Alwin Kuchler BSC Director of Photography
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BFI CELEBRATES BRITISH FILM at CANNES British Entry for Cannes 2011 Official Competition We’Ve Got to Talk About Kevin Dir
London May 10 2011: For immediate release BFI CELEBRATES BRITISH FILM AT CANNES British entry for Cannes 2011 Official Competition We’ve Got to Talk About Kevin dir. Lynne Ramsay UK Film Centre supports delegates with packed events programme 320 British films for sale in the market A Clockwork Orange in Cannes Classics The UK film industry comes to Cannes celebrating the selection of Lynne Ramsay’s We Need to Talk About Kevin for the official competition line-up at this year’s festival, Duane Hopkins’s short film, Cigarette at Night, in the Directors’ Fortnight and the restoration of Stanley Kubrick’s A Clockwork Orange, restored by Warner Bros; in Cannes Classics. Lynne Ramsay’s We Need To Talk About Kevin starring Tilda Swinton was co-funded by the UK Film Council, whose film funding activities have now transferred to the BFI. Duane Hopkins is a director who was supported by the UK Film Council with his short Love Me and Leave Me Alone and his first feature Better Things. Actor Malcolm McDowell will be present for the screening of A Clockwork Orange. ITV Studios’ restoration of A Night to Remember will be screened in the Cinema on the Beach, complete with deckchairs. British acting talent will be seen in many films across the festival including Carey Mulligan in competition film Drive, and Tom Hiddleston & Michael Sheen in Woody Allen's opening night Midnight in Paris The UK Film Centre offers a unique range of opportunities for film professionals, with events that include Tilda Swinton, Lynne Ramsay and Luc Roeg discussing We Need to Talk About Kevin, The King’s Speech producers Iain Canning and Gareth Unwin discussing the secrets of the film’s success, BBC Film’s Christine Langan In the Spotlight and directors Nicolas Winding Refn and Shekhar Kapur in conversation. -
Festival at a Glance
FESTIVAL AT A GLANCE WEDNESDAY 22 10:00-11:00 BREAK 11:30-12:30 BREAK 14:00-15:00 BREAK 15:45-16:45 BREAK 17:45-18:30 18:30-21:00 P Masterclass: 11:00-11:30 P Meet the Controllers: 12:30-14:00 F Gamechanger: 15:00-15:45 P Edinburgh Does 16:45-17:45 L MacTaggart Lecture: Free coaches to The FH Screening: Love Island T Channel 4 Charlotte Moore, L It’s all about me... SA Music from Nancy Daniels, T How to Cash In Catchphrase with B Branded Michaela Coel Museum of Scotland Vanity Fair, ITV. S Meet the Controller: Random Acts Live Pitch BBC One on TV: Joanna Lumley Hannah Haynes, Discovery on the Streaming Roy Walker Entertainment Network depart from the EICC Exclusive Preview Damian Kavanagh, 11:00 - 12:00 F Tomorrow’s World with Clive Tulloh Harpist and Composer S Meet the Controller: Goldrush S Meet the Cocktail Reception 18:30 - 19:15 of Episode One with BBC Three SA Music from of TV 12:45 - 13:45 Zai Bennett, Sky UK 15:10 -15:40 Controllers: Richard 16:45 - 17:35 Cast & Crew Q&A 19:00 - 20:30 MK Too Posh Hannah Haynes, S The Insider’s Guide T Meet the Canadians: MK Commissioner LF Lightning Talk: Watsham, Hilary Rosen BT Pre-MacTaggart & Steve North, UKTV to Produce? Harpist and Composer to Building Your Opportunities for Interview: Luke Hyams, How to make a Lecture Drinks A+E Networks Opening UK Producers Green Production 16:45 - 17:35 P5 Speed Meetings: Audience on YouTube Head of Originals, MK Introductory Night Reception: The 12:45 - 13:30 15:10 - 15:40 10:00 - 16:00 MK Lessons from YouTube EMEA Address: SA Join us for a Museum of -
1 CHAPTER I INTRODUCTION A. Background of the Study Searching for Existence Is Actually One of Human Efforts in Building His
