1. Afcoop News 2

Total Page:16

File Type:pdf, Size:1020Kb

1. Afcoop News 2 2/5/2016 https://afcoop.wildapricot.org/Sys/EmailTemplate/EditPreviewTemplate 1. AFCOOP NEWS 2. WORKSHOPS 3. SCREENINGS AND EVENTS 4. AWARDS, GRANTS, RESIDENCIES & CONTESTS 5. FILM FESTIVAL DEADLINES 6. COMMUNITY NEWS 7. EMPLOYMENT OPPORTUNITIES 1. AFCOOP NEWS AFCOOP Spring General Meeting 2014 April 24th, 6:30pm AFCOOP Office Come meet AFCOOP members and the film community and find out what AFCOOP has been up to and what we have planned for the next season. The meeting is open to all AFCOOP members as well members of the public. If you are looking to become a Full Member of AFCOOP at this Meeting please contact AFCOOP in advance to confirm your eligibility. If you have any inquiries or suggestions regarding the meeting or need to send regrets, please call (902) 405-4474 or email [email protected] AFCOOP'S Filmmaker In Residence Alan Collins - "The Art of Editing" Free workshop March 5th, 6pm AFCOOP Office In this talk on "The Art of Editing", Alan will take the audience on a journey through the history of film editing starting with the early experiments of Eisenstein, Pudovkin, and Kuleshov to show the difference between continuity and montage editing Topics include: The creation of suspense, Compression of time, the editing of dream sequences and the difference between dramatic and comedy editing. When is the best moment to make a cut? What determines the rhythm of a scene? Linear and non linear story telling. How digital editing grew out of film editing. https://afcoop.wildapricot.org/Sys/EmailTemplate/EditPreviewTemplate 1/20 2/5/2016 https://afcoop.wildapricot.org/Sys/EmailTemplate/EditPreviewTemplate The talk will be illustrated by examples of great editing from films by Pudovkin, Orson Welles, Alfred Hitchcock, Charlie Chaplin and David Cronenberg’s, “The Brood”. Alan Collins has over 30 years of experience editing, directing and producing films and has worked with directors David Cronenberg and Roger Corman. In this talk Alan will discuss his inspiration for making a film about the new Dartmouth Bridge Terminal, the project for which Alan was awarded the 2014 AFCOOP Filmmaker In Residence. The AFCOOP Filmmaker in Residence program is presented with generous support from the NFB-ONF and the Halifax Regional Municipalities’ Residency Initiative. To register please email Julie: [email protected] FILM 5 Meet and Greet + AFCOOP SOCIAL March 11th FILM 5 Meet & Greet 6:30pm, Social 7:30pm - 11pm AFCOOP Office The FILM 5 Trainee program provides aspiring film crew with the opportunity to get valuable work experience on the set of a short film production. At this Meet and Greet, aspiring Trainees will have the opportunity to meet the FILM 5 teams and make connections. Following the Meet & Greet will be an informal networking social that is open to all! Stop by, have a snack and meet some filmmakers! AFCOOP Volunteer Orientation March 5th, 1pm - 2pm AFCOOP Office Want to get involved with AFCOOP? Looking to become a Full Member? Want to get those volunteer hours in? Come and join our lovely volunteer coordinator, Sahar Yousefi, for the volunteer orientation on March 5th. To register email: [email protected] You must be 16 or older to volunteer. AFCOOP's Writers' Perspective The Writers’ Perspective incorporates elements of discussion of screenwriting structure and conventions, feedback on individual projects and, hopefully, the occasional visit from other writing professionals from outside of the world of screenwriting to shed light on storytelling. This group is open to AFCOOP members and non-members alike and the meetings take place the second Wednesday of every month. Best of all it's FREE! https://afcoop.wildapricot.org/Sys/EmailTemplate/EditPreviewTemplate 2/20 2/5/2016 https://afcoop.wildapricot.org/Sys/EmailTemplate/EditPreviewTemplate The schedule for the next two meetings is: March 12th, 6pm - 9pm April 9th, 6pm - 9pm ZEISS COMPACT PRIME LENSES (CP.2s) ARRIVE AT AFCOOP! AFCOOP is very happy to announce that