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Seon Dialogues 禪語錄禪語錄 Seonseon Dialoguesdialogues John Jorgensen
8 COLLECTED WORKS OF KOREAN BUDDHISM 8 SEON DIALOGUES 禪語錄禪語錄 SEONSEON DIALOGUESDIALOGUES JOHN JORGENSEN COLLECTED WORKS OF KOREAN BUDDHISM VOLUME 8 禪語錄 SEON DIALOGUES Collected Works of Korean Buddhism, Vol. 8 Seon Dialogues Edited and Translated by John Jorgensen Published by the Jogye Order of Korean Buddhism Distributed by the Compilation Committee of Korean Buddhist Thought 45 Gyeonji-dong, Jongno-gu, Seoul, 110-170, Korea / T. 82-2-725-0364 / F. 82-2-725-0365 First printed on June 25, 2012 Designed by ahn graphics ltd. Printed by Chun-il Munhwasa, Paju, Korea © 2012 by the Compilation Committee of Korean Buddhist Thought, Jogye Order of Korean Buddhism This project has been supported by the Ministry of Culture, Sports and Tourism, Republic of Korea. ISBN: 978-89-94117-12-6 ISBN: 978-89-94117-17-1 (Set) Printed in Korea COLLECTED WORKS OF KOREAN BUDDHISM VOLUME 8 禪語錄 SEON DIALOGUES EDITED AND TRANSLATED BY JOHN JORGENSEN i Preface to The Collected Works of Korean Buddhism At the start of the twenty-first century, humanity looked with hope on the dawning of a new millennium. A decade later, however, the global village still faces the continued reality of suffering, whether it is the slaughter of innocents in politically volatile regions, the ongoing economic crisis that currently roils the world financial system, or repeated natural disasters. Buddhism has always taught that the world is inherently unstable and its teachings are rooted in the perception of the three marks that govern all conditioned existence: impermanence, suffering, and non-self. Indeed, the veracity of the Buddhist worldview continues to be borne out by our collective experience today. -
Chan Rhetoric of Uncertainty in the Blue Cliff Record
Chan Rhetoric of Uncertainty in the Blue Cliff Record Chan Rhetoric of Uncertainty in the Blue Cliff Record Sharpening a Sword at the Dragon Gate z STEVEN HEINE 1 1 Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide. Oxford is a registered trade mark of Oxford University Press in the UK and certain other countries. Published in the United States of America by Oxford University Press 198 Madison Avenue, New York, NY 10016, United States of America. © Oxford University Press 2016 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, by license, or under terms agreed with the appropriate reproduction rights organization. Inquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above. You must not circulate this work in any other form and you must impose this same condition on any acquirer. Cataloging-in-Publication data is on file at the Library of Congress ISBN 978–0–19–939776–1 (hbk); 978–0–19–939777–8 (pbk) 1 3 5 7 9 8 6 4 2 Printed by Webcom, Canada Contents Preface vii 1. Prolegomenon to a New Hermeneutic: On Being Uncertain about Uncertainty 1 2. Entering the Dragon Gate: Textual Formation in Historical and Rhetorical Contexts 46 3. -
Realization Through Hearing in Chan Literature
Journal of Chinese Buddhist Studies (2014, 27: 129-179) New Taipei: Chung-Hwa Institute of Buddhist Studies ᷕ厗ἃ⬠⬠⟙䫔Ḵ⋩ᶫ㛇ġ 枩 129-179炷㮹⚳ᶨ䘦暞ᶱ⸜炸炻㕘⊿烉ᷕ厗ἃ⬠䞼䨞 ISSN: 2313-2000 e-ISSN: 2313-2019 Realization through Hearing in Chan Literature Venerable Guo-Jing Assistant Professor, Dharma Drum Mountain Buddhist University Head of Chung-Hwa Institute of Buddhist Studies Translated by Jeffrey Kotyk ‹⣓; modified by Guo-Jing 㝄掉 Abstract This article is primarily concerned with investigating the similarities between Avalokitƞğvara Bodhisattva’s (Guanyin Pusa 奨枛厑啑) method (famen 㱽攨) of “perfect or all-pervading realization (yuan tong ⚻忂) based on the auditory faculty” (er gen 俛㟡; Skt. ğrotra-indriya), as expounded in scroll six of theĞǍraΥgama SǍtra (Lengyan Jing 㤆♜䴻), and cases of awakening experiences recorded in the gong'an ℔㟰 literature from the Chinese Chan School 䥒⬿ that involve sound and hearing. Specifically, it examines how, in the ĞǍraΥgama SǍtra, the auditory sense-object (sheng chen 倚⠝; Skt. ğabda-viΙaya) is actualized as a perceptual support (suoyuan jing 䶋⠫; Skt. Ƙlambana) for attaining realization, and how that realization correlates to the Chan notion of “illumining the mind and seeing one's nature” (ming xin jian xing 㖶⽫夳⿏). Examples are provided in which Chan masters of the various lineages explicitly implement this method from the ĞǍraΥgama SǍtra to cause Chan adepts to realize awakening (kai wu 攳ぇ) and see their nature. Chan literature seldom provides concrete instructions for practice, or outlines a graduated course of cultivation (jianxiu 㻠ᾖ)—most often, it only records claims of sudden awakening (dunwu 枻ぇ). It is, nonetheless, my contention that awakening is concretely grounded in years of cultivation. -
Blue Cliff Record
THE BLUE CLIFF RECORD dBET Alpha PDF Version © 2017 All Rights Reserved BDK English Tripitaka 75 THE BLUE CLIFF RECORD Compiled by Ch’ung-hsien Commented upon by K’o-ch’in (Taisho Volume 48, Number 2003) Translated into English by Thomas Cleary Numata Center for Buddhist Translation and Research 1998 © 1998 by Bukkyo Dendo Kyokai and Numata Center for Buddhist Translation and Research All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transcribed in any form or by any means —electronic, mechanical, photocopying, recording, or otherwise— without the prior written permission of the publisher. First Printing, 1998 ISBN: 0-9625618-8-6 Library of Congress Catalog Card Number: 94-068462 Published by Numata Center for Buddhist Translation and Research 2620 Warring Street Berkeley, California 94704 Printed in the United States of America A Message on the Publication of the English Tripitaka The Buddhist canon is said to contain eighty-four thousand different teachings. I believe that this is because the Buddha’s basic approach was to prescribe a different treatment for every spiritual ailment, much as a doctor prescribes a different medicine for every medical ailment. Thus his teachings were always appropriate for the particu lar suffering individual and for the time at which the teaching was given, and over the ages not one of his prescriptions has failed to relieve the suffering to which it was addressed. Ever since the Buddha’s Great Demise over twenty-five hundred years ago, his message of wisdom and compassion has spread through out the world. -
UNIVERSITY of CALIFORNIA Los Angeles the Poetic Practices Of
UNIVERSITY OF CALIFORNIA Los Angeles The Poetic Practices of Hongzhi Zhengjue (1091–1157): Gong’an Commentarial Verses on Old Cases and Verses for Lay Literati A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Asian Languages and Cultures by Yu-Chen Tsui 2018 © Copyright by Yu-Chen Tsui 2018 ABSTRACT OF THE DISSERTATION The Poetic Practices of Hongzhi Zhengjue (1091–1157): Gong’an Commentarial Verses on Old Cases and Verses for Lay Literati by Yu-Chen Tsui Doctor of Philosophy in Asian Languages and Cultures University of California, Los Angeles, 2018 Professor Natasha L. Heller, Chair This dissertation examines the textual production and doctrinal import of the gong’an commentarial verses of Hongzhi Zhengjue in the context of Chan literary traditions as well as his usage of secular literature. During the Song period (960–1279) revival of the Caodong lineage, Hongzhi was an influential figure, who promoted Silent Illumination Chan (mozhao chan). Hongzhi was talented in writing in a variety of genres, including verses, portrait poetry, and commentaries on gong’an (public cases). My study examines Hongzhi’s gong’an texts and uses them as a window to understand Chan literary traditions of the Song period. In addition to situating Hongzhi’s gong’an writings within Chan contexts, my dissertation places his gong’an commentarial verses within contemporary secular literary culture. My study considers how Hongzhi participated in mainstream literary culture by engaging in gong’an commentarial verses and poetry for literati. ii My dissertation is divided into four chapters. Chapter 1 considers the context and Hongzhi’s life. -
