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A Historical Aspect of the Restoration Measure, Distinctions of Original and New Architectural Materials : a Case Study and Spreads in Italy and in the World
View metadata, citation and similar papers at core.ac.uk brought to you by CORE A Historical Aspect of the Restoration Measure, Distinctions of Original and New Architectural Materials : A Case Study and Spreads in Italy and in the World 著者 大場 豪 号 59 学位授与機関 Tohoku University 学位授与番号 工博第5122号 URL http://hdl.handle.net/10097/62696 おお ば ごう 氏名 EA 大 場 豪 授与学位 A EA 博士(工学) 学位授与年月日 A EA 平成27年3月25日 学位授与の根拠法規 学位規則第 4 条第 1 項 研究科,専攻の名称 東北大学大学院工学研究科(博士課程)都市・建築学専攻 学位論文題目 A EA A Historical Aspect of the Restoration Measure, Distinctions of Original and New Architectural Materials: A Case Study and Spreads in Italy and in the World 指導教員 東北大学准教授 飛ヶ谷潤一郎 論文審査委員 A EA 主査 東北大学教授 飛ヶ谷潤一郎 東北大学教授 石田壽一 東北大学教授 五十嵐太郎 論文内容要旨 A E The distinction of original and new architectural materials is the restoration method especially applied for reassembling archaeological monuments. These members are distinguishable, for examples, by means of using different types of architectural members or of sculpturing the newly inserted parts plane unlike the original ones with detailed ornaments. According to the Venice Charter―the international guidelines on the restorations of monuments and sites―, it regards the former material as a respectable 1 element to achieve the intervention goalP0F .P The genuine also has an important role; it is one of information sources to evaluate the authenticity of UNESCO World Cultural Heritage sites. These roles testify values of original materials in Europe where many historical buildings contain durable materials such as stone and bricks. In order to comprehend their importance historically, this dissertation deals with following steps until the restoration measure became the global method. -
Life in the Roman Empire a Roman City Typically Had a Forum
CK_3_TH_HG_P091_145.QXD 4/11/05 10:56 AM Page 133 himself. Commodus spent much of his time not governing but racing chariots and fighting as a gladiator in the amphitheater. He fought hundreds of times and Teaching Idea killed lions, panthers, and elephants—and men—by the scores. In his famous his- Roman homes were lit with terra- tory, Decline and Fall of the Roman Empire, the historian Edward Gibbon memo- cotta or bronze lamps. Have students rably described the character of Commodus as a man more intent on pursuing his make their own lamps using the own pleasure than leading his people. directions on Instructional Master 22, Commodus was strangled to death in his bath in 192 CE. After his death, the Making a Terra-Cotta Lamp. After Senate ordered that all mention of him and his reign be expunged from the doing this activity, have students records. write a description of why it would be important to have these lamps in a Another famously wicked emperor was Nero, who ruled Rome well before Roman house. Compare and contrast Commodus, from 54–68 CE. Nero was given a good education—his tutor was the the use of these lamps to the lights philosopher Seneca—but he used his powers as emperor to suit his own purposes. that students use in their own homes. In the second year of his reign, he grew resentful of his mother’s attempts to con- What are the similarities and differ- trol him and began scheming to get rid of her. After having his mother murdered, ences? What are the advantages and he later murdered his wife and then married his mistress. -
Roman Entertainment
Roman Entertainment The Emergence of Permanent Entertainment Buildings and its use as Propaganda David van Alten (3374912) [email protected] Bachelor thesis (Research seminar III ‘Urbs Roma’) 13-04-2012 Supervisor: Dr. S.L.M. Stevens Contents Introduction ................................................................................................................................ 3 1: The development of permanent entertainment buildings in Rome ...................................... 9 1.1 Ludi circenses and the circus ............................................................................................ 9 1.2 Ludi scaenici and the theatre ......................................................................................... 11 1.3 Munus gladiatorum and the amphitheatre ................................................................... 16 1.4 Conclusion ...................................................................................................................... 19 2: The uncompleted permanent theatres in Rome during the second century BC ................. 22 2.0 Context ........................................................................................................................... 22 2.1 First attempts in the second century BC ........................................................................ 22 2.2 Resistance to permanent theatres ................................................................................ 24 2.3 Conclusion ..................................................................................................................... -
