Post.Contest Issue 2Oo2

Total Page:16

File Type:pdf, Size:1020Kb

Post.Contest Issue 2Oo2 OffcialJoumalof the Nortr AmericanBrass Band Association, Inc. June2002lssue 88 POST.CONTESTISSUE 2OO2 www.nabba,org Insidethis issue. President'sPodium VirtuosoBrass BrassBand News PercussionXX BrassBand Programs TwentyYears of NABBA NABBAXX in Cincinnati BBCand IBB Make NABBA History BrassBand Recordings Colin W. Holman,Editor The BrassBand Bridge President'sPodium 31Joseph Lane byAnitaCocker Hunt. ............5 GlendaleHeights, lL 60139 BrassBa,''tdNews Telepho ne (630) 665-42 1 3 submittedbyourreaders.........-................................. 5 E-.rl'ail colin.w.hol n an@Ju no.com VirluosoBrass submrttedbyDavid 8uck|ey . .... ..........................O RonaldW. Holz BrcssBand Pragrams New Recording/Book Revi€wer submittedbyourreaders................ ........................ I AsburyCollege IVlusic Department NABBAXX in Cincinnali Wilmore,KY 40390 submittedbyourreviewers................................14 Telephone(859) 858-351 I, Ex1.2246 Fax(859) 858-3921 Roleof Honor:Twenty Years of NABBACompetitions E-mail ronald. holz @ asb u ry edu fromthearchives....... .............29 NewMusic: NABBA Reading Band Session 2002 Ralph P. Hotz submittedbyRonald W. Holz........................ ..........32 Adv6rtising ll/lanager PercussionXX 1181Birch St submittedbyThomas Myers........... ....................... 37 Broomfield,CO 80020 BrassBand Recordings Telephon6(303 ) 464'8640 reviewedby Ronald W. Holz........................ ............40 E-mail tenorh a rn salo@aol. ca m NABBABoard ot DirectorsNominalion Form isyourbandrepresented?......................................... Chrl6tih6 M. Fowkes 47 NABBA W€b Page 549 Ol6niangyStreet Col!nlbus,OH 43202 (614) 261-5942 E-fiail cfowkes@sa rco m. con Yamaha 2 Dillons 12 John W. d6 Salme Rivef Cily Brass Band 13 NABEAContest Controller AliissimoRecord r9s '14 3718Cotlage Preserve Road NE Kanstu 20 Solon,lA 52333-9225 BernelMusic 36 Telephone(319)624-2845 [Iidland CDs E-mail J wd esaI me@ a ol con SolidBrass 48 The Brass Band Bridge: OfficialJournal of the North AmericanBrass Band Association Foundedby J PerryWatson n 1980 The v ews expressedby contributorsare not necessarilythose of lhe NorlhAmelcan Brass Band Assoc alon. tnc CopyrightO 2002 by lhe Norlh AmericanBrass Band Association, Inc. Al rightsreserved. fhe Brass Band Bddgewelcomesnews. communicat ons, photographs(preferably black and white),new advertisersand scholarlyarticles on all aspectsrelating to. and for ihe benefitof brass bands in North Amenca. Scholarlyadicles should include footnotes and bib iographywhere appropriate.Materials may be editedfor inclusionand may be submitledln writ n9. via e-mail.facs mileor on 3 5" floppydiscs (lBN,4 compatible,if possible, please). Publication and advertising deadlines are the 15thofJanuary, April, July and Oclober. JunE2002TheBrassBand BridgE NORTHAMERICAN BRASS BAND ASSOCIATION P.O.BOX2438. Cullowhee. NC 28723 APPLICATIONFOR MEMBERSIIIP pleasecomplete cleorly and infull Name Mr,A&s/Miss/MsDr (please circ le one) StrcetP.O.BOX As we celebratetwenty years of NABBA contests,lhe cenlralfocusof lhis issue is. of course. the rccenl competition hostedin CincinnatiandI'd like lo pub- licly express my gralitude to those of State zip you who generouslyreviewed the va - ous aspecls of the compelilionwhile I was stuck in the box." Havinghad lhe Country pleasurenow of playing,conducling (and 'felephone winningl),helpingto host, andadjudicat- Number( ing at NABBAcontests, il's mosl grali- ting lo experiencethe high levelof * I{cgular OIt OnlincMembership (pleasecircle one) intogrityand witness lhe extraordinary levelof detailand careand organization lhat goes into any ot our