Wilhelm Stenhammar
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Scaramouche and the Commedia Dell'arte
Scaramouche Sibelius’s horror story Eija Kurki © Finnish National Opera and Ballet archives / Tenhovaara Scaramouche. Ballet in 3 scenes; libr. Paul [!] Knudsen; mus. Sibelius; ch. Emilie Walbom. Prod. 12 May 1922, Royal Dan. B., CopenhaGen. The b. tells of a demonic fiddler who seduces an aristocratic lady; afterwards she sees no alternative to killinG him, but she is so haunted by his melody that she dances herself to death. Sibelius composed this, his only b. score, in 1913. Later versions by Lemanis in Riga (1936), R. HiGhtower for de Cuevas B. (1951), and Irja Koskkinen [!] in Helsinki (1955). This is the description of Sibelius’s Scaramouche, Op. 71, in The Concise Oxford Dictionary of Ballet. Initially, however, Sibelius’s Scaramouche was not a ballet but a pantomime. It was completed in 1913, to a Danish text of the same name by Poul Knudsen, with the subtitle ‘Tragic Pantomime’. The title of the work refers to Italian theatre, to the commedia dell’arte Scaramuccia character. Although the title of the work is Scaramouche, its main character is the female dancing role Blondelaine. After Scaramouche was completed, it was then more or less forgotten until it was published five years later, whereupon plans for a performance were constantly being made until it was eventually premièred in 1922. Performances of Scaramouche have 1 attracted little attention, and also Sibelius’s music has remained unknown. It did not become more widely known until the 1990s, when the first full-length recording of this remarkable composition – lasting more than an hour – appeared. Previous research There is very little previous research on Sibelius’s Scaramouche. -
The Glasgow Season 2014/2015
A World of Music at Glasgow City Halls THE GLASGOW SEASON 2014/2015 BOX OFFICE: 0141-353 8000 bbc.co.uk/bbcsso #bbcssothursday ‘It has been my intention to bring some of the fi nest singers, soloists and conductors to Scotland and to showcase the brilliance, fl exibility and commitment of this remarkable group of musicians.’ THE GLASGOW SEASON 2014/2015 In September 2014 it will be fi ve years since I took up the post of Chief I’m also delighted that this year I’ll be celebrating an important birthday Conductor with this wonderful orchestra. Our relationship continues in Scotland with arguably the fi nest present a conductor could ask for to blossom, and I am immensely proud of our achievements so far. It - Beethoven’s Ninth Symphony. The orchestra and I will be joined by has been my intention to bring some of the fi nest singers, soloists and a world-class line-up of soloists, and our friends the Edinburgh Festival All concerts are scheduled conductors to Scotland and to showcase the brilliance, fl exibility and Chorus, for what promises to be a very memorable occasion. I hope you to be recorded for future commitment of this remarkable group of musicians. The 2014/15 season can be there. transmission or broadcast is no exception. BBC Scottish Symphony Orchestra facebook.com/bbcsso live on BBC Radio 3. Our theme this season in Glasgow is ‘discovery’ so whether you’re a BBC Scotland twitter.com/bbcsso We open with Dmitri Shostakovich’s Tenth Symphony and will later regular subscriber to the Thursday Night Series or an occasional visitor perform his enigmatic Fifteenth, as well as the First Piano Concerto to our wonderful home at City Halls, I’m certain you will fi nd something City Halls, Candleriggs youtube.com/bbcsso with Garrick Ohlsson; we’ll be exploring connections between the new in the evenings ahead to intrigue, delight and surprise you. -
WILHELM STENHAMMAR Excelsior! Symphony No
