Curriculum Paulo Branco
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Tromperie D’Après Le Roman De Philip Roth
DENIS PODALYDÈS LÉA SEYDOUX ANOUK GRINBERG EMMANUELLE DEVOS REBECCA MARDER TROMPERIE D’APRÈS LE ROMAN DE PHILIP ROTH UN FILM DE ARNAUD DESPLECHIN WHY NOT PRODUCTIONS PRÉSENTE DENIS PODALYDÈS LÉA SEYDOUX ANOUK GRINBERG EMMANUELLE DEVOS REBECCA MARDER TROMPERIE D’APRÈS LE ROMAN DE PHILIP ROTH UN FILM DE ARNAUD DESPLECHIN 1h45 – France – 2021 – Scope – 5.1 AU CINÉMA LE 8 DÉCEMBRE DISTRIBUTION RELATIONS PRESSE Marie Queysanne 5, rue Darcet Tél. : 01 42 77 03 63 75017 Paris [email protected] Tél. : 01 44 69 59 59 [email protected] www.le-pacte.com Matériel presse téléchargeable sur www.le-pacte.com « La seule chose que je puisse avancer sans hésiter, c’est que je n’ai pas de « moi » et que je refuse de faire les frais de cette farce. […] M’en tient lieu tout un éventail de rôles que je peux jouer, et pas seulement le mien ; j’ai intériorisé toute une troupe, un stock de scènes et de rôles […] qui forment mon répertoire. Mais je n’ai certes aucun « moi » indépendant de mes efforts – autant de postures artistiques – pour en avoir un. Du reste, je n’en veux pas. Je suis un théâtre, et rien d’autre qu’un théâtre. » Philip Roth, La Contrevie (The Counterlife), 1986, éditions Gallimard, traduction de Josée Kamoun (2004) 3 SYNOPSIS Londres - 1987. Philip est un écrivain américain célèbre exilé à Londres. Sa maîtresse vient régulièrement le retrouver dans son bureau, qui est le refuge des deux amants. Ils y font l’amour, se disputent, se retrouvent et parlent des heures durant ; des femmes qui jalonnent sa vie, de sexe, d’antisémitisme, de littérature, et de fidélité à soi-même… 4 Entretien avec ARNAUD DESPLECHIN Au dos de ses images, Tromperie semble inscrire une profession de foi dans les pouvoirs de la fiction en général et dans ceux du cinéma en particulier… Ce film relève, en effet, de la profession de foi. -
Berlin 2021 Market Screenings
BERLIN 2021 MARKET SCREENINGS GALLANT INDIES Indes galantes By Philippe Béziat ("BECOMING TRAVIATA") Based on Jean-Philippe Rameau’s opera-ballet that was directed by Clément Cogitore for the Opéra National de Paris. This is a premiere for 30 dancers of hip-hop, krump, break, voguing… A first for the Director Clément Cogitore and for the choreographer Bintou Dembélé. And a first for the Paris’ Opera Bastille. By bringing together urban dance and opera singing, they reinvent Jean-Philippe Rameau's baroque masterpiece, Les Indes Galantes. From rehearsals to public performances, it is a human adventure and a meeting of political realities that we follow: can a new generation of artists storm the Bastille today? FRENCH - DOCUMENTARY - 108 MN Production : LES FILMS PELLEAS (FRANCE), ARTE FRANCE CINEMA (FRANCE) Territories sold : France MARKET SCREENING Monday 1st 5.40 PM (local time) Virtual Cinema 14 Wednesday 3rd 9.05 AM (local time) Virtual Cinema 7 MARKET SCREENINGS I HAVE BEEN WAITING FOR YOU c’est toi que j’attendais By Stéphanie Pillonca ("FLEUR DE TONNERRE") "They are couples like no others: couples who cannot bear children in a biological way and decide to go through adoption. From this decision and the actual meeting with the child, we’ll experience with them the sufferings, doubts, hopes and finally the joys of this life- changing journey. With throughout the film, this underlying question: What makes a family? How does this unfailing bond between a child and his/her parent form?" Stéphanie Pillonca FRENCH - DOCUMENTARY - 87 MN Production: -
Eccentricities of a Blonde-Haired Girl
