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JULY 2021 1THURSDAY 2FRIDAY DAYTIME THEME: DAYTIME THEME: TCM BIRTHDAY TRIBUTE: WILLIAM WYLER KEEPING THE KIDS BUSY PRIMETIME THEME: PRIMETIME THEME: SELVIS FRIDAY NIGHT NEO-NOIR Seeing Double 8:00 PM Harper (‘66) 8:00 PM Kissin’ Cousins (‘64) 10:15 PM Point Blank (‘67) 10:00 PM Double Trouble (‘67) 12:00 AM Warning Shot (‘67) 12:00 AM Clambake (‘67) 2:00 AM Live A Little, Love a Little (‘68) 3SATURDAY 4SUNDAY DAYTIME THEME: DAYTIME THEME: SATURDAY MATINEE HAPPY INDEPENDENCE DAY PRIMETIME THEME: PRIMETIME THEME: GABLE GOES WEST HAPPY INDEPENDENCE DAY 8:00 PM The Misfits (‘61) 8:00 PM Yankee Doodle Dandy (‘42) 10:15 PM The Tall Men (‘55) 10:15 PM 1776 (‘72) JULY JailhouseThes Stranger’s Rock(‘57) Return (‘33) S STAR OF THE MONTH: Elvis 5MONDAY 6TUESDAY 7WEDNESDAY P TCM SPOTLIGHT: Star Signs DAYTIME THEME: DAYTIME AND PRIMETIME THEME(S): DAYTIME THEME: MEET CUTES DAYTIME THEME: TY HARDIN TCM PREMIERE PRIMETIME THEME: SOMETHING ON THE SIDE PRIMETIME THEME: DIRECTED BY BRIAN DE PALMA PRIMETIME THEME: THE GREAT AMERICAN MIDDLE TWITTER EVENTS 8:00 PM The Bonfire of the Vanities (‘90) PSTAR SIGNS Small Town Dramas NOT AVAILABLE IN CANADA 10:15 PM Obsession (‘76) Fire Signs 8:00 PM Peyton Place (‘57) 12:00 AM Sisters (‘72) 8:00 PM The Cincinnati Kid (‘65) 10:45 PM Picnic (‘55) 1:45 AM Blow Out (‘81) (Steeve McQueen – Aries) 12:45 AM East of Eden (‘55) 4:00 AM Body Double (‘84) 10:00 PM The Long Long Trailer (‘59) 3:00 AM Kings Row (‘42) (Lucille Ball – Leo) 5:15 AM Our Town (‘40) 12:00 AM The Bad and the Beautiful (‘52) (Kirk Douglas–Sagittarius) -
The Truth About Elvis” Movie Website from Back in March 2007 – This Is Reproduced Here for Educational Purposes Only
THIS IS TEXT FROM THE RESEARCH SECTION OF “THE TRUTH ABOUT ELVIS” MOVIE WEBSITE FROM BACK IN MARCH 2007 – THIS IS REPRODUCED HERE FOR EDUCATIONAL PURPOSES ONLY. PLEASE CHECK OUT THE GROUP ON FACEBOOK FOR MORE INFORMATION OR TO HELP WITH THE SEARCH FOR THE TRUTH. https://www.facebook.com/groups/48484318100/ OR MICKEY'S WEBSITE AT http://elvisconspiracy.webs.com/ Cheers & TCB! I'm going to post sightings, leads and research here. I'll post this information as I go along, so you can see some of the information I'm using to move forward. FROM ME: WE REALLY APPRECIATE THE EMAILS WE RECEIVE FROM FANS. LET US KNOW IF YOU HAVE ANY INTERESTING NEWS. THANKS, ADAM 3/14/07 Hi Adam, I finally had the chance to read "Elvis & Me by Priscilla and thought I'd share a little info with you. As I read the book, I really find it hard to believe that Priscilla would put some of the information she has in the book if Elvis was alive. There is quite a bit of their intimacy moments in the book and knowing what I've read about the two of them, it's hard to believe Priscilla even sharing this information. All I know is that I have very mixed feelings about the whole Elvis thing. Is it a money gimmick and/or just to keep Elvis and themselves in the limelight light. I do know that people are out to make a buck off of him. Some of those addresses on People Search are phony and they shouldn't be allowed to rip people off by using his middle initial and date of birth. -
Elvis Quarterly 89 Ned
UEPS QUARTERLY 89 Driemaandelijks / Trimestriel januari-februari-maart 2009 / Afgiftekantoor Antwerpen X - erk. nr.: 708328 januari-februari-maart 2009 / Afgiftekantoor Antwerpen X - erk. nr.: Driemaandelijks / Trimestriel The United Elvis Presley Society is officieel erkend door Elvis en Elvis Presley Enterprises (EPE) sedert 1961 The United Elvis Presley Society Elvis Quarterly Franstalige afdeling: Driemaandelijks tijdschrift Jean-Claude Piret - Colette Deboodt januari-februari-maart 2009 Rue Lumsonry 2ème Avenue 218 Afgiftekantoor: Antwerpen X - 8/1143 5651 Tarcienne Verantwoordelijk uitgever: tel/fax 071 214983 Hubert Vindevogel e.mail: [email protected] Pijlstraat 15 2070 Zwijndrecht