The Restoration of the Arch of Titus in The
日本建築学会計画系論文集 第82巻 第734号,1109-1114, 2017年4月 【カテゴリーⅠ】 J. Archit. Plann., AIJ, Vol. 82 No. 734, 1109-1114, Apr., 2017 DOI http://doi.org/10.3130/aija.82.1109 THE RESTORATION OF THE ARCH OF TITUS THE RESTORATIONIN THE OF THE NINETEENTH ARCH OF TITUS CENTURY: IN THE NINETEENTH The intention of Giuseppe Valadier regardingCENTURY: distinctions between old and new architectural materials The intervention of Giuseppe Valadier19 世紀のティトゥスの凱旋門の修復 regarding distinctions between old and new architectural materials 工法「新旧の建材の識別」に関するジュゼッペ・ヴァラディエの意図19 ୡ⣖ࡢࢸࢺࢫࡢถ᪕㛛ࡢಟ ᕤἲࠕ᪂ᪧࡢᘓᮦࡢ㆑ูࠖ㛵ࡍࡿࢪࣗࢮࢵ࣭ࣦ࣌ࣛࢹ࢚ࡢពᅗ Go OHBA * 大場 豪 ሙ * Go OHBA The Arch of Titus, restored in the first half of nineteenth century, is a restoration model in terms of certain distinctions between old and new architectural materials. To comprehend the intervention method, this study examined sources on the restoration and compared with a case study, the restoration of the eastern outer wall of the Colosseum. As a result, this study pointed that the Roman architect Giuseppe Valadier sought architectural unity that denoted for the harmony of the two different types of materials. Keywords: The Arch of Titus, restoration, Giuseppe Valadier, The Colosseum ࢸࢺࢫࡢถ᪕㛛㸪ಟ㸪ࢪࣗࢮࢵ࣭ࣦ࣌ࣛࢹ࢚, ࢥࣟࢵࢭ࢜ Recognize Introduction proposal was based on the restoration of the Arch of Titus, as he himself This study discusses the restoration of the Arch of Titus from 1818 to mentioned in Mouseion, the journal of conference’s host organization the 1823 in Rome. The intervention made the ancient monument valuable for International Museum Office4). This episode proved that people still the interplay between old and new architectural materials, a concept that is exemplified the intervention one hundred years after its implementation in taken in restoration projects abroad. -
Read Ebook > the Circus Maximus and the Colosseum: the History
6O7WQUKLJUMD ^ eBook // The Circus Maximus and the Colosseum: The History of Ancient Rome s... Th e Circus Maximus and th e Colosseum: Th e History of A ncient Rome s Most Famous Sports V enues (Paperback) Filesize: 2.44 MB Reviews This publication might be well worth a read through, and much better than other. It is amongst the most incredible book i actually have read through. I am delighted to tell you that here is the finest book i actually have read through inside my own life and could be he best ebook for possibly. (Aracely Hickle) DISCLAIMER | DMCA WHRHDX3IHYKK « Kindle « The Circus Maximus and the Colosseum: The History of Ancient Rome s... THE CIRCUS MAXIMUS AND THE COLOSSEUM: THE HISTORY OF ANCIENT ROME S MOST FAMOUS SPORTS VENUES (PAPERBACK) Createspace Independent Publishing Platform, 2018. Paperback. Condition: New. Language: English . Brand New Book ***** Print on Demand *****.*Includes pictures *Includes ancient accounts *Includes online resources and a bibliography for further reading The ambitious and fearless emperors that built the legendary Roman Empire from scratch, the broad-shouldered and bronzed gladiators with their iconic plume helmets and glinting swords, and elaborate parties attended by toga-wearing Romans fueled by alcohol, violence, orgies, and other godless acts all paint a picture of Roman life. At the Circus Maximus, the guttural cheers of the spectators reverberated across the enormous open space, but their cries could hardly be heard over the rumble of the ground. On the ellipse-shaped track, 5 charioteers would skew their bodies and steer their magnificent vehicles around the curves. -
Pompey and Cicero: an Alliance of Convenience
POMPEY AND CICERO: AN ALLIANCE OF CONVENIENCE THESIS Presented to the Graduate Council of Texas State University-San Marcos in Partial Fulfillment of the Requirements for the Degree Master of ARTS by Charles E. Williams Jr., B.A. San Marcos, Texas May 2013 POMPEY AND CICERO: AN ALLIANCE OF CONVENIENCE Committee Members Approved: ______________________________ Pierre Cagniart, Chair ______________________________ Kenneth Margerison ______________________________ Elizabeth Makowski Approved: ______________________________ J. Michael Willoughby Dean of the Graduate College COPYRIGHT by Charles E. Williams Jr. 2013 FAIR USE AND AUTHOR’S PERMISSION STATEMENT Fair Use This work is protected by the Copyright Laws of the United States (Public Law 94- 553, section 107). Consistent with fair use as defined in the Copyright Laws, brief quotations from this material are allowed with proper acknowledgment. Use of this material for financial gain without the author’s express written permission is not allowed. Duplication Permission As the copyright holder of this work I, Charles E. Williams Jr., authorize duplication of this work, in whole or in part, for educational or scholarly purposes only. ACKNOWLEDGEMENTS Above all I would like to thank my parents, Chuck and Kay Williams, for their continuing support, assistance, and encouragement. Their desire to see me succeed in my academic career is perhaps equal to my own. Thanks go as well to Dr Pierre Cagnart, without whom this work would not have been possible. His expertise in Roman politics and knowledge concerning the ancient sources were invaluable. I would also like to thank Dr. Kenneth Margerison and Dr. Elizabeth Makowski for critiquing this work and many other papers I have written as an undergraduate and graduate student. -