ECCENTRICITIES OF A BLONDE-HAIRED GIRL (Singularidades de uma Rapariga Loura) A film by Manoel de Oliveira with Ricardo Trêpa, Catarina Wallenstein Premiered at the Berlin Film Festival 2009 Portugal/France 2009 / 64 minutes / Colour / English Subtitles / Certificate U UK Release date: August 6th 2010 FOR ALL PRESS ENQUIRIES PLEASE CONTACT Sue Porter/Lizzie Frith – Porter Frith Ltd Tel: 020 7833 8444/E‐Mail: [email protected] or FOR ALL OTHER ENQUIRIES PLEASE CONTACT Robert Beeson – New Wave Films – [email protected] 10 Margaret Street London W1W 8RL Tel: 020 3178 7095 www.newwavefilms.co.uk ECCENTRICITIES OF A BLONDE‐HAIRED GIRL SYNOPSIS Macário spends an entire train journey to the Algarve talking to a woman he does not know about the trials and tribulations of his love life: straight after starting his first job as a book keeper at his Uncle Francisco's shop in Lisbon he falls madly in love with a young blonde, who lives across the road. No sooner does he meet her than he straightaway wants to marry her. His uncle, totally opposed to the match, fires him and kicks him out of the house. Macário departs for Cape Verde where he makes his fortune. When he finally wins his uncle’s approval to marry his beloved, he discovers the “singularity” of his fiancée’s character. Full details on www.newwavefilms.co.uk 2 ECCENTRICITIES OF A BLONDE‐HAIRED GIRL CREW Director Manoel de Oliveira Screenplay Manoel de Oliveira From the story by Eça de Queiroz Director of photography Sabine Lancelin Camera Operator Francisco de Oliveira Sound -
Contemporary Polish Cinema (Spring Term)
University of Pittsburgh Department of Slavic Languages and Literatures Polish 1450 - Contemporary Polish Cinema (Spring Term) Instructor: Jolanta Lapot (visiting from Lodz Film School of Poland, 1999-2000) Course Meets: W CL249 5:45-10:00 Office Hours: Th, Fr 11:00-2:00 Office:1417 Cathedral of Learning e-mail:[email protected]. Phone: 624-5707 General Course Description The course presents contemporary Polish cinema from 1945 to the present. Concepts will be studied in their historical, political, philosophical, and aesthetic perspective. We will examine the important national themes in modern Polish cinema, relating them to the history of Poland and Eastern Europe. The main trends (schools, movements) in Polish cinema will be examined such as the so-called PolishSchool and the Cinema of Moral Concern. The works of most important modern Polish film-makers will be examined, including the works of Andrzej Wajda, Andrzej Munk, Agnieszka Holland, Roman Polanski, Krzysztof Kieslowski, Wladyslaw Pasikowski, Leszek Wosiewicz, and Ryszard Bugajski. Films to be examined may be divided into three general groups 1. Films representing post-war history and, more specifically, films covering important social and political transformations, but made after the fact. These are sometimes called revisionist films in search of historical truth, previously distorted by political ideology. 2. Films dealing with World War II. We will look at different ways in which the war is treated by film-makers over the course of the post-war period. 3. The final group of films is chosen purely on the basis of artistic merit. The role of film as an art form will be examined during the different periods of the post-World-War-Two era. -
Une Fraîcheur Et Une Originalité Toujours Intactes / Deep End De Jerzy Skolimowski]
Document generated on 09/27/2021 11:40 p.m. 24 images Une fraîcheur et une originalité toujours intactes Deep End de Jerzy Skolimowski Marcel Jean Festival du nouveau cinéma 2011 Number 154, October–November 2011 URI: https://id.erudit.org/iderudit/65111ac See table of contents Publisher(s) 24/30 I/S ISSN 0707-9389 (print) 1923-5097 (digital) Explore this journal Cite this review Jean, M. (2011). Review of [Une fraîcheur et une originalité toujours intactes / Deep End de Jerzy Skolimowski]. 24 images, (154), 46–46. Tous droits réservés © 24/30 I/S, 2011 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ DVD Deep End de Jerzy Skolimowski Une fraîcheUr et Une originalité toUjoUrs intactes par Marcel Jean « Mais je pourrais mourir ce soir… »1 QUI AURAIT DIT QU’UN FILM TOURNÉ PRINCIPALEMENT EN ALLEMAGNE ET RÉALISÉ PAR UN Polonais parlant l’anglais comme une vache espagnole allait devenir l’un des classiques du cinéma britannique ? C’est pourtant ce qui est arrivé avec Deep End de Jerzy Skolimowski, d’après un scénario original de Skolimowski, Boleslaw Sulik et Jerzy Gruza (tous trois Polonais), produit par un Allemand et tourné avec une équipe technique allemande. -
The Altering Eye Contemporary International Cinema to Access Digital Resources Including: Blog Posts Videos Online Appendices
