Blue Cliff Record
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Contents Transcriptions Romanization Zen 1 Chinese Chán Sanskrit Name 1.1 Periodisation Sanskrit Dhyāna 1.2 Origins and Taoist Influences (C
7/11/2014 Zen - Wikipedia, the free encyclopedia Zen From Wikipedia, the free encyclopedia Zen is a school of Mahayana Buddhism[note 1] that Zen developed in China during the 6th century as Chán. From China, Zen spread south to Vietnam, northeast to Korea and Chinese name east to Japan.[2] Simplified Chinese 禅 Traditional Chinese 禪 The word Zen is derived from the Japanese pronunciation of the Middle Chinese word 禪 (dʑjen) (pinyin: Chán), which in Transcriptions turn is derived from the Sanskrit word dhyāna,[3] which can Mandarin be approximately translated as "absorption" or "meditative Hanyu Pinyin Chán state".[4] Cantonese Zen emphasizes insight into Buddha-nature and the personal Jyutping Sim4 expression of this insight in daily life, especially for the benefit Middle Chinese [5][6] of others. As such, it de-emphasizes mere knowledge of Middle Chinese dʑjen sutras and doctrine[7][8] and favors direct understanding Vietnamese name through zazen and interaction with an accomplished Vietnamese Thiền teacher.[9] Korean name The teachings of Zen include various sources of Mahāyāna Hangul 선 thought, especially Yogācāra, the Tathāgatagarbha Sutras and Huayan, with their emphasis on Buddha-nature, totality, Hanja 禪 and the Bodhisattva-ideal.[10][11] The Prajñāpāramitā Transcriptions literature[12] and, to a lesser extent, Madhyamaka have also Revised Romanization Seon been influential. Japanese name Kanji 禅 Contents Transcriptions Romanization Zen 1 Chinese Chán Sanskrit name 1.1 Periodisation Sanskrit dhyāna 1.2 Origins and Taoist influences (c. 200- 500) 1.3 Legendary or Proto-Chán - Six Patriarchs (c. 500-600) 1.4 Early Chán - Tang Dynasty (c. -
Seon Dialogues 禪語錄禪語錄 Seonseon Dialoguesdialogues John Jorgensen
8 COLLECTED WORKS OF KOREAN BUDDHISM 8 SEON DIALOGUES 禪語錄禪語錄 SEONSEON DIALOGUESDIALOGUES JOHN JORGENSEN COLLECTED WORKS OF KOREAN BUDDHISM VOLUME 8 禪語錄 SEON DIALOGUES Collected Works of Korean Buddhism, Vol. 8 Seon Dialogues Edited and Translated by John Jorgensen Published by the Jogye Order of Korean Buddhism Distributed by the Compilation Committee of Korean Buddhist Thought 45 Gyeonji-dong, Jongno-gu, Seoul, 110-170, Korea / T. 82-2-725-0364 / F. 82-2-725-0365 First printed on June 25, 2012 Designed by ahn graphics ltd. Printed by Chun-il Munhwasa, Paju, Korea © 2012 by the Compilation Committee of Korean Buddhist Thought, Jogye Order of Korean Buddhism This project has been supported by the Ministry of Culture, Sports and Tourism, Republic of Korea. ISBN: 978-89-94117-12-6 ISBN: 978-89-94117-17-1 (Set) Printed in Korea COLLECTED WORKS OF KOREAN BUDDHISM VOLUME 8 禪語錄 SEON DIALOGUES EDITED AND TRANSLATED BY JOHN JORGENSEN i Preface to The Collected Works of Korean Buddhism At the start of the twenty-first century, humanity looked with hope on the dawning of a new millennium. A decade later, however, the global village still faces the continued reality of suffering, whether it is the slaughter of innocents in politically volatile regions, the ongoing economic crisis that currently roils the world financial system, or repeated natural disasters. Buddhism has always taught that the world is inherently unstable and its teachings are rooted in the perception of the three marks that govern all conditioned existence: impermanence, suffering, and non-self. Indeed, the veracity of the Buddhist worldview continues to be borne out by our collective experience today. -
Inventing Chinese Buddhas: Identity, Authority, and Liberation in Song-Dynasty Chan Buddhism
