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Leonard Slatkin at 70: the DSO's Music Director Was Born for The
Leonard Slatkin at 70: The DSO’s music director was born for the podium By Lawrence B. Johnson Some bright young musicians know early on that they want to be a conductor. Leonard Slatkin, who turned 70 Slatkin at 70: on September 1, had a more specific vision. He believed himself born to be a music director. Greatest Hits “First off, it was pretty clear that I would go into conducting once I had the opportunity to actually lead an orchestra,” says Slatkin, music director of the Detroit Symphony Orchestra since 2008 and occupant of the same post with the Orchestre National de Lyon since 2011. “The study process suited my own ethic and, at least for me, I felt relatively comfortable with the technical part of the job.” “But perhaps more important, I knew that I would also be a music director. Mind you, this is a very different job from just getting on the podium and waving your arms. The decision making process and the ability to shape a single ensemble into a cohesive whole, including administration, somehow felt natural to me.” Slatkin arrived at the DSO with two directorships already under his belt – the Saint Louis Symphony (1979-96) and the National Symphony in Washington, D.C. (1996-2008) – and an earful of caution about the economically distressed city and the hard-pressed orchestra to which he was being lured. But it was a challenge that excited him. “Almost everyone warned me about the impending demise of the orchestra,” the conductor says. “A lot of people said that I should not take it. -
Nina Clemens Gabrilowitsch, 55, Twain's Last Direct Heir, Dies
Nina Clemens Gabrilowitsch dies Home | Quotations | Newspaper Articles | Special Features | Links | Search The New York Times, January 19, 1966 Nina Clemens Gabrilowitsch, 55, Twain's Last Direct Heir, Dies LOS ANGELES, Jan. 18 (AP) - The county Coroner's office reported today that Miss Nina Clemens Gabrilowitsch, the last direct descendant of Mark Twain, had died Sunday. She was 55 years old. Miss Clemens was found dead in her room at a Los Angeles motel where she often stayed. Several bottles of pills and alcohol were found in the room, the police said. An autopsy was planned. A Los Angeles bartender said today that Miss Clemens had quipped to him on Saturday night: "When I die, I want artificial flowers, jitterbug music and a bottle of vodka at my grave." She was the granddaughter of Twain, whose real name was Samuel Langhorne Clemens. She preferred to use the writer's family name rather than her own. Miss Clemens, who was born four months after her grandfather died, once said that although she had never known him she knew his works "backwards and forwards." Miss Clemens was the daughter of Twain's daughter, Mrs. Clara Langhorne Clemens Samoussoud, and Clara's first husband, Ossip Gabrilowitsch. Mr. Gabrilowitsch was conductor of the Detroit Symphony Orchestra from 1919 until his death in 1936. Miss Clemens's mother died in San Diego on Nov. 19, 1962. A family attorney, Al Matthews, said Miss Clemens had lived on the income of Twain's estate, which he estimated at about $2-million. He said Miss Clemens had an income of $1,500 a month after taxes. -
Scaramouche and the Commedia Dell'arte
Scaramouche Sibelius’s horror story Eija Kurki © Finnish National Opera and Ballet archives / Tenhovaara Scaramouche. Ballet in 3 scenes; libr. Paul [!] Knudsen; mus. Sibelius; ch. Emilie Walbom. Prod. 12 May 1922, Royal Dan. B., CopenhaGen. The b. tells of a demonic fiddler who seduces an aristocratic lady; afterwards she sees no alternative to killinG him, but she is so haunted by his melody that she dances herself to death. Sibelius composed this, his only b. score, in 1913. Later versions by Lemanis in Riga (1936), R. HiGhtower for de Cuevas B. (1951), and Irja Koskkinen [!] in Helsinki (1955). This is the description of Sibelius’s Scaramouche, Op. 71, in The Concise Oxford Dictionary