our new set of Zeiss CP.2 PL Mount Lenses have arrived! We will be offering the 21mm T2.9, 35mm T2.1, 50mm T2.1 and 85mm T2.1. These lenses are a standard in professional video and film production, offering full frame capabilities and interchangeable lens mounts making them extremely future proof and versatile. The kit features consistent front ring diameters and interface beautifully with AFCOOP’s clip-on lightweight Vocas Matte Box. Pricing for the Zeiss CP.2 4 Lens Kit and individual lenses to be announced shortly. Telefilm MicroBudget Production Program AFCOOP is pleased to announce our recommendation for the Telefilm MicroBudget Production Program this year goes to writer/director Iain MacLeod and producer Sean Doyle for their project, "Neighbourhood Safety Patrol." Their project will be sent to the national shortlist to compete for production funding with projects from across the country. The results of that competition will be released mid-March. Neighbourhood Safety Patrol When an incompetent Neighbourhood Watch-type group tries to catch a burglar on video, slightly crazed group member Lance convinces the others to pursue a suspect who, unbeknownst to the rest of the group, stole Lance’s girlfriend from him. Funny thing is, despite his motives, Lance might be right. Iain MacLeod Writer/Director: Iain was educated at York University (BA English 1995) and the Canadian Film Centre (Professional Screenwriting Programme 2001). He has also participated in various workshops and two NSI programmes (Totally Television 2005/6 and Features First 2007/8) and was the writer mentor for AFCOOP’s Film 5 programme for several years. Sean Doyle Producer: Sean is a Halifax producer educated at the Nova Scotia Community College (Screen Arts 2001) and the Canadian Film Centre (Producer’s Lab 2004/5). Additionally, Sean held a CTV Fellowship and participated in the Rotterdam/Cinemart Lab (both 2006). Sean also was a participant in the CFTPA Atlantic Mentorship Program and NSI’s Features First (2007/8). Sean has been active as Production Manager on various film and television productions in Halifax. AFCOOP Open Grants At the December granting round AFCOOP awarded Open Grants to the following filmmakers: https://afcoop.wildapricot.org/Sys/EmailTemplate/EditPreviewTemplate 3/20 2/5/2016 https://afcoop.wildapricot.org/Sys/EmailTemplate/EditPreviewTemplate The First Thing Grant Yalitsa Riden Katrina Pyne & Geordon Omand Freezer Film Grant Yalitsa Riden Feedback Loop Sahar Yousefi C300 Camera Package Bretten Hannam Post-Production Grant Megan Wennberg The next application deadline is Aug. 1st 2014. Halifax Independent Filmmakers Festival - DEADLINE MIDNIGHT TONIGHT FEB. 28th! The 8th Annual HIFF, which takes place June 7-11, 2014, will feature new experimental, animated, documentary, and narrative works from near and far, as well as video installations, artist talks, and a special 40th Anniversary retrospective of the Atlantic Filmmakers Cooperative. The full program, including a list of visiting filmmakers will be announced in March. Presently, HIFF is pleased to announce the 2014 Call for Entries for recent Atlantic Canadian short works from Atlantic Canadian writers, producers, or directors. Films will only be accepted via onlines submission form (http://afcoop.ca/2013/12/call- for-entries-hiff-2014/) or by emailing [email protected] 2. WORKSHOPS AFCOOP’s Winter Workshop Series AFCOOP’s Winter Workshop Series presents classes in all aspects of filmmaking from screenwriting to editing and lots in between. Workshops are open to the public, some pre-requisites apply. All workshop instructors are professional and practicing filmmakers. FILM 5 On-Set Training Program Want to put the skills you learn in the workshop series to use on a film set? The FILM 5 Trainee program offers participants the opportunity to work on a professional short film shoot. For more information visit the Trainee program page. https://afcoop.wildapricot.org/Sys/EmailTemplate/EditPreviewTemplate 4/20 2/5/2016 