Recent Discoveries on the Palatine Hill, Rome Author(S): Commendatore Boni Source: the Journal of Roman Studies, Vol
Recent Discoveries on the Palatine Hill, Rome Author(s): Commendatore Boni Source: The Journal of Roman Studies, Vol. 3, Part 2 (1913), pp. 242-252 Published by: Society for the Promotion of Roman Studies Stable URL: http://www.jstor.org/stable/296228 . Accessed: 24/10/2013 05:40 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Society for the Promotion of Roman Studies is collaborating with JSTOR to digitize, preserve and extend access to The Journal of Roman Studies. http://www.jstor.org This content downloaded from 131.94.16.10 on Thu, 24 Oct 2013 05:40:44 AM All use subject to JSTOR Terms and Conditions I' Q a a !**?* 4 00 0 ?0 0' ? c B o a t I FIGOF THEPLAN DO S F M ON TE P E HL (p. 2, FIG. 40. PLAN OF THE DOMUS FLAVIORUM ON THE PALATINE HILL (pp. 246, 252). A. Basilica. B. Vestibule or throne-room. C. Dining-room. D. Nymphaeum. This content downloaded from 131.94.16.10 on Thu, 24 Oct 2013 05:40:44 AM All use subject to JSTOR Terms and Conditions RECENT DISCOVERIES ON THE PALATINE HILL, ROME.1 By COMMENDATOREBONI. -
“Empire Without End”: Augustan Rome and the Founding of the Principate Humanities and Religious Studies 196A
“Empire without End”: Augustan Rome and the Founding of the Principate Humanities and Religious Studies 196A A focused study of Roman cultural history at the time of the transition, orchestrated primarily by the emperor Augustus, from the republic to the principate (or empire). Emphasis will be on understanding Augustan values through attention to the literature, visual arts, architecture, and governmental, social, and economic policies that helped to establish the principate according to Augustus’ vision. Course time in Rome will be devoted primarily to visiting archaeological sites, monuments, and museum collections, and to ongoing discussion of their relationship to important literary works (to be studied prior to departure), and of the relevance of all these various manifestations of Augustan culture to the emperor’s program of reform. Expected Learning Outcomes Students will be able to: • Summarize the historical framework of the late republican and early imperial periods (i.e., 133 BCE to 68 CE) and explain key historical events for understanding Augustan culture • Define auctoritas as it applies to Augustus and the Augustan period, and cite examples drawn from various forms of literature and material culture • Identify traditional Roman values that Augustus emphasized, and explain how these values were manifested in Augustan culture • Describe a wide variety of literary works, archaeological sites, and architectural and artistic achievements from the Augustan period • Differentiate the main political and social components of the republican period from those of the early principate • Identify examples of Augustan influence on subsequent historical developments, as manifested in cultural features of Rome Course Requirements Required readings • Karl Galinsky, Augustan Culture • Selected readings to be assigned by instructor (e.g. -
Framing the Sun: the Arch of Constantine and the Roman Cityscape Elizabeth Marlowe
Framing the Sun: The Arch of Constantine and the Roman Cityscape Elizabeth Marlowe To illustrate sonif oi the key paradigm shifts of their disci- C^onstantine by considering the ways its topographical setting pline, art historians often point to the fluctuating fortunes of articulates a relation between the emperor's military \ictoiy ihe Arrh of Constantine. Reviled by Raphael, revered by Alois and the favor of the sun god.'' Riegl, condemned anew by the reactionary Bernard Beren- son and conscripted by the openly Marxist Ranucchio Bian- The Position of the Arch rhi Bandineili, the arch has .sened many agendas.' Despite In Rome, triumphal arches usually straddled the (relatively their widely divergent conclusions, however, these scholars all fixed) route of the triumphal procession.^ Constantine's share a focus on the internal logic of the arcb's decorative Arch, built between 312 and 315 to celebrate his victory over program. Time and again, the naturalism of the monument's the Rome-based usuiper Maxentius (r. 306-12) in a bloody spoliated, second-century reliefs is compared to the less or- civil war, occupied prime real estate, for the options along ganic, hieratic style f)f the fourth-<:entur\'canings. Out of that the "Via Triumphalis" (a modern term but a handy one) must contrast, sweeping theorie.s of regrettable, passive decline or have been rather limited by Constantine's day. The monu- meaningful, active transformation are constructed. This ment was built at the end of one of the longest, straightest methodology' has persisted at the expense of any analysis of stretches along the route, running from the southern end of the structure in its urban context. -
