16Th Cycle Program Descriptions – the Lawrence Welk Show
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Brian Casserly, Who Also Goes by the Name "Big B" Plays Trumpet, Trombone and Is Also a Vocalist with the Band
Cornet Chop Suey – Biographies The Cornet Chop Suey Jazz Band has enjoyed a meteoric rise in popularity since its arrival on the jazz scene in 2001. The band's unique front line with Brian Casserly on trumpet, Tom Tucker on cornet, Jerry Epperson on reeds and Brett Stamps on trombone is driven by a powerful rhythm section consisting of Paul Reid on piano, Al Sherman on bass and John Gillick on drums. Best known for a wide variety of styles, Cornet Chop Suey applies its own exciting style to traditional jazz, swing, blues and "big production" numbers. Every performance by Cornet Chop Suey is a high-energy presentation and is always a memorable experience for the audience. Named after a somewhat obscure Louis Armstrong composition, Cornet Chop Suey now has six CD's available. The "St. Louis Armstrong" CD includes many of the tunes performed in the special Louis Armstrong show. The band is in great demand at jazz festivals, jazz cruises, conventions and concerts around the country. Brian Casserly, who also goes by the name "Big B" plays trumpet, trombone and is also a vocalist with the band. A professional musician since the age of 14, Brian has played for many greats in the music business, including Tony Bennett,Tex Beneke, Stan Kenton, Chuck Berry and even Tiny Tim. He has also played the prestigious Monterey Pops Festival for several years. An in-demand session musician, Brian has performed in many commercials, recordings and musicals in the U.S. and Canada and is the past musical director for the S.S. -
[Cost?] of Lessons. His Father Told Him He Played French 2 EDMOND SOUCHON, M.D
EDMOND SOUCHON, M.D. 1 I E of 3]\--Digest--Retyped February^17, 1962 Also present:William Russell Dr. Edmond Soucl-ion II, grandson of Edmond Souchon I, son of Marion Sims Souchon, was born October 25, 1897^ in New Orleans, s, on St. Charles Street at First Street. He can remember as far back as wl-ien he was four years old, as he pointed out in an article he recently wrote about xToe Oliver [in the Jazz Review.RBA]. Discussion about memory. His first memory of music was of the singing of two cooks, who followed [succeeded?-] each other at fhe Souchon residence; they were Aumontine [spelling?] and Adele; both had fine contralto voices, and both sang hymns in the same style of Mahalia Jackson. ES remembers funeral parades [i.e., funeral £ processions]7 the cook would take him to see them; they started at the Bulls Club and always passed Terrell's Grocery (wbere ES and cook jtoined second line) on First Street, on their way to a cemetery on Washington Avenue. ES was impressed by the young Joe Oliver, who played in those parades; ES says Oliver worked in the neiglrborhood, on Magazine at First or Third? WR says it was at Second, that he took pictures of all four corners there, that Bunk Johnson showed him one that it was not, but that Louis Keppard, who worked with Oliver in those days [identified the correct house?]. ES admired Oliver's white teeth; Oliver always chewed a hunk of tar. ES's mother played piano a little; once s1'ie played a waltz and a mazurka for liim and told him that was tTne sum total of $5,000 [cost?] of lessons. -
Bob Havens Musicians “Parade of Bands”
Newsletter of the Sacramento Traditional Jazz Society STJS is a non-profit organization dedicated to the preservation and promotion of traditional jazz music. 