I FRANZ BERWALD's QUARTET for PIANO and WINDS
FRANZ BERWALD’S QUARTET FOR PIANO AND WINDS: ITS HISTORICAL, STYLISTIC, AND SOCIAL CONTEXT Document Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts in the Graduate School of The Ohio State University By Hild Breien Peersen, BME, MM ***** The Ohio State University 2005 Document Committee: Approved by Professor James M. Pyne, co-advisor ________________________ Professor Charles M. Atkinson, co-advisor ________________________ Professor Katherine Borst Jones Co-Advisors Graduate Program in Music i © Copyright by Hild Breien Peersen 2005 ii ABSTRACT The Quartet in Eb for Piano and Winds by Franz Berwald (1796-1868) was written during a period and in a country that is under-represented in the clarinet literature. Composed for the unusual ensemble of clarinet, horn, bassoon, and piano, the work was written in 1819 and premiered in 1821. The quartet is an attractive piece in its own right, and provides an opportunity to explore the artistic atmosphere in Stockholm in the early nineteenth century, particularly as it applies to wind playing. Research for this document has revealed that three prominent wind instrumentalists, Bernard Henrik Crusell, Frans Carl Preumayr, and Johann Michael Hirschfeld, were the inspiration for this work as well as for works by other composers at this time. The document also explores Swedish history from roughly the period 1771 – 1872, highlighting the reign of Gustav III (1771- 1792), with a special emphasis on its patronage of the arts. Franz Berwald is considered Sweden’s best Romantic composer, although he has not reached the stature of the other well-known Scandinavian Romantic composers Grieg, Sibelius, and Nielsen.
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