DOCSLIB.ORG

November,1973 (81 to 84) for Arrcrican (Ilandevsnell),B Randenburg Concerto N O

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

BRASSBAN tl -t- / ,"tF=; I ). --1..'/ )y' TOTIR BRIDGE,IONDO{ fssues46& 47 0fficialjournal of the North American Brass Band Association, Inc. Nov 9l & Feeg2 MississippiRiver took him to New Orleansand Bourbon Street,where he joined GeorgeGinard North American BrassBand andhis New Orleans Five. Bob wenton to Brass play with Al Hirt and PeteFountain and Band later performedon the LawrenceWelk ChampionshipsX 0nThe Road Again Showfor 22years. The Welk locationwas the west coast,where Havensalso per- By Ms. DebraPriest formed in movie soundtracks,television Columbus,0hio MRBB Solo Cornetist shows,recordings, and commercial jingles. April10 & 11, 1992 At theannual Quincy Riverfest, rhe MRB B The songOn TheRoad Again could well performedits own program,then featured All is almostready in Columbusand Dublin have been the themeof the Mississippi Bob Havenson threeshowstoppers, No- for youto attendthe North American Brass River BrassBand these past few months. bodyKnowsTluTrouble I See(I-angford), BandChampionshipsXtobe heldonApril On June 30, the band left its home in The Shadowof YourSmile (Wilby), and l0 and 11,1992.Hosts Dr. Drosteand the Quincy, Illinois, to perform at the Ma- Sevenry-Six Trombo ncs (WillsonTDuthoit). BrassBand of Columbushave planned a combHeritage Days in ldacomb,Illinois. completeand exciting weekend for you. TheMississippi River BrassBand contin- Within a week,the MRBB wasoff again, ued its busy schedulein Decemberwhen this time to Peoria,Illinois, for the Liber- Geoffrey Brand themembers journeyed o NorttreastMis- tyFest sponsoredby the CentralIllinois souriState University in Kirksville, Mis- The specialguest of the Championships Light Company.To honorAmerica's brave souri. At the school'sinvitation, the band will be GeoffreyBrand, famous conduc- youngmilitary menand women who served presenteda joint concertwittr the NMSU tor, author, adjudicator,educator, pub- in OperationDesert Storm, the bandpro- BrassChoir. Included in that progam lisher,composer, and arranger from Eng- grammedseveral pafiotic works,includ- were such favoritesas Trailblaze(Goff land. He will serveas a clinician,adjudi- ing Armed Forces Sa/zte (Bulla), God Richards),Jesu, Joy of Man's Desiring cator,and guest conductor. B less America (Berlin&ei dzen),TheStars (Bach&eidzen),Punchinel/o @immer), andStripes Forever (Sousa), Simple Gifis Pavane (Faure), and AppalachianFolk Adjudicators (TRichards),National (Bagley), Emblem SongSuite (Curnow). andWashingtonPost andEl Capitanby Judgingthe Championships will be Geofftey Sousa.Other nonpatriotic numbers round- Brandfrom London,England, Gordon E. ing out theLibertyFest program included McGowan from Halifax, Nova Scotia, F antasyO n B ritishS e a Son g s (Langford), Canada,and Captain ThomasE. Palmatier Slipstream(Sparke), and ttre Goff Richards All from The United States Army Band, favorite,Marching Through Geor gia. SalvationArmy Washington,Districtof Columbia, U.S.A. Wrappingup thesummer festivities was a BrassBand Officials rousingQuincy Riverfest performance with Music ChampionshipsX Coordinatorswill be trombonistand Quincy, Illinois, native ls Available! Bob Havens. Dr. PaulDroste and Dr. Jeff Keller. Havensbegan his careerby going on the Seepages9&10 Pleaseturn to page 19,column 1 road with Ralph Flanagan'sBand, which .}I/RBA Editor's Notes BrassBand News Officialquarterly journal of the North Thisdouble issue covers everything planned AmericanBrass Band Association, for bothIssues 46 and47. Given the reces- New England Inc. Foundedby J. PerryWatson in sion,the double issue saves considerable 1980. Usefulnews for British-style NABBA dollars. I havealso excluded BrassBand brassbands in NorthAmerica. The photographs,again to avoidcosts. viewsexpressed by contributors are By Julie Kennedy not necessarilythose of the North Clearly,we mustmake several changes to get AmericanBrass Band Association, four issues of TheBras s B andB r idge tn you eachyear. That Inc.Publication and advertising dead- subjectwill be ad- The New EnglandBrass Band is com- dressedat thenext linesare the 15thof January,April, NABBA Boardof Di- prisedof brassband enthusiasts, most of rectorsmeeting in April. I you July,and October. Copyright @ 1992 think can whom receivedtheir training and brass anticipate by NorthAmerican Brass Band As- additionaleditors for music,re- bandorientation in The SalvationArmy. cordings,band news, socation,Inc. All rightsreserved. and an advertising Somemembers are professional musicians manageras minimum. a The truthis that and/ormusic educators. Most of the par- the successand growth of theBridge has ticipantsare active in SalvationArmy bands ThomasA. Myerc,Editor causedit to be more than I can uncom- andattend local Army Corps,which serve The BrassBand Bridge fortably handle(and still stayemployed), astheir church homes. 