Robert Phillip Kolker The Altering Eye Contemporary International Cinema To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/8 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. Robert Kolker is Emeritus Professor of English at the University of Maryland and Lecturer in Media Studies at the University of Virginia. His works include A Cinema of Loneliness: Penn, Stone, Kubrick, Scorsese, Spielberg Altman; Bernardo Bertolucci; Wim Wenders (with Peter Beicken); Film, Form and Culture; Media Studies: An Introduction; editor of Alfred Hitchcock’s Psycho: A Casebook; Stanley Kubrick’s 2001: A Space Odyssey: New Essays and The Oxford Handbook of Film and Media Studies. http://www.virginia.edu/mediastudies/people/adjunct.html Robert Phillip Kolker THE ALTERING EYE Contemporary International Cinema Revised edition with a new preface and an updated bibliography Cambridge 2009 Published by 40 Devonshire Road, Cambridge, CB1 2BL, United Kingdom http://www.openbookpublishers.com First edition published in 1983 by Oxford University Press. © 2009 Robert Phillip Kolker Some rights are reserved. This book is made available under the Cre- ative Commons Attribution-Non-Commercial 2.0 UK: England & Wales Licence. This licence allows for copying any part of the work for personal and non-commercial use, providing author -
THE BLACK BOOK of FATHER DINIS Directed by Valeria Sarmiento Starring Lou De Laâge, Stanislas Merhar, Niels Schneider
Music Box Films Presents THE BLACK BOOK OF FATHER DINIS Directed by Valeria Sarmiento Starring Lou de Laâge, Stanislas Merhar, Niels Schneider 103 MIN | FRANCE, PORTUGAL | 2017 | 1.78 :1 | NOT RATED | IN FRENCH WITH ENGLISH SUBTITLES Website: https://www.musicboxfilms.com/film/the-black-book/ Press Materials: https://www.musicboxfilms.com/press-page/ Publicity Contact: MSophia PR Margarita Cortes [email protected] Marketing Requests: Becky Schultz [email protected] Booking Requests: Kyle Westphal [email protected] LOGLINE A picaresque chroNicle of Laura, a peasaNt maid, aNd SebastiaN, the youNg orphaN iN her charge, against a backdrop of overflowing passion and revolutionary intrigue in Europe at the twilight of the 18th century. SUMMARY THE BLACK BOOK OF FATHER DINIS explores the tumultuous lives of Laura (Lou de Laâge), a peasaNt maid, aNd SebastiaN (Vasco Varela da Silva), the youNg orphaN iN her charge, against a backdrop of overflowing passion and revolutionary intrigue in Europe at the twilight of the 18th ceNtury. An uNlikely adveNture yarN that strides the coNtiNeNt, from Rome aNd VeNice to LoNdoN aNd Paris, with whispers of coNspiracies from the clergy, the military, aNd the geNtry, this sumptuous period piece ponders the intertwined nature of fate, desire, and duty. Conceived by director Valeria SarmieNto as aN appeNdix to the expaNsive literary maze of her late partNer Raul Ruiz's laNdmark MYSTERIES OF LISBON, this picaresque chronicle both eNriches the earlier work aNd staNds oN its owN as a graNd meditatioN of the stories we construct about ourselves. THE BLACK BOOK OF FATHER DINIS | PRESS NOTES 2 A JOURNEY THROUGHOUT EUROPE AND HISTORY Interview with Director Valeria Sarmiento What was the origin of the project? OrigiNally, I was supposed to make aNother film with Paulo BraNco called The Ice Track (from Roberto Bolaño’s Novel), but we could Not fiNd fuNdiNg because the rights of the Novel became more aNd more expeNsive. -
Catalogue-2018 Web W Covers.Pdf
A LOOK TO THE FUTURE 22 years in Hollywood… The COLCOA French Film this year. The French NeWave 2.0 lineup on Saturday is Festival has become a reference for many and a composed of first films written and directed by women. landmark with a non-stop growing popularity year after The Focus on a Filmmaker day will be offered to writer, year. This longevity has several reasons: the continued director, actor Mélanie Laurent and one of our panels will support of its creator, the Franco-American Cultural address the role of women in the French film industry. Fund (a unique partnership between DGA, MPA, SACEM and WGA West); the