Rekeningnummers: tel/fax: 03 2529222 UEPS (lidgelden, concerten) e-mail: [email protected] 068-2040050-70 www.ueps.be TCB (boetiek): Voorzitter: 220-0981888-90 Hubert Vindevogel Secretariaat: Nederland: Martha Dubois Giro 2730496 (op naam van Hubert Vindevogel) IBAN: BE34 220098188890 – BIC GEBABEBB (boetiek) Medewerkers: IBAN: BE60 068204005070 – BIC GCCCBEBB (lidgelden – concerten) Tina Argyl Cecile Bauwens Showroom: Daniel Berthet American Dream Leo Bruynseels Dorp West 13 Colette Deboodt 2070 Zwijndrecht Pierre De Meuter tel: 03 2529089 (open op donderdag, vrijdag en zaterdag van 10 tot 18 uur Marc Duytschaever - Eerste zondag van elke maand van 13 tot 18 uur) Dominique Flandroit Marijke Lombaert Abonnementen België Tommy Peeters 1 jaar lidmaatschap: 18 € (vier maal Elvis Quarterly) Jean-Claude Piret 2 jaar: 32 € (acht maal Elvis Quarterly) Veerle -
Inside Tv Pg 7 01-03
The Goodland Daily News / Friday, January 3, 2003 7 Channel guide Legal Notice Prime time 2 PBS; 3 TBS; 4 ABC; 5 HBO; 6 CNN; 7 CBS; 8 NBC (KS); 11 TVLND; 12 Pursuant to K.S.A. 82a-1030, the board of directors of ESPN; 13 FOX; 15 MAX; 16 TNN; 18 the Northwest Kansas Ground water Management LIFE; 20 USA; 21 SHOW; 22 TMC; 23 Mammograms can District No. 4 will conduct on February 19, 2003 a TV MTV; 24 DISC; 27 VH1; 28 TNT; 30 public hearing in order to hear testimony regarding FSN; 31 CMT; 32 FAM; 33 NBC (CO); save your life. 34 NICK; 36 A&E; 38 SCI; 39 TLC; 40 If you are between 50-64 revisions to the 2003 operating budget. Said revisions FX; 45 FMC; 49 E!; 51 TRAV; 53 WB; you may qualify for a FREE consist of incorporating all 2002 unexpended funds 54 ESPN2; 55 ESPN News; 58 HIST; mammogram. into the previously approved 2003 operating budget. schedule 62 HGTV; 99 WGN. The hearing will begin at 11:30 a.m. central standard For more information time at the Comfort Inn, 2225 S. Range, Colby, Kan- regarding this program Friday Evening January 3, 2003 contact: sas. Copies of the proposed revised 2003 budget will 7:00 7:30 8:00 8:30 9:00 9:30 10:00 10:30 11:00 11:30 KLBY/ABC Tostitos Fiesta Bowl Local Local Local Dorendo Harrel be made available at the hearing site. Attest: Robin Deeds, GMD 4 Secretary KBSL/CBS Hack 48 Hours Local Late Show Late Late Show Local (785) 899-4888 KSNW/NBC Dateline NBC Local Tonight Show Conan Local KUSA/NBC Dateline NBC Law & Order: SVU Local Tonight Show Conan KDVR/FOX The Nutty Professor Local Local Local Local Local Local Cable Channels A&E No Mercy Third Watch Biography No Mercy AMC Smokey and the Bandit II Tales from Empire of the Ants Tales from CMT Living Proof: The Hank Williams, Jr. -
RCA/Legacy Set to Release Elvis Presley - a Boy from Tupelo: the Complete 1953-1955 Recordings on Friday, July 28
RCA/Legacy Set to Release Elvis Presley - A Boy From Tupelo: The Complete 1953-1955 Recordings on Friday, July 28 Most Comprehensive Early Elvis Library Ever Assembled, 3CD (Physical or Digital) Set Includes Every Known Sun Records Master and Outtake, Live Performances, Radio Recordings, Elvis' Self-Financed First Acetates, A Newly Discovered Previously Unreleased Recording and More Deluxe Package Includes 120-page Book Featuring Many Rare Photos & Memorabilia, Detailed Calendar and Essays Tracking Elvis in 1954-1955 A Boy From Tupelo - The Complete 1953-55 Recordings is produced, researched and written by Ernst Mikael Jørgensen. Elvis Presley - A Boy From Tupelo: The Sun Masters To Be Released on 12" Vinyl Single Disc # # # # # Legacy Recordings, the catalog division of Sony Music Entertainment, and RCA Records will release Elvis Presley - A Boy From Tupelo - The Complete 1953-1955 Recordings on Friday, July 28. Available as a 3CD deluxe box set and a digital collection, A Boy From Tupelo - The Complete 1953-1955 Recordings is the most comprehensive collection of early Elvis recordings ever assembled, with many tracks becoming available for the first time as part