of Ballet. Initially, however, Sibelius’s Scaramouche was not a ballet but a pantomime. It was completed in 1913, to a Danish text of the same name by Poul Knudsen, with the subtitle ‘Tragic Pantomime’. The title of the work refers to Italian theatre, to the commedia dell’arte Scaramuccia character. Although the title of the work is Scaramouche, its main character is the female dancing role Blondelaine. After Scaramouche was completed, it was then more or less forgotten until it was published five years later, whereupon plans for a performance were constantly being made until it was eventually premièred in 1922. Performances of Scaramouche have 1 attracted little attention, and also Sibelius’s music has remained unknown. It did not become more widely known until the 1990s, when the first full-length recording of this remarkable composition – lasting more than an hour – appeared. Previous research There is very little previous research on Sibelius’s Scaramouche. -
December 1940) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 12-1940 Volume 58, Number 12 (December 1940) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 58, Number 12 (December 1940)." , (1940). https://digitalcommons.gardner-webb.edu/etude/59 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. —— THE ETUDE Price 25 Cents mueie magazine i — ' — ; — i——— : ^ as&s&2i&&i£'!%i£''££. £&. IIEHBI^H JDiauo albums fcj m Christmas flarpms for JfluStc Jfolk IS Cljiistmas iSnraaiitS— UNTIL DECEMBER 31, 1940 ONLY) (POSTPAID PRICES GOOD CONSOLE A Collection Ixecttalist# STANDARD HISTORY OF AT THE — for £111 from Pegtnner# to CHILD’S OWN BOOK OF of Transcriptions from the Masters Revised Edition PlAVUMfl MUSIC—Latest, GREAT MUSICIANS for the Pipe Organ or Electronic DECEMBER 31, 1940 By James Francis Cooke Type of Organ Compiled and MYllfisSiiQS'K PRICES ARE IN EFFECT ONLY UP TO By Thomas -
Kenneth A. Merique Genealogical and Historical Collection BOOK NO
Kenneth A. Merique Genealogical and Historical Collection SUBJECT OR SUB-HEADING OF SOURCE OF BOOK NO. DATE TITLE OF DOCUMENT DOCUMENT DOCUMENT BG no date Merique Family Documents Prayer Cards, Poem by Christopher Merique Ken Merique Family BG 10-Jan-1981 Polish Genealogical Society sets Jan 17 program Genealogical Reflections Lark Lemanski Merique Polish Daily News BG 15-Jan-1981 Merique speaks on genealogy Jan 17 2pm Explorers Room Detroit Public Library Grosse Pointe News BG 12-Feb-1981 How One Man Traced His Ancestry Kenneth Merique's mission for 23 years NE Detroiter HW Herald BG 16-Apr-1982 One the Macomb Scene Polish Queen Miss Polish Festival 1982 contest Macomb Daily BG no date Publications on Parental Responsibilities of Raising Children Responsibilities of a Sunday School E.T.T.A. BG 1976 1981 General Outline of the New Testament Rulers of Palestine during Jesus Life, Times Acts Moody Bible Inst. Chicago BG 15-29 May 1982 In Memory of Assumption Grotto Church 150th Anniversary Pilgrimage to Italy Joannes Paulus PP II BG Spring 1985 Edmund Szoka Memorial Card unknown BG no date Copy of Genesis 3.21 - 4.6 Adam Eve Cain Abel Holy Bible BG no date Copy of Genesis 4.7- 4.25 First Civilization Holy Bible BG no date Copy of Genesis 4.26 - 5.30 Family of Seth Holy Bible BG no date Copy of Genesis 5.31 - 6.14 Flood Cainites Sethites antediluvian civilization Holy Bible BG no date Copy of Genesis 9.8 - 10.2 Noah, Shem, Ham, Japheth, Ham father of Canaan Holy Bible BG no date Copy of Genesis 10.3 - 11.3 Sons of Gomer, Sons of Javan, Sons -
The Glasgow Season 2014/2015