{Download PDF} Lupercal
LUPERCAL PDF, EPUB, EBOOK Ted Hughes | 63 pages | 10 Jan 1998 | FABER & FABER | 9780571092468 | English | London, United Kingdom Lupercal PDF Book Augurs divinatory personages had…. The legends say that Romulus and Remus were nursed by a she-wolf in the Lupercal. The siege of the Imperial Palace then began in earnest. Overwhelmed with rage, the headstrong Ferrus Manus disregarded the counsel of his brothers Corax and Vulkan and hurled himself against the fleeing rebels, seeking to bring Fulgrim to personal combat. By the second century A. If I could write something that moved readers to anything near where Hughes does me; to place beyond the simple romantic view of nature, to a world of myth, where you feel like a child in his hands, I would be a happy little amateur poet Horus did not adhere to the rules of war, nor did he baulk at the use of a tactic because it offended sensibilities. Their hurt feelings over His seeming abandonment of the Great Crusade to pursue a secret project whose purpose He chose not to reveal to His sons laid the seeds of jealousy and resentment that would ultimately blossom into the corruption that begat the Horus Heresy. Open Preview See a Problem? However, not all Astartes of the Legions joined the lodges, as many saw them as a direct violation of the Emperor's desires that all Space Marines dedicate themselves to truth and openness with others and among themselves. Erebus had managed to complete his blasphemous ritual on Calth's surface, which summoned a Ruinstorm to the galaxy's Eastern Fringe -- a monstrous Warp Storm larger and more destructive than anything space-faring humanity had witnessed since the days of the Age of Strife. -
The Colosseum As an Enduring Icon of Rome: a Comparison of the Reception of the Colosseum and the Circus Maximus
The Colosseum as an Enduring Icon of Rome: A Comparison of the Reception of the Colosseum and the Circus Maximus. “While stands the Coliseum, Rome shall stand; When falls the Coliseum, Rome shall fall; And when Rome falls - the World.”1 The preceding quote by Lord Byron is just one example of how the Colosseum and its spectacles have captivated people for centuries. However, before the Colosseum was constructed, the Circus Maximus served as Rome’s premier entertainment venue. The Circus was home to gladiator matches, animal hunts, and more in addition to the chariot races. When the Colosseum was completed in 80 CE, it became the new center of ancient Roman amusement. In the modern day, thousands of tourists each year visit the ruins of the Colosseum, while the Circus Maximus serves as an open field for joggers, bikers, and other recreational purposes, and is not necessarily an essential stop for tourists. The ancient Circus does not draw nearly the same crowds that the Colosseum does. Through an analysis of the sources, there are several explanations as to why the Colosseum remains a popular icon of Rome while the Circus Maximus has been neglected by many people, despite it being older than and just as popular as the Colosseum in ancient times. Historiography Early scholarship on the Colosseum and other amphitheaters focused on them as sites of death and immorality. Katherine Welch sites L. Friedländer as one who adopted such a view, 1 George Gordon Byron, “Childe Harold's Pilgrimage, canto IV, st. 145,” in The Selected Poetry of Lord Byron, edited by Leslie A. -
The Destruction of Ancient Rome
MISCELLANEOUS. 237 labors a scientific coloring, and has consulted and critically discussed the psycho- logical and metaphysical literature of our day bearing on his topic. He is espe- cially concerned with the metaphysical proof of immortality from spirituality, and believes that in the belief in life eternal we have not an affair of sentiment, but one that admits of sound metaphysical demonstration. He has accordingly pro- ceeded psychologically and philosophically to establish that proof. The manifes- tations of our intellectual and voluntary activity are spiritual ; therefore, the ulti- mate source of these operations is likewise spiritual ; these are the phenomena, and consequently they presuppose a substance ; whence follows the reality of a spir- itual substance, of an indestructible and necessarily immortal self. His argument is founded upon the psychological study of the nature of human thought and the ego. Teleology is invoked only as the complement of the metaphysical proof. 11. THE DESTRUCTION OF ANCIENT ROME. At the southern extremity of the famed Palatine hill in Rome may still be seen the remains of the magnificent palace of the Emperor Septimius Severus towering in reminiscence of its ancient grandeur some 160 feet above the level of the modern streets. By measurements made to-day and compared with the de- scriptions and drawings of those who saw the Palatine in a better state of preserva- tion, it has been estimated by archaeologists that the original palace was 490 feet long, 390 feet wide, and 160 feet high. To-day it has almost completely dis- appeared, and only a few pieces of crumbling wall are left here and there against the cliff to tell the tale.