https://afcoop.wildapricot.org/Sys/EmailTemplate/EditPreviewTemplate Registration Registration is on a first come first served basis. Workshops need to be paid in full in order for your spot to be confirmed. Payment is accepted over the phone (Visa/Mastercard), or in the AFCOOP office (debit, credit, cash or cheque). Call us 405 4474 or email [email protected] Assistant Directing – March 1st This one-day workshop will cover the specific functions of the AD team and provide an overview of how the AD team organizes an efficient independent film. Pre- production and production requirements will be discussed in detail including script breakdown, shooting schedules, on-set responsibilities, and co-ordination of the cast and crew. Note: Required for FILM 5 Trainee Assistant Director Instructor - Preston Hudson Date: March 1st, 10am - 5pm Location: AFCOOP Office Cost: $80/$110 (AFCOOP member/non-member) Lighting & Grip Intensive – Presented by William F. Whites– March 8 & 9 Come to learn the fundamentals of on set electric and grip practices in this exciting two day workshop. In this course, our industry professional will provide instruction in distribution systems, working with various lighting fixtures, basic theory and much more. Note: Required for FILM 5 Lighting and Grip Trainees. This workshop will be taught at William F. Whites in Burnside. Instructor - Jeff Adams Date: March 8th/9th 10am - 5pm Location: Tour Tech East- 180 Thornhill Dr. Unit 2, Dartmouth, NS Cost: $150/175 (AFCOOP member/non-member) Audio Principals & Location Sound Recording Intensive – March 8 & 9 Learn the basics of location sound recording, mixing and boom operation. An overview of AFCOOP’s location sound equipment will be given and you will participate in some recording practices during this hands-on day. Note: Required for FILM 5 Sound Department Trainees. Instructor - Trevor Snow Date: March 8th/9th 10am - 5pm Location: AFCOOP Office Cost: $150/175 (AFCOOP member/non-member) Art Department Intensive March 15th & 16th This intensive course will introduce participants to the structure and roles of the Art Department of a film production.
Recommended publications
  • Rules and Regulations for Participation
    Rules and Regulations for participation Preamble 3. Goals The present version is valid from April 6, 2021 and may be modified The Locarno Film Festival aims to promote arthouse cinema of artis- by the Locarno Film Festival at any time. tic merit; to provide a showcase for major new films of the year from The Locarno Film Festival is recognized by the International Federa- around the world; to take stock, in its competitive sections, of the tion of Film Producers’ Associations (FIAPF) as belonging to the cat- new perspectives of filmmaking expression, concentrating especially egory of “Competitive Festivals”. The following Rules and Regula- on such new film directors and industries as command international tions are subject to the “Regulations for International Film Festivals” attention. published by the FIAPF. 4. Programs 1. Organization The Festival is composed of several sections which accept films shot The Locarno Film Festival (hereinafter also referred to as the “Festi- in any format. val”) is organized by the Festival Internazionale del film di Locarno Sections open to submissions: Association. Its principal subsidies are provided by the Swiss Federal a) The Concorso internazionale presents as world or international Government, the Canton Ticino, Ascona-Locarno Turismo and Mu- premieres a selection of fiction feature films, documentaries, nicipal Authorities of the region. Additional financing is provided by or animated films over 60 minutes in length. This panorama of other associations, organizations, institutions and private partners. contemporary auteur cinema includes films by young talents alongside work by established filmmakers. 2. General Information b) The Concorso Cineasti del presente is reserved for first and sec- th The 74 Locarno Film Festival will take place in Locarno from Au- ond full-length features over 60 minutes.