106 K Street, Suite #1 • Sacramento, CA 95814 • (916) 444-2004 • www.sacjazz.org VOLUME 44 • NO. 7 AUGUST 2012 Ad rates ............................................................2 Dante Club – info/directions ........................2 Dante Club Notes The Cricket ....................8-10 Dave Robinson’s CFJB Letter to Editor .............4 Future Festivals ............................................12 In Loving Memory ..........................................6 In the Months Ahead .....................................2 Jazz Ed. Graduates Felicia Weatherly ..............4 Jazz Notes ......................................................12 Sept. 9: “Hot Tram Tooter & Membership application .............................16 Music Here & There .......................................13 Bubble Blower” Bob Havens Musicians “Parade of Bands” ......................11 Notes from the Office Vivian Abraham .........2 ob Havens, the great jazz trombon- It began in 1938 at the age of eight. Patron Members ............................................3 Bist, is known to his many loyal fans Trombone lessons started that year. I President’s Message Tom Duff .......................3 from his appearances at jazz festivals, listened intently at home to recorded Raffle Cents Kathy Becker .............................12 STJS Fundraiser on Sept. 28 .........................5 and from his 22 years on the Lawrence music: Swing bands, Dixieland, sym- Sponsorships needed Ken McMurray .............7 Welk Show. Now, he has taken time phonic, you name it. My heros then Thankful for Volunteers ...............................6 to write a personal message to STJS were Tommy Dorsey and Jack Tea- members for whom he will perform at garden—all the while feeding an urge “Jazz Sunday” info ➤ pg. 2 the Sept. 9 Jazz Sunday. This will be a to become a master trombonist such rare appearance for Bob these days, so as they were. -
Texas Polka News - May 2020 Volume 32 | Isssue 15 INSIDE THIS ISSUE
Texas Polka News - May 2020 Volume 32 | Isssue 15 INSIDE THIS ISSUE Texas Covering Polka Dance Hall Music Since 1987News 2 Bohemian Princess Diary eresa Cernoch Parker e New Polka Normal ALL QUIET ON THE SOCIAL 3 Editor’s Log Gary E. McKee DANCING FRONT Lawrence Welk Was Cool! By Gary E. McKee Story on Page 4 3 From our readers 4-6 Featured Story Social Dancing Hostyn Picnic 2019 6 PoLK of A Report 8 Music Review & DJ Profi le Darrel Appelt 9 Wunnerful Welk Cont'd. 10-13 Dances, Festivals, Live Music 13 Boerne Village Band 14 Village Band & Welk Cont'd. 15 Band ads 16 Polka Smiles Sponsored by Slovacek's 2 Texas Polka News - May 2020 Bohemian Princess canceled and rescheduled. When Texas Polka News Staff in doubt please call the venue or eresa Cernoch Parker, Publisher Diary organization to make sure events Gary E. McKee, Editor/Photo Journalist are still taking place. Je Brosch, Artist/Graphic Designer As for TPN, which relies heavily Contributors: Louise Barcak Mark Hiebert John Roberts on ad revenue from events and Justin Everett Karen Williams Kurtz Will Seegers dance venues, I have made the Lauren Haase Julie Matus Rose Vrazel dicult decision to change the Walt Harfmann Earline Berger Okruhlik George Weber Joe Cool Pavlicek Harvey Wise publishing schedule from monthly to every other month. I don't know Contact how long this will last, possibly By Theresa Cernoch Parker until the end of the year. eresa Parker, Texas Polka News [email protected] 118 Vintage Park Blvd, Suite 443 • Houston, TX 77070 281-836-5362 PRINT SCHEDULE & AD [email protected] | Gary: [email protected] With the onset of the COVID-19 DEADLINES pandemic in our country, I thought No June issue Ads/Media last month's column was hard to July issue, deadline for ads, June 1 Articles, ads, letters to the editor deadline: 1st of the month for the next month write, until I sat down to pen this No August issue Ad Rates 1/3 page: $185 1/8: $65 one. -
1 TROMBONE EMBOUCHURE TYPE SELF-ASSESSMENT by DANIEL K
TROMBONE EMBOUCHURE TYPE SELF-ASSESSMENT Daniel Twentey TMUS 8249 Pedagogy Practicum TROMBONE EMBOUCHURE TYPE SELF-ASSESSMENT by DANIEL K. TWENTEY B.A., Virginia Polytechnic Institute and State University, 2010 M.A., Pennsylvania State University, 2012 A dissertation project submitted to the University of Colorado Boulder in partial fulfillment of the requirements for the degree of Doctor of Musical Arts College of Music 2020 Committee Members: Dr. William Stanley Dr. David Rickels Dr. Ryan Gardner Prof. Michael Dunn Dr. Donald McKinney 1 TROMBONE EMBOUCHURE TYPE SELF-ASSESSMENT Daniel Twentey TMUS 8249 Pedagogy Practicum ABSTRACT Twentey, Daniel K. (DMA, Music) Trombone Embouchure Type Self-Assessment Thesis directed by Dr. William Stanley The focus of this study is to create a self-assessment tool with which the