Locarno BOOKLET 2012 24 July-1
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Rules and Regulations for Participation
Rules and Regulations for participation Preamble 3. Goals The present version is valid from April 6, 2021 and may be modified The Locarno Film Festival aims to promote arthouse cinema of artis- by the Locarno Film Festival at any time. tic merit; to provide a showcase for major new films of the year from The Locarno Film Festival is recognized by the International Federa- around the world; to take stock, in its competitive sections, of the tion of Film Producers’ Associations (FIAPF) as belonging to the cat- new perspectives of filmmaking expression, concentrating especially egory of “Competitive Festivals”. The following Rules and Regula- on such new film directors and industries as command international tions are subject to the “Regulations for International Film Festivals” attention. published by the FIAPF. 4. Programs 1. Organization The Festival is composed of several sections which accept films shot The Locarno Film Festival (hereinafter also referred to as the “Festi- in any format. val”) is organized by the Festival Internazionale del film di Locarno Sections open to submissions: Association. Its principal subsidies are provided by the Swiss Federal a) The Concorso internazionale presents as world or international Government, the Canton Ticino, Ascona-Locarno Turismo and Mu- premieres a selection of fiction feature films, documentaries, nicipal Authorities of the region. Additional financing is provided by or animated films over 60 minutes in length. This panorama of other associations, organizations, institutions and private partners. contemporary auteur cinema includes films by young talents alongside work by established filmmakers. 2. General Information b) The Concorso Cineasti del presente is reserved for first and sec- th The 74 Locarno Film Festival will take place in Locarno from Au- ond full-length features over 60 minutes. -
Industry Guide Focus Asia & Ttb / April 29Th - May 3Rd Ideazione E Realizzazione Organization
INDUSTRY GUIDE FOCUS ASIA & TTB / APRIL 29TH - MAY 3RD IDEAZIONE E REALIZZAZIONE ORGANIZATION CON / WITH CON IL CONTRIBUTO DI / WITH THE SUPPORT OF IN COLLABORAZIONE CON / IN COLLABORATION WITH CON LA PARTECIPAZIONE DI / WITH THE PARTICIPATION OF CON IL PATROCINIO DI / UNDER THE PATRONAGE OF FOCUS ASIA CON IL SUPPORTO DI/WITH THE SUPPORT OF IN COLLABORAZIONE CON/WITH COLLABORATION WITH INTERNATIONAL PARTNERS PROJECT MARKET PARTNERS TIES THAT BIND CON IL SUPPORTO DI/WITH THE SUPPORT OF CAMPUS CON LA PARTECIPAZIONE DI/WITH THE PARTICIPATION OF MAIN SPONSORS OFFICIAL SPONSORS FESTIVAL PARTNERS TECHNICAL PARTNERS ® MAIN MEDIA PARTNERS MEDIA PARTNERS CON / WITH FOCUS ASIA April 30/May 2, 2019 – Udine After the big success of the last edition, the Far East Film Festival is thrilled to welcome to Udine more than 200 international industry professionals taking part in FOCUS ASIA 2019! This year again, the programme will include a large number of events meant to foster professional and artistic exchanges between Asia and Europe. The All Genres Project Market will present 15 exciting projects in development coming from 10 different countries. The final line up will feature a large variety of genres and a great diversity of profiles of directors and producers, proving one of the main goals of the platform: to explore both the present and future generation of filmmakers from both continents. For the first time the market will include a Chinese focus, exposing 6 titles coming from China, Hong Kong and Taiwan. Thanks to the partnership with Trieste Science+Fiction Festival and European Film Promotion, Focus Asia 2019 will host the section Get Ready for Cannes offering to 12 international sales agents the chance to introduce their most recent line up to more than 40 buyers from Asia, Europe and North America. -
Filmové Umenie Z – Renomované Podujatia V Zahraničí ANUAL AMPAS AWARDS (OSCAR) Hollywood USA ANUAL BAFTA AWARDS Londyn