competilions. MembcrshipCategory Wthin this issue you can read in delail InstrumentPlayed on the variousevents that took placein Cincinnali.Both the Erass Band of BandName Columblrsand the lllinois Brass Band madehistory, with ihefirsl timethattwo bandshave tied for first place. In addi- E-mail(rvhere applicable) tion,lhe8BC won fora record ninth lime, and the IBB becamethe firstband lo CATEGORY 'REGULAR/ONLINE recorda double hatrickof consecutive lndlvidual. .theregular membershrp Dues: $ 35/30 wins. Congratulationsto bothbandsfor Sonior. (62and older) Dues:$ 25120 magnificentaccornplishments Studont. (21and under) Dues:$ 20/15 Family. reducedrate for families Dues:S 45/40 As well as extensive articles on pro- Bands.. Dues:$60 gramsand band news,Tom l\ryersas- Liletime. (39and undeo Dues:$600 sessesthe percussionsections in Cin- . (40-49) Duesr$500 cinnati,Ron Holz continueshis slerling . (50and over) Dues:$400 work wilh both recordingreviews and corporato. .companymembeEhip Dues:6100 musicrcviews from this yea/s Reading Patron... Dues$500 Band,David Buckley keeps us in touch Leado.ship... Dues:$1,000 witheventsinCanada, and l've included a lislingof olr compettivewinners at NABBAfor the past tweniy years. Pleasemake check payableto the NorthAmerban ErassBand Association. (reproducefom as necessary) Happyreading and beslwishes faryour 'Regularmembership includes lhe 8r'assBand Itldge mailedlo your addtess upcomingbrass band activities. Onlnemembership lncludes access to an electroniccopy of the BrassBand Bidae TheBrass Band Bridge June2002 Well now that lhe dLrsthas seltledon lhemanY volunteers And,enough cannot be saidabout the NABBACompetition XX rt'slhatiime to GalaConcert's perfomrance by The Brass thankthose many people that made it And enoughcannot be saidabout the BandOfBatileCreek. lfyouwerethere. happen,and also reflecl on the posilives NABBAteams.ContestController, John youknowwhat I meanlll andhowwe can keep improving. de Salmedid a magriflcentjobin orga- n zing,preliminary work andkeeping a Itwas wonderfulseeing allofyou. \ruhat You respondedoverwhelmingly with watchfuleye over lhe entireweek end a great camaraderiewe have in brass praiseto thanksand bothThe Cincinnati RonHolz Associale Conkoler, brought banding.Congratulations to all of the BrassBandandthe NABBAstaff. Thanks his years of experliseand knowledge bands,ensembles, and soloistswho foryoursuggestions for the future; they whichwe weregratefulfor. madeil a specialweekend. wil be reviewedand discussedat the nextNABBA board meeling Tolhe rest of lhe teams; Frank and Sara The next NABBA competitionwli be Norih,Lo u is (Hap) Bou 19ois, Tom IVyers. exceptionaland a first--we headfarther I!4ylhanks, especialiy goes to Dwight JoelPugh,and J eff Clyme r---you ranthe soulhlo LittleRock, and they are prepar- Wages Presidentof The Cincln nati Erass competitionlke a wejl-oiledrnachine ingnow, fofus lo havea greatweekend Bandand head ofthe competition steer- Ing committee,for his tirelesseffods in The LexinglonBrass Band and Vincent puttng an exceptionallywejl run week d lMartinowas cerlainlya highlghion Thankyoufor a greatNABBA XX. end together Thanks,also to the rest Fridaynght playingtooneofthelargest AnilaCocker Hunt of The Cincnnati Brass Eand steer ng and enthusiasliccrowds ever NABBAPresideni commitlee.members of lhe band and DoyenRecordings and Sa vaiionislPub, OrcheskaClin c in December2002. priseendingtoa Commonwealth Brass ishing& SuppliesLtd willjoin forces in Band (JeromeArnend) performance on a uniquepadnershlp inthe d sifibution of The Brass Band of C€ntralFlorida April7,2002at Indiana University South- brassband recordings ihroughout ihe standsready to beginan exciiingand easi,NewAlbany thatmghl have been world. SP&Swi I becomeproprietofs