    [Show full text]
  • Industry Guide Focus Asia & Ttb / April 29Th - May 3Rd Ideazione E Realizzazione Organization
    INDUSTRY GUIDE FOCUS ASIA & TTB / APRIL 29TH - MAY 3RD IDEAZIONE E REALIZZAZIONE ORGANIZATION CON / WITH CON IL CONTRIBUTO DI / WITH THE SUPPORT OF IN COLLABORAZIONE CON / IN COLLABORATION WITH CON LA PARTECIPAZIONE DI / WITH THE PARTICIPATION OF CON IL PATROCINIO DI / UNDER THE PATRONAGE OF FOCUS ASIA CON IL SUPPORTO DI/WITH THE SUPPORT OF IN COLLABORAZIONE CON/WITH COLLABORATION WITH INTERNATIONAL PARTNERS PROJECT MARKET PARTNERS TIES THAT BIND CON IL SUPPORTO DI/WITH THE SUPPORT OF CAMPUS CON LA PARTECIPAZIONE DI/WITH THE PARTICIPATION OF MAIN SPONSORS OFFICIAL SPONSORS FESTIVAL PARTNERS TECHNICAL PARTNERS ® MAIN MEDIA PARTNERS MEDIA PARTNERS CON / WITH FOCUS ASIA April 30/May 2, 2019 – Udine After the big success of the last edition, the Far East Film Festival is thrilled to welcome to Udine more than 200 international industry professionals taking part in FOCUS ASIA 2019! This year again, the programme will include a large number of events meant to foster professional and artistic exchanges between Asia and Europe. The All Genres Project Market will present 15 exciting projects in development coming from 10 different countries. The final line up will feature a large variety of genres and a great diversity of profiles of directors and producers, proving one of the main goals of the platform: to explore both the present and future generation of filmmakers from both continents. For the first time the market will include a Chinese focus, exposing 6 titles coming from China, Hong Kong and Taiwan. Thanks to the partnership with Trieste Science+Fiction Festival and European Film Promotion, Focus Asia 2019 will host the section Get Ready for Cannes offering to 12 international sales agents the chance to introduce their most recent line up to more than 40 buyers from Asia, Europe and North America.
    [Show full text]
  • Filmové Umenie Z – Renomované Podujatia V Zahraničí ANUAL AMPAS AWARDS (OSCAR) Hollywood USA ANUAL BAFTA AWARDS Londyn
    Filmové umenie Z – Renomované podujatia v zahrani čí ANUAL AMPAS AWARDS (OSCAR) Hollywood USA ANUAL BAFTA AWARDS Londyn Velka Britania ANUAL CESAR AWARDS Francuzsko ANUAL DONATELLO AWARDS Taliansko ANUAL EMI AWARDS Hollywood USA CESKY LEV / CZECH LION Praha Ceska republika CIVIS MEDIA PRIZE / CIVIS EUROPE´S PRIZE EUROPEAN FILM AWARDS (ETA) kazdorocne ine europske mesto a stat GOLDEN GLOBE AWARDS Hollywood USA Festivaly s medzinárodnou sú ťažou AFI FEST - LOS ANGELES INTERNATIONAL FILM FESTIVAL Los Angeles USA ANN ARBOR FILM FESTIVAL Ann Arbor USA ASOLOARTFILMFESTIVAL Asolo Taliansko ATHENS INTERNATIONAL FILM FESTIVAL Atheny Grecko AUSTIN FILM FESTIVAL Austin USA BANGKOK INTERNATIONAL FILM FESTIVAL Bangkok Thajsko BELGRADE INTERNATIONAL FILM FESTIVAL Belehrad Srbsko BERGAMO FILM MEETING Bergamo Taliansko BERLIN INTERNATIONAL FILM FESTIVAL Berlin Nemecko BERMUDA INTERNATIONAL FILM FESTIVAL Bermuda Bermudske ostrovy BRISBANE INTERNATIONAL FILM FESTIVAL Brisbane Velka Britania BRITISH INDEPENDENT FILM AWARDS London Velka Britania BRUSSELS INTERNATIONAL FESTIVAL OF FANTASY FILM Brusel Belgicko CAIRO INTERNATIONAL FILM FESTIVAL Kahira Egypt CAMERIMAGE - INTERNATIONAL FILM FESTIVAL OF THE ART OF CINEMATOGRAPHY Lodz Polsko CANNES INTERNATIONAL FILM FESTIVAL Cannes Francuzsko CARTAGENA INTERNATIONAL FILM FESTIVAL Cartagena Kolumbia CINEMA JOVE INTERNATIONAL FILM FESTIVAL Valencia Spanielsko CINEQUEST FILM FESTIVAL San Jose USA CORTO IN STABIA Castellammare di Stabia Neapol Taliansko DUBAI INTERNATIONAL FILM FESTIVAL Dubai Spojene arabske emiraty