Reflections on the Wumenkuan
“Mu” calligraphy by Hakuin Zenji Table of Contents Case 1. Much Ado about Mu................................................................. 4 Case 2. Baizhang’s Fox....................................................................... 24 Case 3. One Finger Zen....................................................................... 33 Case 4. The Barbarian Has No Beard................................................. 39 Case 5. Up a Tree................................................................................. 44 Case 6. Buddha Holds up a Flower.................................................... 47 Case 7. Zhaozhou’s Bowl-Washing.................................................... 56 Case 8. The Cart................................................................................... 69 Case 9. Ch’ing-jang’s Nonattained Buddha....................................... 74 Case 10. Qingshui, Poor and Alone................................................... 82 Case 11. Zhaozhou Examines the Hermits........................................ 88 Case 12. Zuigen calls “Master”........................................................... 96 Case 13. Deshan: Bowls In Hand..................................................... 101 Case 14. Nanquan Kills the Cat........................................................ 112 Case 15. Dongshan’s “Three-Score Blows”.................................... 129 Case 16. The Sound of the Bell and the Seven-Panel Robe.......... 139 Case 17. The National Master’s Three Calls.................................... 144 -
Tenzo Kyokun
Instructions for the Cook (Tenzo kyôkun) By the monk Dôgen of the Kannon Dôri Kôshô Hôrin Zen Monastery Translated by T. Griffith Foulk This version of the Tenzo kyôkun is based on the translation by Griffith Foulk prepared by the Soto Zen Text Project for publication in Jisho Warner et al., Nothing is Hidden: Essays on Zen Master Dôgen's Instructions for the Cook, pp. 21-40. (N.Y. and Tokyo: Weatherhill, 2001.) A revised version, with full introduction and annotation is in preparation and will appear here when completed. Buddhist monasteries have, in principle, six stewards. All are disciples of Buddha and all carry out the work of Buddha. Among them is the officer known as the cook, who is in charge of preparing meals for the assembly of monks. The Rules of Purity for Chan Monasteries (Chanyuan qinggui) says, "In order to offer nourishment to the monks of the community, there is a cook."1 From ancient times, the position has been assigned to senior monks who have the way-seeking mind -- eminent persons who have aroused the thought of awakening. In general, the job of cook is an all-consuming pursuit of the way. If one lacks the way-seeking mind, it will be nothing but a vain struggle and hardship, without benefit in the end. The Rules of Purity for Chan Monasteries says, "One should maintain a way-seeking mind, make adjustments in accord with the occasion, and see to it that the great assemby receives what is necessary and is at ease."2 In days of yore, monks such as Guishan and Dongshan performed this job, and various other great ancestral teachers did too at some point in their careers.3 Thus, it is surely not the same as the work of worldy cooks, imperial cooks, and the like. -
Chinul 知訥知訥 Chinulchinul Selectedselected Worksworks Robert E
2 COLLECTED WORKS OF KOREAN BUDDHISM 2 SELECTED WORKS CHINUL 知訥知訥 CHINULCHINUL SELECTEDSELECTED WORKSWORKS ROBERT E. BUSWELL, JR. BUSWELL, E. ROBERT COLLECTED WORKS OF KOREAN BUDDHISM VOLUME 2 知訥 CHINUL SELECTED WORKS Collected Works of Korean Buddhism, Vol. 2 Chinul: Selected Works Edited and Translated by Robert E. Buswell, Jr. Published by the Jogye Order of Korean Buddhism Distributed by the Compilation Committee of Korean Buddhist Thought 45 Gyeonji-dong, Jongno-gu, Seoul, 110-170, Korea / T. 82-2-725-0364 / F. 82-2-725-0365 First printed on June 25, 2012 Designed by ahn graphics ltd. Printed by Chun-il Munhwasa, Paju, Korea © 2012 by the Compilation