DOCSLIB.ORG

Alain Tanner Филм ÑÐ​ ¿Ð¸ÑÑ​ ŠÐº (ФилмографиÑ)​

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Alain Tanner Филм ÑÐ​ ¿Ð¸ÑÑ​ ŠÐº (ФилмографиÑ)​ Alain Tanner Филм ÑÐ​ ¿Ð¸ÑÑ​ ŠÐº (ФилмографиÑ)​ Light Years Away https://bg.listvote.com/lists/film/movies/light-years-away-1402542/actors The Woman from Rose Hill https://bg.listvote.com/lists/film/movies/the-woman-from-rose-hill-18542955/actors The Diary of Lady M https://bg.listvote.com/lists/film/movies/the-diary-of-lady-m-18604474/actors https://bg.listvote.com/lists/film/movies/la-vall%C3%A9e-fant%C3%B4me- La vallée fantôme 21647262/actors The Man Who Lost His Shadow https://bg.listvote.com/lists/film/movies/the-man-who-lost-his-shadow-24938017/actors A Flame in My Heart https://bg.listvote.com/lists/film/movies/a-flame-in-my-heart-27666257/actors The Salamander https://bg.listvote.com/lists/film/movies/the-salamander-3212693/actors The Middle of the World https://bg.listvote.com/lists/film/movies/the-middle-of-the-world-3224550/actors No Man's Land https://bg.listvote.com/lists/film/movies/no-man%27s-land-3342426/actors Nice Time https://bg.listvote.com/lists/film/movies/nice-time-3382446/actors Charles, Dead or Alive https://bg.listvote.com/lists/film/movies/charles%2C-dead-or-alive-384776/actors Fleurs de sang https://bg.listvote.com/lists/film/movies/fleurs-de-sang-48746792/actors Les hommes du port https://bg.listvote.com/lists/film/movies/les-hommes-du-port-50184103/actors Messidor https://bg.listvote.com/lists/film/movies/messidor-512192/actors Fourbi https://bg.listvote.com/lists/film/movies/fourbi-5475762/actors Requiem https://bg.listvote.com/lists/film/movies/requiem-56306217/actors The Apprentices https://bg.listvote.com/lists/film/movies/the-apprentices-64732218/actors Jonah Who Will Be 25 in the Year https://bg.listvote.com/lists/film/movies/jonah-who-will-be-25-in-the-year-2000- 2000 670633/actors In the White City https://bg.listvote.com/lists/film/movies/in-the-white-city-679684/actors Rousseau chez Alain Tanner https://bg.listvote.com/lists/film/movies/rousseau-chez-alain-tanner-90159411/actors.
Load more

Recommended publications
  • MARY SHELLEY (Run), P
    JUNE 018 GAZETTE 2 ■ Vol. 46, No. 6 Rediscovering Rediscovering Alain Tanner LA SALAMANDRE, June 9, 14 MORE FRIDAY MATINEES! OPEN-CAPTIONED SCREENINGS! ALSO: 164 N. State Street Trnka, Inoue, Gunn, Clouzot www.siskelfilmcenter.org CHICAGO PREMIERE! THOMAS PIPER IN PERSON! 2017, Thomas Piper, USA, 75 min. “A pleasure on multiple fronts: sensorially, conceptually, narratively.”—Jennifer Reut, Landscape Architecture Magazine Five seasons in the gardens and career of Dutch garden designer Piet Oudolf, creator of Chicago’s acclaimed Lurie Garden in Millennium Park, are traced in this lush documentary that blooms with details of Oudolf’s other high-profile projects including Manhattan’s High Line and the waterfront Battery Gardens. Beginning with an autumn walk through the designer’s own sprawling but intricately planted garden in the Dutch village of Hummelo, the film conveys his deep and thoughtful appreciation for botanical life in all its seasons. DCP digital. (BS) Director Thomas Piper will be present for audience discussion on Friday at 7:45 pm. The 7:45 pm screening on Fri., June 15, is a Movie Club event (see p. 3). FIVE June 15—21 Fri., 6/15 at 2:15 pm, 6 pm, and 7:45 pm; Sat., 6/16 at 6:15 pm; SEASONS Sun., 6/17 at 2 pm; Mon., 6/18 at 6 pm; THE GARDENS Tue., 6/19 at 8:15 pm; OF PIET OUDOLF Wed., 6/20 at 6 pm; Thu., 6/21 at 8:30 pm CHICAGO PREMIERE! “Vivid and beautifully meditative memory piece on BOOM the downtown New York art and music scene of the late 1970s and early ‘80s.” THEFOR LATE TEENAGE REAL: YEARS —Chris Barsanti, The Playlist OF JEAN-MICHEL BASQUIAT 2017, Sara Driver, USA, 78 min.