of eventfu2002-20 03 seaso n. Fo lowinga caled'Fourpipersp p ng;onedrummer theentre Doyen catalogue and willbe skong showng al lhis year'sannua drumming.'Two nights before lhe con- the principaldistrbutors of al Doyen NABBAcompettion, the BBCFhas a ced,a mini-bandofCommonwealih vol- lilles DoyenRecordngswillcontinuein ful s aieofactvilies planned, Lncluding unteershad p ayed ai appearancesby ther queslto bnngquallty record ngs of performancesal St James Calhedra lheP peBand si!llcomplemenl ofbag- iheverybestbrass ensembles n Europe and LakeEola Park in downlownOF pipers and drummers pedormng to- intolhatcata ogue Giventhe receni re- lando.Alsoinlheplannrngstageforlhs getherlhe RoseofKelvingrove (Knox), emergenceof the Egonlabel togelher fall is a concerl fealuring euphoniunl Skye Baal Song ard HighlandCradle wiih the developmentof its own SP&S virluousoStephenltlead. BBCFiS sched- Sorg(arr.Lamb) and Scotlandthe Brave label,this parlnersh p will makeSP&S !ledto cul its fLrst CD lh s yeartoinclude (Trad/partsfor brass band revsed by arguablylhe largestdisiribuior of brass plentyofpopularbrass band favorites as Amend) CBB alsowas visitedby two band recordingsin the world. we las a fewmofe serious pieces forthe outstandLngclinicians. The first, on Feb. enihusrasls in lheir audience 13, was TorgnyHanson, conductor of Congratuations to the Brass Band of www.b r as s b a ndofce ntr alfloida org the internationallyrenowned Siockholm Columbus(Pau Droste)who wi I repre- sent NABBAafier being seleciedio Membe6of the Lousvrlle P pe Band 7 peformatthis yeais MidwestBand and skllledalong on threep ecesrn a sur- cantinuedon Page June2002TheBrassBand Bridge lJnderthe capabledirection of Brian Hannafordplayers, Ray Tizzardand thecornels in the openingtanfare. This Burditt.Bandmaster of the Salvation SluartLaughton. This may havebeen openingfanfare is a challengelo any Army CanadianStaff Band, The the fastestBugl6/s I haveheard. Nor- cornetseclion and severalof the top HannafordBand presenled a mosten- mallyyou wouldnot thinkof speedas benchcometplayersf rom the Tottenham joyableconced featuring David Daws, beinga primenusical charactedstic,
Recommended publications
  • Fomrhi Quarterly
    Quarterly No. 78, Janu&i-y 1995 FoMRHI Quarterly BULLETIN 78 2 BULLETIN Supplement 7 Membership List Supplement 6S COMMUNICATIONS 1310 Review: The Hoogsteder Exhibition of Music A Painting in the Golden Age J. Montagu 1311 Review: The Recorder - A Guide to Writings about the Instrument for Players and Researches, by R. Griscomb &. D. Lasocki J. Montagu 10 1312 Review: Klanefulirer dwelt die Sammlune Alter Musikinstrumente ed. G. Stradner (Part 2) J. Montagu 12 1313 British Clavichord Society S. Alexander-Max 13 1314 On manners, status and Comm. 1301 E. Segerman 14 1315 The world according to Segerman C. Stroom 16 1316 Contrasts between string and woodwind gracing in Purcell's time E. Segerman 18 1317 On the scholarship of string names - reply to Comm. 1308 E. Segerman 20 1318 Roped gut bass strings - a 16th c. reference J. Downing 22 1319 Chinese catlines J. Downing 24 1320 All at sea with the ship's cat J. Downing 25 1321 Talbot's English theorbo reconsidered D Van Edwards 32 1322 Geometrical design of the lute belly R. Chiverton 33 1323 Ebonv Camwood (UK) Ltd. 34 1324 Lute: angled bridges, 'J' shaped bars, fan bars and transverse bars G. Mather 36 1325 Further help with Comm. 1197 G. Mather 40 1326 David's three-part organum D. Z. Crookes 41 1327 Praetorius's brass instruments and Cammerthon S. Heavens & E. Segerman 54 1328 Praetorius's pitchpipe Pfeiftlin zur Chonnass S. Heavens 60 1329 Transposing organs and pitch in England: response to Comm. 1290 M. Goetz 61 FELLOWSHIP OF MAKERS AND RESEARCHERS OF HISTORICAL INSTRUMENTS Hon.