156N. HighlandAvenue sowe will spreadtie wealthof thework to Akron,Ohio USA 4/803-1504 seeif thatimproves our performance while Althoughthe band does not functionas an Telephone216.867.7821 evenings maintainingquality. official SalvationArmy organization,none- Facsimi le 216.291.77 58 theless,it embracesa stronglove of Army The prepare computersystem used to the music. Thislove is foundedon andsuength- Bridge changesfrom IBM to Apple Macin- ened by the music's uplifting spiritual NABBAMEMBERSHIP DUES IIsi tosh with the nextissue. Hopefully, purposeand the bond of fellowshipand Individual ZO will permit $ that thenew special editors to personalexpression it affordsthe players. StudenVRetired 10 submit materialson microdisketteor MemberBand 50 computer-to-computer.The new combi- Theorganization, now in its fourthyear, is Corporate 100 nationshould speed production. Our ob- self-supportingand performs a repertoire Patron 500 jectiveis a superlativeBridge on time to of bothsecularand Salvation Army music. Leadership 1,000 youat a reasonablecosL. Theband maintains an annual calendar of activitythat suppors both Salvarion Army To join NABBA,please mail your The May issuewill featurethe results and andsecular events. name, number, storiesof ChampionshipsX and an in- address,telephone Theband rehearses twice per month and is instrument, name(if you depthdiscussion witfr Philip Sparke. andband's conductedby William L. Rollins, who playin plus member- one), annual Enjoy, holdsa Bachelorof Musicdegree in Music shipdues, - to Educationfrom the Universityof Cincin- natiCollege{onservalory of Music. Rollins David Dr. A. Pickett G_ is presentlypursuing a Masterof Music NABBAMembership Ghairman degreein choralconducting at the Boston 4418Blackstone Gourt Conservatoryof Music. He servesas the Bloomington,Indiana USA 47408 North American DivisionalMusic Directorfor The Salva- BrassBand tion Army MassachusettsDivision. GhampionshipsXl For audition,performance, or generalin- Moving? formationabout the New EnglandBrass April2 &3,1993 Band,please write to - h{r. Don Kittle, The BrassBand Bridge can in 30 TrapeloRoad, Belmont, MA 02178. not beforwarded because it Washington,DC is mailedthird class. So, be sureto mailtoDavid Pickett For information,please contact: you r oldand new addresses, CaptainThomas J. Palmatier or your copy of the Bridge The UnitedStates Army Band willbe discarded bythe U.S. P.O.Box 70565 you PostOffice, and will miss Washington, OC 20024-1374 the ne).tissues! { USA TheBrass Band Bridge Nov91&Feb92 The British ticipantsin the championshipssaid that At the rehearsal,we had the pleasureof without the competitions,tle brassband meetingRobert Mulholland, editor of Brass National movementin GreatBritainwould soon die Band World magazine.Mr. Mulholland out becausethe contestsare what keep wasvery interested to hearof theactivities BrassBand bandsactive and improving. of themany bands associated with NABBA. Therewas also greatinterestin theinnova- The day before the championshipssaw Championships tionsproposed by NABBA for ourupcom- bandsfrom all over Englanddescending ing champsionships:the use ofunscreened onLondon. Hotels and schools around the judges and providing a selectionof test By city rangwith ttresounds of bandsputting pieces.I wasstruck by theirony of NABBA thefinal toucheson theirtest piece. Henry GaptainThomas H. Palmatier perhapsin someway becominga leader andI wereinvited to attendrehearsals by for our brass band bretlren across tle NABBADirector and Conductorof two of thefavorites for the competition.I pond. The UnitedStates Army BrassBand visited the Desford Colliery Caterpillar Band underthe batonof JamesWatson. On the day of the championships,the A visit to the British NationalBrass Band From their openingchords I was struck magnificentRoyal Albert Hall was elec- with the combination raw power Championshipsis a once-in-a-lifetimeop- of and tric with excitementand tension. As I rich portunityfor anybrass band devotee. Our sonority. Evenmore notable was the slippedinto my seatin Boosey& Ilawkes' phenomenal possessed recent visit to London certainly fit that dynamicrange by box,I noticeda diligentlistener in a box to definition. I hadthe privilege of attending this fine band. Mr. Watson'sopen re- our left. The famedHarry Mortimer was hearsal,held Royal Academy performances, the championshipsalong with Sergeant at the of intentlyconcentrating on the First ClassHenry Sgrecci,cometist and Music,became something of a clinic and as he would throughoutthe day. revealedhis ability at diagnosingand fix- compereforThe United States Army Brass Unlike NABBA's practiceof permitting ing eventhe mostimperceptible flaws. It Band. bandsto presenta brief program,the Brit- wasobvious
Recommended publications
  • Brian Casserly, Who Also Goes by the Name "Big B" Plays Trumpet, Trombone and Is Also a Vocalist with the Band