user may identify their own embouchure type. The assessment criteria and embouchure types are derived from the embouchure pedagogy of Donald Reinhardt as revised and clarified by Doug Elliott and David Wilken. Three possible embouchure types include Very High Placement, Medium High Placement, and Low Placement. This study utilizes audio/video recordings, user-recorded musical examples, pre-recorded musical examples, self-observation analysis questions, external observation questions, and comparative analysis questions for assessment. The resulting study complements my other dissertation study, Selected Published Literature Concerning Trombone Embouchure: An Evaluation and Reference (2020), which provides accessible information about embouchure-related content in trombone pedagogical literature. In conjunction, these two studies allow trombonists and teachers to filter the reviewed texts according to their compatibility with each of the specified embouchure types. 2 TROMBONE EMBOUCHURE TYPE SELF-ASSESSMENT Daniel Twentey TMUS 8249 Pedagogy Practicum Outline of Assessment Contents I. -
Dj Vladi Playlist Christmas Songs 2014
DJ VLADI PLAYLIST CHRISTMAS SONGS 2014 Dean Martin - Let It Snow! Let It Snow! Let It Snow! Judith Durham - White Christmas Al Martino - Silver Bells Jo Stafford - Winter Wonderland Bing Crosby - Have Yourself A Merry Little Christmas Vera Lynn - Away In A Manger Wayne Newton - Hark! The Herald Angels Sing Ella Fitzgerald - God Rest Ye Merry Gentlemen John Farnham - The First Noel Anne Murray - It's Beginning To Look A Lot Like Christmas Dion - Rockin' Around The Christmas Tree Crystal Gayle - I'll Be Home For Christmas Jan & Dean - Frosty The Snowman Les Paul - Jingle Bells The Spinners - The Twelve Days Of Christmas Lou Rawls - Merry Christmas, Baby Carnie & Wendy Wilson - Jingle Bell Rock Ferrante & Teicher - Sleigh Ride Stacie Orrico - O Come, All Ye Faithful Matt Monro - Mary's Boy Chi ld Eternal - Amazing Grace Kenny Rogers - When A Child Is Born Jamelia - Last Christmas Celtic Woman - O Holy Night Sin ad O'Connor - Silent Night Aled Jones - Walking In The Air Shirley Bassey - Ave Maria {Disc 2} Cliff Richard - Mistletoe And Wine Sarah Brightman - I Believe In Father Christmas the bird and the bee - Carol Of The Bells Amy Grant - Grown-Up Christmas List Glen Campbell - Blue Christmas Deniece Williams - Do You Hear What I Hear? Willie Nelson feat. Norah Jones - Baby It's Cold Outside Bobby Goldsboro - Look Around You Andy Williams - Christmas Holiday Barry Blue - Christmas Moon 11.Keith Marshall - Another Christmas Aaron Neville - Christmas Prayer Dianne Reeves - Christmas Time Is Here Bebe & Cece Winans - Joy To The World Faith Evans -
Seasons Greetings
Seasons Greetings LENGTH TITLE ARTIST bpm 4:33 ¡Happy Birthday Guadalupe! The Killers 143 3:29 8 Days of Christmas Destiny's Child 100 3:33 12 Days of Christmas Relient K 175 3:40 2000 Miles - 2009 Remastered Version Pretenders 99 3:16 Ain't Nothin' Like Christmas Shelby Lynne 133 3:16 All Alone On Christmas Darlene Love 139 3:14 All I Want For Christmas Is You Newsboys 150 4:01 All I Want for Christmas Is You Mariah Carey 150 4:00 All I Want For Christmas Is You (SuperFestive!) Duet withJustin Mariah Bieber Carey 150 2:32 All My Bells Are Ringing Lenka 124 4:13 Appalachian Snowfall - Instrumental Trans-Siberian Orchestra 129 3:02 Baby, It's Cold Outside Kelly Clarkson 118 2:08 Back Door Santa Clarence Carter 104 3:28 Believe In Me fun. 132 3:01 Bianco Natale DJ Sutra 140 4:17 Birth of Love Superherose 112 2:09 Blue Christmas Elvis Presley 95 4:25 Boughs Of Holly - Instrumental Trans-Siberian Orchestra 120 3:49 Brown Sugar The Rolling Stones 129 3:56 Carol of the Bells Mannheim Steamroller 94 4:58 Carol of the Bells (A Demonic Christmas) Dj Demonixx 130 1:25 Carol of the Bells - Voice Peter J. Wilhousky 51 4:35 Carol of the Bells a.k.a Opera of the Bells Destiny's Child 93 2:38 Celebration Mannheim Steamroller 120 5:14 Children Go Where I Send Thee Natalie Merchant 90 2:00 The Chipmunk Song (Christmas Don't Be Late) Hawk Nelson 180 5:44 Christmas Blues Traveler 151 2:33 Christmas (Baby Please Come Home) Mariah Carey 127 2:20 Christmas (Baby Please Come Home) U2 140 2:46 Christmas (Baby Please Come Home) Darlene Love 126 4:14 Christmas All Over Again Tom Petty and the Heartbreakers 139 3:49 Christmas At The Airport Nick Lowe 122 3:07 Christmas At The Zoo The Flaming Lips 99 3:45 Christmas Biscuits (In Aid of St. -