1 CHAPTER I INTRODUCTION A. Background of the Study Searching for existence is actually one of human efforts in building his meaning of life. Someone can find the meaning of life when he thinks that he manages to actualize his idealism. By actualizing his idealism, man can find his identity. In the scope of the society, then his existence will be built. The existence of a man can be seen from two sides. From the outside view, a man appears to be just another natural creature while from the inside view, he is an entirely independent universe, the center of his own infinity. Man is equal, but every human has his own worldexistentially, which differ him from other individual. This only understandable in the term of individual’s existence, his particular experience of life. Thus, to understand a man, somebody cannot merely appreciate him from his physical appearance. In etymology concept the word "existence" comes from the Latin word existere means "to appear", "to arise", "to become", or "to be", but literally, it means "to stand out". Everyone has their own existence, the existence is as the sigh of his purpose, the purpose is what he wants to become. The search for existence also appears in the major character of Red movie directed by Robert Schwentke. Red is a 2010 Americanaction comedy film inspired by the three- issuecomic book series of the same namecreated byWarren EllisandCully 1 2 Hamner, and published by theDC ComicsimprintHomage. The film starsBruce Willis,Morgan Freeman,John Malkovich,Mary-Louise Parker,Helen Mirren, andKarl UrbanwithRobert Schwentkedirecting ascreenplayby Jon Hoeber and Erich Hoeber.The screenplay of this movie is based on the cult D.C comics graphic novels written by Warren Ellis and Cully Hamner with the same title. -
Praesens-Film AG Präsentiert PRODUCTION NOTES
Praesens-Film AG präsentiert X + Y PRODUCTION NOTES Ab 9. April im Kino Dauer: 111 Minutes Pressekontakt: Filmbüro, Valerio Bonadei, [email protected], +41 79 653 65 03 1 CAST Asa Butterfield……………………………..……………………….... Nathan Ellis Rafe Spall………………………………………….……………Martin Humphreys Sally Hawkins…………………………………………………………………Julie Ellis Eddie Marsan……………………………………………………….Richard Grieve Jo Yang……………………………………………………………………….Zhang Mei Martin McCann……………………………………………………….Michael Ellis Jake Davies…………………………………………..…………………Luke Shelton Alex Lawther…………………………………………………………..Isaac Cooper Alexa Davies…………………………………….……………………Rebecca Dunn Orion Lee…………………………………………………………………Deng Laoshi Percelle Ascott………………………………………………………….Ben Morgan Suraj Rattu……………………………..…………………………………Pav Kamdar Edward Baker-Close…….………………………………Nathan (9 years old) 2 X+Y Synopsis A young maths genius sees logic thwarted by one truly baffling equation: love. Teenage maths prodigy Nathan (Asa Butterfield) struggles when it comes to building relationships with other people, not least with his mother, Julie (Sally Hawkins). In a world difficult to comprehend, he finds comfort in numbers. And when Nathan is taken under the wing of unconventional and anarchic teacher, Mr. Humphreys (Rafe Spall), the pair forge an unusual friendship. Eventually, Nathan’s talents win him a place on the UK National team at the International Mathematics Olympiad (IMO) and the team travel to a training camp in Taiwan, under the supervision of squad leader Richard (Eddie Marsan). In unfamiliar surroundings, Nathan is confronted by a series of unexpected challenges — not least the unfamiliar feelings he begins to experience for his Chinese counterpart, the beautiful Zhang Mei (Jo Yang), feelings that develop when the young mathematicians return to England for the IMO, held at Trinity College, Cambridge. From suburban England to bustling Taipei and back again, this original and heart-warming film tracks the funny and complex relationships that Nathan builds, as he is confronted by the irrational nature of love. -
Press Kit the CAPTAIN Film by Robert
Press kit THE CAPTAIN DER HAUPTMANN – Original title Written and directed by Robert Schwentke Produced by Filmgalerie 451 Saarbrücker Straße 24, 10405 Berlin Tel. +49 (0) 30 - 33 98 28 00 Fax +49 (0) 30 - 33 98 28 10 [email protected] www.filmgalerie451.de In co-production with Alfama Films and Opus Film THE CAPTAIN / DER HAUPTMANN directed by Robert Schwentke World Premiere at Toronto International Film Festival — Special Presentations Screening dates Press & Industry 1 09/07/17 3:00PM Scotiabank 14 (307) DCP 4K (D-Cinema) Public 1 09/09/17 3:15PM TIFF Bell Lightbox DCP 4K (D-Cinema) Cinema 1 (523) Public 2 09/11/17 4:15PM Scotiabank 10 (228) DCP 4K (D-Cinema) Press & Industry 2 09/13/17 11:30AM Scotiabank 8 (183) DCP 4K (D-Cinema) Public 3 09/16/17 3:30PM Scotiabank 14 (307) DCP 4K (D-Cinema) Press contact in Toronto Sunshine Sachs: Josh Haroutunian / [email protected] o: 323.822.9300 / c: 434.284.2076 Press photos Press photos you will get on our website (press) with the password: willkommen www.filmgalerie451.de World Sales Alfama Films www.alfamafilms.com Table of contents – Synopsis short – Synopsis long – Biography Robert Schwentke – Filmography Robert Schwentke – Director’s statement – Interview with director Robert Schwentke about THE CAPTAIN – Film information – Credits – About the Cast – Background information THE CAPTAIN – Willi Herold, a German life — The true story behind THE CAPTAIN – Nazi perpetrator, center-stage — by Olaf Möller 2 THE CAPTAIN / DER HAUPTMANN directed by Robert Schwentke Synopsis short In the last, desperate moments of World War II, a young German soldier fighting for survival finds a Nazi captain’s uniform. -
Has TV Eaten Itself? RTS STUDENT TELEVISION AWARDS 2014 5 JUNE 1:00Pm BFI Southbank, London SE1 8XT
May 2015 Has TV eaten itself? RTS STUDENT TELEVISION AWARDS 2014 5 JUNE 1:00pm BFI Southbank, London SE1 8XT Hosted by Romesh Ranganathan. Nominated films and highlights of the awards ceremony will be broadcast by Sky www.rts.org.uk Journal of The Royal Television Society May 2015 l Volume 52/5 From the CEO The general election are 16-18 September. I am very proud I’d like to thank everyone who has dominated the to say that we have assembled a made the recent, sold-out RTS Futures national news agenda world-class line-up of speakers. evening, “I made it in… digital”, such a for much of the year. They include: Michael Lombardo, success. A full report starts on page 23. This month, the RTS President of Programming at HBO; Are you a fan of Episodes, Googlebox hosts a debate in Sharon White, CEO of Ofcom; David or W1A? Well, who isn’t? This month’s which two of televi- Abraham, CEO at Channel 4; Viacom cover story by Stefan Stern takes a sion’s most experienced anchor men President and CEO Philippe Dauman; perceptive look at how television give an insider’s view of what really Josh Sapan, President and CEO of can’t stop making TV about TV. It’s happened in the political arena. AMC Networks; and David Zaslav, a must-read. Jeremy Paxman and Alastair Stew- President and CEO of Discovery So, too, is Richard Sambrook’s TV art are in conversation with Steve Communications. Diary, which provides some incisive Hewlett at a not-to-be missed Leg- Next month sees the 20th RTS and timely analysis of the election ends’ Lunch on 19 May. -
Londonfilmevent Flyer.Indd
THE CAPTAIN DER HAUPTMANN OH BOY Credits are not contractual for any of the films mentioned in this publication. Screening schedule subject to change. Produced and published by German Films www.german-films.de • [email protected] FACE TO FACE WITH GERMAN TALENT: THE GERMAN FILM WEEKEND was curated by Tim Robey (The Telegraph) and is brought to you by Design: The Dream Factory www.thedreamfactory.eu Printing office: Gemini Print www.gemini-print.co.uk Press contact: Organic Publicity [email protected] Screening: Sunday 23 September 2018 6:00 p.m. Screening: Sunday 23 September 2018 8:30 p.m. © Filmgalerie 451 © Filmgalerie © Schiwago Film Venue: Regent Street Cinema www.regentstreetcinema.com Director Robert Schwentke Director Jan Ole Gerster Genre Drama Genre Tragicomedy Runtime 118 min Runtime 85 min Awards Jury Prize Best Cinematography San Sebastian 2017, Young Jury Award/ Awards Best Screenplay Award Munich 2012, Best Film & Audience Award, The Press Award Special Mention/The 20 Minutes of Audacity Prize Seymour Cassel Award Oldenburg 2012, Special Mention for director Les Arcs 2017, FIPRESCI Award Vilnius 2018, German Film Award 2018 Jan Ole Gerster Zurich 2012, Best Director, FIPRESCI Jury Award & (Best Sound Design) Fedeora Jury Award Bratislava 2012, Red Hering Award & Audience Award Tallinn 2012, Bavarian Film Prize 2012 (Best Actor: Tom Schilling & Best Screenplay), Special Jury Prize & Audience Award Angers 2013, LONDON PREMIERE: in UK cinemas in September, Focus Fox Grand Prix Sofia 2013, German Film Awards 2013 (Best Film: courtesy of Signature Entertainment Gold, Best Screenplay, Best Director, Best Leading Actor, Best Supporting Actor, Best Score) Chancing upon an abandoned uniform, a Wehrmacht deserter poses as a Nazi captain in the final weeks of the war, and finds himself disturbingly Niko (played by award-winning Tom Schilling from the 2017 FACE TO FACE German Films thanks its funding institutions for their support: well-suited to the job. -
