DOCSLIB.ORG

Staff Writer

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Staff Writer Page 2 Commentary Dear Editor: Dear Editor, Dear Editor, I would like to comment In a letter to coOege stu­ It has come to my concerning a letter that recently dents, Congressman Bob Wise tion that Todd Longanacre appeared in your paper making attacked the "cuts" in the student graduating from Glenville Sta allegations against the library. loan programs. It is disturbing College and will no longer t Home --Finding my way back First, I felt that the accusations to know that he would use such writing his "In My Opinion" fc: When I was young, I remember my being puzzled over were obviously made by some­ irresponsible rhetoric to scare The Mercury. This is a dev~ tating loss! Never again will some words that I found in a book--YOII can never go home again. one who was privy to specific students. The truth is there are 1 reminisced the strangeness of this all. After all, it seemed a rather infonnation. no "cuts." be outraged by his "right- . simple task. Later, I carne to realize that the writer was not speak­ Secondly, I believe that The current proposal does extremist" conservative dogrm ing about a physical home but was instead speaking ofthose intan­ this is infonnation that should not end the student loan pro­ Never again will I engage i gible elements that make up a home. They are the love and the be shared with the patrons since grams, limit any student's abil­ hours of spirited debate with m spirit, the conditions and those things we touch and sense that are it directly has an effect on them ity to receive a loan, or force friends, as we dissect his a not destined to remain. These conditions and feelings are subject to and therefore, was justly pub­ anyone to quit school because ments and render them into i change with the passing of time and experience. Often they change lished; however, I do believe that they cannot afford their loan. bitty pieces that salve our Ii our perspectives and beliefs scattering them about just as the wind it was unfair for the writer to Total funding for student loans eral guilt. Never again will I g scatters the pollen of the flowers . As unpredictable as a ship with­ have their name withheld. This will increase from $25 billion in to say, "Oh, come on!" out sails and as unavoidable as time itself, we accept this as inevi­ caused a doubt in the minds of 1995 to $36 billion in 2002. Dam. I really do wish Todd th table. some such as myself of the va­ More loans will be available At an early age, I left my youth. I left my classmates and 1 lidity of the letter verses the next year than ever before, ris­ best. He has brightened many 0 Icft my plans of furthering my education. I became deeply em­ anger or vindictiveness of the ing 6.6 million loans in 1995 to my days by creating somt barked in the life-style of a domestic and declined myself to live it writer. 7.1 million in 1996. Students incrdible conversations. whole hearted By age 23 , I had three children and could not look Of course, my first reac­ will benefit from the scheduled He lists many ofthe name: beyond the livelihood of my little family. tion was , "Why would a person interest rate reduction for new people have called him durin! Well, several years later and a few children more, the idea of who is apparently tenured not loans effective July 1998. Any his time at The Mercury in thi! week's issue. Good luck, Todd seeking a higher education was simply a dream. However, a good openly speak out?" Then, I real­ undergraduate who borrows We also said you were ~ friend who remembered my dream carne to me and encouraged me ized that Freedom of Speech is $17, 125 over four years will homophobe. to pursue it. For every obstacle that I encountered, she helped me currently an Issue here at GSC. save $549; one who borrows the in finding solutions. Lastly, I would like to add $46,000 maximum will save Terry L. Estep Now, here I stand at the threshold of that dream and a few as a patron myself, I have been $2,144. It contains no changes more. It secms so unbelievable that I often am my biggest doubter. fully satisfied with the wonder­ affect~PLUS loan interest rate I did return to try and capture something that I had left a long time ful service the library ha~ . I es­ for parents. Every author really ago. While this was not the classmates or the era that I had de­ pecially appreciate Jane, Ja­ I would suggest Bob Wise wants to have letters printed parted from several years ago, I discovered new