    [Show full text]
  • 111714906.Pdf
    1 4 Films by Alain Tanner Screening at the Wooden Shoe, 704 South St., Philadelphia. Zine published in collaboration with Shooting Wall. Friday November 2 7PM La Salamandre (The Salamander) 1971 124min. Starring Bulle Ogier, Jean-Luc Bideau, & Jacques Denis Saturday November 3 7 PM Le Milieu du monde (The Middle of the World ) 1974 115min. Starring Olimpia Carlisi, Philippe Léotard, & Juliet Berto Friday November 9 7 PM Jonas qui aura 25 ans en l'an 2000 (Jonah Who Will Be 25 in the Year 2000) 1976 116min. Starring Jean-Luc Bideau, Myriam Boyer, Raymond Bussiéres, Jacques Denis, Roger Jendly, Dominique Labourier, Myriam Mé- ziéres, Miou-Miou, Rufus Saturday November 10 7PM Messidor 1979 123min. Starring Clémentine Amouroux & Catherine Rétouré Contents About Alain Tanner & Resources 3 A Long Introduction 4 Ben Webster Le Milieu du monde 16 Ross Wilbanks Investigating Reality: Character, Idealism, & 19 Political Ideology in Alain Tanner‟s La Salamandre Josh Martin Don‟t Fuck the Boss! 22 Ben Webster 2 About Alain Tanner (courtesy Wikipedia) Alain Tanner (born 6 December 1929, Geneva) is a Swiss film director. Tanner found work at the British Film Institute in 1955, subtitling, translating, and organizing the archive. His first film, Nice Time (1957), a short documen- tary film about Piccadilly Circus during weekend evenings, was made with Claude Goretta. Produced by the British Film Institute Experimental Film Fund, it was first shown as part of the third Free Cinema programme at the Na- tional Film Theatre in May 1957. The debut film won a prize at the film festival in Venice and much critical praise.
    [Show full text]
  • The Regents of the University of California, Berkeley – UC Berkeley Art Museum & Pacific Film Archive (BAMPFA)
    Recordings at Risk Sample Proposal (Fourth Call) Applicant: The Regents of the University of California, Berkeley – UC Berkeley Art Museum & Pacific Film Archive (BAMPFA) Project: Saving Film Exhibition History: Digitizing Recordings of Guest Speakers at the Pacific Film Archive, 1976 to 1986 Portions of this successful proposal have been provided for the benefit of future Recordings at Risk applicants. Members of CLIR’s independent review panel were particularly impressed by these aspects of the proposal: • The broad scholarly and public appeal of the included filmmakers; • Well-articulated statements of significance and impact; • Strong letters of support from scholars; and, • A plan to interpret rights in a way to maximize access. Please direct any questions to program staff at [email protected] Application: 0000000148 Recordings at Risk Summary ID: 0000000148 Last submitted: Jun 28 2018 05:14 PM (EDT) Application Form Completed - Jun 28 2018 Form for "Application Form" Section 1: Project Summary Applicant Institution (Legal Name) The Regents of the University of California, Berkeley Applicant Institution (Colloquial Name) UC Berkeley Art Museum & Pacific Film Archive (BAMPFA) Project Title (max. 50 words) Saving Film Exhibition History: Digitizing Recordings of Guest Speakers at the Pacific Film Archive, 1976 to 1986 Project Summary (max. 150 words) In conjunction with its world-renowned film exhibition program established in 1971, the UC Berkeley Art Museum and Pacific Film Archive (BAMPFA) began regularly recording guest speakers in its film theater in 1976. The first ten years of these recordings (1976-86) document what has become a hallmark of BAMPFA’s programming: in-person presentations by acclaimed directors, including luminaries of global cinema, groundbreaking independent filmmakers, documentarians, avant-garde artists, and leaders in academic and popular film criticism.