    Brian Casserly, Who Also Goes by the Name "Big B" Plays Trumpet, Trombone and Is Also a Vocalist with the Band

    Cornet Chop Suey – Biographies The Cornet Chop Suey Jazz Band has enjoyed a meteoric rise in popularity since its arrival on the jazz scene in 2001. The band's unique front line with Brian Casserly on trumpet, Tom Tucker on cornet, Jerry Epperson on reeds and Brett Stamps on trombone is driven by a powerful rhythm section consisting of Paul Reid on piano, Al Sherman on bass and John Gillick on drums. Best known for a wide variety of styles, Cornet Chop Suey applies its own exciting style to traditional jazz, swing, blues and "big production" numbers. Every performance by Cornet Chop Suey is a high-energy presentation and is always a memorable experience for the audience. Named after a somewhat obscure Louis Armstrong composition, Cornet Chop Suey now has six CD's available. The "St. Louis Armstrong" CD includes many of the tunes performed in the special Louis Armstrong show. The band is in great demand at jazz festivals, jazz cruises, conventions and concerts around the country. Brian Casserly, who also goes by the name "Big B" plays trumpet, trombone and is also a vocalist with the band. A professional musician since the age of 14, Brian has played for many greats in the music business, including Tony Bennett,Tex Beneke, Stan Kenton, Chuck Berry and even Tiny Tim. He has also played the prestigious Monterey Pops Festival for several years. An in-demand session musician, Brian has performed in many commercials, recordings and musicals in the U.S. and Canada and is the past musical director for the S.S.
  • [Cost?] of Lessons. His Father Told Him He Played French 2 EDMOND SOUCHON, M.D

    [Cost?] of Lessons. His Father Told Him He Played French 2 EDMOND SOUCHON, M.D

    EDMOND SOUCHON, M.D. 1 I E of 3]\--Digest--Retyped February^17, 1962 Also present:William Russell Dr. Edmond Soucl-ion II, grandson of Edmond Souchon I, son of Marion Sims Souchon, was born October 25, 1897^ in New Orleans, s, on St. Charles Street at First Street. He can remember as far back as wl-ien he was four years old, as he pointed out in an article he recently wrote about xToe Oliver [in the Jazz Review.RBA]. Discussion about memory. His first memory of music was of the singing of two cooks, who followed [succeeded?-] each other at fhe Souchon residence; they were Aumontine [spelling?] and Adele; both had fine contralto voices, and both sang hymns in the same style of Mahalia Jackson. ES remembers funeral parades [i.e., funeral £ processions]7 the cook would take him to see them; they started at the Bulls Club and always passed Terrell's Grocery (wbere ES and cook jtoined second line) on First Street, on their way to a cemetery on Washington Avenue. ES was impressed by the young Joe Oliver, who played in those parades; ES says Oliver worked in the neiglrborhood, on Magazine at First or Third? WR says it was at Second, that he took pictures of all four corners there, that Bunk Johnson showed him one that it was not, but that Louis Keppard, who worked with Oliver in those days [identified the correct house?]. ES admired Oliver's white teeth; Oliver always chewed a hunk of tar. ES's mother played piano a little; once s1'ie played a waltz and a mazurka for liim and told him that was tTne sum total of $5,000 [cost?] of lessons.
  • Bob Havens Musicians “Parade of Bands”

