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Great Physicists
Great Physicists Great Physicists The Life and Times of Leading Physicists from Galileo to Hawking William H. Cropper 1 2001 1 Oxford New York Athens Auckland Bangkok Bogota´ Buenos Aires Cape Town Chennai Dar es Salaam Delhi Florence HongKong Istanbul Karachi Kolkata Kuala Lumpur Madrid Melbourne Mexico City Mumbai Nairobi Paris Sao Paulo Shanghai Singapore Taipei Tokyo Toronto Warsaw and associated companies in Berlin Ibadan Copyright ᭧ 2001 by Oxford University Press, Inc. Published by Oxford University Press, Inc. 198 Madison Avenue, New York, New York 10016 Oxford is a registered trademark of Oxford University Press All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press. Library of Congress Cataloging-in-Publication Data Cropper, William H. Great Physicists: the life and times of leadingphysicists from Galileo to Hawking/ William H. Cropper. p. cm Includes bibliographical references and index. ISBN 0–19–513748–5 1. Physicists—Biography. I. Title. QC15 .C76 2001 530'.092'2—dc21 [B] 2001021611 987654321 Printed in the United States of America on acid-free paper Contents Preface ix Acknowledgments xi I. Mechanics Historical Synopsis 3 1. How the Heavens Go 5 Galileo Galilei 2. A Man Obsessed 18 Isaac Newton II. Thermodynamics Historical Synopsis 41 3. A Tale of Two Revolutions 43 Sadi Carnot 4. On the Dark Side 51 Robert Mayer 5. A Holy Undertaking59 James Joule 6. Unities and a Unifier 71 Hermann Helmholtz 7. The Scientist as Virtuoso 78 William Thomson 8. -
DAVID WILLIAMSON Is Australia's Best Known and Most Widely
DAVID WILLIAMSON is Australia’s best known and most widely performed playwright. His first full-length play The Coming of Stork was presented at La Mama Theatre in 1970 and was followed by The Removalists and Don’s Party in 1971. His prodigious output since then includes The Department, The Club, Travelling North, The Perfectionist, Sons of Cain, Emerald City, Top Silk, Money and Friends, Brilliant Lies, Sanctuary, Dead White Males, After the Ball, Corporate Vibes, Face to Face, The Great Man, Up For Grabs, A Conversation, Charitable Intent, Soulmates, Birthrights, Amigos, Flatfoot, Operator, Influence, Lotte’s Gift, Scarlet O’Hara at the Crimson Parrot, Let the Sunshine and Rhinestone Rex and Miss Monica, Nothing Personal and Don Parties On, a sequel to Don’s Party, When Dad Married Fury, At Any Cost?, co-written with Mohamed Khadra, Dream Home, Happiness, Cruise Control and Jack of Hearts. His plays have been translated into many languages and performed internationally, including major productions in London, Los Angeles, New York and Washington. Dead White Males completed a successful UK production in 1999. Up For Grabs went on to a West End production starring Madonna in the lead role. In 2008 Scarlet O’Hara at the Crimson Parrot premiered at the Melbourne Theatre Company starring Caroline O’Connor and directed by Simon Phillips. As a screenwriter, David has brought to the screen his own plays including The Removalists, Don’s Party, The Club, Travelling North and Emerald City along with his original screenplays for feature films including Libido, Petersen, Gallipoli, Phar Lap, The Year of Living Dangerously and Balibo. -
Literature and Science Forthcoming Titles in ABC-CLIO’S
Literature and Science Forthcoming titles in ABC-CLIO’s Science and Society: Impact and Interaction Series The Environment and Science, Christian C. Young Exploration and Science, Michael S. Reidy, Gary Kroll, and Erik M. Conway Imperialism and Science, George N. Vlahakis, Isabel Maria Malaquias, Nathan M. Brooks, François Regourd, Feza Gunergun, and David Wright Literature and Science Social Impact and Interaction John H. Cartwright and Brian Baker ABC-CLIO Santa Barbara, California • Denver, Colorado • Oxford, England Copyright 2005 by John H. Cartwright and Brian Baker All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechani- cal, photocopying, recording, or otherwise, except for the inclusion of brief quotations in a review, without prior permission in writing from the publishers. Library of Congress Cataloging-in-Publication Data Cartwright, John H., 1953- Literature and science : social impact and interaction / John H. Cartwright and Brian Baker. p. cm. — (Science and society) Includes bibliographical references and index. ISBN 1-85109-458-X (hardback : alk. paper) — ISBN 1-85109-463-6 (ebook) 1. Science and literature. I. Baker, Brian, 1969– II. Title. III. Series: Science and society (Santa Barbara, Calif.) PN55.C39 2005 809'.9336—dc22 2005000977 09—08—07—06—05——10—9—8—7—6—5—4—3—2—1 This book is also available on the World Wide Web as an eBook. Visit abc-clio.com for details. ABC-CLIO, Inc. 130 Cremona Drive, P.O. Box 1911 Santa Barbara, California 93116-1911 This book is printed on acid-free paper. -
Download Horace: the SATIRES, EPISTLES and ARS POETICA
