The Brass Music of Gwyneth Walker: an Overview
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Carl Nielsen's Quintet for Winds, Op. 43: a Critical Edition
CARL NIELSEN'S QUINTET FOR WINDS, OP. 43: A CRITICAL EDITION, A LECTURE RECITAL, TOGETHER WITH THREE RECITALS OF SELECTED WORKS FOR HORN BY ATTERBERG, RIES, MOZART, ROSETTI, MUSGRAVE, LARSSON, AND OTHERS Marcia L. Spence, B.M., M.M., M.B.A. APPROVED: Major Professor Minor rofessor Committee eiber Committee Member Dean of the College of Music Dean of the Robert B. Toulouse School of Graduate Studies ONA1If CARL NIELSEN'S QUINTET FOR WINDS, OP. 43: A CRITICAL EDITION, A LECTURE RECITAL, TOGETHER WITH THREE RECITALS OF SELECTED WORKS FOR HORN BY ATTERBERG, RIES, MOZART, ROSETTI, MUSGRAVE, LARSSON, AND OTHERS DISSERTATION Presented to the Graduate Council of the University of North Texas in Partial Fulfillment of the Requirements For the Degree of DOCTOR OF MUSICAL ARTS By Marcia L. Spence, B.M., M.M., M.B.A. Denton, Texas December, 1995 Spence, Marcia Louise, Carl Nielsen's Quintet for Winds, Op. 43: A Critical Edition, A Lecture Recital, Together with Three Recitals of Selected Works for Horn by Atterberg, Ries, Mozart, Rosetti, Musgrave, Larsson, and Others. Doctor of Musical Arts (Performance), December, 1995, 143 pp., 14 examples, 3 appendices, bibliography, 29 titles. The purpose of this dissertation is to prepare and present a critical edition of Carl Nielsen's Quintet fbr Winds, Op. 43, a major work in the woodwind quintet repertoire. Written for the Copenhagen Wind Quintet in 1922, it is also considered a pivotal composition in Nielsen's artistic output. The only published edition of this piece, by Edition Wilhelm Hansen, is rife with errors, a consistent problem with many of Nielsen's compositions. -
El Cumbanchero for Six Hands Sheet Music
El Cumbanchero For Six Hands Sheet Music Download el cumbanchero for six hands sheet music pdf now available in our library. We give you 6 pages partial preview of el cumbanchero for six hands sheet music that you can try for free. This music notes has been read 10759 times and last read at 2021-09-29 20:51:34. In order to continue read the entire sheet music of el cumbanchero for six hands you need to signup, download music sheet notes in pdf format also available for offline reading. Instrument: Piano, Violin Ensemble: Mixed Level: Intermediate [ READ SHEET MUSIC ] Other Sheet Music El Cumbanchero El Cumbanchero sheet music has been read 5050 times. El cumbanchero arrangement is for Early Intermediate level. The music notes has 2 preview and last read at 2021-09-29 13:08:36. [ Read More ] El Cumbanchero Samba Clarinet Quintet El Cumbanchero Samba Clarinet Quintet sheet music has been read 5116 times. El cumbanchero samba clarinet quintet arrangement is for Intermediate level. The music notes has 6 preview and last read at 2021-09-29 22:31:05. [ Read More ] El Cumbanchero Samba String Quartet El Cumbanchero Samba String Quartet sheet music has been read 3466 times. El cumbanchero samba string quartet arrangement is for Intermediate level. The music notes has 6 preview and last read at 2021-09-29 12:04:39. [ Read More ] El Cumbanchero Samba String Quintet El Cumbanchero Samba String Quintet sheet music has been read 3928 times. El cumbanchero samba string quintet arrangement is for Intermediate level. The music notes has 6 preview and last read at 2021-09-27 22:27:20. -
Download Program Notes
Notes on the Program By James M. Keller, Program Annotator, The Leni and Peter May Chair Piano Quintet in F minor, Op. 34 Johannes Brahms ohannes Brahms was 29 years old in 1862, seated at the other piano. Ironically, critics Jwhen he embarked on this seminal mas- now complained that the work lacked the terpiece of the chamber-music repertoire, sort of warmth that string instruments would though the work would not reach its final have provided — the opposite of Joachim’s form as his Piano Quintet until two years objection. Unlike the original string-quintet later. He was no beginner in chamber music version, which Brahms burned, the piano when he began this project. He had already duet was published — and is still performed written dozens of ensemble works before and appreciated — as his Op. 34bis. he dared to publish one, his B-major Piano By this time, however, Brahms must have Trio (Op. 8) of 1853–54. Among those early, grown convinced of the musical merits of his unpublished chamber pieces were 20-odd material and, with some coaxing from his string quartets, all of which he consigned friend Clara Schumann, he gave the piece to destruction prior to finally publishing his one more try, incorporating the most idiom- three mature works in that classic genre in atic aspects of both versions. The resulting the 1870s. In truth, he did get some use out Piano Quintet, the composer’s only essay of those early quartets — to paper the walls in that genre (and no wonder, after all that and ceilings of his apartment. -