Fayetteville GA Rotary - Song of the W…
7/11/2010 Fayetteville GA Rotary - Song of the W… Song of the Week Welcome Welcome 2009- 2010 print this page Welcome 2009 and earlier PLANNING GUIDE Meeting Information Meeting Schedule SEND YOUR SONG REQUEST TO PAUL ODDO AT [email protected]. We've got 50 years of the Meeting Makeups music Rotary loves best! President's Message Officers & Directors How Singing came to Rotary, and Club Members Off-Color Jokes did not! Four Avenues of Service Paul Harris Fellow Almost everyone who is a member of a Rotary club for more than a year knows that Rotary member Newsletter No. 5, Chicago printer Harry Ruggles, brought singing to Rotary meetings. What almost no one knows Photo Album is why, and most don’t know how important it was to the life of Rotary. Calendar Harry Ruggles was a very moral man. He detested off-color language, About Rotary malicious innuendo and classless humor. He argued in club meetings for Becoming A Member clean language. Little more than a year after Rotary had been formed, at an Useful Links evening meeting in 1906, the guest speaker began a story. Having heard it before, Harry also had heard the off-color ending, and felt it was Contact Us inappropriate for the club, so hejumped up in the middle of the joke and Site Map yelled, “Come on boys, let's sing!” He then led the club in the singing of “Let Guest Speaker Me Call You Sweetheart.” District 6900 Conference This was not only the first time that members had ever sung in Rotary, but apparently, also the first Sporting Clay Event time that a group of businessmen ever sang at a business meeting, anywhere. -
Here at the Beginning
Dixieland Monterey Presents SCHEDULE & VENUE MAP MONTEREY, CALIFORNIA INSIDE 1 Bands 4th Street Five Jazz Band Cow Bop 20th Century Jazz Band Cornet Chop Suey Gremoli Monterey Bay Classic Specs 101st Army Dixieland Band Cocuzzi All-Star Quintet G-Whiz Boogie Band Jass Band Spirit of ‘29 Allan Vaché’s Big Four Cocuzzi/Vaché Swing All-Stars Hal’s Angels Natural Gas Jazz Band State Street with Marsha K Au Brothers Jazz Band Commander’s Jazz Ensemble Hangtown Jazz Band New Reformation Band Steve Lucky & the Rhumba Avalon Swing Crescent Katz High Sierra Jazz Band Night Blooming Jazzmen Bums Banjo Buddies Dixieland Band Crazy Rhythm Hogin’s Heroes Nuclear Whales Saxophone Stumptown Jazz Band Barehanded Wolfchokers Creole Jazz Kings Holland-Coots Jazz Quintet Orchestra Sweet Thursday Jazz Band Barnhart-Midiri Quartet Creole Syncopators Holy Crow Old Friends Swinging Gate Jazz Band Beale Street Jazz Band Crown Syncopators Hot Cotton Jazz Band Olive Street Stompers Swing City! BED Ragtime Trio Hot Frogs Jumping Jazz Band Original Wildcat Jass Band Swing Design Beverly Hills Unlisted Custer’s Last Band Howard Alden Trio Pacific Brass Taking Stock with Jackson Big Mama Sue & Friends Desert City Six Igor’s Jazz Cowboys Parlor Jam Tenth Avenue Jazz Band Big Tiny Little Desolation Jazz Ensemble Illuminati Pat Yankee & Her Gentlemen Titan Hot Seven Bill Allred’s Classic Jazz Band Devil Mountain Jazz Band The International Sextet of Jazz Titanic Jazz Band Black Diamond Jazz Band Dick Johnson’s Mardi Gras Ivory&Gold® Pieter Meijers Quartet Tom Rigney & Flambeau Black Dog Jazz Band Jazz Band Jake Stock & the Abalone Polly’s Hot Paupers Tom Saunders’ Midwest Black Swan Classic Jazz Band Dixieland Express Stompers Port City Jazz Band All-Stars Blue Street Jazz Band Dixieland Inc. -
Great Instrumental