friendships, new net, Prim, Mr. Tubesing, Lois, refresh his knowledge of basic Mark, Mr. Grafton--gosh, all of math. More is not less. We can't in the papers. Unable to ideas, and learned that age, time, and space are without boundary. make the grade, he drops Words cannot express nor can they act as a requital for what my them! I admit that materials are balance the budget unless our often hard to track, but for the elected officials know the differ­ down a rung of the ladder days at GSC have meant to me. How can one sum of something of and writes novels. such magnitude? My journey has not only brought me to obtaining most, I have been satisfied. My ence. ·P. G. Wodehouse the higher education which was oncc a drcarn I thought could not biggest problem is--who s~ts Alice Click be brought baek, but it bas been a passage to my finding an iden­ your clocks? tity and the person I thought had been abandoned. C.A. Dodger Perhaps, we can never go home again to youth and inno­ Charleston, WV cence. These fleeting elements are unconquerable by mere mortals. The Mercury Staff, Vol. 67 They stand like mystical icons before us. But maybe, not they, but Managing Editor-Sandra Gibson wisdom instead is the greatest virtue of all for it is continual and Assignments Editor-Jeremy Dean Mercury Photo Requests Copy EdItor-Jenifer Frame steadfast in the never ending flow of time. Maybe this new place Layout Editor-April Rector where it has brought me runs so deeply in my veins bocause it is in The Mercury Photogra­ Photo Edltor-Oene Breza a sense home. I thank all of you who have given me the opportu­ phy staff asks Glenville StaLe Pbotograpby-Chad Samples, Carl Wilson nity to fulfill my dream and to never say never. My memories at College faculty and organizations Ad Manager-Roger Carpenter Ad Designer-Patricia Drake GSC will always remain cherished. Lo wriLe requests for photographs one week in advance. This is in Typing-Patricia Drake, Terry Estep, Vickie Schultz order to schedule a session. Also Sports Editor-Kevin Lake Sports-Munir Ingram We welcome letters to the editor and opinioned commentary, so photographs will be sold by the Arb IUId Entertalmnent-Teresa Clark long as the letter does not discriminate on the basis of sex age race Mercury office. The prices will Staff Reporten-Lisa Belknap, Jena Ellyson, religion, or creed or is not libelous or slanderous without tru'th 0; accu~ beS2foran8xlO,S1.50fora5x7 Amy Jo Rowan, Eric Ware racy. If duplicate letters are received on a topic, it is possible that your andSI fora 3 l12x5. Thank you. Movie Critic-Kenny Wilkins letter or column may not make a publication date, or may be shortened, Book Review-Terry Estep due to limited space. The Mercury editorial staff reserves the right not to Gene Breza, Photo EdiLor Cohmmists-Lisa BcIknap, John Clise, Jeremy Dean, publish questionable, offensive, unethical or libelous material which could Todd Longanacre be rendered illegal by Associated Press and National Student Newspaper The Mercury is published weekly Staff Artist-Kurt Williams guidelines (New York Times Co. v. SuUivan, 376 U.S. 254; Curtis Pub­ during the school year, except for Distribution-Julie Minigh, Chup Robinson lishing v. Butts, AP v. Walker, 388 U.S. 130, Milkovich v. Lorain Journal holidays and final exams, with two Co., 497 U.S. 1). AU letters and opinions must be addressed to the edito­ summer session issues. Second Class rial staff or to an editor, typewritten, signed, double-spaced and include a Postage paid atGlenville, WV 26351 . telephone number (work or home). The Mercury cannot, by law, print POSTMASTER: Send address The Mercury is published weekly during the sc:hooI year, except for bo1idays letters addressed to other parties Than Managing Editors reserve the right changes (PS FORM 3579) to: The and final exams, with two summer session issue!. Socond Class Postage paid at to edit letters for legal and ethical guidelines, style, grammar, space con­ Mercury, Glenville State College, 200 Glenville, WV 26351. POSTMASTER: Send addresschanges (PS FORM 3S79) straints and punctuation. The editors also reserve the right to postpone an High Street, Glenville, WV 26351. to: The Mercury, Glenville State College, 200 High Street, Glenville, WV editorial's run, or not to run it at aU. Subscription rate is $10 per year. 26351 . Subscription rate is $10 per year. -It! ~I: ,." , fl·lit.tJl:i·'lt,lll' ~!". \ . ~ JI~fl~II:ltllII1~lilttllili «~f~fr[I!{trIIJ:'f{fi!I __ _ "I il&-l hi· --·f rla • Hi JIJ' t-,a. rtl~l . 8 . g. 1 t III -- r f Ii 8.