    [Show full text]
  • San Francisco Cinematheque Program Notes
    •• * 'i \ ,*" ::iK](Vi4i:,« .%, J'T'^Kf; A-,o;A r^.^K-''; .. .. •• . •• •• 4»t «4, .. »« • ••* : :»ii'-*-'*s : »" "* >*4 * * V"a'*-;a'v-jv-a' * S»«Jt «.««J .*•••. " ' • * * ' * '^ -* "x* * * >» — -*. From the collection of the J Z ^ k Prelinger V JJibraryLi San Francisco, California 2007 San Francisco Cinematheque 1998 Program Notes San Francisco Cinematheque P.O. Box 880338 San Francisco, California 94118 Telephone: 415 822 2885 Facsimile: 415 822 1952 Email: [email protected] www.sfcineniatheque.org San Francisco Cinematheque Director Steve Anker ARTISTIC Co-Director Irina Leimbacher Interim Managing director. Spring 1998 Elise Hurwitz Administrative Manager, Spring 1998 Douglas Conrad Interim Ofhce Manager, Fall 1998 Claire Bain CURATORUL ASSISTANTS/TECHNICL\NS Thierry DiDonna Eduardo Morrell Mark Wilson Program Note Coordinator Jeff Lambert Program Note Book Producer Christine Metropoulos PROGRAM Note Editors/Contributors Steve Anker Christian Bruno Jeff Lambert Irina Leimbacher Janis Crystal Lipzin Maja Manojlovic John K. Mrozik Steve Polta Matthew Swiezynski Eric Theise Board of Directors Stefan Ferreira Cluver Sandra Peters Kerri Condron Julia Segrove-Jaurigui Elise Hurwitz Laura Takeshita Marina McDougall Program Co-Sponsors Canyon Cinema San Francisco Art Institute Headlands Center for the Arts San Francisco International Asian American Jewish Film Festival Film Festival Museum of Modem Art (New York City) San Francisco International Film Festival Pacific Film Archive Yerba Buena Center for the Arts San Francisco Cinematheque
    [Show full text]
  • And the Ship Sails On
    And The Ship Sails On by Serge Toubiana at the occasion of the end of his term as Director-General of the Cinémathèque française. Within just a few days, I shall come to the end of my term as Director-General of the Cinémathèque française. As of February 1st, 2016, Frédéric Bonnaud will take up the reins and assume full responsibility for this great institution. We shall have spent a great deal of time in each other's company over the past month, with a view to inducting Frédéric into the way the place works. He has been able to learn the range of our activities, meet the teams and discover all our on-going projects. This friendly transition from one director-general to the next is designed to allow Frédéric to function at full-steam from day one. The handover will have been, both in reality and in the perception, a peaceful moment in the life of the Cinémathèque, perhaps the first easy handover in its long and sometimes turbulent history. That's the way we want it - we being Costa-Gavras, chairman of our board, and the regulatory authority, represented by Fleur Pellerin, Minister of Culture and Communication, and Frédérique Bredin, Chairperson of the CNC, France's National Centre for Cinema and Animation. The peaceful nature of this handover offers further proof that the Cinémathèque has entered into a period of maturity and is now sufficiently grounded and self-confident to start out on the next chapter without trepidation. But let me step back in time. Since moving into the Frank Gehry building at 51 rue de Bercy, at the behest of the Ministry of Culture, the Cinémathèque française has undergone a profound transformation.