Inventing Chinese Buddhas: Identity, Authority, and Liberation in Song-Dynasty Chan Buddhism Kevin Buckelew Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2018 © 2018 Kevin Buckelew All rights reserved Abstract Inventing Chinese Buddhas: Identity, Authority, and Liberation in Song-Dynasty Chan Buddhism Kevin Buckelew This dissertation explores how Chan Buddhists made the unprecedented claim to a level of religious authority on par with the historical Buddha Śākyamuni and, in the process, invented what it means to be a buddha in China. This claim helped propel the Chan tradition to dominance of elite monastic Buddhism during the Song dynasty (960–1279), licensed an outpouring of Chan literature treated as equivalent to scripture, and changed the way Chinese Buddhists understood their own capacity for religious authority in relation to the historical Buddha and the Indian homeland of Buddhism. But the claim itself was fraught with complication. After all, according to canonical Buddhist scriptures, the Buddha was easily recognizable by the “marks of the great man” that adorned his body, while the same could not be said for Chan masters in the Song. What, then, distinguished Chan masters from everyone else? What authorized their elite status and granted them the authority of buddhas? According to what normative ideals did Chan aspirants pursue liberation, and by what standards did Chan masters evaluate their students to determine who was worthy of admission into an elite Chan lineage? How, in short, could one recognize a buddha in Song-dynasty China? The Chan tradition never answered this question once and for all; instead, the question broadly animated Chan rituals, institutional norms, literary practices, and visual cultures. -
Facts and Fiction About the Figure of the Chinese Meditation Master Wolun*
A Pliable Life: Facts and Fiction about the Figure of the Chinese Meditation Master Wolun* Carmen Meinert (Hamburg) I Object of Research The Chinese meditation master Tanlun – better known to posterity by his nickname Wolun – passed away in 626 AD at the age of over eighty years in Zhuangyan monastery in Chang’an, officially leaving behind one lay student and no work that was included in the Buddhist canon. Judging from the scarce biographical material available, Wolun is under no account representa- tive of the whole, rather heterogeneous movement of early Meditation Buddhism in China. Instead he must even be regarded as an isolated case that after his decease has seemingly left little to no impact to the immediate Meditation Buddhist movement in China proper. None- theless, a number of Chinese and Tibetan Dunhuang manuscripts and autochthon Tibetan texts witness Wolun’s posthumous fame. Those materials prove that a meditation practice connected to a certain Wolun belong properly within a regional current of Chinese Meditation Buddhism, known as Cig car ba (sudden teaching), prevailing in Dunhuang and Tibet from the 8th and 9th centuries.1 Then, it seems that the knowledge of the supposedly forgotten 6th cen- tury meditation master Wolun travelled back to China via Dunhuang. Wolun is mentioned once more in the 9th century by Zongmi (780–841) in the preface to his doxographical treatise on Meditation Buddhist Schools, in the Chanyuan zhuquan ji duxu. Very much in the tradition of his own teacher Shenhui (684–758) Zongmi’s material is presented with an underlying doc- trinal agenda, to reinforce the classification of sudden and gradual teachings and to show the superiority of the former to the latter. -
Soto Zen: an Introduction to Zazen
SOT¯ O¯ ZEN An Introduction to Zazen SOT¯ O¯ ZEN: An Introduction to Zazen Edited by: S¯ot¯o Zen Buddhism International Center Published by: SOTOSHU SHUMUCHO 2-5-2, Shiba, Minato-ku, Tokyo 105-8544, Japan Tel: +81-3-3454-5411 Fax: +81-3-3454-5423 URL: http://global.sotozen-net.or.jp/ First printing: 2002 NinthFifteenth printing: printing: 20122017 © 2002 by SOTOSHU SHUMUCHO. All rights reserved. Printed in Japan Contents Part I. Practice of Zazen....................................................7 1. A Path of Just Sitting: Zazen as the Practice of the Bodhisattva Way 9 2. How to Do Zazen 25 3. Manners in the Zend¯o 36 Part II. An Introduction to S¯ot¯o Zen .............................47 1. History and Teachings of S¯ot¯o Zen 49 2. Texts on Zazen 69 Fukan Zazengi 69 Sh¯ob¯ogenz¯o Bend¯owa 72 Sh¯ob¯ogenz¯o Zuimonki 81 Zazen Y¯ojinki 87 J¯uniji-h¯ogo 93 