    [Show full text]
  • January March April May June July August September
    Festival Calendar 2020 2020 January February March April May June July August September October November December WED SAT SUN WED 01.-05.04.2020 FRI 22.04.-02.05.2020 MON 31.05.-08.06.2020 WED SAT 24.07-01.08.2020 TUE 01.-06.09.2020 THU SUN 26.10.-01.11.2020 TUE 01.-05.12.2020 Go Short International Short Film Festival Nijmegen Brussels Short Film Festival Mo&Friese Kinder Kurzfilm Festival Hamburg Lago Film Fest - International Festival of Independent Cinema Fantoche - Internationales Festival für Animationsfilm Baden DOK Leipzig - International Leipzig Festival for Documentary Festival Tous Courts - Aix en Provence France 01 WEEK 1 01 01 01 www.goshort.nl 01 www.bsff.be 01 WEEK 23 https://moundfriese.shortfilm.com 01 01 www.lagofest.org 01 www.fantoche.ch 01 01 and Animated Film www.dok-leipzig.de 01 www.festivaltouscourts.com THU SUN 27.01-02.02.2020 MON THU 01.-05.04.2020 SAT 24.04.-02.05.2020 TUE 02.-08.06.2020 THU SUN WED 02.-06.09.2020 FRI MON 01.-08.11.2020 WED Bamberger Kurzfilmtage Independent Days - Internationale Filmfestspiele Karlsruhe Visions du Réel - International Film Festival Nyon Kurzfilm Festival Hamburg SIFF - Salento International Film Festival KUKI - Internationales Kurzfilmfestival für Kinder und 02 02 www.bambergerkurzfilmtage.de 02 WEEK 10 02 www.independentdays-filmfest.com 02 www.visionsdureel.ch 02 www.festival.shortfilm.com 02 02 02 www.salentofilmfestival.com 02 02 WEEK 45 Jugendliche Berlin www.interfilm.de 02 FRI MON 24.01.-03.02.2020 TUE 03.-15.03.2020 FRI SUN 30.04.-10.05.2020 WED FRI MON THU 02.-12.09.2020
    [Show full text]
  • Jmackcv321.Pdf
    773.595.2312 [email protected] ____________________________________________________________________________________________________Jodie Mack education: 2007 MFA, Film/Video/New Media School of the Art Institute of Chicago 2004 BA, Summa cum laude: Film and Media Studies University of Florida professional experience: 2015- Associate Professor of Film and Media Studies, Dartmouth College—Hanover, NH 2010-15 Assistant Professor of Film and Media Studies, Dartmouth College—Hanover, NH 2009-10 Adjunct Faculty in Moving Image, University of Illinois at Chicago—Chicago, IL 2008-10 Adjunct Faculty in the College of Digital Media, DePaul University—Chicago, IL Faculty in Animation, California State Summer School for the Arts—Valencia, CA 2007-9 Student Activities Coordinator, Television Department: Columbia College Chicago—Chicago, IL 2006-10 Adjunct Faculty, Early College Program: School of the Art Institute of Chicago—Chicago, IL 2005-7 Distribution Assistant, Video Data Bank—Chicago, IL Teaching Assistant, School of the Art Institute of Chicago—Chicago, IL 2004-5 Instructor, Schools Uniting Neighborhoods—Portland, OR films and videos: 2019 Wasteland No. 2: Hardy, Hearty (6m40s, 16mm, color, silent) 2018 The Grand Bizarre (61m, 16mm, color, sound) Hoarders Without Borders (4m45s, 16mm, color, silent) 2017 Wasteland No. 1: Ardent, Verdant (4m30s, 16mm, color, silent) Goody Goody (3m, super 16mmà DV, color, sound) 2016 Curses (4m45s, digital video, color, sound) 2015 Something Between Us (10m, 16mm, color, sound) 2014 Razzle Dazzle (5m, 16mm,