Filmové umenie Z – Renomované podujatia v zahrani čí ANUAL AMPAS AWARDS (OSCAR) Hollywood USA ANUAL BAFTA AWARDS Londyn Velka Britania ANUAL CESAR AWARDS Francuzsko ANUAL DONATELLO AWARDS Taliansko ANUAL EMI AWARDS Hollywood USA CESKY LEV / CZECH LION Praha Ceska republika CIVIS MEDIA PRIZE / CIVIS EUROPE´S PRIZE EUROPEAN FILM AWARDS (ETA) kazdorocne ine europske mesto a stat GOLDEN GLOBE AWARDS Hollywood USA Festivaly s medzinárodnou sú ťažou AFI FEST - LOS ANGELES INTERNATIONAL FILM FESTIVAL Los Angeles USA ANN ARBOR FILM FESTIVAL Ann Arbor USA ASOLOARTFILMFESTIVAL Asolo Taliansko ATHENS INTERNATIONAL FILM FESTIVAL Atheny Grecko AUSTIN FILM FESTIVAL Austin USA BANGKOK INTERNATIONAL FILM FESTIVAL Bangkok Thajsko BELGRADE INTERNATIONAL FILM FESTIVAL Belehrad Srbsko BERGAMO FILM MEETING Bergamo Taliansko BERLIN INTERNATIONAL FILM FESTIVAL Berlin Nemecko BERMUDA INTERNATIONAL FILM FESTIVAL Bermuda Bermudske ostrovy BRISBANE INTERNATIONAL FILM FESTIVAL Brisbane Velka Britania BRITISH INDEPENDENT FILM AWARDS London Velka Britania BRUSSELS INTERNATIONAL FESTIVAL OF FANTASY FILM Brusel Belgicko CAIRO INTERNATIONAL FILM FESTIVAL Kahira Egypt CAMERIMAGE - INTERNATIONAL FILM FESTIVAL OF THE ART OF CINEMATOGRAPHY Lodz Polsko CANNES INTERNATIONAL FILM FESTIVAL Cannes Francuzsko CARTAGENA INTERNATIONAL FILM FESTIVAL Cartagena Kolumbia CINEMA JOVE INTERNATIONAL FILM FESTIVAL Valencia Spanielsko CINEQUEST FILM FESTIVAL San Jose USA CORTO IN STABIA Castellammare di Stabia Neapol Taliansko DUBAI INTERNATIONAL FILM FESTIVAL Dubai Spojene arabske emiraty -
PEGODA-DISSERTATION-2016.Pdf (3.234Mb)
© Copyright by Andrew Joseph Pegoda December, 2016 “IF YOU DO NOT LIKE THE PAST, CHANGE IT”: THE REEL CIVIL RIGHTS REVOLUTION, HISTORICAL MEMORY, AND THE MAKING OF UTOPIAN PASTS _______________ A Dissertation Presented to The Faculty of the Department of History University of Houston _______________ In Partial Fulfillment Of the Requirements for the Degree of Doctor of Philosophy _______________ By Andrew Joseph Pegoda December, 2016 “IF YOU DO NOT LIKE THE PAST, CHANGE IT”: THE REEL CIVIL RIGHTS REVOLUTION, HISTORICAL MEMORY, AND THE MAKING OF UTOPIAN PASTS ____________________________ Andrew Joseph Pegoda APPROVED: ____________________________ Linda Reed, Ph.D. Committee Chair ____________________________ Nancy Beck Young, Ph.D. ____________________________ Richard Mizelle, Ph.D. ____________________________ Barbara Hales, Ph.D. University of Houston-Clear Lake ____________________________ Steven G. Craig, Ph.D. Interim Dean, College of Liberal Arts and Social Sciences Department of Economics ii “IF YOU DO NOT LIKE THE PAST, CHANGE IT”: THE REEL CIVIL RIGHTS REVOLUTION, HISTORICAL MEMORY, AND THE MAKING OF UTOPIAN PASTS _______________ An Abstract of A Dissertation Presented to The Faculty of the Department of History University of Houston _______________ In Partial Fulfillment Of the Requirements for the Degree of Doctor of Philosophy _______________ By Andrew Joseph Pegoda December, 2016 ABSTRACT Historians have continued to expand the available literature on the Civil Rights Revolution, an unprecedented social movement during the 1940s, 1950s, and 1960s that aimed to codify basic human and civil rights for individuals racialized as Black, by further developing its cast of characters, challenging its geographical and temporal boundaries, and by comparing it to other social movements both inside and outside of the United States. -
Incorporating Movie Clips to Validate Learning
2020-3930-AJE 1 Incorporating Movie Clips to Validate Learning: 2 A Students’ Assessment 3 4 5 The use of movie-based educational interventions has been widely used in the 6 pedagogy of psychology. Wherein most of the researchers have included full- 7 length movies in their teaching followed by students’ comments of its 8 effectiveness; the current research was carried out to examine if or not 9 students will be able to find relevant clips from the list of movies provided and 10 incorporate those in their group workshops after being exposed to the 11 theoretical knowledge in their lecture class. To gauge how the participants 12 received it and what suggestions do they have to offer for the improvement of 13 this innovative exercise an anonymous survey and a semi open-ended interview 14 was used. The research was conducted in three trimesters of academic years 15 2018 and 2019. On analysis of the raw data, it was found that the students 16 rated the assignment favorably and reported that movie clips helped them 17 understand the course material better and enabled them to apply psychological 18 concepts to real-life situations. The findings suggest that movie clips can 19 facilitate the learning process and can prove to be an efficacious tool to 20 validate students’ learning. 