Appendixes.......................................................................99 Takkesa ge (Robe Verse) 101 Kaiky¯o ge (Sutra-Opening Verse) 101 Shigu seigan mon (Four Vows) 101 Hannya shingy¯o (Heart Sutra) 101 Fuek¯o (Universal Transference of Merit) 102 Part I Practice of Zazen A Path of Just Sitting: Zazen as the 1 Practice of the Bodhisattva Way Shohaku Okumura A Personal Reflection on Zazen Practice in Modern Times Problems we are facing The 20th century was scarred by two World Wars, a Cold War between powerful nations, and countless regional conflicts of great violence. Millions were killed, and millions more displaced from their homes. All the developed nations were involved in these wars and conflicts. -
Zen Masters at Play and on Play: a Take on Koans and Koan Practice
ZEN MASTERS AT PLAY AND ON PLAY: A TAKE ON KOANS AND KOAN PRACTICE A thesis submitted to Kent State University in partial fulfillment of the requirements for the degree of Master of Arts by Brian Peshek August, 2009 Thesis written by Brian Peshek B.Music, University of Cincinnati, 1994 M.A., Kent State University, 2009 Approved by Jeffrey Wattles, Advisor David Odell-Scott, Chair, Department of Philosophy John R.D. Stalvey, Dean, College of Arts and Sciences ii TABLE OF CONTENTS Acknowledgements iv Chapter 1. Introduction and the Question “What is Play?” 1 Chapter 2. The Koan Tradition and Koan Training 14 Chapter 3. Zen Masters At Play in the Koan Tradition 21 Chapter 4. Zen Doctrine 36 Chapter 5. Zen Masters On Play 45 Note on the Layout of Appendixes 79 APPENDIX 1. Seventy-fourth Koan of the Blue Cliff Record: 80 “Jinniu’s Rice Pail” APPENDIX 2. Ninty-third Koan of the Blue Cliff Record: 85 “Daguang Does a Dance” BIBLIOGRAPHY 89 iii ACKNOWLEDGEMENTS There are times in one’s life when it is appropriate to make one’s gratitude explicit. Sometimes this task is made difficult not by lack of gratitude nor lack of reason for it. Rather, we are occasionally fortunate enough to have more gratitude than words can contain. Such is the case when I consider the contributions of my advisor, Jeffrey Wattles, who went far beyond his obligations in the preparation of this document. From the beginning, his nurturing presence has fueled the process of exploration, allowing me to follow my truth, rather than persuading me to support his. -
The Role of Live Performance in the Gongan Commentary Of
The Role of Live Performance in the Gongan Commentary of the Blue Cliff Record: Reflections on John McRae’s Remarks about a Seminal Chan Buddhist Text Steven Heine Florida International University MCRAE’S REMARKS ON THE TEXT It is widely acknowledged that the Blue Cliff Record 碧巖錄 (Ch. Biyanlu, Jpn. Hekiganroku), a collection in which Yuanwu Keqin (1063–1135) provides various kinds of prose remarks regarding one hundred cases that were originally selected and given poetic comments by Xuedou Chongxian (980–1052), is the seminal Chan Buddhist gongan/kōan 公案 commentary. The text’s innovative discursive structure in relation to its fun- damental religious message concerning the spontaneous yet funda- mentally ambiguous or uncertain quality of Chan enlightenment was a highlight of Song dynasty Chinese cultural and intellectual histori- cal trends. The Blue Cliff Record has long been celebrated for its use of intricate and articulate interpretative devices as the masterpiece or “premier work of the Chan school” 禪門第一書 (or 宗門第一書) that has greatly influenced the development of the tradition for nearly a thousand years since its original publication in 1128. As instrumental and influential as it is regarded, however, theBlue Cliff Record has been shrouded in contention in regard to the value of its approach to the role of language evoked in pursuit of awakening, and it is also clouded by controversy because of legends often accepted uncritically that obscure the origins and significance of the text. This collection is probably best known today for having apparently been destroyed in 1140 by Dahui, Yuanwu’s main disciple yet harshest critic; it is confirmed the collection was left out of circulation before being re- vived and partially reconstructed in the early 1300s. -