    [Show full text]
  • Locarno BOOKLET 2012 24 July-1
    ED WORKSHOP IN LOCARNO August 3-7 2012 Workshop on digital distribution Locarno - August 6, 2011 INDEX PROGRAM _______________________________________________________________________ 3 SPEAKERS _______________________________________________________________________ 5 USEFUL INFORMATION ____________________________________________________________ 11 MAP - LOCARNO FILM FESTIVAL_____________________________________________________ 14 SCREENINGS & FESTIVAL EVENTS ____________________________________________________ 16 WHO IS WHO ____________________________________________________________________ 18 ABOUT EYE ON FILMS _____________________________________________________________ 22 ABOUT EUROPA DISTRIBUTION _____________________________________________________ 23 2 Workshop on digital distribution Locarno - August 6, 2011 PROGRAM Venues addresses and maps at the end of the booklet FRIDAY 3 AUGUST 11pm: Opening Party of the Industry Days SATURDAY 4 AUGUST: MARKETING WORKSHOP (Hotel Belvedere) Moderation: Birgit Heidsiek, Cineuropa - 9:30-10:45am: Anya Rutsche (LBi Germany, Germany): Digital marketing strategies for every budget: Do’s and Don’ts, Best practice examples, Tools and more - 10:45-11:15am: Pierre-Alexandre Labelle (Under the Milky Way, France) : Presentation of Waveback Coffee Break – 15 min - 11:30-12:30pm: Sarah Calderon (The Film Agency, Spain) : Pan-European marketing possibilities - 12:30-1pm: Astrid Böhmisch (Senator, Germany) : Case Study on Les Intouchables 1pm-2:30pm: Lunch Break - 2:30-3:45pm: Ian Thomson (McAinsh Consulting,
    [Show full text]
  • Festival Catalogue 2015
    Jio MAMI 17th MUMBAI FILM FESTIVAL with 29 OCTOBER–5 NOVEMBER 2015 1 2 3 4 5 12 October 2015 MESSAGE I am pleased to know that the 17th Jio MAMI Mumbai Film Festival is being organised by the Mumbai Academy of Moving Image (MAMI) in Mumbai from 29th October to 5th November 2015. Mumbai is the undisputed capital of Indian cinema. This festival celebrates Mumbai’s long and fruitful relationship with cinema. For the past sixteen years, the festival has continued promoting cultural and MRXIPPIGXYEP I\GLERKI FIX[IIR ½PQ MRHYWXV]QIHME TVSJIWWMSREPW ERH GMRIQE IRXLYWMEWXW%W E QYGL awaited annual culktural event, this festival directs international focus to Mumbai and its continued success highlights the prominence of the city as a global cultural capital. I am also happy to note that the 5th Mumbai Film Mart will also be held as part of the 17th Mumbai Film Festival, ensuring wider distribution for our cinema. I congratulate the Mumbai Academy of Moving Image for its continued good work and renewed vision and wish the 17th Jio MAMI Mumbai Film Festival and Mumbai Film Mart grand success. (CH Vidyasagar Rao) 6 MESSAGE Mumbai, with its legacy, vibrancy and cultural milieu, is globally recognised as a Financial, Commercial and Cultural hub. Driven by spirited Mumbaikars with an indomitable spirit and great affection for the city, it has always promoted inclusion and progress whilst maintaining its social fabric. ,SQIXSXLI,MRHMERH1EVEXLM½PQMRHYWXV]1YQFEMMWXLIYRHMWTYXIH*MPQ'ETMXEPSJXLIGSYRXV] +MZIRXLEX&SPP][SSHMWXLIQSWXTVSPM½GMRHYWXV]MRXLI[SVPHMXMWSRP]FI½XXMRKXLEXE*MPQ*IWXMZEP that celebrates world cinema in its various genres is hosted in Mumbai.