faithfulness of our audience and The future is also about new talent highlighted at sponsors; the interest of professionals (American and the festival. A large number of filmmakers invited to French filmmakers, distributors, producers, agents, COLCOA this year are newcomers. The popular compe- journalists); our unique location – the Directors Guild of tition dedicated to short films is back with a record 23 America in Hollywood – and, of course, the involvement films selected, and first films represent a significant part of a dedicated team. of the cinema selection. As in 2017, you will also be able to discover the work of new talent through our Television, Now, because of the continuing digital (r)evolution in Digital Series and Virtual Reality selections. the film and television series industry, the life of a film or series depends on people who spread the word and The future is, ultimately, about a new generation of foreign create a buzz. -
Here Was Obviously No Way to Imagine the Event Taking Place Anywhere Else
New theatre, new dates, new profile, new partners: WELCOME TO THE 23rd AND REVAMPED VERSION OF COLCOA! COLCOA’s first edition took place in April 1997, eight Finally, the high profile and exclusive 23rd program, years after the DGA theaters were inaugurated. For 22 including North American and U.S Premieres of films years we have had the privilege to premiere French from the recent Cannes and Venice Film Festivals, is films in the most prestigious theater complex in proof that COLCOA has become a major event for Hollywood. professionals in France and in Hollywood. When the Directors Guild of America (co-creator This year, our schedule has been improved in order to of COLCOA with the MPA, La Sacem and the WGA see more films during the day and have more choices West) decided to upgrade both sound and projection between different films offered in our three theatres. As systems in their main theater last year, the FACF board an example, evening screenings in the Renoir theater made the logical decision to postpone the event from will start earlier and give you the opportunity to attend April to September. The DGA building has become part screenings in other theatres after 10:00 p.m. of the festival’s DNA and there was obviously no way to imagine the event taking place anywhere else. All our popular series are back (Film Noir Series, French NeWave 2.0, After 10, World Cinema, documentaries Today, your patience is fully rewarded. First, you will and classics, Focus on a filmmaker and on a composer, rediscover your favorite festival in a very unique and TV series) as well as our educational program, exclusive way: You will be the very first audience to supported by ELMA and offered to 3,000 high school enjoy the most optimal theatrical viewing experience in students. -
Alain Tanner Филм ÑÐ ¿Ð¸ÑÑ ŠÐº (ФилмографиÑ)
Alain Tanner Филм ÑÐ ¿Ð¸ÑÑ ŠÐº (ФилмографиÑ) Light Years Away https://bg.listvote.com/lists/film/movies/light-years-away-1402542/actors The Woman from Rose Hill https://bg.listvote.com/lists/film/movies/the-woman-from-rose-hill-18542955/actors The Diary of Lady M https://bg.listvote.com/lists/film/movies/the-diary-of-lady-m-18604474/actors https://bg.listvote.com/lists/film/movies/la-vall%C3%A9e-fant%C3%B4me- La vallée fantôme 21647262/actors The Man Who Lost His Shadow https://bg.listvote.com/lists/film/movies/the-man-who-lost-his-shadow-24938017/actors A Flame in My Heart https://bg.listvote.com/lists/film/movies/a-flame-in-my-heart-27666257/actors The Salamander https://bg.listvote.com/lists/film/movies/the-salamander-3212693/actors The Middle of the World https://bg.listvote.com/lists/film/movies/the-middle-of-the-world-3224550/actors No Man's Land https://bg.listvote.com/lists/film/movies/no-man%27s-land-3342426/actors Nice Time https://bg.listvote.com/lists/film/movies/nice-time-3382446/actors Charles, Dead or Alive https://bg.listvote.com/lists/film/movies/charles%2C-dead-or-alive-384776/actors Fleurs de sang https://bg.listvote.com/lists/film/movies/fleurs-de-sang-48746792/actors Les hommes du port