Empty Cloud, the Autobiography of the Chinese Zen Master Xu
EMPTY CLOUD The Autobiography of the Chinese Zen Master XU YUN TRANSLATED BY CHARLES LUK Revised and Edited by Richard Hunn The Timeless Mind . Undated picture of Xu-yun. Empty Cloud 2 CONTENTS Contents .......................................................................................... 3 Acknowledgements ......................................................................... 4 Introduction .................................................................................... 5 CHAPTER ONE: Early Years ............................................................ 20 CHAPTER TWO: Pilgrimage to Mount Wu-Tai .............................. 35 CHAPTER THREE: The Journey West ............................................. 51 CHAPTER FOUR: Enlightenment and Atonement ......................... 63 CHAPTER FIVE: Interrupted Seclusion .......................................... 75 CHAPTER SIX: Taking the Tripitaka to Ji Zu Shan .......................... 94 CHAPTER SEVEN: Family News ................................................... 113 CHAPTER EIGHT: The Peacemaker .............................................. 122 CHAPTER NINE: The Jade Buddha ............................................... 130 CHAPTER TEN: Abbot At Yun-Xi and Gu-Shan............................. 146 CHAPTER ELEVEN: Nan-Hua Monastery ..................................... 161 CHAPTER TWELVE: Yun-Men Monastery .................................... 180 CHAPTER THIRTEEN: Two Discourses ......................................... 197 CHAPTER FOURTEEN: At the Yo Fo & Zhen Ru Monasteries -
Chan Teachings of Huineng
Chan Teachings of Huineng Buddhism in Every Step B1 Venerable Master Hsing Yun © 2014 Fo Guang Shan International Translation Center All rights reserved. Written by Venerable Master Hsing Yun Translated by the Fo Guang Shan International Translation Center Edited and proofread by Venerable Yi Chao, Jonathan Ko, and John Gill Table of Contents I. The Sixth Patriarch’s Platform Sutra 1 II. An Introduction to Chan 6 III. Teaching Methods of the Chan School 12 Chan Teachings of Huineng I. The Sixth Patriarch’s Platform Sutra Who was Huineng? The Sixth Patriarch’s Platform Sutra, often simpli- fied into the Platform Sutra, is a sacred text of the Chan, or meditation, School. Though of particular importance to the Chan School, the sutra’s influ- ence extends to many other Buddhist schools. It is also considered one of the finest works of Chinese literature. The Platform Sutra is a collection of Dharma talks given by Venerable Huineng, the Sixth Patriarch of the Chan School of Buddhism. Huineng’s fasci- nating life is something of a legend in itself. Though the Sixth Patriarch was said to be an illiterate wood- cutter, due to his store of merit from previous lives and his quick grasp of the Dharma, he quickly 1 achieved enlightenment under the guidance of the Fifth Patriarch and became a great master. His influ- ence can still be felt today. I would, however, like to take this opportunity to state that the Sixth Patriarch was far from illiter- ate. On the contrary, he was an extremely well read, and had profound insights regarding many Buddhist sutras. -
Dongshans Five Ranks: Keys to Enlightenment Pdf, Epub, Ebook
DONGSHANS FIVE RANKS: KEYS TO ENLIGHTENMENT PDF, EPUB, EBOOK Ross Bolleter | 152 pages | 09 Jun 2014 | Wisdom Publications,U.S. | 9780861715305 | English | Somerville, United States Dongshans Five Ranks: Keys to Enlightenment PDF Book The group is actually quite large but I only see and know a few of them, as with any and every experience. More Details This engaging and accessible little book is filled with both humor and profound teaching. From Wikipedia, the free encyclopedia. Lists with This Book. Mumonkan, The Gateless Gate. When we have seen deeply into the nature of words, statements about the Way, such as the captions of the Five Ranks, are no longer solely scripts that choreograph our changing relationship with the whole but are the