    [Show full text]
  • Recorded Jazz in the 20Th Century
    Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana
    [Show full text]
  • Staff Writer
    Page 2 Commentary Dear Editor: Dear Editor, Dear Editor, I would like to comment In a letter to coOege stu­ It has come to my concerning a letter that recently dents, Congressman Bob Wise tion that Todd Longanacre appeared in your paper making attacked the "cuts" in the student graduating from Glenville Sta allegations against the library. loan programs. It is disturbing College and will no longer t Home --Finding my way back First, I felt that the accusations to know that he would use such writing his "In My Opinion" fc: When I was young, I remember my being puzzled over were obviously made by some­ irresponsible rhetoric to scare The Mercury. This is a dev~ tating loss! Never again will some words that I found in a book--YOII can never go home again. one who was privy to specific students. The truth is there are 1 reminisced the strangeness of this all. After all, it seemed a rather infonnation. no "cuts." be outraged by his "right- . simple task. Later, I carne to realize that the writer was not speak­ Secondly, I believe that The current proposal does extremist" conservative dogrm ing about a physical home but was instead speaking ofthose intan­ this is infonnation that should not end the student loan pro­ Never again will I engage i gible elements that make up a home. They are the love and the be shared with the patrons since grams, limit any student's abil­ hours of spirited debate with m spirit, the conditions and those things we touch and sense that are it directly has an effect on them ity to receive a loan, or force friends, as we dissect his a not destined to remain.
    [Show full text]
  • IN CONCERT! : a Conductor's Handbook for a Spring Concert
    Messiah University Mosaic Conducting Student Scholarship Music conducting Fall 2014 (Your Band Name Here) IN CONCERT! : a conductor's handbook for a spring concert Richard Kane Messiah College Follow this and additional works at: https://mosaic.messiah.edu/conduct_st Part of the Music Commons Permanent URL: https://mosaic.messiah.edu/conduct_st/7 Recommended Citation Kane, Richard, "(Your Band Name Here) IN CONCERT! : a conductor's handbook for a spring concert" (2014). Conducting Student Scholarship. 7. https://mosaic.messiah.edu/conduct_st/7 Sharpening Intellect | Deepening Christian Faith | Inspiring Action Messiah University is a Christian university of the liberal and applied arts and sciences. Our mission is to educate men and women toward maturity of intellect, character and Christian faith in preparation for lives of service, leadership and reconciliation in church and society. www.Messiah.edu One University Ave. | Mechanicsburg PA 17055 (Your Band Name Here] IN CONCERT! A ConductorsHandbook for a SpringConcert By \ Richard Kane Advanced Conducting Project MUAPS04 December 20, 2014 CONTENTS Ca/op ..................................................................... .Dmitri Shostakovich 1 Cod of Our Fathers ....................................................... Claude T. Smith 7 Flourish for Wind Band. .................................... Ralph Vaughan Williams 15 First Suite in E-flat for Military Band.· I. Chaconne ....................... Gustav Holst 20 Salvation is Created.............................................. ..
    [Show full text]
  • British-Style Brass Bands in U.S. Colleges and Universities
    BRITISH'STYLE+BRASS+BANDS+IN+U.S.+COLLEGES+AND+UNIVERSITIES+ Mark+Amdahl+Taylor+ + + + Dissertation+Prepared+For+the+DeGree+of+ DOCTOR+OF+MUSICAL+ARTS+ + + + + UNIVERSITY+OF+NORTH+TEXAS+ December+2016+ + + + APPROVED:+ Eugene+Migliaro+Corporon,+Major+Professor+ Dennis+W.+Fisher,+Committee+Member+ Warren+Henry,+Committee+Member+ Benjamin+Brand,+Director+of+Graduate+ Studies+of+the+College+of+Music+ John+Richmond,+Dean+of+the+College+of+ Music+ Victor+Prybutok,+Vice+Provost+of+the+ Toulouse+Graduate+School+ + Taylor, Mark Amdahl. British-Style Brass Bands in U.S. Colleges and Universities. Doctor of Musical Arts (Performance), December 2016, 178 pp, 16 tables, 2 figures, references, 55 titles. Since the 1980s, British-style brass bands – community ensembles modeled after the all-brass and percussion bands of Great Britain – have enjoyed a modest regeneration in the United States. The purpose of this research study was: to discover which schools sponsor brass bands currently; to discover which schools formerly sponsored a brass band but have since discontinued it; to describe the operational practices of collegiate brass bands in the U.S.; and to determine what collegiate brass band conductors perceive to be the challenges and benefits of brass band in the curriculum. Data for the study were collected between February, 2015 and February, 2016 using four custom survey instruments distributed to conductors of college and university brass bands. The results showed that 11 American collegiate institutions were sponsoring a brass band during the period of data collection. Results also included the conductors’ reported perceptions that both challenges and benefits are inherent in student brass band participation, and that brass band is a positive experience for students.