WILHELM STENHAMMAR Excelsior! Symphony No. 2 Gothenburg Symphony Orchestra · Neeme Järvi STENHAMMAR, Wilhelm (1871–1927) 1 Excelsior! symphonic overture, Op.13 (1896) 12'10 Symphony No.2 in G minor, Op.34 (1911–15) 42'37 2 I. Allegro energico 11'02 3 II. Andante 9'02 4 III. Scherzo. Allegro, ma non troppo presto 7'13 5 IV. Finale. Sostenuto — Allegro vivace alla breve 14'18 TT: 55'52 Gothenburg Symphony Orchestra Neeme Järvi conductor 2 he two works on this record show completely different sides of the composer Wilhelm Stenhammar. The symphonic concert overture Excelsior! written Tin 1896 is one of his very first orchestral works, composed by an un - disciplined disciple of Wagner, while the Symphony in G minor from 1915 is much more precise in its articulation, both simple in utterance and formally perfect. After training in his native city of Stockholm, Stenhammar was often in Berlin in the 1890s. He studied the piano there with Heinrich Barth in 1892–93 and was later engaged as a soloist on several occasions. With Richard Strauss conducting he played, for instance, his own Piano Concerto in B flat minor. Stenhammar nat- ur ally came into contact with a great deal of Germanic music and himself composed mu sical dramas in a Wagnerian style and piano music using a Brahmsian palette. A boisterously youthful temperament pervades Excelsior! The main theme is intro duced Leidenschaftlich bewegt (impassioned) by the strings to the accompani - ment of insistent triplets from the woodwind. The secondary theme is presented first by the clarinet and then by flute and bassoon. -
Digital Concert Hall Programme 2018/2019 3
2 DIGITAL CONCERT HALL PROGRAMME 2018/2019 3 WELCOME TO THE DIGITAL CONCERT HALL The 2018/2019 season marks a very special Zubin Mehta. Another highlight is the return phase in the history of the Berliner Philhar- on two occasions of Sir Simon Rattle, and moniker. Following on from the end of the with several debuts, new artistic connections Simon Rattle era, it is characterised by look- will also be made. Among the top-class guest ing forward to a new beginning when Kirill soloists is the pianist Daniil Trifonov to name Petrenko takes up office as chief conductor. but one, the Berliner Philharmoniker’s current Although this is not due until the summer of Artist in Residence. 2019, exciting joint concerts are on the hori- zon, beginning with the season opening con- Another special feature of this season: cert which is dedicated to the core repertoire the 10th anniversary of the Digital Concert of the Berliner Philharmoniker: a Beethoven Hall. On 17 December 2008, this unprece- symphony and two symphonic poems by dented project went online, followed by a first Richard Strauss. In the Digital Concert Hall live broadcast on 6 January 2009. Since then, we are also showing a tour concert from Lu- around 50 live concerts have been shown cerne, a programme with works by Schoen- per season. The video archive now holds more berg and Tchaikovsky in the spring of 2019, than 500 concert recordings, from the and Kirill Petrenko appears at the helm of the present day back to the Karajan era. There National Youth Orchestra of Germany as well. -
No. 4 in a Minor STENHAMMAR QUARTET
BIS-1659 STENHAMMAR STRING QUARTETS No. 3 in F major · No. 4 in A minor STENHAMMAR QUARTET Peter Olofsson – Tony Bauer – Mats Olofsson – Per Öman Front cover: Packis i stranden (Pack Ice on the Shore), oil on zinc (1892) by August Strindberg Wilhelm Stenhammar and the playwright – and artist – August Strindberg were not closely acquainted, but seem to have shared a mutual respect, with Stenhammar composing incidental music to Strindberg's drama A Dream Play. Their one recorded meeting took place in 1909 when Stenhammar performed with the Aulin Quartet at a concert at Strindberg's own theatre, Intima Teatern in Stockholm. The following year, at the same venue, the Aulin Quartet gave the first performance of Stenhammar's Quartet No. 4 in A minor; whether Strindberg attended that concert or not is not known. BIS-1659_f-b.indd 1 2013-03-26 15.06 STENHAMMAR, Wilhelm (1871–1927) String Quartet No. 4 in A minor, Op. 25 (1904–09) 33'15 1 I. Allegro ma non troppo 9'14 2 II. Adagio 6'01 3 III. Scherzo. Allegro 6'56 4 IV. Aria variata. Andante semplice 10'49 from the incidental music to Hjalmar Bergman’s play Lodolezzi sjunger (Lodolezzi Sings), Op. 39 (1919) 7'27 5 Elegi. Lento 3'23 6 Intermezzo. Allegro agitato 3'59 String Quartet No. 3 in F major, Op. 18 (1897–1900) 32'13 7 I. Quasi andante 8'44 8 II. Presto molto agitato 5'08 9 III. Lento sostenuto 7'18 10 IV. Presto molto agitato – Molto moderato 10'49 TT: 73'47 Stenhammar Quartet Peter Olofsson and Per Öman violins Tony Bauer viola · Mats Olofsson cello 2 Wilhelm Stenhammar (1871–1927) Wilhelm Stenhammar was one of the most versatile Swedish composers of his gen - eration. -