of this package and one performance--a newly discovered recording of "I Forgot To Remember To Forget" (from the Louisiana Hayride, Shreveport, Louisiana, October 29, 1955)--being officially released for the first time ever. A Boy From Tupelo – The Complete 1953-1955 Recordings includes--for the first time in one collection--every known Elvis Presley Sun Records master and outtake, plus the mythical Memphis Recording Service Acetates--"My Happiness"/"That's When Your Heartaches Begin" (recorded July 1953) and "I'll Never Stand in Your Way"/"It Wouldn't Be the Same (Without You)" (recorded January 4, 1954)--the four songs Elvis paid his own money to record before signing with Sun. -
Brushy Mountain State Penitentiary: a Historic Landscape of Incarceration
BRUSHY MOUNTAIN STATE PENITENTIARY: A HISTORIC LANDSCAPE OF INCARCERATION by Kelli Gibson A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in History Middle Tennessee State University August 2018 Thesis Committee: Dr. Carroll Van West, Chair Dr. Louis Kyriakoudes ABSTRACT This thesis explores the history of Brushy Mountain State Penitentiary and its role in shaping the cultural and physical landscapes of Morgan County, Tennessee. It begins with the historic prison’s origins and traces its development into a twentieth century state penitentiary. Considering the impact of both historic and contemporary practices of incarceration on the region, the thesis argues that Morgan County’s history of imprisonment had a profound and persisting impact on local identity. The thesis then considers the adaptive reuse of former prisons, using the current tourism redevelopment of Brushy Mountain as a case study highlighting the ways in which imprisonment continues to shape the region’s legacy. ii TABLE OF CONTENTS LIST OF FIGURES ......................................................................................................................... iv INTRODUCTION ............................................................................................................................ 1 CHAPTER ONE: ORIGINS, DEVELOPMENT, AND EARLY LANDSCAPE, 1893-1935 ........ 6 CHAPTER TWO: THE SHAPING OF A TWENTIETH CENTURY CARCERAL LANDSCAPE, 1966-2009 ............................................................................................................ -
Chapter 10 Alan C
142 Psychobiographies of Artists Chapter 10 Alan C. Elms & Bruce Heller Twelve Ways to Say “Lonesome” Assessing Error and Control in the Music of Elvis Presley n the current edition of the Oxford English lyrics of “Are You Lonesome Tonight?” . IDictionary (2002), twenty-two usage citations [H]e sweats so much that his face seems to be include the name of Elvis Presley. The two earli- melting away. [T]he dissolving face . est citations, from 1956, show the terms “rock recalls De Palma’s pop-culture horror movie and roll” and “rockin’” in context. A more re- Phantom of the Paradise. (p. 201) cent citation, from a 1981 issue of the British magazine The Listener, demonstrates the usage As an example of biography, Albert Goldman of the word “docudrama”: “In the excellent (1981) concluded his scurrilous best-seller Elvis docudrama film, This Is Elvis, there is a painful with a description of the same scene: sequence . where Elvis . attempts to sing ‘Are You Lonesome Tonight?’” (The ellipses are He is smiling but sweating so profusely that the OED’s.) his face appears to be bathed in tears. Going This Is Elvis warrants the term “docudrama” up on a line in one of those talking bridges because it uses professional actors to re-enact he always had trouble negotiating, he comes scenes from Elvis’s childhood and prefame youth. down in a kooky, free-associative monologue But most of the film is straight documentary. The that summons up the image of the dope- “painful sequence” cited by The Listener and the crazed Lenny Bruce. -
For Preview Only WHO KILLED ELVIS?