Committee of Korean Buddhist Thought, Jogye Order of Korean Buddhism This project has been supported by the Ministry of Culture, Sports and Tourism, Republic of Korea. ISBN: 978-89-94117-05-8 ISBN: 978-89-94117-17-1 (Set) Printed in Korea COLLECTED WORKS OF KOREAN BUDDHISM VOLUME 2 知訥 CHINUL SELECTED WORKS TRANSLATION, ANNOTATION, AND INTRODUCTION BY ROBERT E. BUSWELL, JR. i Preface to The Collected Works of Korean Buddhism At the start of the twenty-first century, humanity looked with hope on the dawning of a new millennium. A decade later, however, the global village still faces the continued reality of suffering, whether it is the slaughter of innocents in politically volatile regions, the ongoing economic crisis that currently roils the world financial system, or repeated natural disasters. Buddhism has always taught that the world is inherently unstable and its teachings are rooted in the perception of the three marks that govern all conditioned existence: impermanence, suffering, and non-self. -
Enlightenment Unfolds Is a Sequel to Kaz Tanahashi’S Previous Collection, Moon in a Dewdrop, Which Has Become a Primary Source on Dogen for Western Zen Students
“Tanahashi is a writer and painter whose earlier collection, Moon in a Dewdrop, served as an introduction to the work of Dogen for many Western readers. This sequel collection draws from the complete range of Dogen’s writing. Some pieces have been widely translated and will be familiar to students of Zen, others have been reprinted from Moon in a Dewdrop, and still others appear here in English for the first time. Tanahashi worked with a number of co-translators, all of them Zen practitioners in Dogen’s lineage, and the result is an accessible and admirably consistent text. This is particularly impressive given the somewhat eccentric nature of Dogen’s prose, which can approach poetry and as a vehicle for Zen teachings often exists at the outer limits of usefulness of language in conveying meaning. Students of Zen will find this text essential.” —Mark Woodhouse, Library Journal ABOUT THE BOOK Enlightenment Unfolds is a sequel to Kaz Tanahashi’s previous collection, Moon in a Dewdrop, which has become a primary source on Dogen for Western Zen students. Dogen Zenji (1200–1253) is unquestionably the most significant religious figure in Japanese history. Founder of the Soto school of Zen (which emphasizes the practice of zazen or sitting meditation), he was a prolific writer whose works have remained popular for six hundred years. Enlightenment Unfolds presents even more of the incisive and inspiring writings of this seminal figure, focusing on essays from his great life work, Treasury of the True Dharma Eye, as well as poems, talks, and correspondence, much of which appears here in English for the first time. -
THE BOOK of EQUANIMITY Digitized by the Internet Archive in 2019 with Funding from Kahle/Austin Foundation
3 1867 00712 0558 THE BOOK OF F Q U ANIMITY • • • ILLUMINATING CLASSIC ZEN KOANS GERRY SHISHIN WICK foreword by BERNIE GLASS MAN ### 3# # Lsfnno 1778 • # # # # # # PHILLIPS • ACADEMY # # # # # # T # # OLIVER*WENDELL*HOLMES # # # # LIBRARY I # A ♦ # _ # a£ citiOKi % # # # # # # # Gift of Anonymous Donor THE BOOK OF EQUANIMITY Digitized by the Internet Archive in 2019 with funding from Kahle/Austin Foundation https://archive.org/details/bookofequanimityOOOOwick THE BOOK OF EQUANIMITY Illuminating Classic Zen Koans Gerry Shishin Wick Foreword by Bernie Glassman A Wisdom Publication • Boston Wisdom Publications, Inc. 199 Elm Street Somerville MA 02144 USA www.wisdompubs.org © 2005 Gerry Shishin Wick All rights reserved. No part of this book may be reproduced in any form or by any means, electronic or me¬ chanical, including photography, recording, or by any information storage or retrieval system or technologies now known or later developed, without permission in writing from the publisher. Library of Congress Cataloging-in-Publication Data Wick, Gerry Shishin. The book of equanimity : illuminating classic Zen koans / Gerry Shishin Wick , foreword by Bernie Glassman. p. cm. Item consists of English translation and commentaries of Zhengjue's Tiantong Jue he shang song gu. Includes bibliographical references. ISBN 0-86171-387-7 (pbk. : alk. paper) 1 Zhengjue, 1091-1 157. Tiantong Jue he shang song gu. 2. Koan. 1 Zhengjue, 1091-1157. Tiantong Jue he shang song gu. II. Title. BQ9289.Z543W53 2005 294.3'444—dc20 2004028142 ISBN 0-86171-387-7 First Edition 09 08 07 06 05 5 4 3 2 1 Cover design by Rick Snizik. Interior design by Gopa&Ted2, Inc. -