1 Montag, 02.08.2021 00:00 1LIVE Fiehe Freestylesendung Mit
Montag, 02.08.2021 13:00 WDR 2 Das Leitung: Radoslaw Szulc Mittagsmagazin Johann Adolf Hasse: Darin: Violoncellokonzert D-Dur; zur vollen Stunde WDR Jan Vogler; Münchener aktuell Kammerorchester, Leitung: zur halben Stunde WDR Reinhard Goebel aktuell und Lokalzeit auf Francis Poulenc: 00:00 1LIVE Fiehe WDR 2 Concert champêtre; Maggie Freestylesendung mit Klaus 15:00 WDR 2 Sommerradio Cole, Cembalo; City of Fiehe Darin: London Sinfonia, Leitung: seit 22:00 Uhr zur vollen Stunde WDR Richard Hickox Johann Baptist Vanhal: 01:00 Die junge Nacht der ARD aktuell Sinfonie Es-Dur; Toronto Darin: zur halben Stunde bis 17:30 Chamber Orchestra, zur vollen Stunde WDR WDR aktuell und Lokalzeit Leitung: Kevin Mallon aktuell auf WDR 2 18:40 Der Stichtag ab 04:03: 05:00 1LIVE (Wiederholung von 09:40) Franz Schubert: Die tägliche, aktuelle 20:00 WDR 2 POP! Quartettsatz c-Moll, D 703; Morgen-Show in 1LIVE Darin: Signum Quartett 10:00 1LIVE zur vollen Stunde WDR Joseph Haydn: Der Vormittag in 1LIVE aktuell Sinfonie Nr. 90 C-Dur; hr- 14:00 1LIVE 23:30 WDR 2 Podcast Sinfonieorchester, Leitung: Der Nachmittag in 1LIVE Sommerfestival Hugh Wolff 18:00 1LIVE Carl Maria von Weber: Die Themen des Tages im 6 Stücke, op. 10; Duo Sektor d'Accord 20:00 1LIVE Plan B ab 05:03: Der Abend in 1LIVE - im Evaristo Felice dall'Abaco: Zeichen der Popkultur Concerto a-Moll, op. 2,4; 23:00 1LIVE Reportage Concerto Köln Der Traum von Olympia 00:00 ARD Radiofestival. Robert Schumann: Von Daniel Sondergeld Nachrichten Allegro molto vivace aus der 00:03 Das ARD Nachtkonzert Sinfonie Nr. -
Wilhelm Stenhammar
STENHAMMAR SERENADE | EXCELSIOR! INTERLUDE FROM ‘THE SONG’ ROYAL FLEMISH PHILHARMONIC CHRISTIAN LINDBERG Royal Flemish Philharmonic © Alidoor Dellafaille BIS-2058 BIS-2058_f-b.indd 1 2014-01-20 13.48 STENHAMMAR, Wilhelm (1871–1927) 1 Excelsior! symphonic overture, Op. 13 (1896) 13'50 2 Mellanspel ur Sången, Op. 44 (1921) 6'14 Interlude from The Song Molto adagio, solenne Serenade in F major, Op. 31 (1914/19) 37'16 3 I. Overtura. Allegrissimo 6'49 4 II. Canzonetta. Tempo di valse, un poco tranquillo 5'54 5 III. Scherzo. Presto 7'40 6 IV. Notturno. Andante sostenuto 7'40 7 V. Finale. Tempo moderato 9'00 TT: 58'19 Royal Flemish Philharmonic Marta Sparnina leader Christian Lindberg conductor 2 t is said that the composer Wilhelm Stenhammar (1871–1927) began every work day by asking himself ‘What is a note?’ Behind this constant return to a Isort of Cartesian origin we can discern a sharp musical intellect, capable of great things but also with a certain inclination towards crushingly severe self-cri ti - cism. The history of Stenhammar’s œuvre testifies to both of these aspects – some - times combining artistic triumph and disappointment in the same piece of music. Florez and Blanzeflor, the work of a precocious youth, caused a sensation, as did his début as soloist – aged just over twenty – in his own First Piano Concerto with the Berlin Philharmonic Orchestra. The concert overture Excelsior!, completed in September 1896, was first per - formed on 28th December of that year by the Berlin Philharmonic Orchestra, conducted by Arthur Nikisch, while the orchestra was on tour in Copenhagen. -
Rawson Duo Concert Series, 2019-20 Burning His Sketches Sometime in the Forties