By Craig Sodaro © Copyright 2002, PIONEER DRAMA SERVICE, INC. PERFORMANCE LICENSE The amateur and professional acting rights to this play are controlled by PIONEER DRAMA SERVICE, INC., P.O. Box 4267, Englewood, Colorado 80155, without whose permission no performance, reading or presentation of any kind may be given. On all programs and advertising this notice must appear: 1. The full name of the play 2. The full name of the playwright/composer/arranger 3. The following credit line: “Produced by special arrangement with Pioneer Drama Service, Inc., Englewood, Colorado.” copYinG OR REPRODUCING ALL OR ANY parT OF THIS BOOK IN ANY MANNER IS STRICTLY FORBIDDEN BY LAW. All other rights in this play, including those of professional production, radio broadcasting and motion picture rights, are controlled by PIONEER DRAMA SERVICE, INC. to whom all inquiries should be addressed. For preview only WHO KILLED ELVIS? By CRAIG SODARO cast of characters (In Order of Speaking) MORTY .............................................a small-time thief SHORTY ...........................................his partner SARI �������������������������������������������������a high school student ANGIE ..............................................another NICK �������������������������������������������������another NORMAN ..........................................another ALICE ...............................................a suburban housewife DANI �������������������������������������������������her teenage daughter HORACE ..........................................Alice’s -
American Monsters: Tabloid Media and the Satanic Panic, 1970-2000
AMERICAN MONSTERS: TABLOID MEDIA AND THE SATANIC PANIC, 1970-2000 A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by Sarah A. Hughes May 2015 Examining Committee Members: Kenneth L. Kusmer, Advisory Chair, History Carolyn Kitch, Journalism Susan E. Klepp, History Elaine Tyler May, External Member, University of Minnesota, American Studies © Copyright 2015 by Sarah A. Hughes All Rights Reserved iii ABSTRACT “American Monsters: Tabloid Media and the Satanic Panic, 1970-2000,” analyzes an episode of national hysteria that dominated the media throughout most of the 1980s. Its origins, however, go back much farther and its consequences for the media would extend into subsequent decades. Rooted in the decade’s increasingly influential conservative political ideology, the satanic panic involved hundreds of accusations that devil-worshipping pedophiles were operating America’s white middle-class suburban daycare centers. Communities around the country became embroiled in criminal trials against center owners, the most publicized of which was the McMartin Preschool trial in Manhattan Beach, California. The longest and most expensive trial in the nation’s history, the McMartin case is an important focal point of this project. In the 1990s, judges overturned the life sentences of defendants in most major cases, and several prominent journalists and lawyers condemned the phenomenon as a witch-hunt. They accurately understood it to be a powerful delusion, or what contemporary cultural theorist Jean Baudrillard termed a “hyperreality,” in which audiences confuse the media universe for real life. Presented mainly through tabloid television, or “infotainment,” and integral to its development, influence, and success, the panic was a manifestation of the hyperreal. -
John C. REILLY IS a ROBOT.Fdx Script
JOHN C. REILLY IS A ROBOT A SHORT SCREENPLAY By Curtis Lofgren WGAw # 1576435 [email protected] FADE IN TITLE CARD: A HOUSE ON A LAKE IN WISCONSIN INT. LIVING ROOM- DAY TWO middle-aged MEN watch TV. KETCHY I remember this one. John Wayne searches for his niece. Ketchy casually tosses the REMOTE to Joe. JOE Careful! These are not free. KABLECOM charges an arm and a leg. GLADYS, Joe’s WIFE, brings in a large PIZZA. KETCHY That Duke.... always searchin’. Joe changes the CHANNEL. He lands on “GOODFELLAS”. JOE Stop! DIALOGUE from the film is RECITED, almost a DAILY ritual. KETCHY Ma, can I borrow this knife? I need it. I hit a deer, ma. I have to cut off its.... what do you call it? Paw? JOE (chewing) Hoof. KETCHY Hoof. Ma, come on, it’s a sin. JOE Henry, you don’t say much. What’s wrong? KETCHY Oh, I just like to sit and listen. 