    [Show full text]
  • Missouri State High School Activities Association
    MISSOURI STATE HIGH SCHOOL ACTIVITIES ASSOCIATION 1 N. Keene Street P. O. Box 1328 Columbia, MO 65205-1328 Telephone: (573) 875-4880 - Fax Number: (573) 875-1450 Web site address: www.mshsaa.org E-Mail address: [email protected] EXECUTIVE STAFF Dr. Kerwin Urhahn, Executive Director George R. Blase, Assistant Executive Director Stacy Schroeder, Assistant Executive Director Fred Binggeli, Assistant Executive Director *Davine Davis, Assistant Executive Director Kevin Garner, Assistant Executive Director Tim Thompson, Assistant Executive Director Jason West, Communications Director Craig Long, Chief Financial Officer Janie Barck, Administrative Assistant * Indicates MSHSAA contact person for music TABLE OF CONTENTS Section 1: Ethics ........................................................................................... Page... 4 Section 2: Organization of Festivals ............................................................. Page... 4 Section 3: School Regulations for Interscholastic Music............................... Page... 4 Section 4: Eligibility Standards for Interscholastic Music .............................. Page . 5 Section 5: Terms and Conditions.................................................................. Page .. 6 Section 6: Entry Procedures ......................................................................... Page .. 6 Section 7: Events.......................................................................................... Page .. 9 Section 8: Event Regulations.......................................................................
    [Show full text]
  • November,1973 (81 to 84) for Arrcrican (Ilandevsnell),B Randenburg Concerto N O
    BRASSBAN tl -t- / ,"tF=; I ). --1..'/ )y' TOTIR BRIDGE,IONDO{ fssues46& 47 0fficialjournal of the North American Brass Band Association, Inc. Nov 9l & Feeg2 MississippiRiver took him to New Orleansand Bourbon Street,where he joined GeorgeGinard North American BrassBand andhis New Orleans Five. Bob wenton to Brass play with Al Hirt and PeteFountain and Band later performedon the LawrenceWelk ChampionshipsX 0nThe Road Again Showfor 22years. The Welk locationwas the west coast,where Havensalso per- By Ms. DebraPriest formed in movie soundtracks,television Columbus,0hio MRBB Solo Cornetist shows,recordings, and commercial jingles. April10 & 11, 1992 At theannual Quincy Riverfest, rhe MRB B The songOn TheRoad Again could well performedits own program,then featured All is almostready in Columbusand Dublin have been the themeof the Mississippi Bob Havenson threeshowstoppers, No- for youto attendthe North American Brass River BrassBand these past few months. bodyKnowsTluTrouble I See(I-angford), BandChampionshipsXtobe heldonApril On June 30, the band left its home in The Shadowof YourSmile (Wilby), and l0 and 11,1992.Hosts Dr. Drosteand the Quincy, Illinois, to perform at the Ma- Sevenry-Six Trombo ncs (WillsonTDuthoit). BrassBand of Columbushave planned a combHeritage Days in ldacomb,Illinois. completeand exciting weekend for you. TheMississippi River BrassBand contin- Within a week,the MRBB wasoff again, ued its busy schedulein Decemberwhen this time to Peoria,Illinois, for the Liber- Geoffrey Brand themembers journeyed o NorttreastMis- tyFest sponsoredby the CentralIllinois souriState University in Kirksville, Mis- The specialguest of the Championships Light Company.To honorAmerica's brave souri. At the school'sinvitation, the band will be GeoffreyBrand, famous conduc- youngmilitary menand women who served presenteda joint concertwittr the NMSU tor, author, adjudicator,educator, pub- in OperationDesert Storm, the bandpro- BrassChoir.