    Bob Havens Musicians “Parade of Bands”

    Newsletter of the Sacramento Traditional Jazz Society STJS is a non-profit organization dedicated to the preservation and promotion of traditional jazz music. 106 K Street, Suite #1 • Sacramento, CA 95814 • (916) 444-2004 • www.sacjazz.org VOLUME 44 • NO. 7 AUGUST 2012 Ad rates ............................................................2 Dante Club – info/directions ........................2 Dante Club Notes The Cricket ....................8-10 Dave Robinson’s CFJB Letter to Editor .............4 Future Festivals ............................................12 In Loving Memory ..........................................6 In the Months Ahead .....................................2 Jazz Ed. Graduates Felicia Weatherly ..............4 Jazz Notes ......................................................12 Sept. 9: “Hot Tram Tooter & Membership application .............................16 Music Here & There .......................................13 Bubble Blower” Bob Havens Musicians “Parade of Bands” ......................11 Notes from the Office Vivian Abraham .........2 ob Havens, the great jazz trombon- It began in 1938 at the age of eight. Patron Members ............................................3 Bist, is known to his many loyal fans Trombone lessons started that year. I President’s Message Tom Duff .......................3 from his appearances at jazz festivals, listened intently at home to recorded Raffle Cents Kathy Becker .............................12 STJS Fundraiser on Sept. 28 .........................5 and from his 22 years on the Lawrence music: Swing bands, Dixieland, sym- Sponsorships needed Ken McMurray .............7 Welk Show. Now, he has taken time phonic, you name it. My heros then Thankful for Volunteers ...............................6 to write a personal message to STJS were Tommy Dorsey and Jack Tea- members for whom he will perform at garden—all the while feeding an urge “Jazz Sunday” info ➤ pg. 2 the Sept. 9 Jazz Sunday. This will be a to become a master trombonist such rare appearance for Bob these days, so as they were.
  • 1 TROMBONE EMBOUCHURE TYPE SELF-ASSESSMENT by DANIEL K

    1 TROMBONE EMBOUCHURE TYPE SELF-ASSESSMENT by DANIEL K

    TROMBONE EMBOUCHURE TYPE SELF-ASSESSMENT Daniel Twentey TMUS 8249 Pedagogy Practicum TROMBONE EMBOUCHURE TYPE SELF-ASSESSMENT by DANIEL K. TWENTEY B.A., Virginia Polytechnic Institute and State University, 2010 M.A., Pennsylvania State University, 2012 A dissertation project submitted to the University of Colorado Boulder in partial fulfillment of the requirements for the degree of Doctor of Musical Arts College of Music 2020 Committee Members: Dr. William Stanley Dr. David Rickels Dr. Ryan Gardner Prof. Michael Dunn Dr. Donald McKinney 1 TROMBONE EMBOUCHURE TYPE SELF-ASSESSMENT Daniel Twentey TMUS 8249 Pedagogy Practicum ABSTRACT Twentey, Daniel K. (DMA, Music) Trombone Embouchure Type Self-Assessment Thesis directed by Dr. William Stanley The focus of this study is to create a self-assessment tool with which the user may identify their own embouchure type. The assessment criteria and embouchure types are derived from the embouchure pedagogy of Donald Reinhardt as revised and clarified by Doug Elliott and David Wilken. Three possible embouchure types include Very High Placement, Medium High Placement, and Low Placement. This study utilizes audio/video recordings, user-recorded musical examples, pre-recorded musical examples, self-observation analysis questions, external observation questions, and comparative analysis questions for assessment. The resulting study complements my other dissertation study, Selected Published Literature Concerning Trombone Embouchure: An Evaluation and Reference (2020), which provides accessible information about embouchure-related content in trombone pedagogical literature. In conjunction, these two studies allow trombonists and teachers to filter the reviewed texts according to their compatibility with each of the specified embouchure types. 2 TROMBONE EMBOUCHURE TYPE SELF-ASSESSMENT Daniel Twentey TMUS 8249 Pedagogy Practicum Outline of Assessment Contents I.
  • Recorded Jazz in the 20Th Century