Load more

Recommended publications
  • Recorded Jazz in the 20Th Century
    Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana
    [Show full text]
  • Post.Contest Issue 2Oo2
    OffcialJoumalof the Nortr AmericanBrass Band Association, Inc. June2002lssue 88 POST.CONTESTISSUE 2OO2 www.nabba,org Insidethis issue. President'sPodium VirtuosoBrass BrassBand News PercussionXX BrassBand Programs TwentyYears of NABBA NABBAXX in Cincinnati BBCand IBB Make NABBA History BrassBand Recordings Colin W. Holman,Editor The BrassBand Bridge President'sPodium 31Joseph Lane byAnitaCocker Hunt. ............5 GlendaleHeights, lL 60139 BrassBa,''tdNews Telepho ne (630) 665-42 1 3 submittedbyourreaders.........-................................. 5 E-.rl'ail colin.w.hol n an@Ju no.com VirluosoBrass submrttedbyDavid 8uck|ey . .... ..........................O RonaldW. Holz BrcssBand Pragrams New Recording/Book Revi€wer submittedbyourreaders................ ........................ I AsburyCollege IVlusic Department NABBAXX in Cincinnali Wilmore,KY 40390 submittedbyourreviewers................................14 Telephone(859) 858-351 I, Ex1.2246 Fax(859) 858-3921 Roleof Honor:Twenty Years of NABBACompetitions E-mail ronald. holz @ asb u ry edu fromthearchives....... .............29 NewMusic: NABBA Reading Band Session 2002 Ralph P. Hotz submittedbyRonald W. Holz........................ ..........32 Adv6rtising ll/lanager PercussionXX 1181Birch St submittedbyThomas Myers........... ....................... 37 Broomfield,CO 80020 BrassBand Recordings Telephon6(303 ) 464'8640 reviewedby Ronald W. Holz........................ ............40 E-mail tenorh a rn salo@aol. ca m NABBABoard ot DirectorsNominalion Form isyourbandrepresented?........................................
    [Show full text]
  • IN CONCERT! : a Conductor's Handbook for a Spring Concert
    Messiah University Mosaic Conducting Student Scholarship Music conducting Fall 2014 (Your Band Name Here) IN CONCERT! : a conductor's handbook for a spring concert Richard Kane Messiah College Follow this and additional works at: https://mosaic.messiah.edu/conduct_st Part of the Music Commons Permanent URL: https://mosaic.messiah.edu/conduct_st/7 Recommended Citation Kane, Richard, "(Your Band Name Here) IN CONCERT! : a conductor's handbook for a spring concert" (2014). Conducting Student Scholarship. 7. https://mosaic.messiah.edu/conduct_st/7 Sharpening Intellect | Deepening Christian Faith | Inspiring Action Messiah University is a Christian university of the liberal and applied arts and sciences. Our mission is to educate men and women toward maturity of intellect, character and Christian faith in preparation for lives of service, leadership and reconciliation in church and society. www.Messiah.edu One University Ave. | Mechanicsburg PA 17055 (Your Band Name Here] IN CONCERT! A ConductorsHandbook for a SpringConcert By \ Richard Kane Advanced Conducting Project MUAPS04 December 20, 2014 CONTENTS Ca/op ..................................................................... .Dmitri Shostakovich 1 Cod of Our Fathers ....................................................... Claude T. Smith 7 Flourish for Wind Band. .................................... Ralph Vaughan Williams 15 First Suite in E-flat for Military Band.· I. Chaconne ....................... Gustav Holst 20 Salvation is Created.............................................. ..