    [Show full text]
  • Consideraciones Sobre El Papel Del Oboe En Las Reglas Y Advertencias Generales De Pablo Minguet Y Irol (1752-1774)
    Artigrama, núm. 26, 2011, pp. 817-835. ISSN: 0213-1498 Consideraciones sobre el papel del oboe en las Reglas y Advertencias Generales de Pablo Minguet y Irol (1752-1774) Joseba Berrocal* Resumen Durante más de treinta años, 1738-1770, Europa no conoció ningún tratado original destinado al oboe a excepción del volumen debido a la iniciativa editorial de Pablo Minguet y Irol: Reglas y Advertencias generales (Madrid, 1754). El contenido de este método se ve reducido únicamente a una tabla que recoge la digitación del instrumento. La particularidad fundamental de dicha tabla viene dada por el hecho de incluir una nota, el mib’’’ , hasta en- tonces no recogida en tratado alguno. Minguet reconoce en su Explicación de la obra que ha contado con la colaboración de algunos inteligentes. Tras un examen de los ejemplares conser- vados en la Biblioteca Nacional de España correspondientes a las dos ediciones que conoció la obra (1754 y 1774) y otras producciones del mismo editor, se puede llegar a la conclusión de que la tabla fue grabada por Minguet en torno a 1754 pero que, por alguna razón, probablemente de índole comercial, no fue presentada al público hasta la reedición de 1774. Palabras clave Edición musical, oboe, tratado, siglo XVIII, Minguet, Irol, Yrol, Pla, España, Madrid. Abstract For more than thirty years, 1738-1770, Europe did not see any other new treatise for oboe but Pablo Minguet y Irol’s volume: Reglas y Advertencias generales (Madrid, 1754). Actually, the oboe chapter is no more than a fingering chart for the instrument. The most re- levant feature of that chart is that it contains the note, E flat’’’, never before included in any treatise.
    [Show full text]
  • June 2021 ITG Journal
    International Trumpet Guild® Journal to promote communications among trumpet players around the world and to improve the artistic level of performance, teaching, and literature associated with the trumpet June 2021 ITG Journal The International Trumpet Guild® (ITG) is the copyright owner of all data contained in this file. ITG gives the individual end-user the right to: • Download and retain an electronic copy of this file on electronic devices for the sole use of the end-user • Print a single copy of this file • Quote fair-use passages of this file in not-for-profit research papers as long as the ITG Journal, date, and page number are cited as the source. The International Trumpet Guild®, under the umbrella of United States and international copyright laws, prohibits the following without prior writ ten permission from the Publications Editor of the ITG: • Duplication or distribution of this file or its contents in any manner that does not conform with the uses as stated above • Alteration of this file or the data contained herein • Placement of this file on any web site, server, or any other database or device that allows for the accessing or copying of this file or the data contained herein by any party, including such a device intended to be used wholly within an institution. By scrolling past this page you agree to the fair use guidelines stated above. http://www.trumpetguild.org This cover sheet must accompany this file. The removal of this information is strictly prohibited and can result in expulsion from the organization and legal action.
    [Show full text]
  • Medium of Performance Thesaurus for Music
    A clarinet (soprano) albogue tubes in a frame. USE clarinet BT double reed instrument UF kechruk a-jaeng alghōzā BT xylophone USE ajaeng USE algōjā anklung (rattle) accordeon alg̲hozah USE angklung (rattle) USE accordion USE algōjā antara accordion algōjā USE panpipes UF accordeon A pair of end-blown flutes played simultaneously, anzad garmon widespread in the Indian subcontinent. USE imzad piano accordion UF alghōzā anzhad BT free reed instrument alg̲hozah USE imzad NT button-key accordion algōzā Appalachian dulcimer lõõtspill bīnõn UF American dulcimer accordion band do nally Appalachian mountain dulcimer An ensemble consisting of two or more accordions, jorhi dulcimer, American with or without percussion and other instruments. jorī dulcimer, Appalachian UF accordion orchestra ngoze dulcimer, Kentucky BT instrumental ensemble pāvā dulcimer, lap accordion orchestra pāwā dulcimer, mountain USE accordion band satāra dulcimer, plucked acoustic bass guitar BT duct flute Kentucky dulcimer UF bass guitar, acoustic algōzā mountain dulcimer folk bass guitar USE algōjā lap dulcimer BT guitar Almglocke plucked dulcimer acoustic guitar USE cowbell BT plucked string instrument USE guitar alpenhorn zither acoustic guitar, electric USE alphorn Appalachian mountain dulcimer USE electric guitar alphorn USE Appalachian dulcimer actor UF alpenhorn arame, viola da An actor in a non-singing role who is explicitly alpine horn USE viola d'arame required for the performance of a musical BT natural horn composition that is not in a traditionally dramatic arará form. alpine horn A drum constructed by the Arará people of Cuba. BT performer USE alphorn BT drum adufo alto (singer) arched-top guitar USE tambourine USE alto voice USE guitar aenas alto clarinet archicembalo An alto member of the clarinet family that is USE arcicembalo USE launeddas associated with Western art music and is normally aeolian harp pitched in E♭.