work trickled out. He worked for decades on an eighth symphony but never completed it, finally Rawson Duo Concert Series, 2019-20 burning his sketches sometime in the Forties. The composer's personality had been troubled for a long time. He began drinking heavily at the death of his mother. Much of the money he earned went to his binges, sometimes to the destitution of his family, despite a small stipend from the Finnish government. The hat was passed several times for him among the Finnish art-loving public. It seems that the anxieties of composition triggered such binges. After he destroyed his eighth, his wife, Aino, Ainola, the Sibelius home, built 1913 reported that he became much happier. Järvenpää (near Helsinki) ~ classical.net named after his wife, Aino What’s Next? Good question — perhaps it will be a Spanish or maybe another Italian program. Several possibilities are being considered for sometime in February, and an exciting family trio concert with cellist Ian Rawson is anticipated in early Spring. And beyond that? . as the fancy strikes (check those emails and website) Reservations: Seating is limited and arranged through advanced paid reservation, $25 (unless otherwise noted). Contact Alan or Sandy Rawson, email [email protected] or call 379- 3449. Notice of event details, dates and times when scheduled will be sent via email or ground mail upon request. Be sure to be on the Rawsons’ mailing list. For more information, visit: www.rawsonduo.com HOUSE NOTES Please, no food or drink near the piano and performing area. No photography during performance, and be sure to turn off all electronics, cell phones, etc If parked below the house, please follow the roadway upon exit and do not shortcut across the soft, grassy area opposite the wetland. -
Svensk Musiktidning (1880-1913) Copyright © 2001 RIPM Consortium Ltd Répertoire International De La Presse Musicale (
Introduction to: Kirsti Grinde, Svensk musiktidning (1880-1913) Copyright © 2001 RIPM Consortium Ltd Répertoire international de la presse musicale (www.ripm.org) Svensk musiktidning Svensk musiktidning [Swedish music journal], the most important and longest running nineteenth-century Swedish music periodical, was published in Stockholm from 1 January 1880 to 1 May 1913. The journal was initially titled Necken: svensk musiktidning. 1 In the 15 December 1880 issue, the journal's editor Alfred Lundgren announced that he was too busy to carry on, and passed the periodical on to the music publishing company Huss & Beer. The publication then continued under the name Svensk musiktidning. 2 The journal produced twenty-four issues annually through 1883; these appeared at the beginning and in the middle of each month. From 1884 the number of issues was reduced to twenty, with no issues being published during July and August, the "dead season." In 1899 the two June issues were printed as a do.uble issue. This arrangement continued until 1902, when the double issue became the last issue of the year. The unexpected death of the editor Frans Huss in March 1912 resulted in a gap in the journal's publication until 1 September when a double issue appeared. In a note to the readers the new editor, Gunnar Norlen, promised to publish a complete volume. To fulfill his promise Norlen then produced five issues and complet~d the volume with a quadruple issue. During the spring of 1913 Svensk musiktidning appeared irregularly and finally ceased publication after printing a double issue, no. 7/8. -
Festskrift Till Ulf Göranson
ACTA BIBLIOTHECAE R. UNIVERSITATIS UPSALIENSIS VOL . XLVI Utgivare: Per Cullhed Redaktör: Krister Östlund Redaktionskommitté: Åke Bertenstam, Lars Munkhammar, Lars Thune I lag med böcker Festskrift till Ulf Göranson Utgivare: Per Cullhed Redaktör: Krister Östlund Redaktionskommitté: Åke Bertenstam, Lars Munkhammar, Lars Thune 2012 © Uppsala universitet och författarna 2012 ISSN 0346-7465 ISBN 978-91-554-8406-4 Formgivning och sättning: Martin Högvall och Petra Wåhlin, Grafisk service, Uppsala universitet Huvudtexten satt med Berling Antiqua Tr yck: Edita Västra Aros, ett klimatneutralt företag, Västerås, 2012 Distribution: Uppsala universitetsbibliotek, Box 510, 751 20 Uppsala Innehåll Förord ....................................................................................................................................... 9 Tabula gratulatoria .......................................................................................................... 