    Recorded Jazz in the 20Th Century

    Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana
  • Staff Writer

    Staff Writer

    Page 2 Commentary Dear Editor: Dear Editor, Dear Editor, I would like to comment In a letter to coOege stu­ It has come to my concerning a letter that recently dents, Congressman Bob Wise tion that Todd Longanacre appeared in your paper making attacked the "cuts" in the student graduating from Glenville Sta allegations against the library. loan programs. It is disturbing College and will no longer t Home --Finding my way back First, I felt that the accusations to know that he would use such writing his "In My Opinion" fc: When I was young, I remember my being puzzled over were obviously made by some­ irresponsible rhetoric to scare The Mercury. This is a dev~ tating loss! Never again will some words that I found in a book--YOII can never go home again. one who was privy to specific students. The truth is there are 1 reminisced the strangeness of this all. After all, it seemed a rather infonnation. no "cuts." be outraged by his "right- . simple task. Later, I carne to realize that the writer was not speak­ Secondly, I believe that The current proposal does extremist" conservative dogrm ing about a physical home but was instead speaking ofthose intan­ this is infonnation that should not end the student loan pro­ Never again will I engage i gible elements that make up a home. They are the love and the be shared with the patrons since grams, limit any student's abil­ hours of spirited debate with m spirit, the conditions and those things we touch and sense that are it directly has an effect on them ity to receive a loan, or force friends, as we dissect his a not destined to remain.
  • Here at the Beginning

    Here at the Beginning

    Dixieland Monterey Presents SCHEDULE & VENUE MAP MONTEREY, CALIFORNIA INSIDE 1 Bands 4th Street Five Jazz Band Cow Bop 20th Century Jazz Band Cornet Chop Suey Gremoli Monterey Bay Classic Specs 101st Army Dixieland Band Cocuzzi All-Star Quintet G-Whiz Boogie Band Jass Band Spirit of ‘29 Allan Vaché’s Big Four Cocuzzi/Vaché Swing All-Stars Hal’s Angels Natural Gas Jazz Band State Street with Marsha K Au Brothers Jazz Band Commander’s Jazz Ensemble Hangtown Jazz Band New Reformation Band Steve Lucky & the Rhumba Avalon Swing Crescent Katz High Sierra Jazz Band Night Blooming Jazzmen Bums Banjo Buddies Dixieland Band Crazy Rhythm Hogin’s Heroes Nuclear Whales Saxophone Stumptown Jazz Band Barehanded Wolfchokers Creole Jazz Kings Holland-Coots Jazz Quintet Orchestra Sweet Thursday Jazz Band Barnhart-Midiri Quartet Creole Syncopators Holy Crow Old Friends Swinging Gate Jazz Band Beale Street Jazz Band Crown Syncopators Hot Cotton Jazz Band Olive Street Stompers Swing City! BED Ragtime Trio Hot Frogs Jumping Jazz Band Original Wildcat Jass Band Swing Design Beverly Hills Unlisted Custer’s Last Band Howard Alden Trio Pacific Brass Taking Stock with Jackson Big Mama Sue & Friends Desert City Six Igor’s Jazz Cowboys Parlor Jam Tenth Avenue Jazz Band Big Tiny Little Desolation Jazz Ensemble Illuminati Pat Yankee & Her Gentlemen Titan Hot Seven Bill Allred’s Classic Jazz Band Devil Mountain Jazz Band The International Sextet of Jazz Titanic Jazz Band Black Diamond Jazz Band Dick Johnson’s Mardi Gras Ivory&Gold® Pieter Meijers Quartet Tom Rigney & Flambeau Black Dog Jazz Band Jazz Band Jake Stock & the Abalone Polly’s Hot Paupers Tom Saunders’ Midwest Black Swan Classic Jazz Band Dixieland Express Stompers Port City Jazz Band All-Stars Blue Street Jazz Band Dixieland Inc.
  • Post.Contest Issue 2Oo2