    [Show full text]
  • British-Style Brass Bands in U.S. Colleges and Universities
    BRITISH'STYLE+BRASS+BANDS+IN+U.S.+COLLEGES+AND+UNIVERSITIES+ Mark+Amdahl+Taylor+ + + + Dissertation+Prepared+For+the+DeGree+of+ DOCTOR+OF+MUSICAL+ARTS+ + + + + UNIVERSITY+OF+NORTH+TEXAS+ December+2016+ + + + APPROVED:+ Eugene+Migliaro+Corporon,+Major+Professor+ Dennis+W.+Fisher,+Committee+Member+ Warren+Henry,+Committee+Member+ Benjamin+Brand,+Director+of+Graduate+ Studies+of+the+College+of+Music+ John+Richmond,+Dean+of+the+College+of+ Music+ Victor+Prybutok,+Vice+Provost+of+the+ Toulouse+Graduate+School+ + Taylor, Mark Amdahl. British-Style Brass Bands in U.S. Colleges and Universities. Doctor of Musical Arts (Performance), December 2016, 178 pp, 16 tables, 2 figures, references, 55 titles. Since the 1980s, British-style brass bands – community ensembles modeled after the all-brass and percussion bands of Great Britain – have enjoyed a modest regeneration in the United States. The purpose of this research study was: to discover which schools sponsor brass bands currently; to discover which schools formerly sponsored a brass band but have since discontinued it; to describe the operational practices of collegiate brass bands in the U.S.; and to determine what collegiate brass band conductors perceive to be the challenges and benefits of brass band in the curriculum. Data for the study were collected between February, 2015 and February, 2016 using four custom survey instruments distributed to conductors of college and university brass bands. The results showed that 11 American collegiate institutions were sponsoring a brass band during the period of data collection. Results also included the conductors’ reported perceptions that both challenges and benefits are inherent in student brass band participation, and that brass band is a positive experience for students.
    [Show full text]
  • November,1973 (81 to 84) for Arrcrican (Ilandevsnell),B Randenburg Concerto N O
    BRASSBAN tl -t- / ,"tF=; I ). --1..'/ )y' TOTIR BRIDGE,IONDO{ fssues46& 47 0fficialjournal of the North American Brass Band Association, Inc. Nov 9l & Feeg2 MississippiRiver took him to New Orleansand Bourbon Street,where he joined GeorgeGinard North American BrassBand andhis New Orleans Five. Bob wenton to Brass play with Al Hirt and PeteFountain and Band later performedon the LawrenceWelk ChampionshipsX 0nThe Road Again Showfor 22years. The Welk locationwas the west coast,where Havensalso per- By Ms. DebraPriest formed in movie soundtracks,television Columbus,0hio MRBB Solo Cornetist shows,recordings, and commercial jingles. April10 & 11, 1992 At theannual Quincy Riverfest, rhe MRB B The songOn TheRoad Again could well performedits own program,then featured All is almostready in Columbusand Dublin have been the themeof the Mississippi Bob Havenson threeshowstoppers, No- for youto attendthe North American Brass River BrassBand these past few months. bodyKnowsTluTrouble I See(I-angford), BandChampionshipsXtobe heldonApril On June 30, the band left its home in The Shadowof YourSmile (Wilby), and l0 and 11,1992.Hosts Dr. Drosteand the Quincy, Illinois, to perform at the Ma- Sevenry-Six Trombo ncs (WillsonTDuthoit). BrassBand of Columbushave planned a combHeritage Days in ldacomb,Illinois. completeand exciting weekend for you. TheMississippi River BrassBand contin- Within a week,the MRBB wasoff again, ued its busy schedulein Decemberwhen this time to Peoria,Illinois, for the Liber- Geoffrey Brand themembers journeyed o NorttreastMis- tyFest sponsoredby the CentralIllinois souriState University in Kirksville, Mis- The specialguest of the Championships Light Company.To honorAmerica's brave souri. At the school'sinvitation, the band will be GeoffreyBrand, famous conduc- youngmilitary menand women who served presenteda joint concertwittr the NMSU tor, author, adjudicator,educator, pub- in OperationDesert Storm, the bandpro- BrassChoir.
