Flötnerschen Spielkarten Und Andere Curiosa Der Musiküberlieferung Des 16. Jahrhunderts Aus Franken, ed. by C. Russell Crosby (Wiesbaden: Breitkopf & Härtel, 1967), Denkmäler der Tonkunst in Bayern. Neue Folge. Sonderband Fragmenta Missae (Venezia: Petrucci, 1505) Frottole, Libro Nono (Venezia: Petrucci, 1508) Frottole, Libro Primo (Venezia: Petrucci, 1504) Frottole, Libro Quinto (Venezia: Petrucci, 1505) Frottole, Libro Secondo (Venezia: Petrucci, 1507) Frottole, Libro Sexto (Venezia: Petrucci, 1505) Frottole, Libro Tertio (Venezia: Petrucci, 1507) Gaucquier, Alard Du, Quatuor Missa, Quinque Sex et Octo Vocum (Antwerp: Plantin, 1581) ‘Gloval Chant Database’ <http://www.globalchant.org/> Gombert, Nicolas, Gomberti Excellentissimi ... Musica Quatuor Vocum, (vulgo Motecta Nuncupatur): Additis Etiam Nonnullis Excelletissimi Morales Motectis ... Ac Nuper Accuratissime in Lucem Aeditum ; Liber Primus ; Quatuor Vocum (Venezia: Scotto, 1541) ———, Nicolai Gomberti ... Motectorum, Nuperrime Maxima Diligentia in Lucem æditorum: Liber Secundus (Venetiis: Hieronymum Scotum, 1541) Grier, James, The Critical Editing of Music: History, Method, and Practice (Cambridge: Cambridge University Press, 1996) Hiley, David, Western Plainchant: A Handbook (Oxford: Clarendon Press, 1993) Hofhaimer, Paul, and Ludwig Senfl, Harmoniae Poeticae Pauli Hofheimeri: Tum Uocibus Humanis, Tum Etiam Instrumentis Accommodatissimæ. Quibus Præfixus Est Libellus Plenus Doctissimorum Uiroru de Eodem D. Paulo Testimonijs. Unà Cum Selectis Ad Hanc Rem Locis, è Poetis, Accommodatioribus, Seorsim Tum Decantandis, Tum Prælegendis (Norimbergæ: Apud Iohan. Petreium, 1539) In Dissem Buechlyn Fynt Man LXXV Hubscher Lieder Myt Discant, Alt, Bas Und Tenor: Lustick
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