11 Stefan Andersson När Digitala vetenskapliga arkivet blev DiVA ................................................... 15 Paul Ayris The LERU Roadmap Towards Open Access. A Case Study from European Universities .................................................................................................... 31 Oloph Bexell Ad Acta – några anteckningar om Acta Universitatis Upsaliensis ........... 43 Sven-Erik Brodd Carolina Rediviva – eller på spaning efter en forskarmiljö som flytt ...... 57 Lars Burman Småländsk vältalighet. Inspektor Linné och Uppsalanationernas orationer .............................................................................................................................. -
Tchaikovsky Violin Concerto in D Major, Op
23 Season 2018-2019 Thursday, September 20, at 7:30 The Philadelphia Orchestra Friday, September 21, at 2:00 Saturday, September 22, Yannick Nézet-Séguin Conductor at 8:00 Lisa Batiashvili Violin Berwald Symphony No. 3 in C major (“Sinfonie singulière”) I. Allegro fuocoso II. Adagio III. Finale: Presto First Philadelphia Orchestra performances Sibelius Symphony No. 7, Op. 105 (In one movement) Intermission Tchaikovsky Violin Concerto in D major, Op. 35 I. Allegro moderato—Moderato assai II. Canzonetta: Andante— III. Allegro vivacissimo This program runs approximately 1 hour, 50 minutes. LiveNote® 2.0, the Orchestra’s interactive concert guide for mobile devices, will be enabled for these performances. The September 20 concert is sponsored by Mrs. Lyn M. Ross in memory of George M. Ross. The September 21 concert is sponsored by Edith R. Dixon. The September 22 concert is sponsored by David Haas. Philadelphia Orchestra concerts are broadcast on WRTI 90.1 FM on Sunday afternoons at 1 PM, and are repeated on Monday evenings at 7 PM on WRTI HD 2. Visit www.wrti.org to listen live or for more details. ® Getting Started with LiveNote 2.0 » Please silence your phone ringer. » Make sure you are connected to the internet via a Wi-Fi or cellular connection. » Download the Philadelphia Orchestra app from the Apple App Store or Google Play Store. » Once downloaded open the Philadelphia Orchestra app. » Select the LiveNote tab in the bottom left corner. » Tap “OPEN” on the Philadelphia Orchestra concert you are attending. » Tap the “LIVE” red circle. The app will now automatically advance slides as the live concert progresses. -
BIS-CD-219 Booklet Scan.Pdf-922500.Pdf
How shouid one reacl to thc idea of perfornring Stonhanrntar's [j ntajor sl.rnphorlv an(l tl]en rssurrg a recorciing of it? Ihe conrposer hinrsc,lf chosl to \!itlr(lraw tltc rvork for revision althou{ll tlt('first perlormance had ltecn well receivctl l here arr, ( \(,n suggcsli"n\ tlrrt h, r,'jIr t, rl tlr, ri rir1,l(rrrr lt has hou'cver ltcen tltampioncrl bl such inlcnlati()Dallv acclaimcd con(lucl()rsas Vaclav laliclt. Scrgirr (ionrissiona and Nocmc Jrirvi, who ltavt enLhusiastrcalll prcparecl sortlo of tlrf rare lrrrblic prrforrriart cs oltha'w()rk.1'lleb(,auticsofthes\n1l)llon\arfalsoonrl)hasizo(lil\or(.ltcstralrnusi<,iansu,hilslautli enceshavebeent-aptivatt'tl. i\rtcorclingslroulrllhlreforeltcjustifie<1.bothLoallorvasnlan\iisposs rble to cnj()l th. {'ork an(l t() givc llre nrusic a (on(rft('ol)portunil} t() conlbun(l tirc scr'ptics- }1an1 well known sorks in nrusical historl havc a cleceptivc lustre thcir glitt.r l)roduccs varii'(l roactions in clilfer<'nt iistencrs. In tho Srvldish s1nrphonic rel)fr1()jr( Stt'nhanrrnar's monullrenlal l.' r)rajor symplronyshineswilhparticuiarsplrDdour. \\r'r,anitlaflorcltolt,av0thisworkunplav(,(1. (lomposer, pianist ancl conductor, IVILHIILNI STEi\HAllitAR harl b1 thc br:ginning ()f ll)e cfDtrrr\' bcconlt. one of Scandinavia s leading Iriusical figures. Ilis tlebul iit a larger iontcxt took pracr rn Stt>ckholttt in 1E92, $'here hc featurecl as conrl)os('r and pialo sol()ist in !arious (onccrts. i.'i,rsr,,r, \'earsoncsuccessfollolvcdatlother.'llre ltNtpiatt()t()tltt,rl() wr.\l)('r1()rntc(laltroarl,uiLhstcnlratrtntar itinself as soloist, bl the Bcrlin C)pera OrchcsLra Lurrli'r Ilichiirtl Strauss and br the IlalleiOrcncslra ln flallcllesl€rr undcr llans Richler.