    [Show full text]
  • The Brass Music of Gwyneth Walker: an Overview
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Student Research, Creative Activity, and Performance - School of Music Music, School of Summer 7-31-2020 The Brass Music of Gwyneth Walker: An Overview Kevin Madden University of Nebraska - Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/musicstudent Part of the Music Commons Madden, Kevin, "The Brass Music of Gwyneth Walker: An Overview" (2020). Student Research, Creative Activity, and Performance - School of Music. 143. https://digitalcommons.unl.edu/musicstudent/143 This Article is brought to you for free and open access by the Music, School of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Student Research, Creative Activity, and Performance - School of Music by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. THE BRASS MUSIC OF GWYETH WALKER: AN OVERVIEW By Kevin P. Madden A DOCTORAL DOCUMENT Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Doctor of Musical Arts Major: Music Specialization: Tuba Under the Supervision of Professor Scott Anderson Lincoln, Nebraska July 2020 ABSTRACT THE BRASS MUSIC OF GWYETH WALKER: AN OVERVIEW Kevin P. Madden, D.M.A. University of Nebraska, 2020 Advisor: Scott Anderson Gwyneth Walker (b.1947) is an American composer known primarily for her choral music. Dr. Walker’s catalog contains over 350 works for all types of ensembles. Research exists about Dr. Walker’s music. It is in the form of reviews, notes, and journal articles. There have been three major research papers on her music.
    [Show full text]
  • Bandsman.Com
    www.britishbandsman.com Issue no. 5589 – 28 November 2009 Bramwell Tovey a true maestro Price £1.25 Foden’s and Les Neish recordings honoured in BB’s annual awards BB 1.indd 1 25-11-2009 12:45:30 " " " !" "" """ " "" " " "" " """ " )!$!)!#)"!) & !) )&)!))" ))$!)!)$& ! ') ) !")&"))%))")! )))) )& "!)!)! )$)#)!)))!)!)!))))#) !") )!))!)!)$)) !) () & !) )"#) !)" )!)&" ")!))) )&) BB 2-3.indd 2 25-11-2009 12:38:51 NEWS ABBA re-opens ‘Meadgate’ debate Spring Festival to continue at Having apparently closed the door on any future meetings over the matter Blackpool despite sponsorship loss (as reported in BB 5586), the Association of Brass Band Adjudicators (ABBA) In announcing the test-pieces for the 2010 Spring Festival, to be held at has re-ignited the recent debate over standards in adjudication with an Blackpool’s Winter Gardens on 15 May, the organisers, Martin and Karyn attack on Steven Mead. In a press release entitled ‘Mythical Meetings’, Mortimer, advised of the withdrawal of sponsorship from Leisure Parcs, ABBA Secretary, C. Brian Buckley begins: ‘As Secretary of ABBA, I am at a which has supported the event since it moved to the Lancashire town. It loss to understand why Steven Mead continues to assert that a meeting is understood that this was a result of the loss of grants from Blackpool had been agreed between himself and ABBA. As far as I am aware, I am the City Council to Leisure Parcs and the Winter Gardens. only member of the Executive Committee that has been in direct contact Speaking to BB, Martin Mortimer commented: “The loss of sponsorship with Steven Mead since he published his untimely and largely rhetorical produces a shortfall of around £12,000 in terms of the cost of the running comments in the article (subsequently and rapidly amended by him) that of the three contests and the hire of the halls.
    [Show full text]
  • The Works Brass Band – a Historical Directory of the Industrial and Corporate Patronage and Sponsorship of Brass Bands
    The works brass band – a historical directory of the industrial and corporate patronage and sponsorship of brass bands Gavin Holman, January 2020 Preston Corporation Tramways Band, c. 1910 From the earliest days of brass bands in the British Isles, they have been supported at various times and to differing extents by businesses and their owners. In some cases this support has been purely philanthropic, but there was usually a quid pro quo involved where the sponsor received benefits – e.g. advertising, income from band engagements, entertainment for business events, a “worthwhile” pastime for their employees, corporate public relations and brand awareness - who would have heard of John Foster’s Mills outside of the Bradford area if it wasn’t for the Black Dyke Band? One major sponsor and supporter of brass bands, particularly in the second half of the 19th century, was the British Army, through the Volunteer movement, with upwards of 500 bands being associated with the Volunteers at some time – a more accurate estimate of these numbers awaits some further analysis. However, I exclude these bands from this paper, to concentrate on the commercial bodies that supported brass bands. I am also excluding social, civic, religious, educational and political organisations’ sponsorship or support. In some cases it is difficult to determine whether a band, composed of workers from a particular company or industry was supported by the business or not. The “workmen’s band” was often a separate entity, supported by a local trade union or other organisation. For the purposes of this review I will be including them unless there is specific reference to a trade union or other social organisation.