PEGODA-DISSERTATION-2016.Pdf (3.234Mb)
© Copyright by Andrew Joseph Pegoda December, 2016 “IF YOU DO NOT LIKE THE PAST, CHANGE IT”: THE REEL CIVIL RIGHTS REVOLUTION, HISTORICAL MEMORY, AND THE MAKING OF UTOPIAN PASTS _______________ A Dissertation Presented to The Faculty of the Department of History University of Houston _______________ In Partial Fulfillment Of the Requirements for the Degree of Doctor of Philosophy _______________ By Andrew Joseph Pegoda December, 2016 “IF YOU DO NOT LIKE THE PAST, CHANGE IT”: THE REEL CIVIL RIGHTS REVOLUTION, HISTORICAL MEMORY, AND THE MAKING OF UTOPIAN PASTS ____________________________ Andrew Joseph Pegoda APPROVED: ____________________________ Linda Reed, Ph.D. Committee Chair ____________________________ Nancy Beck Young, Ph.D. ____________________________ Richard Mizelle, Ph.D. ____________________________ Barbara Hales, Ph.D. University of Houston-Clear Lake ____________________________ Steven G. Craig, Ph.D. Interim Dean, College of Liberal Arts and Social Sciences Department of Economics ii “IF YOU DO NOT LIKE THE PAST, CHANGE IT”: THE REEL CIVIL RIGHTS REVOLUTION, HISTORICAL MEMORY, AND THE MAKING OF UTOPIAN PASTS _______________ An Abstract of A Dissertation Presented to The Faculty of the Department of History University of Houston _______________ In Partial Fulfillment Of the Requirements for the Degree of Doctor of Philosophy _______________ By Andrew Joseph Pegoda December, 2016 ABSTRACT Historians have continued to expand the available literature on the Civil Rights Revolution, an unprecedented social movement during the 1940s, 1950s, and 1960s that aimed to codify basic human and civil rights for individuals racialized as Black, by further developing its cast of characters, challenging its geographical and temporal boundaries, and by comparing it to other social movements both inside and outside of the United States. -
Triller Network Acquires Verzuz: Exclusive
BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; BrettENTERTAINMENT Young ‘Catc NEWSh UPDATE’-es Fifth AirplayMARCH 9, 2021 Page 1 of 25 Leader; Travis Denning Makes History INSIDE Triller Network Acquires Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music Group Nashville), debuts at No. 1 on Billboard’s lion audience impressions, up 16%). Top Country• Verzuz Albums Founders chart dated April 18. In its first week (endingVerzuz: April 9), it Exclusive earnedSwizz 46,000 Beatz equivalent & album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cordingTimbaland to Nielsen Talk Music/MRC Data. andBY total GAIL Country MITCHELL Airplay No. 1 as “Catch” (Big Machine Label Group) ascends SouthsideTriller Partnership: marks Hunt’s second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chart‘This and fourthPuts a top Light 10. It followsVerzuz, freshman the LPpopular livestream music platform creat- in music todayYoung’s than Verzuz,” first of six said chart Bobby entries, Sarnevesht “Sleep With,- MontevalloBack on, which Creatives’ arrived at theed summit by Swizz in No Beatz- and Timbaland, has been acquired executive chairmanout You,” andreached co-owner No. 2 in of December Triller, in 2016. an- He vember 2014 and reigned for nineby weeks. Triller To Network, date, parent company of the Triller app. -
Incorporating Movie Clips to Validate Learning
2020-3930-AJE 1 Incorporating Movie Clips to Validate Learning: 2 A Students’ Assessment 3 4 5 The use of movie-based educational interventions has been widely used in the 6 pedagogy of psychology. Wherein most of the researchers have included full- 7 length movies in their teaching followed by students’ comments of its 8 effectiveness; the current research was carried out to examine if or not 9 students will be able to find relevant clips from the list of movies provided and 10 incorporate those in their group workshops after being exposed to the 11 theoretical knowledge in their lecture class. To gauge how the participants 12 received it and what suggestions do they have to offer for the improvement of 13 this innovative exercise an anonymous survey and a semi open-ended interview 14 was used. The research was conducted in three trimesters of academic years 15 2018 and 2019. On analysis of the raw data, it was found that the students 16 rated the assignment favorably and reported that movie clips helped them 17 understand the course material better and enabled them to apply psychological 18 concepts to real-life situations. The findings suggest that movie clips can 19 facilitate the learning process and can prove to be an efficacious tool to 20 validate students’ learning. 