2. JOE Have I ever showed you my paintings? KETCHY Look at this guy. One dog goes this way, the other goes that way. Gladys is CONFUSED. JOE This is delicious. GLADYS Are you saying that or is Joe Pesci? JOE Me and Joe. KETCHY Gladys, we need you to be Martin Scorsese’s mother. Joe and I suck at being Mrs. Scorsese. JOE Please? Gladys puts down her SLICE just as she was about to EAT. GLADYS Where are we in the script? KETCHY Ma, I settle down every night, I’d rather be with you, I love you. -
Correctional Data Analysis Systems. INSTITUTION Sam Honston State Univ., Huntsville, Tex
I DocdnENT RESUME ED 209 425 CE 029 723 AUTHOR Friel, Charles R.: And Others TITLE Correctional Data Analysis Systems. INSTITUTION Sam Honston State Univ., Huntsville, Tex. Criminal 1 , Justice Center. SPONS AGENCY Department of Justice, Washington, D.C. Bureau of Justice Statistics. PUB DATE 80 GRANT D0J-78-SSAX-0046 NOTE 101p. EDRS PRICE MF01fPC05Plus Postage. DESCRIPTORS Computer Programs; Computers; *Computer Science; Computer Storage Devices; *Correctional Institutions; *Data .Analysis;Data Bases; Data Collection; Data Processing; *Information Dissemination; *Iaformation Needs; *Information Retrieval; Information Storage; Information Systems; Models; State of the Art Reviews ABSTRACT Designed to help the-correctional administrator meet external demands for information, this detailed analysis or the demank information problem identifies the Sources of teguests f6r and the nature of the information required from correctional institutions' and discusses the kinds of analytic capabilities required to satisfy . most 'demand informhtion requests. The goals and objectives of correctional data analysis systems are ontliled. Examined next are the content and sources of demand information inquiries. A correctional case law demand'information model is provided. Analyzed next are such aspects of the state of the art of demand information as policy considerations, procedural techniques, administrative organizations, technology, personnel, and quantitative analysis of 'processing. Availa4ie software, report generators, and statistical packages -
1- in the United States District Court for the Middle
IN THE UNITED STATES DISTRICT COURT FOR THE MIDDLE DISTRICT OF TENNESSEE AT NASHVILLE ROBERT CARMEN, § § Plaintiff, § § v. § Case No. 3:20-cv-01105 § CORECIVIC OF TENNESSEE, LLC, § JURY DEMANDED as owner and operator of TROUSDALE § TURNER CORRECTIONAL CENTER, § EMMANUEL AKINYELE, and § LORRIE HENSON. § § Defendants. § PLAINTIFF’S NOTICE OF FILING PLEASE TAKE NOTICE of the Plaintiff’s filing of the following twenty-nine (29) news articles regarding the Defendant CoreCivic of Tennessee, LLC, and the facility at issue in this lawsuit: 1. Attachment #1: Demetria Kalodimos, Woman says she paid off gangs to keep son safe in prison, WSMV (Oct. 5, 2017), https://www.wsmv.com/news/woman- says-she-paid-off-gangs-to-keep-son-safe-in-prison/article_a4e670ea-78be-5087-86e5- a65ecd485475.html; 2. Attachment #2: Joseph Wenzel, Over 1,200 staff, inmates test positive for COVID-19 at Trousdale Turner Correctional Center, WSMV (May 1, 2020), https://www.wsmv.com/news/over-1-200-staff-inmates-test-positive-for-covid-19-at- trousdale-turner-correctional-center/article_568c03d2-8bde-11ea-a447- 4b7eaabeb67b.html; -1- Case 3:20-cv-01105 Document 15 Filed 02/01/21 Page 1 of 7 PageID #: 568 3. Attachment #3: Adam Tamburin, Tennessee prison inmate dies after fight at Trousdale Turner, THE TENNESSEAN (Jan. 26, 2020), https://www.tennessean.com/story/news/2020/01/26/tennessee-prison-inmate-dies- after-fight-trousdale-turner-correctional-center/4581013002/; 4. Attachment #4: Dave Boucher, New Tennessee CCA prison stops taking inmates amid 'serious issues,' THE TENNESSEAN (May 24, 2016), https://www.tennessean.com/story/news/politics/2016/05/24/new-tennessee-private- prison-stops-taking-inmates/84867834/; 5.