    [Show full text]
  • 1 Implementing New Orleans Brass Band Playing Into A
    Implementing New Orleans Brass Band Playing Into a Tuba and Euphonium Applied Lessons Course Item Type text; Electronic Dissertation Authors Rifkind, Justin Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 26/09/2021 10:12:13 Link to Item http://hdl.handle.net/10150/621090 1 IMPLEMENTING NEW ORLEANS BRASS BAND PLAYING INTO A TUBA AND EUPHONIUM APPLIED LESSONS COURSE by Justin Rifkind _____________________________________ Copyright © Justin Rifkind 2016 A Document Submitted to the Faculty of the FRED FOX SCHOOL OF MUSIC In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF MUSICAL ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2016 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Document Committee, we certify that we have read the document prepared by Justin Rifkind, titled “Implementing New Orleans Brass Playing Into a Tuba and Euphonium Applied Lessons Course” and recommend that it be accepted as fulfilling the document requirement for the Degree of Doctor of Musical Arts. _______________________________________________________________________ Date: 7/20/2016 Matt Tropman _______________________________________________________________________ Date: 7/20/2016 Moisés Paiewonsky _______________________________________________________________________ Date: 7/20/2016 Edward Reid Final approval and acceptance of this document is contingent upon the candidate’s submission of the final copies of the document to the Graduate College. I hereby certify that I have read this document prepared under my direction and recommend that it be accepted as fulfilling the document requirement.
    [Show full text]
  • Discographie Leader/Co-Leader
    Discographie Leader/Co-Leader 1947-1953 Urbanity Clef/Mercury NYC, September-October, 1947° & September 4, 1953¹. Tracks: Blues For Lady Day°; The Night We Called It A Day°; Yesterdays°; You're Blasé°; Tea For Two°; The Blue Room°; Thad's Pad¹; Things Are So Pretty In The Spring¹; Little Girl Blue¹; Odd Number¹. Personnel: Hank Jones: piano; Ray Brown¹: bass; Johnny Smith¹: guitar. Note: Reissued on Verve. 1955 The Trio Savoy NYC, August 4, 1955. Tracks: My Hearts Are Young; We Could Make Such Beautiful Music Together; We're All Together; Cyrano; Odd Number; There's A Small Hotel; My Funny Valentine; Now's The Time. Personnel: Hank Jones: piano; Wendell Marshall: bass; Kenny Clarke: drums. Note: Also issued as The Jazz Trio of Hank Jones. Quartet/Quintet Savoy NYC, November 1, 1955. Tracks: Almost Like Being In Love; An Evening At Papa Joe's; And Then Some; Summer's Gone; Don't Blame Me. Personnel: Donald Byrd: trumpet; Matty Dice: trumpet; Hank Jones: piano; Eddie Jones: bass; Kenny Clarke: drums. Bluebird Savoy NYC, November 1 & 3 & 29 & December 20, 1955. Tracks: Little Girl Blue; Bluebird; How High The Moon; Hank's Pranks; Alpha; Wine And Brandy. Personnel: Joe Wilder, Donald Byrd, Matty Dice: trumpet; Jerome Richardson: tenor sax, flute; Herbie Mann: flute; Hank Jones: piano; Wendell Marshall: bass; Eddie Jones: bass; Kenny Clarke: drums. 1956 Have You Met Hank Jones? Savoy NYC, July 9 & August 8 & 20, 1956. Tracks: Teddy's Dream; It Had To Be You; Gone With The Wind; Heart And Soul; But Not For Me; Have You Met Miss Jones?; You Don't Know What Love Is; How About You?; Body And Soul; Let's Fall In Love; Kanakee Shout; Solo Blues.