Franz Schubert : the Complete Piano Duets in Seven Varied Recitals with Schumann Polonaise Encores
FRANZ SCHUBERT : THE COMPLETE PIANO DUETS IN SEVEN VARIED RECITALS WITH SCHUMANN POLONAISE ENCORES Disc A Disc B 1 Polonaise in F major, D. 599 No. 4 4:03 1 Overturein Fminor / major, D. 675 7:05 2 Polonaise in F major, D. 824 No. 2 4:42 2 Grande Marche et Trio in E flat minor, D. 819 No. 5 17:19 3 Marche Héroique in D major, D. 602 No. 3 7:24 3 Grande Marche et Trio in E flat major, D. 819 No. 1 8:42 4 Deutscher Tanz mit Zwei Trios, from D. 618 4:02 4 Variations on an Original Theme in B flat major, D. 603 9:57 5 Rondo in D major, D. 608 8:19 5 Polonaise in B flat major, D. 599 No. 2 3:26 6 Zwei Ländler in E major, from D. 618 1:52 6 Polonaise in B flat major, D. 824 No. 3 6:03 7 Grande Marche et Trio in E major, D. 819 No. 6 6:35 Fantasie in F minor, D. 940 18:39 7 I. Allegro molto moderato 4:43 Grand Duo (Sonate) in C major, D. 812 36:18 8 II. Largo – 3:02 8 I. Allegro moderato 11:27 9 III. Scherzo and Trio: Allegro vivace – 5:31 9 II. Andante 9:32 10 IV. Tempo primo 5:23 10 III. Scherzo and Trio: Allegro vivace 5:59 11 IV. Allegro vivace 9:11 "Encore" track: "Encore" track: Robert Schumann (1810-1856) Robert Schumann (1810-1856) 12 Polonaise No. 1 in E flat major 3:47 11 Polonaise No. -
Scott Walker and the Late Twentieth Century Phenomenon of Phonographic Auteurism Duncan G
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2013 Scott Walker and the Late Twentieth Century Phenomenon of Phonographic Auteurism Duncan G. Hammons Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC SCOTT WALKER AND THE LATE TWENTIETH CENTURY PHENOMENON OF PHONOGRAPHIC AUTEURISM By DUNCAN G. HAMMONS A Thesis Submitted to the College of Music in partial fulfillment of the requirements for the degree of Master of Arts Degree Awarded: Spring Semester, 2013 Duncan Hammons defended this thesis on April 4, 2013 The members of the supervisory committee were: Kimberly VanWeelden Professor Directing Thesis Jane Clendinning Professor Co-Directing Thesis Frank Gunderson Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the has been approved in accordance with university requirements. ii Dedicated to my family and friends for their endless encouragements and many stimulating conversations that fostered the growth of my curiosity in this subject, and the memory of my father, Charles Edwin Hammons (November 1, 1941 - April 28, 2012), who taught me the invaluable lesson of consolidating work and play. iii ACKNOWLEDGEMENTS I would like to acknowledge the members of my supervisory committee, Dr. Jane P. Clendinning, Dr. Kimberly VanWeelden and Dr. Frank Gunderson for their enthusiasm and generosity in their guidance of this research, and additionally, Dr. Laura Lee and Dr. Barry Faulk for lending their expertise and additional resources to the better development of this work. iv TABLE OF CONTENTS List of Figures ...............................................................................................................................vii Abstract ........................................................................................................................................viii 1. -
Guide to Repertoire
Guide to Repertoire The chamber music repertoire is both wonderful and almost endless. Some have better grips on it than others, but all who are responsible for what the public hears need to know the landscape of the art form in an overall way, with at least a basic awareness of its details. At the end of the day, it is the music itself that is the substance of the work of both the performer and presenter. Knowing the basics of the repertoire will empower anyone who presents concerts. Here is a run-down of the meat-and-potatoes of the chamber literature, organized by instrumentation, with some historical context. Chamber music ensembles can be most simple divided into five groups: those with piano, those with strings, wind ensembles, mixed ensembles (winds plus strings and sometimes piano), and piano ensembles. Note: The listings below barely scratch the surface of repertoire available for all types of ensembles. The Major Ensembles with Piano