Tenzo Kyokun: Instructions for the Tenzo by Eihei Dogen Zenji Translated by Anzan Hoshin Roshi and Yasuda Joshu Dainen Roshi
Tenzo kyokun: Instructions for the Tenzo by Eihei Dogen zenji translated by Anzan Hoshin roshi and Yasuda Joshu Dainen roshi [published in "Cooking Zen," Great Matter Publications 1996] From ancient times communities of the practice of the Way of Awake Awareness have had six office holders 1 who, as disciples of the Buddha, guide the activities of Awakening 2 the community. Amongst these, the tenzo bears the responsibility of caring for the community's meals. The Zen Monastic Standards 3 states, "The tenzo functions as the one who makes offerings with reverence to the monks." Since ancient times this office has been held by realized monks who have the mind of the Way 4 or by senior disciples who have roused the Way-seeking mind. 5 This work requires exerting the Way. 6 Those entrusted with this work but who lack the Way-seeking mind will only cause and endure hardship despite all their efforts. The Zen Monastic Standards states, "Putting the mind of the Way to work, serve carefully varied meals appropriate to each occasion and thus allow everyone to practice without hindrance." 7 In times past such great masters as Guishan Lingyou, 8 Dongshan Shouchu, 9 and others have served in this post. Although this is a matter of preparing and serving meals, the tenzo is not just "the cook." 10 When I was in Song China , during spare moments I enquired of many elder monks who had served in the various offices 11 about their experience. Their words to me were from the bone and marrow 12 of the Awakened Ancestors who, having attained the Way, have passed it through the ages. -
Dogen's Extensive Record : a Translation of the Eihei Koroku
Eastern religion / Buddhism record extensive dogen’s ihei Dōgen, the thirteenth-century Zen master who founded the Japanese Sōtō school of Zen, is renowned as one of the world’s most remarkable reli- Egious thinkers. As Shakespeare does with English, Dōgen utterly transforms dogen’s the language of Zen, using it in novel and extraordinarily beautiful ways to point to everything important in the religious life. Dōgen is known for two major works. The first work, the massive Shōbōgenzō (“Treasury of the True Dharma Eye”), represents his early teachings and exists in many English translations; the second work, the Eihei extensive Kōroku, is a collection of all his later teachings, includ- ing short formal discourses to the monks training at his temple, longer informal talks, and kōans with his com- mentaries, as well as short appreciatory verses on various topics. The Shōbōgenzō has received enormous atten- tion in Western Zen and Western Zen literature, and record with the publication of this watershed volume, the Eihei Kōroku is now rising to commensurate stature. Dōgen’s Extensive Record is the first-ever complete translation of a translation of the this monumental work into English—a classic that belongs in the library of any student of Zen and any eihei koroku scholar of world religion. This edition also includes an extensive index and concordance of names. Taigen Dan Leighton is a Sōtō Zen priest and Dharma successor in the lineage of Shunryu Suzuki and the San Francisco Zen Center. He is the author of several books, including Visions of Awakening Space and Time: Dōgen and the Lotus Sutra, and is co-translator and editor l e i g h t o n & translated by of several Zen texts, including Cultivating the Empty Field.