    Post.Contest Issue 2Oo2

    OffcialJoumalof the Nortr AmericanBrass Band Association, Inc. June2002lssue 88 POST.CONTESTISSUE 2OO2 www.nabba,org Insidethis issue. President'sPodium VirtuosoBrass BrassBand News PercussionXX BrassBand Programs TwentyYears of NABBA NABBAXX in Cincinnati BBCand IBB Make NABBA History BrassBand Recordings Colin W. Holman,Editor The BrassBand Bridge President'sPodium 31Joseph Lane byAnitaCocker Hunt. ............5 GlendaleHeights, lL 60139 BrassBa,''tdNews Telepho ne (630) 665-42 1 3 submittedbyourreaders.........-................................. 5 E-.rl'ail colin.w.hol n an@Ju no.com VirluosoBrass submrttedbyDavid 8uck|ey . .... ..........................O RonaldW. Holz BrcssBand Pragrams New Recording/Book Revi€wer submittedbyourreaders................ ........................ I AsburyCollege IVlusic Department NABBAXX in Cincinnali Wilmore,KY 40390 submittedbyourreviewers................................14 Telephone(859) 858-351 I, Ex1.2246 Fax(859) 858-3921 Roleof Honor:Twenty Years of NABBACompetitions E-mail ronald. holz @ asb u ry edu fromthearchives....... .............29 NewMusic: NABBA Reading Band Session 2002 Ralph P. Hotz submittedbyRonald W. Holz........................ ..........32 Adv6rtising ll/lanager PercussionXX 1181Birch St submittedbyThomas Myers........... ....................... 37 Broomfield,CO 80020 BrassBand Recordings Telephon6(303 ) 464'8640 reviewedby Ronald W. Holz........................ ............40 E-mail tenorh a rn salo@aol. ca m NABBABoard ot DirectorsNominalion Form isyourbandrepresented?........................................
  • IN CONCERT! : a Conductor's Handbook for a Spring Concert

    IN CONCERT! : a Conductor's Handbook for a Spring Concert

    Messiah University Mosaic Conducting Student Scholarship Music conducting Fall 2014 (Your Band Name Here) IN CONCERT! : a conductor's handbook for a spring concert Richard Kane Messiah College Follow this and additional works at: https://mosaic.messiah.edu/conduct_st Part of the Music Commons Permanent URL: https://mosaic.messiah.edu/conduct_st/7 Recommended Citation Kane, Richard, "(Your Band Name Here) IN CONCERT! : a conductor's handbook for a spring concert" (2014). Conducting Student Scholarship. 7. https://mosaic.messiah.edu/conduct_st/7 Sharpening Intellect | Deepening Christian Faith | Inspiring Action Messiah University is a Christian university of the liberal and applied arts and sciences. Our mission is to educate men and women toward maturity of intellect, character and Christian faith in preparation for lives of service, leadership and reconciliation in church and society. www.Messiah.edu One University Ave. | Mechanicsburg PA 17055 (Your Band Name Here] IN CONCERT! A ConductorsHandbook for a SpringConcert By \ Richard Kane Advanced Conducting Project MUAPS04 December 20, 2014 CONTENTS Ca/op ..................................................................... .Dmitri Shostakovich 1 Cod of Our Fathers ....................................................... Claude T. Smith 7 Flourish for Wind Band. .................................... Ralph Vaughan Williams 15 First Suite in E-flat for Military Band.· I. Chaconne ....................... Gustav Holst 20 Salvation is Created.............................................. ..
  • British-Style Brass Bands in U.S. Colleges and Universities