21 22 Keywords: education, movie-clips based learning, introduction to psychology, 23 undergraduate elective course, validation of student learning 24 25 26 Introduction 27 28 “A unique property of film is its ability to make one see and grasp things which only 29 the cinema is privileged to communicate” (Kracauer, 1973). -
January March April May June July August September
Festival Calendar 2020 2020 January February March April May June July August September October November December WED SAT SUN WED 01.-05.04.2020 FRI 22.04.-02.05.2020 MON 31.05.-08.06.2020 WED SAT 24.07-01.08.2020 TUE 01.-06.09.2020 THU SUN 26.10.-01.11.2020 TUE 01.-05.12.2020 Go Short International Short Film Festival Nijmegen Brussels Short Film Festival Mo&Friese Kinder Kurzfilm Festival Hamburg Lago Film Fest - International Festival of Independent Cinema Fantoche - Internationales Festival für Animationsfilm Baden DOK Leipzig - International Leipzig Festival for Documentary Festival Tous Courts - Aix en Provence France 01 WEEK 1 01 01 01 www.goshort.nl 01 www.bsff.be 01 WEEK 23 https://moundfriese.shortfilm.com 01 01 www.lagofest.org 01 www.fantoche.ch 01 01 and Animated Film www.dok-leipzig.de 01 www.festivaltouscourts.com THU SUN 27.01-02.02.2020 MON THU 01.-05.04.2020 SAT 24.04.-02.05.2020 TUE 02.-08.06.2020 THU SUN WED 02.-06.09.2020 FRI MON 01.-08.11.2020 WED Bamberger Kurzfilmtage Independent Days - Internationale Filmfestspiele Karlsruhe Visions du Réel - International Film Festival Nyon Kurzfilm Festival Hamburg SIFF - Salento International Film Festival KUKI - Internationales Kurzfilmfestival für Kinder und 02 02 www.bambergerkurzfilmtage.de 02 WEEK 10 02 www.independentdays-filmfest.com 02 www.visionsdureel.ch 02 www.festival.shortfilm.com 02 02 02 www.salentofilmfestival.com 02 02 WEEK 45 Jugendliche Berlin www.interfilm.de 02 FRI MON 24.01.-03.02.2020 TUE 03.-15.03.2020 FRI SUN 30.04.-10.05.2020 WED FRI MON THU 02.-12.09.2020 -
Jmackcv321.Pdf
773.595.2312 [email protected] ____________________________________________________________________________________________________Jodie Mack education: 2007 MFA, Film/Video/New Media School of the Art Institute of Chicago 2004 BA, Summa cum laude: Film and Media Studies University of Florida professional experience: 2015- Associate Professor of Film and Media Studies, Dartmouth College—Hanover, NH 2010-15 Assistant Professor of Film and Media Studies, Dartmouth College—Hanover, NH 2009-10 Adjunct Faculty in Moving Image, University of Illinois at Chicago—Chicago, IL 2008-10 Adjunct Faculty in the College of Digital Media, DePaul University—Chicago, IL Faculty in Animation, California State Summer School for the Arts—Valencia, CA 2007-9 Student Activities Coordinator, Television Department: Columbia College Chicago—Chicago, IL 2006-10 Adjunct Faculty, Early College Program: School of the Art Institute of Chicago—Chicago, IL 2005-7 Distribution Assistant, Video Data Bank—Chicago, IL Teaching Assistant, School of the Art Institute of Chicago—Chicago, IL 2004-5 Instructor, Schools Uniting Neighborhoods—Portland, OR films and videos: 2019 Wasteland No. 2: Hardy, Hearty (6m40s, 16mm, color, silent) 2018 The Grand Bizarre (61m, 16mm, color, sound) Hoarders Without Borders (4m45s, 16mm, color, silent) 2017 Wasteland No. 1: Ardent, Verdant (4m30s, 16mm, color, silent) Goody Goody (3m, super 16mmà DV, color, sound) 2016 Curses (4m45s, digital video, color, sound) 2015 Something Between Us (10m, 16mm, color, sound) 2014 Razzle Dazzle (5m, 16mm, -
1. Afcoop News 2