    [Show full text]
  • Like Someone in Love
    1 MK2 & Eurospace present A film by Abbas Kiarostami INTERNATIONAL PRESS INTERNATIONAL SALES Vanessa Jerrom & Claire Vorger MK2 11 rue du Marché Saint-Honoré - 75001 Paris (France) 55 rue Traversière - 75012 Paris (France) Email: [email protected] Juliette Schrameck - [email protected] Cell: +33 6 14 83 88 82 (Vanessa Jerrom) Dorothée Pfistner - [email protected] Cell: +33 6 20 10 40 56 (Claire Vorger) Victoire Thevenin - [email protected] In Cannes : Five Hotel 1 rue Notre-Dame - 06400 Cannes France Photos and presskit can be downloaded on www.mk2pro.com 2 3 synopsis An old man and a young woman meet in Tokyo. She knows nothing about him, he thinks he knows her. He welcomes her into his home, she offers him her body. But the web that is woven between them in the space of twenty-four hours bears no relation to the circumstances of their encounter. 4 5 new awakening Without doubt, there was an underlying sense of gnawing depravity that surfaced in Certified Copy and took me by surprise. I was sure that I already had a good understanding of the work of this film-maker that I have been lucky enough to come across so often in the past 25 years. So I was not expecting his latest film to outstrip the already high opinion I have of his work. Some people like to feel that they can describe and pigeonhole his films as ‘pseudo-simplistic modernism’. But Abbas’ films have never failed to surprise and now here, not for the first time, is a new wake-up call, for me, and I am sure many others.
    [Show full text]
  • American Auteur Cinema: the Last – Or First – Great Picture Show 37 Thomas Elsaesser
    For many lovers of film, American cinema of the late 1960s and early 1970s – dubbed the New Hollywood – has remained a Golden Age. AND KING HORWATH PICTURE SHOW ELSAESSER, AMERICAN GREAT THE LAST As the old studio system gave way to a new gen- FILMFILM FFILMILM eration of American auteurs, directors such as Monte Hellman, Peter Bogdanovich, Bob Rafel- CULTURE CULTURE son, Martin Scorsese, but also Robert Altman, IN TRANSITION IN TRANSITION James Toback, Terrence Malick and Barbara Loden helped create an independent cinema that gave America a different voice in the world and a dif- ferent vision to itself. The protests against the Vietnam War, the Civil Rights movement and feminism saw the emergence of an entirely dif- ferent political culture, reflected in movies that may not always have been successful with the mass public, but were soon recognized as audacious, creative and off-beat by the critics. Many of the films TheThe have subsequently become classics. The Last Great Picture Show brings together essays by scholars and writers who chart the changing evaluations of this American cinema of the 1970s, some- LaLastst Great Great times referred to as the decade of the lost generation, but now more and more also recognised as the first of several ‘New Hollywoods’, without which the cin- American ema of Francis Coppola, Steven Spiel- American berg, Robert Zemeckis, Tim Burton or Quentin Tarantino could not have come into being. PPictureicture NEWNEW HOLLYWOODHOLLYWOOD ISBN 90-5356-631-7 CINEMACINEMA ININ ShowShow EDITEDEDITED BY BY THETHE
    [Show full text]
  • British Film Institute Report & Financial Statements 2006
    British Film Institute Report & Financial Statements 2006 BECAUSE FILMS INSPIRE... WONDER There’s more to discover about film and television British Film Institute through the BFI. Our world-renowned archive, cinemas, festivals, films, publications and learning Report & Financial resources are here to inspire you. Statements 2006 Contents The mission about the BFI 3 Great expectations Governors’ report 5 Out of the past Archive strategy 7 Walkabout Cultural programme 9 Modern times Director’s report 17 The commitments key aims for 2005/06 19 Performance Financial report 23 Guys and dolls how the BFI is governed 29 Last orders Auditors’ report 37 The full monty appendices 57 The mission ABOUT THE BFI The BFI (British Film Institute) was established in 1933 to promote greater understanding, appreciation and access to fi lm and television culture in Britain. In 1983 The Institute was incorporated by Royal Charter, a copy of which is available on request. Our mission is ‘to champion moving image culture in all its richness and diversity, across the UK, for the benefi t of as wide an audience as possible, to create and encourage debate.’ SUMMARY OF ROYAL CHARTER OBJECTIVES: > To establish, care for and develop collections refl ecting the moving image history and heritage of the United Kingdom; > To encourage the development of the art of fi lm, television and the moving image throughout the United Kingdom; > To promote the use of fi lm and television culture as a record of contemporary life and manners; > To promote access to and appreciation of the widest possible range of British and world cinema; and > To promote education about fi lm, television and the moving image generally, and their impact on society.