I grew up during the heyday of pop instrumental music in the 1950s and the 1960s (there were 30 instrumental hits in the Top 40 in 1961), and I would listen to the radio faithfully for the 30 seconds before the hourly news when they would play instrumentals (however the first 45’s I bought were vocals: Bimbo by Jim Reeves in 1954, The Ballad of Davy Crockett with the flip side Farewell by Fess Parker in 1955, and Sixteen Tons by Tennessee Ernie Ford in 1956). I also listened to my Dad’s 78s, and my favorite song of those was Raymond Scott’s Powerhouse from 1937 (which was often heard in Warner Bros. cartoons). and to records that my friends had, and that their parents had - artists such as: (This is not meant to be a complete or definitive list of the music of these artists, or a definitive list of instrumental artists – rather it is just a list of many of the instrumental songs I heard and loved when I was growing up - therefore this list just goes up to the early 1970s): Floyd Cramer (Last Date and On the Rebound and Let’s Go and Hot Pepper and Flip Flop & Bob and The First Hurt and Fancy Pants and Shrum and All Keyed Up and San Antonio Rose and [These Are] The Young Years and What’d I Say and Java and How High the Moon), The Ventures (Walk Don't Run and Walk Don’t Run ‘64 and Perfidia and Ram-Bunk-Shush and Diamond Head and The Cruel Sea and Hawaii Five-O and Oh Pretty Woman and Go and Pedal Pusher and Tall Cool One and Slaughter on Tenth Avenue), Booker T. -
U-Bit #19100044> -Trailer 05:00:13 Who's Afraid
JOHN E. ALLEN, INC. JEA T.O.77 <05/96> [u-bit #19100044> -trailer 05:00:13 Who’s Afraid Of Virginia Woolf? (1966) (Elizabeth Taylor, Richard Burton) -05:02:21 [Warner Brothers] [b/w] note: copyright renewed - additional clearance required -television program <musical variety> The Dean Martin Show (1960s) [sound] 05:02:32 Dean Martin singing Who Knows Where Or When 05:05:35 Don Knots impersonating Frank Sinatra (smoking cigarette) 05:12:38 Dean Martin singing All Or Nothing At All (smoking cigarette) 05:14:50 Dorothy Provine and Dean Martin singing In The Cool Cool Cool Of The Evening 05:21:14 Frank Sinatra singing Old McDonald Had A Farm 05:25:36 Dean Martin and Frank Sinatra spoofing This Is Your Life including stock shots of sailors on ship and clip from From Here To Eternity (1953) of surf rolling over Burt Lancaster and Deborah Kerr making love on beach and clip from Johnny Concho (1956) with Sinatra telling Keenan Wynn to “Shut Your Filthy Mouth” and clip from Suddenly of Sinatra pointing rifle and saying “We Got Just Three Seconds To Nail The President” 05:33:11 Dean Martin and Frank Sinatra smoking cigarettes while singing medley: This Love Of Mine, I’ll Never Smile Again, Three Coins In The Fountain, If You’re Young At Heart, Oh La La La, I Love Paris, Night And Day, South Of The Border, Tender Trap, Bewitched Bothered and Bewildered, I’ve Got You Under My Skin, Taking A Chance On Love, Love And Marriage, Making Whoopee, All Of Me, They Gave Birth To The Blues What A Swell Party This Is 05:42:50 Sammy Davis Jr. -
TELEVISION Part I of a Survey, by Leonard Feather
::3 TELEVISION Part I Of A Survey, By Leonard Feather FOR THE RECORD—and in the interests of enlightening Another one-shot special was Duke Ellington Swings posterity and giving credit that is seldom acknowledged— through Japan, a segment of the Columbia Broadcasting it should be said that the last few weeks of 1964 and the System's Twentieth Century series, seen just before Christ• first couple of months of 1965 were a fruitful period for mas. television jazz. In contrast with the Condon show, which could have The skeptic may reply: "Yeah? I didn't see Miles take said in a half-hour all it had to say, this was squeezed into over The Lawrence Welk Show." 30 minutes when it could well have run twice as long. Its But in assessing the manner and extent of the use of brevity was the only thing wrong with it; in almost every jazz in this medium it is reasonable to take certain facts other respect it was one of the best shows of its kind ever into consideration. One is that the prime-time evening screened. television program, for the most part, is aimed at securing Produced by Isaac Kleinerman and admirably written the attention of as many as possible of the 192,000,000 by Jack Beck, this was the story of a band on tour. It potential viewers in the United States. did not purport to be a program of music, though there Another is the inescapable logic of the argument that were enough extended excerpts from concerts to give it music per se is not visual, and that classical music, pop meaning on this level also.