A World of Music at Glasgow City Halls THE GLASGOW SEASON 2014/2015 BOX OFFICE: 0141-353 8000 bbc.co.uk/bbcsso #bbcssothursday ‘It has been my intention to bring some of the fi nest singers, soloists and conductors to Scotland and to showcase the brilliance, fl exibility and commitment of this remarkable group of musicians.’ THE GLASGOW SEASON 2014/2015 In September 2014 it will be fi ve years since I took up the post of Chief I’m also delighted that this year I’ll be celebrating an important birthday Conductor with this wonderful orchestra. Our relationship continues in Scotland with arguably the fi nest present a conductor could ask for to blossom, and I am immensely proud of our achievements so far. It - Beethoven’s Ninth Symphony. The orchestra and I will be joined by has been my intention to bring some of the fi nest singers, soloists and a world-class line-up of soloists, and our friends the Edinburgh Festival All concerts are scheduled conductors to Scotland and to showcase the brilliance, fl exibility and Chorus, for what promises to be a very memorable occasion. I hope you to be recorded for future commitment of this remarkable group of musicians. The 2014/15 season can be there. transmission or broadcast is no exception. BBC Scottish Symphony Orchestra facebook.com/bbcsso live on BBC Radio 3. Our theme this season in Glasgow is ‘discovery’ so whether you’re a BBC Scotland twitter.com/bbcsso We open with Dmitri Shostakovich’s Tenth Symphony and will later regular subscriber to the Thursday Night Series or an occasional visitor perform his enigmatic Fifteenth, as well as the First Piano Concerto to our wonderful home at City Halls, I’m certain you will fi nd something City Halls, Candleriggs youtube.com/bbcsso with Garrick Ohlsson; we’ll be exploring connections between the new in the evenings ahead to intrigue, delight and surprise you. -
1931 Article Titles and Notes Vol. III, No. 1, January 10, 19311
1931 article titles and notes Vol. III, No. 1, January 10, 19311 "'The Youngest' Proves Entertaining Production of Players' Club. Robert W. Graham Featured in Laugh Provoking Comedy; Unemployed to Benefit" (1 & 8 - AC, CO, CW, GD, and LA) - "Long ago it was decided that the chief aim of the Players' Club should be to entertain its members rather than to educate them or enlighten them on social questions or use them as an element in developing new ideas and methods in the Little Theatre movement."2 Philip Barry's "The Youngest" fit the bill very well. "Antiques, Subject of Woman's Club. Chippendale Furniture Discussed by Instructor at School of Industrial Art. Art Comm. Program" (1 - AE and WO) - Edward Warwick, an instructor at the Pennsylvania Museum School of Industrial Art, spoke to the Woman's Club on "The Chippendale Style in America." "Legion Charity Ball Jan. 14. Tickets Almost Sold Out for Benefit Next Friday Evening. Auxiliary Assisting" (1 & 4 - CW, LA, MO, SN, VM, and WO) - "What was begun as a Benefit Dance for the Unemployed has grown into a Charity Ball sponsored by the local America Legion Post with every indication of becoming Swarthmore's foremost social event of the year." The article listed the "patrons and patronesses" of the dance. Illustration by Frank N. Smith: "Proposed Plans for New School Gymnasium" with caption "Drawings of schematic plans for development of gymnasium and College avenue school buildings" (1 & 4 - BB, CE, and SC) - showed "how the 1.035 acres of ground just west of the College avenue school which was purchased from Swarthmore College last spring might be utilized for the enlargement of the present building into a single school plant." "Fortnightly to Meet on Monday" (1 - AE and WO) - At Mrs. -
The AMICA News Bulletin Automatic Musical Instrument Collectors' Association
· , ". .'.":\(. '" h.~·._. The AMICA News Bulletin Automatic Musical Instrument Collectors' Association EDWIN WARD, Publisher 191 Riverview Drive (419) 849-2616 Woodville, Ohio 43469-9745 Published by the Automatic Musical Instrument Collectors' Association, a PUBLICATION DEADLINES FOR 1989 non-profit group devoted to the restoration, distribution and enjoyment of musical instruments using perforated paper music rolls, AMICA was For January/fubruary issue ................ .. December 15 founded in San Francisco in 1963. For March/April issue fubruary 15 For May/June issue. ......................... .. April 15 For July/August issue. ........................ .. June 15 For September/October issue. ................ .. August 15 For November/December issue. .............. .. October 15 CHAPTER OFFICERS FOUNDING CHAPTER IOWA Pres: Rob Thomas Pres: Rex Fritts Vice Pres: Bill Wherry Vice Pres: Leland Zimmerline Treas: Elmer & Lou Klein SecD"reas: Ed Pousch ADVERTISING Rep: Nadine Moto-Ross Reporter: Al Johnson Classified: W¢ per word, $3.00 minimum for members. Sec: Jack & Dianne Edwards Non-members may advertise at twice the above rate, $6.00 SOUTHERN CALIFORNIA BOSTON AREA minimum. Pres: Frank Nix Pres: Judy Welsh Vice Pres: Lloyd Osmundson Vice Pres: Michael Potash • See Bulletin Deadlines on this page. Payment must Sec/Rep: Shirley Nix Sec: Bill Koenigsberg accompany order. Make checks payable to: Treas: Ken Hodge Treas: Philip Konop AMICA INTERNATIONAL. Reporter: Donald Brown • Checks or money orders from advertisers in foreign coun TEXAS -
WILLIAM PERRY TOUJOURS PROVENCE Music for Stage and Screen
WILLIAM PERRY TOUJOURS PROVENCE Music for Stage and Screen Slovak Philharmonic Orchestra Paul Phillips, Conductor Michael Chertock, Piano William Perry (b. 1930) Toujours Provence: Music for Stage and Screen Toujours Provence: A Musical Guidebook Toujours Provence: A Musical Guidebook for for Orchestra and Piano (2018) 20:47 Orchestra and Piano 1 Part One: A Brief History 6:55 William Perry has been a frequent visitor to the Provence 2 Part Two: Lavender Fields and Vineyards 5:11 region of Southern France and has thoroughly embraced 3 Part Three: Café Terrace at Night 4:26 the history and culture of this most picturesque part of the world. Says Perry: ‘I had long considered writing a suite 4 Part Four: Market Day 4:11 about Provence, and it all came together with the 5 Fiona (2016) 4:13 encouragement of the late Peter Mayle (1939–2018), author of A Year in Provence, who kindly loaned me the title of his Wind in the Willows: Ballet Suite (2018) 34:32 sequel, Toujours Provence. His spirit inhabits every note.’ 6 Overture 4:00 Perry continues: ‘Musically, I describe the piece as being for 7 Mole’s Waltz 3:35 Orchestra and Piano. It’s not quite a concerto, but the piano 8 Gasoline Can-Can 2:49 does have a prominent role representing modern-day 9 Along the River (Pas de Deux) 4:01 Provence. The four movements are linked by a solo clarinet 0 Evil Weasel 2:31 who serves as our guide. I’ve incorporated some less usual symphonic instruments including an alto saxophone, a pair ! Toad’s Dance 2:30 of oboe d’amores (also playable on regular oboes) and a @ March of the Rabbits 3:44 long Provençal drum sometimes called a tambourin.’ # Wind in the Willows (Pas de Deux) 3:39 $ Weasel Gavotte 3:28 1 Part One: A Brief History % The Fight 1:34 The opening music marked From a Distant Past begins in ^ Finale 2:29 low strings and gradually works its way up through the woodwinds to a solo piano entrance and a ‘Welcome to & (2017) Swordplay! 5:06 Provence’ theme. -
7. Ročník Bulletin
7th J. N. Hummel INTErnaTIOnal PIANO Bratislava, 14.-20. november 2011 competition 7. medzinárodná K L AVÍ R N A sútaž J. N. Hummela Hlavný organizátor 7th J. N. Hummel INTErnaTIOnal PIANO Spoluorganizátori competition Bratislava 14th - 20th November 2011 BratislavaKonzervatórium 7. medzinárodná Generálny partner Petronius spol. s r.o. Nová Dubnica K L AVÍ R N A Mediálni partneri sútaž J. N. Hummela Bratislava, 14.-20. november 2011 7. medzinárodná Klavírna súťaž Johanna Nepomuka Hummela člen Svetovej federácie 7th J. N. Hummel medzinárodných hudobných súťaží International a Nadácie Alink-Argerich realizovaná s finančnou podporou Piano Competition Ministerstva kultúry Slovenskej republiky Pod záštitou Member of the World Federation ministra kultúry of International Music Competitions Slovenskej republiky and Organizátor Slovenská filharmónia Alink - Argerich Foundation Spoluorganizátori Supported by the Hudobná a tanečná fakulta VŠMU Ministry of Culture of the Slovak Republic Štátne konzervatórium Under the patronage of the Minister of Culture of the Slovak Republic Organizer Slovak