https://bg.listvote.com/lists/film/movies/les-hommes-du-port-50184103/actors Messidor https://bg.listvote.com/lists/film/movies/messidor-512192/actors Fourbi https://bg.listvote.com/lists/film/movies/fourbi-5475762/actors Requiem https://bg.listvote.com/lists/film/movies/requiem-56306217/actors The Apprentices https://bg.listvote.com/lists/film/movies/the-apprentices-64732218/actors Jonah Who Will Be 25 in the Year https://bg.listvote.com/lists/film/movies/jonah-who-will-be-25-in-the-year-2000- 2000 670633/actors In the White City https://bg.listvote.com/lists/film/movies/in-the-white-city-679684/actors Rousseau chez Alain Tanner https://bg.listvote.com/lists/film/movies/rousseau-chez-alain-tanner-90159411/actors. -
Centrespread Centrespread 15 OCTOBER 23-29, 2016 OCTOBER 23-29, 2016
14 centrespread centrespread 15 OCTOBER 23-29, 2016 OCTOBER 23-29, 2016 As the maximum city’s cinephiles flock to the 18th edition of the Mumbai Film Festival (October 20-27), organised by the Mumbai Academy of Moving Image, ET Magazine looks at some of its most famous counterparts across the world and also in India Other Festivals in IndiaInddia :: G Seetharaman International Film Festivalstival of Kerala Begun in 1996, the festivalstival is believed to be betterter curated than its counterparts in thee Cannes Film Festival (Cannes, France) Venice Film Festival (Italy) country. It is organisedanised by the state governmenternment STARTED IN: 1946 STARTED IN: 1932 TOP AWARD: Palme d’Or (Golden Palm) TOP AWARD: Golden Lion and held annually in Thiruvananthapuram NOTABLE WINNERS OF TOP AWARD: Blow-Up, Taxi Driver, Apocalypse Now, Pulp Fiction, Fahrenheit 9/11 NOTABLE WINNERS OF TOP AWARD: Rashomon, Belle de jour, Au revoir les enfants, Vera Drake, Brokeback Mountain ABOUT: Undoubtedly the most prestigious of all film festivals, Cannes' top awards are second only to the Oscars in their Internationalnal FilmF Festival of India cachet. Filmmakers like Woody Allen, Wes Anderson and Pedro Almodovar have premiered their films at Cannes, which is ABOUT: Given Italy’s great filmmaking tradition — think Vittorio de Sica, as much about the business of films as their aesthetics; the distribution rights for the best of world cinema are acquired by Federico Fellini and Michelangelo Antonioni — it is no surprise that the Run jointly by the information and giants like the Weinstein Company and Sony Pictures Classics, giving them a real shot at country hosts one of the finest film festivals in the world. -
111714906.Pdf
1 4 Films by Alain Tanner Screening at the Wooden Shoe, 704 South St., Philadelphia. Zine published in collaboration with Shooting Wall. Friday November 2 7PM La Salamandre (The Salamander) 1971 124min. Starring Bulle Ogier, Jean-Luc Bideau, & Jacques Denis Saturday November 3 7 PM Le Milieu du monde (The Middle of the World ) 1974 115min. Starring Olimpia Carlisi, Philippe Léotard, & Juliet Berto Friday November 9 7 PM Jonas qui aura 25 ans en l'an 2000 (Jonah Who Will Be 25 in the Year 2000) 1976 116min. Starring Jean-Luc Bideau, Myriam Boyer, Raymond Bussiéres, Jacques Denis, Roger Jendly, Dominique Labourier, Myriam Mé- ziéres, Miou-Miou, Rufus Saturday November 10 7PM Messidor 1979 123min. Starring Clémentine Amouroux & Catherine Rétouré Contents About Alain Tanner & Resources 3 A Long Introduction 4 Ben Webster Le Milieu du monde 16 Ross Wilbanks Investigating Reality: Character, Idealism, & 19 Political Ideology in Alain Tanner‟s La Salamandre Josh Martin Don‟t Fuck the Boss! 22 Ben Webster 2 About Alain Tanner (courtesy Wikipedia) Alain Tanner (born 6 December 1929, Geneva) is a Swiss film director. Tanner found work at the British Film Institute in 1955, subtitling, translating, and organizing the archive. His first film, Nice Time (1957), a short documen- tary film about Piccadilly Circus during weekend evenings, was made with Claude Goretta. Produced by the British Film Institute Experimental Film Fund, it was first shown as part of the third Free Cinema programme at the Na- tional Film Theatre in May 1957. The debut film won a prize at the film festival in Venice and much critical praise.