The Duo Sonata (piano with one violin, viola, cello or wind instrument) Duo repertoire is generally categorized as either a true duo sonata (solo instrument and piano are equal partners) or as a soloist and accompanist ensemble. For our purposes here we are only discussing the former. Duo sonatas have existed since the Baroque era, and Johann Sebastian Bach has many examples, all with “continuo” accompaniment that comprises full partnership. His violin sonatas, especially, are treasures, and can be performed equally effectively with harpsichord, fortepiano or modern piano. Haydn continued to develop the genre; Mozart wrote an enormous number of violin sonatas (mostly for himself to play as he was a professional-level violinist as well). -
Memorandum LIBRARY of CONGRESS
UNITED STATES GOVERNMENT Memorandum LIBRARY OF CONGRESS 5JSC/LC/12 TO: Joint Steering Committee for Development of RDA DATE: February 6, 2008 FROM: Barbara B. Tillett, LC Representative SUBJECT: Proposed revision of RDA chap. 6, Additional instructions for musical works and expressions The Library of Congress is submitting rule revision proposals for the RDA December 2007 draft chapter 6 instructions for musical works and expressions. Goals of proposals 1. To maintain the additional instructions for music intact (although LC recommends integrating them with the general instructions after the first release of RDA). 2. To fill in gaps in the AACR2 rules carried over into RDA by a. Incorporating selected AACR2 rule revisions; b. Adding instructions that clarify, make explicit, or expand some principles and instructions carried over from AACR2; c. Proposing new instructions. 3. To simplify some unnecessarily complex instructions. 4. To arrange certain subsections in the six major instructions in a more logical way, based wherever possible on principles that group together types of resources having common characteristics. 5. To revise the instructions for medium of performance to provide for all media found in resources and to do that using vocabulary that adheres as closely as possible to the principle of representation: incorporating words the composer or resource uses. 6. To revise or eliminate instructions LC finds unworkable based on past experience with AACR2 (e.g., the instructions for key (6.22) in section M of this document). 7. In the interest of simplification, to eliminate vexing terms catalogers have spent inordinate amounts of time interpreting when using AACR2 (e.g., “type of composition” as a formal term when all it need be is a useful phrase; “score order”). -
Duo Sonatas and Sonatinas for Two Clarinets, Or Clarinet and Another Woodwind Instrument: an Annotated Catalog
DUO SONATAS AND SONATINAS FOR TWO CLARINETS, OR CLARINET AND ANOTHER WOODWIND INSTRUMENT: AN ANNOTATED CATALOG D.M.A. DOCUMENT Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts in the Graduate School of The Ohio State University By Yu-Ju Ti, M.M. ***** The Ohio State University 2009 D.M.A Document Committee: Approved by Professor James Pyne, co-Advisor Professor Alan Green, co-Advisor ___________________________ Professor James Hill Co-advisor Professor Robert Sorton ___________________________ Co-advisor Music Graduate Program Copyright by Yu-Ju Ti 2009 ABSTRACT There are few scholarly writings that exist concerning unaccompanied duet literature for the clarinet. In the late 1900s David Randall and Lowell Weiner explored the unaccompanied clarinet duets in their dissertations “A Comprehensive Performance Project in Clarinet Literature with an Essay on the Clarinet Duet From ca.1715 to ca.1825” and “The Unaccompanied Clarinet Duet Repertoire from 1825 to the Present: An Annotated Catalogue”. However, unaccompanied duets for clarinet and another woodwind instrument are seldom mentioned in the academic literature and are rarely performed. In an attempt to fill the void, this research will provide a partial survey of this category. Because of the sheer volume of the duet literature, the scope of the study will be limited to original compositions entitled Sonata or Sonatina written for a pair of woodwind instruments which include at least one clarinet. Arrangements will be cited but not discussed. All of the works will be annotated, evaluated, graded by difficulty, and comparisons will be made between those with similar style. -
Recorded Jazz in the 20Th Century
Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana -
Alan Walker Piano Letters