    [Show full text]
  • New Light on the Recorder and Flageolet in Colonial North America and the United States, 1700-1840, from Newspaper Advertisements!
    New Light on the Recorder and Flageolet in Colonial North America and the United States, 1700-1840, From Newspaper Advertisements! DAVID LASOCKI Advertisements in early newspapers were the chief source of revenue for such publications, as has been the case from the beginning to the present day.... The publisher of the New York Evening Post, in its issue of December 1, 1803, concisely stated the case for his fellow craftsmen, to cover a period of two cen­ turies: "Subscriptions alone, allowing them to be quadruple to what were ever known in this city, would not support a newspaper establishment; and, in fact, it is the advertiser who provides the paper for the subscriber." It is the adver­ tisements, furthermore, that provide the local color, and enable the historian to reconstruct the picture of a community far more than all the reading mat­ ter in the so-called news. 2 The recent availability of facsimile databases of newspapers has made it possible to do research in a few weeks, sitting at home, that would have formerly taken several years of visits to libraries and archives.3 Having l. "Colonial North America" is of course a broader term than the territory that is now the United States; the early history of duct flutes in Canada and Mexico, not to mention the rest of Latin America, remains to be researched. To save space, initial articles of newspaper names have been removed. Page numbers are omitted in the citations, because the newspapers are short enough to enable the adver­ tisements to be found readily without them.
    [Show full text]
  • A LISTING of INVENTORIES and PURCHASES of FLUTES, RECORDERS, FLAGEOLETS, and TABOR PIPES, 1388–1630 Compiled by David Lasocki
    A LISTING OF INVENTORIES AND PURCHASES OF FLUTES, RECORDERS, FLAGEOLETS, AND TABOR PIPES, 1388–1630 Compiled by David Lasocki © 2004 by David Lasocki, all rights reserved This is an attempt to compile all references to members of the flute family in inventories and purchases of the Middle Ages, Renaissance, and early Baroque. In only a few cases have I been able to see the original source, so I have relied on the transcriptions of others, who are all cited. The English translations are almost all my own, with more than a little help from my friends. The translations are fairly literal, and I have done my best to leave in any ambiguities, commenting on them in parentheses. I realize that it would have been more revealing to include all references to wind instruments in the documents in question, but that is a far larger project for some other day. For now, I trust that the present listing will serve as a useful research tool as well as a fount of inspiration and delight. Acknowledgement: A number of people have provided indispensable help in the compilation and translation of this listing: Frank Bär, Albert Jan Becking, Pierre Boragno, Barra Boydell, Lucie Brodbeckova, Adrian Brown, Nabí Cabestany, Emma Dederick, Liane Ehlich, Rosanna Fidler, Maggie Kilbey, Nicholas Lander, Eva Legêne, Timothy McGee, Herbert Myers, Jonathan Katz Nelson, Keith Polk, Ardal Powell, Roger Prior, Benito Rivera, Andrew Robinson, Samuel Rosenberg, Anne Smith, Nikolaj Tarasov, Marco Tiella, Erich Tremmel, Maria Luz Valdez, Peter Van Heyghen, and Kornel Wolak. I have been able to do this work thanks to the splendid facilities of the Indiana University Libraries and their dedicated faculty and staff, particularly Michael Fling, Head of Collection Development in the Cook Music Library, and the staff in the Interlibrary Loan office.
    [Show full text]