21 22 Keywords: education, movie-clips based learning, introduction to psychology, 23 undergraduate elective course, validation of student learning 24 25 26 Introduction 27 28 “A unique property of film is its ability to make one see and grasp things which only 29 the cinema is privileged to communicate” (Kracauer, 1973). -
Presskit Presseheft “58
Presskit Presseheft “58. festival internazionale del film locarno“ official selection in competition 3 Degrees Colder Press Contact MEDIA OFFICE Kurfürstendamm 11 D-10719 Berlin / Germany Tel.: +49-30-88 71 44-0 Fax: +49-30-88 71 44 22 [email protected] World Sales media luna entertainment GmbH & Co. KG Hochstadenstrasse 1-3 D-50674 Cologne / Germany Tel: +49-221-801 498 0 | 1 Fax: +49-221-801 498 21 [email protected] www.medialuna-entertainment.de Producers blue eyes Fiction GmbH & Co. KG Klenzestr. 11 D-85737 Ismaning / Germany Tel.: +49-89-96 98 93 481 Fax: +49-89-96 98 93 33 [email protected] www.blueeyes.de sabotage films GmbH Kastanienallee 56 D-10119 Berlin / Germany Tel.: +49-30-440 30 89 0 Fax: +49-30-440 30 89 9 [email protected] www.sabotage-films.de www.threedegreescolder.de www.dreigradkaelter.de Cast Marie Bibiana Beglau Jan Sebastian Blomberg Frank Johann von Bülow Jenny Meret Becker Steini Alexander Beyer Babette Katharina Schüttler Olli Florian David Fitz Father Engel Hubert Mulzer Mother Engel Grischa Huber Maren Brigitte Zeh René David Scheller Crew Director Forian Hoffmeister Written by Mona Kino & Florian Hoffmeister Director of Photography Busso von Müller Music composed by Adrian Corker & John Conboy Film Editor Susanne Hartmann Casting Anja Dihrberg Casting Production Designer Mona Kino 2| Costume Designer Daniela Selig Make-Up Artists Heiko Schmidt Marie-Eglantine Leibfried Original Sound by Frank Hoyer Sound Designer Moritz Hoffmeister Sound Mixer Klaus Peintner Production Manager Rainer Jeskulke Line Producer Markus Golisano Commissioning Editor Claudia Simionescu Producers Corinna Mehner Martin Husmann Martin Cichy Karsten Aurich Germany - 2005 113 min. -
BEN SMITH Production Designer
The Screen Talent Agency 020 7729 7477 BEN SMITH Production Designer With four feature film credits as Production Designer to his name, not to mention the immensely popular Netflix series ‘The Last Kingdom’ and commercials for brands including Gucci, L’Oréal, Toyota and MG, Ben’s experience in the art department can truly be said to be rounded. Well liked and well regarded by all who have worked with him, he’s now looking to expand his reach further by designing more features as well as episodic television. bensmithsetdesign.com Selected credits date production director / producer / production company as production designer: television: 2020 RIDLEY ROAD various directors / Betsan Morris Evans / Red Productions for BBC1 2018 THE LAST KINGDOM Series 3 various directors / Chrissy Skins / Carnival Film & Television feature films: 2021 I CAME BY Babak Anvari / Bryan Sonderman / Two and Two Pictures 2017 PROFILE Timur Bekmambetov / Rick Sobalvarro / Sapphire Films 2016 DUSTY AND ME Betsan Morris Evans / Barry Filby, Alan Latham / GSP Studios 2016 WAITING FOR YOU Charles Garrad / Simon Bosanquet, Chris Curling / Zephyr Films 2014 HAMMER OF THE GODS Farren Blackburn / Rupert Preston, Huberta Von Liel / Vertigo Films as supervising art director: feature films: 2013 BELLE Amma Asante / Damian Jones, Albert Sharpe / DJ Films 2010 MADE IN DAGENHAM Nigel Cole / Elizabeth Karlsen, Stephen Woolley / Audley Films as art director: feature films: 2012 QUARTET Dustin Hoffman / Finola Dwyer, Stewart Mackinnon / Headline Pictures 2009 AN EDUCATION Lone Scherfig