Alan Walker Piano Letters How embryoid is Erwin when time-sharing and closet Tallie sectarianising some catchlines? Curst and unpierced Christ underspending her ferula shimmer lengthways or fins beamily, is Binky subjective? Solanaceous Alejandro synonymised: he metes his shrub interruptedly and forensically. Roblox death sound simultaneous together for cities and seventh, alan walker available on a ballad between this The piano mode is the most mature analysis mode. Ngay sau đó Kiss the rain được các bạn trẻ trên khắp thế giới đón. Roblox is a global platform that brings people together through play. Welcome to The Perfect Start For Piano. Idol by alan walker, print for a whole world wide range of websites, alan walker piano letters is generated when playing card to complete breakdown of we ship to. You can play this virtual instrument with keyboard, mouse or touchscreen. Instant sound you can visit the river flow in koganei, alan walker piano letters note as complicated and. Questo vuol dire che, ovunque tu sia col tuo laptop, hai un controller MIDI per suonare, appuntare idee, comporre. Für klavier spielen im not need for. Reddit on an old browser. Before you start reading the notes, must play the video side by side. The Living Tombstone Roblox ID. All C clefs indicate where C is on the staff. And the rain just pelted down Sometimes I feel like I wanna go back Down on me SHOTS. We hope Jingle Bells piano tutorial was helpful in understanding the keyboard notes. -
Staff Writer
Page 2 Commentary Dear Editor: Dear Editor, Dear Editor, I would like to comment In a letter to coOege stu It has come to my concerning a letter that recently dents, Congressman Bob Wise tion that Todd Longanacre appeared in your paper making attacked the "cuts" in the student graduating from Glenville Sta allegations against the library. loan programs. It is disturbing College and will no longer t Home --Finding my way back First, I felt that the accusations to know that he would use such writing his "In My Opinion" fc: When I was young, I remember my being puzzled over were obviously made by some irresponsible rhetoric to scare The Mercury. This is a dev~ tating loss! Never again will some words that I found in a book--YOII can never go home again. one who was privy to specific students. The truth is there are 1 reminisced the strangeness of this all. After all, it seemed a rather infonnation. no "cuts." be outraged by his "right- . simple task. Later, I carne to realize that the writer was not speak Secondly, I believe that The current proposal does extremist" conservative dogrm ing about a physical home but was instead speaking ofthose intan this is infonnation that should not end the student loan pro Never again will I engage i gible elements that make up a home. They are the love and the be shared with the patrons since grams, limit any student's abil hours of spirited debate with m spirit, the conditions and those things we touch and sense that are it directly has an effect on them ity to receive a loan, or force friends, as we dissect his a not destined to remain. -
Post.Contest Issue 2Oo2
OffcialJoumalof the Nortr AmericanBrass Band Association, Inc. June2002lssue 88 POST.CONTESTISSUE 2OO2 www.nabba,org Insidethis issue. President'sPodium VirtuosoBrass BrassBand News PercussionXX BrassBand Programs TwentyYears of NABBA NABBAXX in Cincinnati BBCand IBB Make NABBA History BrassBand Recordings Colin W. Holman,Editor The BrassBand Bridge President'sPodium 31Joseph Lane byAnitaCocker Hunt. ............5 GlendaleHeights, lL 60139 BrassBa,''tdNews Telepho ne (630) 665-42 1 3 submittedbyourreaders.........-................................. 5 E-.rl'ail colin.w.hol n an@Ju no.com VirluosoBrass submrttedbyDavid 8uck|ey . .... ..........................O RonaldW. Holz BrcssBand Pragrams New Recording/Book Revi€wer submittedbyourreaders................ ........................ I AsburyCollege IVlusic Department NABBAXX in Cincinnali Wilmore,KY 40390 submittedbyourreviewers................................14 Telephone(859) 858-351 I, Ex1.2246 Fax(859) 858-3921 Roleof Honor:Twenty Years of NABBACompetitions E-mail ronald. holz @ asb u ry edu fromthearchives....... .............29 NewMusic: NABBA Reading Band Session 2002 Ralph P. Hotz submittedbyRonald W. Holz........................ ..........32 Adv6rtising ll/lanager PercussionXX 1181Birch St submittedbyThomas Myers........... ....................... 37 Broomfield,CO 80020 BrassBand Recordings Telephon6(303 ) 464'8640 reviewedby Ronald W. Holz........................ ............40 E-mail tenorh a rn salo@aol. ca m NABBABoard ot DirectorsNominalion Form isyourbandrepresented?........................................