2/5/2016 https://afcoop.wildapricot.org/Sys/EmailTemplate/EditPreviewTemplate 1. AFCOOP NEWS 2. WORKSHOPS 3. SCREENINGS AND EVENTS 4. AWARDS, GRANTS, RESIDENCIES & CONTESTS 5. FILM FESTIVAL DEADLINES 6. COMMUNITY NEWS 7. EMPLOYMENT OPPORTUNITIES 1. AFCOOP NEWS AFCOOP Spring General Meeting 2014 April 24th, 6:30pm AFCOOP Office Come meet AFCOOP members and the film community and find out what AFCOOP has been up to and what we have planned for the next season. The meeting is open to all AFCOOP members as well members of the public. If you are looking to become a Full Member of AFCOOP at this Meeting please contact AFCOOP in advance to confirm your eligibility. If you have any inquiries or suggestions regarding the meeting or need to send regrets, please call (902) 405-4474 or email [email protected] AFCOOP'S Filmmaker In Residence Alan Collins - "The Art of Editing" Free workshop March 5th, 6pm AFCOOP Office In this talk on "The Art of Editing", Alan will take the audience on a journey through the history of film editing starting with the early experiments of Eisenstein, Pudovkin, and Kuleshov to show the difference between continuity and montage editing Topics include: The creation of suspense, Compression of time, the editing of dream sequences and the difference between dramatic and comedy editing. When is the best moment to make a cut? What determines the rhythm of a scene? Linear and non linear story telling. How digital editing grew out of film editing. https://afcoop.wildapricot.org/Sys/EmailTemplate/EditPreviewTemplate 1/20 2/5/2016 https://afcoop.wildapricot.org/Sys/EmailTemplate/EditPreviewTemplate The talk will be illustrated by examples of great editing from films by Pudovkin, Orson Welles, Alfred Hitchcock, Charlie Chaplin and David Cronenberg’s, “The Brood”. -
Alwin Kuchler BSC Director of Photography
Alwin Kuchler BSC Director of Photography Agents Lynda Mamy Assistant Eliza McWilliams [email protected] 020 3214 0999 Andrew Naylor Assistant [email protected] Lizzie Quinn +44 (0) 203 214 0899 [email protected] +44 (0)20 3214 0911 Credits Film Production Company Notes THE MAURITANIAN BBC Films / Dir: Kevin MacDonald 2020 Sunnymarch / Black Prod: Adam AcklanD, Michael Bronner, Leah Sheep Films Clarke, Christine Holder, Mark Holder, Zak Kilberg, Beatriz Levin, Lloyd Levin, Branwen Prestwood Smith, Donald Sabourin, Larry Siems, Russell Smith With: Jodie Foster, Benedict Cumberbatch, Shailene Woodley, Tahar Rahim Nominee: Best Cinematography, BAFTA 2021 UNTITLED HENRY & Dir: Henry Joost and Ariel Schulman REL SCI-FI PROJECT Prod: Ray Angelic 2019 With: Joseph Gordon-Levitt, Jamie Fox ONE MORE TIME Iconoclast Dir: Andrew Dominik WITH FEELING Prod: David Fowler, Dulcie Kellett, James Wilson 2016 United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes STEVE JOBS Cloud Eight Films Dir. Danny Boyle 2015 Prod: Guymon Casady, Christian Colson, Mark Gordon, Scott Rudin DIVERGENT Red Wagon Dir: Neil Birger 2013 Entertainment/ Prod: Lucy Fisher, Douglas Wick Summit Entertainment R.I.P.D Dark Horse Dir: Robert Schwentke 2012 Entertainment/ Prod: Peter M. Lenkov, Ori Marmur, Jonathon Universal Pictures Komack Martin, Keith Goldberg, Neal H. Moritz & Mike Richardson Cast: Jeff Bridges, Ryan Reynolds HANNA Phenomenon Pictures -
Festival Catalogue 2015
Jio MAMI 17th MUMBAI FILM FESTIVAL with 29 OCTOBER–5 NOVEMBER 2015 1 2 3 4 5 12 October 2015 MESSAGE I am pleased to know that the 17th Jio MAMI Mumbai Film Festival is being organised by the Mumbai Academy of Moving Image (MAMI) in Mumbai from 29th October to 5th November 2015. Mumbai is the undisputed capital of Indian cinema. This festival celebrates Mumbai’s long and fruitful relationship with cinema. For the past sixteen years, the festival has continued promoting cultural and MRXIPPIGXYEP I\GLERKI FIX[IIR ½PQ MRHYWXV]QIHME TVSJIWWMSREPW ERH GMRIQE IRXLYWMEWXW%W E QYGL awaited annual culktural event, this festival directs international focus to Mumbai and its continued success highlights the prominence of the city as a global cultural capital. I am also happy to note that the 5th Mumbai Film Mart will also be held as part of the 17th Mumbai Film Festival, ensuring wider distribution for our cinema. I congratulate the Mumbai Academy of Moving Image for its continued good work and renewed vision and wish the 17th Jio MAMI Mumbai Film Festival and Mumbai Film Mart grand success. (CH Vidyasagar Rao) 6 MESSAGE Mumbai, with its legacy, vibrancy and cultural milieu, is globally recognised as a Financial, Commercial and Cultural hub. Driven by spirited Mumbaikars with an indomitable spirit and great affection for the city, it has always promoted inclusion and progress whilst maintaining its social fabric. ,SQIXSXLI,MRHMERH1EVEXLM½PQMRHYWXV]1YQFEMMWXLIYRHMWTYXIH*MPQ'ETMXEPSJXLIGSYRXV] +MZIRXLEX&SPP][SSHMWXLIQSWXTVSPM½GMRHYWXV]MRXLI[SVPHMXMWSRP]FI½XXMRKXLEXE*MPQ*IWXMZEP that celebrates world cinema in its various genres is hosted in Mumbai. -