    [Show full text]
  • 71St Locarno Film Festival, Switzerland, 1–11 August 2018 Religion, Politics, and Transcendence in New Cinema – Highlights One Year After #Metoo
    Dietmar Adler and Charles Martig Festival Review: 71st Locarno Film Festival, Switzerland, 1–11 August 2018 Religion, Politics, and Transcendence in New Cinema – Highlights One Year after #MeToo Religion is once again a robust topic in international filmmaking. Several films in the competition at the 71st Locarno Film Festival (1–11 August 2018) dealt ex- plicitly or implicitly with religion, politics, and transcendence. Outstanding films were A Land Imagined (Yeo Siew Hua, SG/FR/NL 2018), which won the Golden Leopard, and M (Yolande Zauberman, FR 2018), which deals with child abuse in a strictly Orthodox Jewish community and was awarded the Special Prize of the International Jury. The Ecumenical Jury of Signis and Interfilm decided to award its prize to Sibel (Guillaume Giovanetti / Çağla Zencirci, FR/DE/TR 2018), the story of the emancipation of a young woman in Turkey. In general, women played a prominent role in the festival’s program, not least because a pledge of gender parity was signed by festival officials, a sign of where we are one year after #MeToo. In this festival review, Dietmar Adler from Interfilm and Charles Martig from Signis offer a taste of the film program at Locarno, explore reli- gious, political, and social aspects of the films, and provide insight into the work of the Ecumenical Jury. THE WINNER FROM SINGAPORE The Asian film A Land Imagined, directed by Yeo Siew Hua, was considered an extraordinary elaboration of its topic by both the International Jury (it won the Golden Leopard) and the Ecumenical Jury. The film is set in Singapore, where migrant workers labor on land reclamation sites.
    [Show full text]
  • Montreal 2004
    Montreal 2004 By Ron Holloway Fall 2004 Issue of KINEMA MONTREAL WORLD FILM FESTIVAL 2004 The 28th Montreal World Film Festival (26 August to 6 September 2004) is the story of the right film being at the right festival at the right time. Eran Riklis’s Hacala Hasurit (The Syrian Bride, Israel-France-Germany) was awarded the four top prizes: Grand Prize of the Americas, FIPRESCI (International Critics) Prize, Ecumenical Prize, and the Air Canada People’s Choice Prize. Never mind that the same film had also been voted the Prix du publique at the Locarno festival in August, for the FIAPF rules governing the eligibility of competition films in major festival are currently undergoing drastic change - due in great part, onemight add, to last year’s decision by Montreal director Serge Losique to drop his festival membership. And one can only cheer the good fortune of a modest film with quality production credits directed byan Israeli based in London, whose screenplay about a Palestinian family living in a Druze village on the Golan Heights under Israeli occupation border was co-written by a Palestinian. A humanist film of this high caliber, one dealing with a social dilemma still on the UN’s political burner, deserves all the audience it can muster at festivals to pave the way for broad commercial release. The Syrian Bride, set on a wedding day, is the story of a Druze Palestinian who should be celebrating the happiest day of her life. Instead, Mona knows that once she has crossed into Syria to marry Tallel, a television star whom she will meet in person for the first time, she will be forbidden by Israeli authorities to return to Majdal Shams, her Druze village on the Golan Heights, and thus might be separated forever from her family.
    [Show full text]
  • DOK Market Catalogue 2010
    DOK MARKET CATALOGUE 2010 RD INTERNATioNAL LEIPZIG FESTIVAL foR DocUMENTARY AND ANimATED FILM 53 18 – 24 OCTOBER 2010 THE HEART OF DOCU MEN TARY Imprint DOK Leipzig 2010 Table of Contents Greetings DOK Leipzig 4 MDM 6 East Silver 7 Guangzhou IDFF 8 Krakow Film Foundation 9 Sheffield Doc/Fest 10 Visions du Réel 11 Imprint DOK Market Information 12 Publisher DOK Summits and DOK PODIUM Leipziger Dok-Filmwochen GmbH My Market My Film (DOK Summit) 15 Große Fleischergasse 11 Decoding Cross Media (DOK Summit) 16 04109 Leipzig, Germany Close Up and Personal – Animadoc (DOK Podium) 17 T + 49 (0) 341–3 08 64–0 Crowd Funding (DOK Podium) 18 F + 49 (0) 341–3 08 64–15 Diving Into Distribution (DOK Podium) 19 New German Animation (AnimaDOK Podium) 20 Editorial Staff Innovative Non-fiction TV (Leipzig Forum) 21 Susanne Guggenberger Film Funding (German Day) 22 Anna Theil Co-Production Meeting 23 Leipzig Screenings 24 Proofreader Patrick Burkholder Films 25 Design IndeX 323 Netzwerk für Gestaltung English Film Titles 315 www.dreizweidrei.de Original Film Titles 321 Directors 327 Print Countries 333 Druck und Werte GmbH Genres 341 DER STRATEGISCHE PARTNER FÜR PRINTBYING Sales Contacts 350 Peterssteinweg 17 04107 Leipzig DOK Industry Staff 362 isbn 978-3-9322-14-28-8 Map of LeipZig City 379 4 DOK Leipzig 2010 Greeting 5 Welcome to the 53rd International Leipzig Festival for Documentary and Animated Film and to our DOK Market! The international film market is always in a state of transition. Some of An exclusive selection of the latest German feature-length documentary the key words are: cross media, crowd funding, social media, online-distri- films and high quality television productions will be presented to interna- bution, grass root marketing and changing strategies of TV networks.