dance itself. He is a composer with numerous CD releases, especially in the field of ruined piano. This rank describes enlightened behaviour: "Enlightened beings do not dwell in the state of result they have realized; from the ocean of effortlessness, they radiate unconditional compassion". Allison Tait rated it it was amazing Dec 19, Nevertheless, she still mistakes. Books by Ross Bolleter. More filters. Many bows to Bolleter for introducing me to Dongshan and carefully unpacking the Five Ranks line by line. Book Description Wisdom Publications, Ross makes it all more real by bringing in another from zen folk stories, friends and poems, which engage us with the here and now, not just flight of fancy. In Stephanie Kaza; Kenneth Kraft eds. Though brief, it offers a lifetime of advice for all who wish to engage in-and Return to Book Page. -
Zen Buddhism
A Zen Master in Meditation, Shi K’o (Sekkaku). 10th Century Zen Buddhism SÇtÇ Zen Essays from the ShÇbÇgenzÇ by DÇgen Zenji [DÇgen Zenji (1200-1253) was the founder of the SÇtÇ school of Zen Buddhism. This essay is part of a remarkable collection of essays called ShÇbÇgenzÇ, or “Treasury of the Eye of True Teaching.” The commentary introducing the essays is by the translator Thomas Cleary.] The Issue at Hand (GenjÇkÇan) The term genjÇkÇan seems to appear first in ninth-century China and is often used in Japanese SÇtÇ Zen to refer to present being as the topic of meditation or the issue of Zen. Gen means “manifestation” or “present,” jÇ means “become.” GenjÇ means actuality—being as is, at hand, or accomplished, as of an accomplished fact. KÇan is a common Zen word which is often left untranslated, having to some extent become a naturalized English word. KÇ means official, public, or open, as opposed to private or personal; an means a consideration, or a considered decision. A kÇan in standard literary Chinese means an official report or an issue under consideration. The term was adopted in Zen with much the same meanings, only transposed into the frame of reference of Zen tradition and experience. GenjÇkÇan is one of the most popular and oft-quoted essays in ShÇbÇgenzÇ. Written to a lay disciple, it contains a number of key points stated in a most concise fashion. The very first paragraph contains a complete outline of Zen, in a covert presentation of the so-called “five ranks” (go i) device of the original Chinese SÇtÇ Zen school. -
The Koan Is Said to Pose to the Ze N Practitione R a Parado X Unsolvabl E by the Rational , Intellectualizing Mind
11 Koan and Kensho in the Rinzai Zen Curriculum G. VICTOR SOGEN HORI LCCORDING to a widely accepted model, a koan i s a clever psycho- logical device designed to induce satori or kensho. The koan is said to pose to the Ze n practitione r a parado x unsolvabl e by the rational , intellectualizing mind. Drive n int o a n eve r more desperat e corne r b y his repeate d futil e at - tempts to solve what cannot be rationally solved, the practitioner finally breaks through the barrier of rational intellection to the realm of preconceptual an d prelinguistic consciousnes s variousl y calle d pur e consciousness , no-mind , without-thinking, or emptiness. Thi s breakthrough i s called satori or kensho. The cleverness of the koan consists in the fact that rather than attacking reason and logi c fro m outside, th e koa n use s reaso n t o driv e itsel f int o a self - contradiction and cause its own destruction. In this picture, the koan is funda- mentally an instrument and has no use except as a means for psychologically inducing kensho. These two notions—the koan as nonrational, psychological instrument, an d kensho a s th e breakthroug h t o nonrational , noncognitive , pure consciousness—nicely support each other.1 However, thes e conceptions o f koan an d kensho were criticized long ago . Dogen, i n th e "Sansuiky5 " ("Mountains an d Water s Sutra") fascicle of the Shobogenzo, writes: In grea t Sun g Chin a toda y there ar e a grou p o f scatterbrained people , whose number i s so large that the y cannot possibly be scare d of f by the faithfu l few.