    [Show full text]
  • Issue 5, Page 2 and Progressively Cut Off Short Strangely, Crotalis I Is Hard to Sections of Its Neck Until the Pitch Hold
    HISTORIC BRASS SOCIETY NEWSLETTER News, Views, Notes and Comments for Members and Friends of the Historic Brass Society Issue Number 5 ISSN - 1045-4594 Summer, 1993 Stewart Carter, Executive Editor, Jefiey Nussbaum, Managing Editor, Karen Snowberg and Bany Bauguess, Production; Martha Bixler, Anne Bonn, Sandra Coffin, Michael Collver, Peter Ecklund, Douglas Kirk, Richard Seraphinoff, Jefiey Snedeker and Chris Whitehead, Associate Editors. Historic Brass Society: Executive Committee: Jefiey Nussbaum, President; Jefiey Snedeker, Treasuter, Karen Snowberg, Secretary; Linda Klein and Ben Peck. Board ofDirectors: Stephen C. Anderson, Stewart Carter, Alan Littau, Jefiey Nussbaum, Ben Peck, Keith Polk, Jefiey Snedeker, Karen Snowberg. Board ofAdvisors: Michael Collver, Allan Dean, Bruce Dickey, Ralph T. Dudgeon, Stephen Escher, Douglas Hedwig, Trevor HerM Fred Holmgren, Douglas Kirk, Craig Kridel, William G. Mathews, Viola Roth, Richard Seraphinoff, Crispian Steele-Perkins, Robert Stibler, Edward H. Tarr, and Chris Whitehead. Q Copyright 1993. The Historic Brass Society Newsletter is published annually by The Historic Brass Society, Inc. CONTENTS Page HBS Financial Report........................................................................................................................................................ -2 Crotalis I: Serpens in Desertis - John R. McCann ............................................................................................................... 2 Gottfried Reiche: Twenty-four Quatricinia Rediscovered - Holger
    [Show full text]
  • Film Music and Film Genre
    Film Music and Film Genre Mark Brownrigg A thesis submitted for the degree of Doctor of Philosophy University of Stirling April 2003 FILM MUSIC AND FILM GENRE CONTENTS Page Abstract Acknowledgments 11 Chapter One: IntroductionIntroduction, Literature Review and Methodology 1 LiteratureFilm Review Music and Genre 3 MethodologyGenre and Film Music 15 10 Chapter Two: Film Music: Form and Function TheIntroduction Link with Romanticism 22 24 The Silent Film and Beyond 26 FilmTheConclusion Function Music of Film Form Music 3733 29 Chapter Three: IntroductionFilm Music and Film Genre 38 FilmProblems and of Genre Classification Theory 4341 FilmAltman Music and Genre and GenreTheory 4945 ConclusionOpening Titles and Generic Location 61 52 Chapter Four: IntroductionMusic and the Western 62 The Western and American Identity: the Influence of Aaron Copland 63 Folk Music, Religious Music and Popular Song 66 The SingingWest Cowboy, the Guitar and other Instruments 73 Evocative of the "Indian""Westering" Music 7977 CavalryNative and American Civil War WesternsMusic 84 86 PastoralDown andMexico Family Westerns Way 89 90 Chapter Four contd.: The Spaghetti Western 95 "Revisionist" Westerns 99 The "Post - Western" 103 "Modern-Day" Westerns 107 Impact on Films in other Genres 110 Conclusion 111 Chapter Five: Music and the Horror Film Introduction 112 Tonality/Atonality 115 An Assault on Pitch 118 Regular Use of Discord 119 Fragmentation 121 Chromaticism 122 The A voidance of Melody 123 Tessitura in extremis and Unorthodox Playing Techniques 124 Pedal Point
    [Show full text]