Philharmonic Co-organizers Faculty of Music of the Academy of Music and Performing Arts State Conservatory Marian Marian Lapšanský Lapšanský Prezident súťaže The President of the Competition a generálny riaditeľ Slovenskej filharmónie and General Manager of the Slovak Philharmony V poradí siedma Medzinárodná klavírna súťaž J. N. Hummela otvá- ra svoje nezameniteľné krídlo, pod ktoré sa tak ako v minulých The 7th International Johann Nepomuk Hummel Piano Competition ročníkoch koncentruje mladý pianistický potenciál. Môže nás mi- is unfolding its unmistakable wing to embrace young pianistic po- mochodom tešiť, že tento potenciál tvorí s každým približujúcim sa tential as it has in the past. It gives us pleasure to welcome every ročníkom kvalitnejšia obsadenosť mladými umelcami. -
WILHELM STENHAMMAR Excelsior! Symphony No
WILHELM STENHAMMAR Excelsior! Symphony No. 2 Gothenburg Symphony Orchestra · Neeme Järvi STENHAMMAR, Wilhelm (1871–1927) 1 Excelsior! symphonic overture, Op.13 (1896) 12'10 Symphony No.2 in G minor, Op.34 (1911–15) 42'37 2 I. Allegro energico 11'02 3 II. Andante 9'02 4 III. Scherzo. Allegro, ma non troppo presto 7'13 5 IV. Finale. Sostenuto — Allegro vivace alla breve 14'18 TT: 55'52 Gothenburg Symphony Orchestra Neeme Järvi conductor 2 he two works on this record show completely different sides of the composer Wilhelm Stenhammar. The symphonic concert overture Excelsior! written Tin 1896 is one of his very first orchestral works, composed by an un - disciplined disciple of Wagner, while the Symphony in G minor from 1915 is much more precise in its articulation, both simple in utterance and formally perfect. After training in his native city of Stockholm, Stenhammar was often in Berlin in the 1890s. He studied the piano there with Heinrich Barth in 1892–93 and was later engaged as a soloist on several occasions. With Richard Strauss conducting he played, for instance, his own Piano Concerto in B flat minor. Stenhammar nat- ur ally came into contact with a great deal of Germanic music and himself composed mu sical dramas in a Wagnerian style and piano music using a Brahmsian palette. A boisterously youthful temperament pervades Excelsior! The main theme is intro duced Leidenschaftlich bewegt (impassioned) by the strings to the accompani - ment of insistent triplets from the woodwind. The secondary theme is presented first by the clarinet and then by flute and bassoon. -
Digital Concert Hall Programme 2018/2019 3
2 DIGITAL CONCERT HALL PROGRAMME 2018/2019 3 WELCOME TO THE DIGITAL CONCERT HALL The 2018/2019 season marks a very special Zubin Mehta. Another highlight is the return phase in the history of the Berliner Philhar- on two occasions of Sir Simon Rattle, and moniker. Following on from the end of the with several debuts, new artistic connections Simon Rattle era, it is characterised by look- will also be made. Among the top-class guest ing forward to a new beginning when Kirill soloists is the pianist Daniil Trifonov to name Petrenko takes up office as chief conductor. but one, the Berliner Philharmoniker’s current Although this is not due until the summer of Artist in Residence. 2019, exciting joint concerts are on the hori- zon, beginning with the season opening con- Another special feature of this season: cert which is dedicated to the core repertoire the 10th anniversary of the Digital Concert of the Berliner Philharmoniker: a Beethoven Hall. On 17 December 2008, this unprece- symphony and two symphonic poems by dented project went online, followed by a first Richard Strauss. In the Digital Concert Hall live broadcast on 6 January 2009. Since then, we are also showing a tour concert from Lu- around 50 live concerts have been shown cerne, a programme with works by Schoen- per season. The video archive now holds more berg and Tchaikovsky in the spring of 2019, than 500 concert recordings, from the and Kirill Petrenko appears at the helm of the present day back to the Karajan era. There National Youth Orchestra of Germany as well.