    [Show full text]
  • A Reel Or a Raw Deal for Women in the Film Biz?
    A Reel or a Raw Deal for Women in the Film Biz? Danielle Cliche1 1. Introduction Helen Fielding’s character, Bridget Jones, is supposed to typify a young, unmarried 30-something professional women of the 21st Century. Whether this is really the case, is debatable. What is not typical, however, is the recognition the film version of Fielding’s novel and its director, Sharon Maguire, have achieved. In the Focus 2005 World Film Market Trends2, Sharon Maguire and her film, “Bridget Jones’s Diary”, are listed as receiving the highest cumulative admissions in Europe for a European film from the years 1996-2004. In this Top 20 list, only one other female director appears, Beeban Kidron and her follow-up film Bridget Jones: The Edge of Reason; which coincidentally attracted the highest number of admissions in Eu- rope for a European film in the year 2004. Over the past 15 months, the Culture Biz team has been writing another type of Diary. In 455 days, they recorded the status of women working as creators and managers in the film business in Austria, Finland, Germany and Portugal. Their first entry starts with an overview of their domestic film industries and with an ac- count of the number of women working in the film business over the past ten years. Have the scales increased or decreased? In the months that followed, they recorded the number of women being trained and eventually working as profes- sionals in the “super creative core3” of the business: as directors, producers, edi- tors, scriptwriters and cinematographers of feature, short and documentary films.
    [Show full text]
  • Cartella Stampa
    Cartella stampa Bellinzona, 11 luglio 2018 Via Franchino Rusca 1, ch–6601 Locarno t +41 91 756 21 21 | f +41 91 756 21 49 [email protected] www.locarnofestival.ch La cartella stampa e il materiale fotografico sono a disposizione sul sito www.locarnofestival.ch/pressconference Gli estratti di alcuni film della selezione ufficiale sono disponibili in qualità broadcast e in qualità web. Per accedere al server, contattare l’Ufficio Comunicazione ([email protected] / +41 91 756 21 21). Facebook: @LocarnoFestival Twitter: @FilmFestLocarno, #Locarno71, @CarloChatrian Instagram: @filmfestlocarno LinkedIn: Locarno Festival Indice generale 1 Introduzione di Carlo Chatrian, Direttore artistico 2 Introduzione di Raphaël Brunschwig, Direttore operativo 3 Giurie ufficiali 4 La selezione 2018 Prefestival Piazza Grande Concorso internazionale Concorso Cineasti del presente Pardi di domani Signs of Life Fuori concorso Histoire(s) du cinéma Retrospettiva Open Doors Screenings 5 Locarno Kids 6 Il cinema svizzero a Locarno 7 First Features 8 Locarno Talks la Mobiliare 9 Locarno Pro 10 Eventi Speciali Round Table: Where is the future of cinema? Democrazia senza frontiere 70 anni della Dichiarazione Universale dei Diritti Umani Proiezione Mario Botta. Oltre lo Spazio 11 Locarno Academy 12 Youth Advisory Board (YAB) 13 Locarno Experience laRotonda Locarno Garden la Mobiliare Ascona – Locarno Lounge 14 Allegati Love Letters – Locarno71 Vorrei collocare questa edizione all’insegna dell’umanesimo. Mettere al centro del programma l’uo- mo può apparire scontato; tuttavia mi pare che mai come in quest’epoca le persone abbiano paura di guardare in faccia al prossimo. Si preferisce abbassare lo sguardo, farlo cadere su un piccolo monitor che non ci abbandona mai e che, come una coperta di Linus, ci copre il volto.
    [Show full text]