    [Show full text]
  • MEDIA STUDY/BUFFALO Januarywmay, 1984
    MEDIA STUDY/BUFFALO JanuarywMay, 1984 Supported by the New York State Council on the Arts and the National Endowment for the Arts Schedule Staff BUSINESS MANAGER - Timothy J. McCann DATE TIME/PM PLACE Timothy McCann is a graduate of Niagara County Com- munity College and is continuing his education at the University of Buffalo School of Management. He is also JANVARY a member of the American Management Association. 27 (Friday) 8:30 MSIB YOSHIKO CHUMA - Independent Filmmakers FILM PROGRAMMER - Bruce Jenklns FEBRUARY Bruce Jenkins received a doctorate in Film from 2 (Thursday) 8:00 MS/B FESTIVAL PROGRAM 1 - Journey Across Three Continents Northwestern University where he served as an 3 (Friday) 8:00 MS/B FESTIVAL PROGRAM II -Journey Across Three Contents editor of Film Reader. He is project director of The 4 (Saturday) 8:00 HS PEARL BOWSER Presents Body and Soul - "Lost Films" American New Wave (1958-67) touring film series of the 1983 Robert Flaherty 8 (Wednesday) 8:00 MS/B BARBARA BUCKNER Video/Electronic Arts and was co-programmer 10 (Friday) 8:00 MSIB LIZZIE BORDEN - Independent Filmmakers Film Seminar. 11 (Saturday) 10:00 AM- VIDEO/ELECTRONIC ARTS CURATOR ~ AND MUSIC 5:00 PM THE ELECTRONIC NARRATIVE - A Daylong "Exploration" PROGRAMMER - John Minkowsky - VideolElectronic Arts - MS/B John Minkowsky did his graduate work at the Center for 11 (Saturday) 8:00 MS/B `BLUE' GENE TYRANNY - New Music Media Study at the State University of New York at Buf- 11 (Saturday) 8:00 HS UNKNOWN CHAPLIN - "Lost Films" falo and is currently editing a collection of essays, 15 (Wednesday) 8:00 MSIB SUSAN and ALAN RAYMOND - Video/Electronic Arts Design/Electronic Arts.