    British-Style Brass Bands in U.S. Colleges and Universities

    BRITISH'STYLE+BRASS+BANDS+IN+U.S.+COLLEGES+AND+UNIVERSITIES+ Mark+Amdahl+Taylor+ + + + Dissertation+Prepared+For+the+DeGree+of+ DOCTOR+OF+MUSICAL+ARTS+ + + + + UNIVERSITY+OF+NORTH+TEXAS+ December+2016+ + + + APPROVED:+ Eugene+Migliaro+Corporon,+Major+Professor+ Dennis+W.+Fisher,+Committee+Member+ Warren+Henry,+Committee+Member+ Benjamin+Brand,+Director+of+Graduate+ Studies+of+the+College+of+Music+ John+Richmond,+Dean+of+the+College+of+ Music+ Victor+Prybutok,+Vice+Provost+of+the+ Toulouse+Graduate+School+ + Taylor, Mark Amdahl. British-Style Brass Bands in U.S. Colleges and Universities. Doctor of Musical Arts (Performance), December 2016, 178 pp, 16 tables, 2 figures, references, 55 titles. Since the 1980s, British-style brass bands – community ensembles modeled after the all-brass and percussion bands of Great Britain – have enjoyed a modest regeneration in the United States. The purpose of this research study was: to discover which schools sponsor brass bands currently; to discover which schools formerly sponsored a brass band but have since discontinued it; to describe the operational practices of collegiate brass bands in the U.S.; and to determine what collegiate brass band conductors perceive to be the challenges and benefits of brass band in the curriculum. Data for the study were collected between February, 2015 and February, 2016 using four custom survey instruments distributed to conductors of college and university brass bands. The results showed that 11 American collegiate institutions were sponsoring a brass band during the period of data collection. Results also included the conductors’ reported perceptions that both challenges and benefits are inherent in student brass band participation, and that brass band is a positive experience for students.
  • Ii H. Ragtime – the Dave Willmorth/Maple Leaf Club Archive

    Ii H. Ragtime – the Dave Willmorth/Maple Leaf Club Archive

    II H. RAGTIME – THE DAVE WILLMORTH/MAPLE LEAF CLUB ARCHIVE It is seldom that a single musical archive could be described as “definitive,” but this collection of musical materials devoted to, and documenting, the rediscovery, re- examination, and renewal of classic American ragtime in the period of roughly the 1960s to the 1990s is a monument to the enthusiasm and sustained interest of a group of researchers, including Dave Willmorth, associated with the Maple Leaf Club of Los Angeles. The archive, consisting of more than 800 cassettes and nearly 300 reel to reel tapes, includes examples of the playing of younger ragtime performers, as well as performances by the older generation of performers and interpreters. There is extensive presentation of the music of the last surviving major ragtime composer, Joseph Lamb, as well as newly composed rags by dozens of writers, from obscure beginners to established classical artists like William Bolcom. To extend the range of the material there are examples of earlier related recordings by jazz artists like Jelly Roll Morton. The archive is an incomparable resource for anyone interested not only in ragtime, but in American popular culture itself. A partial list of artists represented: Joseph Lamb, Eubie Blake, James P. Johnson, Fats Waller, Earl Hines, Jimmy Yancey, Albert Ammons, Meade Lux Lewis, Itzak Perlman, Andre Previn, Jean Pierre Rampal, William Bolcomb, Brun Campbell, Trebor Tichenor, David Thomas Roberts, John Arpin, Max Morath, Knocky Parker, Bob Darch, Frank French, Joshua Rifkin, John Arpin. Also in the archive are recordings of most of the major ragtime festivals in the 1970s to 1990s, including the major festival at Sedalia, Missouri, and the important Toronto festival.
  • The Brass Music of Gwyneth Walker: an Overview

    The Brass Music of Gwyneth Walker: an Overview

    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Student Research, Creative Activity, and Performance - School of Music Music, School of Summer 7-31-2020 The Brass Music of Gwyneth Walker: An Overview Kevin Madden University of Nebraska - Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/musicstudent Part of the Music Commons Madden, Kevin, "The Brass Music of Gwyneth Walker: An Overview" (2020). Student Research, Creative Activity, and Performance - School of Music. 143. https://digitalcommons.unl.edu/musicstudent/143 This Article is brought to you for free and open access by the Music, School of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Student Research, Creative Activity, and Performance - School of Music by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. THE BRASS MUSIC OF GWYETH WALKER: AN OVERVIEW By Kevin P. Madden A DOCTORAL DOCUMENT Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Doctor of Musical Arts Major: Music Specialization: Tuba Under the Supervision of Professor Scott Anderson Lincoln, Nebraska July 2020 ABSTRACT THE BRASS MUSIC OF GWYETH WALKER: AN OVERVIEW Kevin P. Madden, D.M.A. University of Nebraska, 2020 Advisor: Scott Anderson Gwyneth Walker (b.1947) is an American composer known primarily for her choral music. Dr. Walker’s catalog contains over 350 works for all types of ensembles. Research exists about Dr. Walker’s music. It is in the form of reviews, notes, and journal articles. There have been three major research papers on her music.