71St Locarno Film Festival, Switzerland, 1–11 August 2018 Religion, Politics, and Transcendence in New Cinema – Highlights One Year After #Metoo
Dietmar Adler and Charles Martig Festival Review: 71st Locarno Film Festival, Switzerland, 1–11 August 2018 Religion, Politics, and Transcendence in New Cinema – Highlights One Year after #MeToo Religion is once again a robust topic in international filmmaking. Several films in the competition at the 71st Locarno Film Festival (1–11 August 2018) dealt ex- plicitly or implicitly with religion, politics, and transcendence. Outstanding films were A Land Imagined (Yeo Siew Hua, SG/FR/NL 2018), which won the Golden Leopard, and M (Yolande Zauberman, FR 2018), which deals with child abuse in a strictly Orthodox Jewish community and was awarded the Special Prize of the International Jury. The Ecumenical Jury of Signis and Interfilm decided to award its prize to Sibel (Guillaume Giovanetti / Çağla Zencirci, FR/DE/TR 2018), the story of the emancipation of a young woman in Turkey. In general, women played a prominent role in the festival’s program, not least because a pledge of gender parity was signed by festival officials, a sign of where we are one year after #MeToo. In this festival review, Dietmar Adler from Interfilm and Charles Martig from Signis offer a taste of the film program at Locarno, explore reli- gious, political, and social aspects of the films, and provide insight into the work of the Ecumenical Jury. THE WINNER FROM SINGAPORE The Asian film A Land Imagined, directed by Yeo Siew Hua, was considered an extraordinary elaboration of its topic by both the International Jury (it won the Golden Leopard) and the Ecumenical Jury. The film is set in Singapore, where migrant workers labor on land reclamation sites. -
Montreal 2004
Montreal 2004 By Ron Holloway Fall 2004 Issue of KINEMA MONTREAL WORLD FILM FESTIVAL 2004 The 28th Montreal World Film Festival (26 August to 6 September 2004) is the story of the right film being at the right festival at the right time. Eran Riklis’s Hacala Hasurit (The Syrian Bride, Israel-France-Germany) was awarded the four top prizes: Grand Prize of the Americas, FIPRESCI (International Critics) Prize, Ecumenical Prize, and the Air Canada People’s Choice Prize. Never mind that the same film had also been voted the Prix du publique at the Locarno festival in August, for the FIAPF rules governing the eligibility of competition films in major festival are currently undergoing drastic change - due in great part, onemight add, to last year’s decision by Montreal director Serge Losique to drop his festival membership. And one can only cheer the good fortune of a modest film with quality production credits directed byan Israeli based in London, whose screenplay about a Palestinian family living in a Druze village on the Golan Heights under Israeli occupation border was co-written by a Palestinian. A humanist film of this high caliber, one dealing with a social dilemma still on the UN’s political burner, deserves all the audience it can muster at festivals to pave the way for broad commercial release. The Syrian Bride, set on a wedding day, is the story of a Druze Palestinian who should be celebrating the happiest day of her life. Instead, Mona knows that once she has crossed into Syria to marry Tallel, a television star whom she will meet in person for the first time, she will be forbidden by Israeli authorities to return to Majdal Shams, her Druze village on the Golan Heights, and thus might be separated forever from her family.