    [Show full text]
  • Revisioning Europe: the Films of John Berger and Alain Tanner
    University of Calgary PRISM: University of Calgary's Digital Repository University of Calgary Press University of Calgary Press Open Access Books 2011 Revisioning Europe: the films of John Berger and Alain Tanner White, Jerry University of Calgary Press White, Jerry. "Revisioning Europe: the films of John Berger and Alain Tanner". Series: Cinemas off centre series; 3, University of Calgary Press, Calgary, Alberta, 2011. http://hdl.handle.net/1880/48867 book http://creativecommons.org/licenses/by-nc-nd/3.0/ Attribution Non-Commercial No Derivatives 3.0 Unported Downloaded from PRISM: https://prism.ucalgary.ca University of Calgary Press www.uofcpress.com REVISIONING EUROPE: THE FILMS OF JOHN BERGER AND ALAIN TANNER by Jerry White ISBN 978-1-55238-552-4 THIS BOOK IS AN OPEN ACCESS E-BOOK. It is an electronic version of a book that can be purchased in physical form through any bookseller or on-line retailer, or from our distributors. Please support this open access publication by requesting that your university purchase a print copy of this book, or by purchasing a copy yourself. If you have any questions, please contact us at [email protected] Cover Art: The artwork on the cover of this book is not open access and falls under traditional copyright provisions; it cannot be reproduced in any way without written permission of the artists and their agents. The cover can be displayed as a complete cover image for the purposes of publicizing this work, but the artwork cannot be extracted from the context of the cover of this specific work without breaching the artist’s copyright.
    [Show full text]
  • The Films of John Berger and Alain Tanner
    University of Calgary PRISM: University of Calgary's Digital Repository University of Calgary Press University of Calgary Press Open Access Books 2011 Revisioning Europe: the films of John Berger and Alain Tanner White, Jerry University of Calgary Press White, Jerry. "Revisioning Europe: the films of John Berger and Alain Tanner". Series: Cinemas off centre series; 3, University of Calgary Press, Calgary, Alberta, 2011. http://hdl.handle.net/1880/48867 book http://creativecommons.org/licenses/by-nc-nd/3.0/ Attribution Non-Commercial No Derivatives 3.0 Unported Downloaded from PRISM: https://prism.ucalgary.ca University of Calgary Press www.uofcpress.com REVISIONING EUROPE: THE FILMS OF JOHN BERGER AND ALAIN TANNER by Jerry White ISBN 978-1-55238-552-4 THIS BOOK IS AN OPEN ACCESS E-BOOK. It is an electronic version of a book that can be purchased in physical form through any bookseller or on-line retailer, or from our distributors. Please support this open access publication by requesting that your university purchase a print copy of this book, or by purchasing a copy yourself. If you have any questions, please contact us at [email protected] Cover Art: The artwork on the cover of this book is not open access and falls under traditional copyright provisions; it cannot be reproduced in any way without written permission of the artists and their agents. The cover can be displayed as a complete cover image for the purposes of publicizing this work, but the artwork cannot be extracted from the context of the cover of this specific work without breaching the artist’s copyright.
    [Show full text]
  • The Films of John Berger and Alain Tanner
    University of Calgary PRISM: University of Calgary's Digital Repository University of Calgary Press University of Calgary Press Open Access Books 2011 Revisioning Europe: the films of John Berger and Alain Tanner White, Jerry University of Calgary Press White, Jerry. "Revisioning Europe: the films of John Berger and Alain Tanner". Series: Cinemas off centre series; 3, University of Calgary Press, Calgary, Alberta, 2011. http://hdl.handle.net/1880/48867 book http://creativecommons.org/licenses/by-nc-nd/3.0/ Attribution Non-Commercial No Derivatives 3.0 Unported Downloaded from PRISM: https://prism.ucalgary.ca University of Calgary Press www.uofcpress.com REVISIONING EUROPE: THE FILMS OF JOHN BERGER AND ALAIN TANNER by Jerry White ISBN 978-1-55238-552-4 THIS BOOK IS AN OPEN ACCESS E-BOOK. It is an electronic version of a book that can be purchased in physical form through any bookseller or on-line retailer, or from our distributors. Please support this open access publication by requesting that your university purchase a print copy of this book, or by purchasing a copy yourself. If you have any questions, please contact us at [email protected] Cover Art: The artwork on the cover of this book is not open access and falls under traditional copyright provisions; it cannot be reproduced in any way without written permission of the artists and their agents. The cover can be displayed as a complete cover image for the purposes of publicizing this work, but the artwork cannot be extracted from the context of the cover of this specific work without breaching the artist’s copyright.
    [Show full text]