+RUDFH 4XLQWXV+RUDWLXV)ODFFXV 7KH6DWLUHV(SLVWOHVDQG$UV3RHWLFD Translated by A. S. Kline ã2005 All Rights Reserved This work may be freely reproduced, stored, and transmitted, electronically or otherwise, for any non- commercial purpose. &RQWHQWV Satires: Book I Satire I - On Discontent............................11 BkISatI:1-22 Everyone is discontented with their lot .......11 BkISatI:23-60 All work to make themselves rich, but why? ..........................................................................................12 BkISatI:61-91 The miseries of the wealthy.......................13 BkISatI:92-121 Set a limit to your desire for riches..........14 Satires: Book I Satire II – On Extremism .........................16 BkISatII:1-22 When it comes to money men practise extremes............................................................................16 BkISatII:23-46 And in sexual matters some prefer adultery ..........................................................................................17 BkISatII:47-63 While others avoid wives like the plague.17 BkISatII:64-85 The sin’s the same, but wives are more trouble...............................................................................18 BkISatII:86-110 Wives present endless obstacles.............19 BkISatII:111-134 No married women for me!..................20 Satires: Book I Satire III – On Tolerance..........................22 BkISatIII:1-24 Tigellius the Singer’s faults......................22 BkISatIII:25-54 Where is our tolerance though? ..............23 BkISatIII:55-75 -
Mcdonald Garry
GARRY MCDONALD | Actor FILM Year Production / Character Director Company 2014 THE LIGHT BETWEEN OCEANS Derek Cianfrance LBO Productions Bill Graysmark 2012 VENICE Miro Bilbrough Venice Productions. Arthur 2011 BURNING MAN Jonathon Teplitzky Burning Man Productions. Doctor 2010 DON’T BE AFRAID OF THE DARK Troy Nixey Don’t Be Afraid (Aust) Pty Ltd. Emerson Blackwood 2002 THE RAGE IN PLACID LAKE Tony McNamara Rapacious Pictures. Doug Lake 2000 RABBIT PROOF FENCE Phil Noyce Jabal Films. Mr Neal 1999 MOULIN ROUGE Baz Luhrmann Bazmark. The Doctor 1998 MR ACCIDENT Yahoo Serious Happy Brand Films. Kelvin 1991 STRUCK BY LIGHTNING Jerzy Domaradzki Dark Horse Pictures. Rennie 1986 THOSE DEAR DEPARTED Ted Robinson Phillip Emanuel Productions. Max Falcon 1986 THE BEE-EATER George Ogilvie Daedalus Films. Shanahan Management Pty Ltd Level 3 | Berman House | 91 Campbell Street | Surry Hills NSW 2010 PO Box 1509 | Darlinghurst NSW 1300 Australia | ABN 46 001 117 728 Telephone 61 2 8202 1800 | Facsimile 61 2 8202 1801 | [email protected] Dan Burroughs 1985 WILLS AND BURKE: THE UNTOLD Bob Weis Stoney Desert Limited. STORY Robert O'Hara Burke 1982 MOLLY Ned Lander Troplisa Productions. Jones 1982 GINGER MEGGS Jonathan Dawson John Sexton Productions. Mr Meggs 1982 THE PIRATE MOVIE JHI Productions Police Sergeant, French Inspector, Long John Silver, and the voice of the Parrot. 1977 PICTURE SHOW MAN John Power Limelight Productions. Lou 1975 PICNIC AT HANGING ROCK Peter Weir Picnic Productions. Const. Jones 1974 STONE Sandy Harbutt Hedon Productions. Mechanic 1973 AVENGERS OF THE REEF Chris McCullough Timon Productions. Updike’s Aide TELEVISION Year Production/Character Director Company 2014 OFFSPRING: SERIES 5 Various Southern Star. -
Anita Heiss Brendan Cowell
WeLcOMe This level of innovation and growth is due MeSSaGe to many people who have contributed their time and their talent during the past 10 OUr PreSeNtING years. There are too many to mention, but SPONSOr those who stand out are David and Kristen Williamson, John Fell, Karen Mitchell, You would expect Rowland Hill, Earle Bailey and Simon the opening Gamble all of whom we have considered remarks to friends and whose friendship and an event that commitment we have valued immensely. Macquarie has Separately, I would especially like to sponsored for acknowledge the special talent and 10 years would dedication of our Festival Director, Ian start something MacKellar, who for the past three years like: “Macquarie has added a level of professionalism and is proud to be creative talent that guarantees our Noosa associated with the Noosa Longweekend Longweekend Festival its place among which is celebrating its 10th Anniversary Australia’s best. this year.” We have spent 10 years marvelling at this These words might accurately describe festival and believing that each year could Macquarie’s relationship with one of not be topped – only to come back the next Australia’s best cultural festivals, but year to find ourselves once again amazed somehow it falls short of expressing just at the quality and the breadth. how important the Noosa Longweekend is to us. I wish you all a wonderful 10th Anniversary and I know this year will be the best ever. For the past decade we have watched this pre-eminent cultural festival grow, each year it attracts bigger and more talented artists, it is innovative in the breadth of its genres and it takes calculated risks with the acts it has experimented with, yet it Peter Maher also maintains a strong link to the local Group Head, Macquarie Banking and community. -
Download Full Book
The Drama of Language Burckhardt, Sigurd Published by Johns Hopkins University Press Burckhardt, Sigurd. The Drama of Language: Essays on Goethe and Kleist. Johns Hopkins University Press, 1970. Project MUSE. doi:10.1353/book.70847. https://muse.jhu.edu/. For additional information about this book https://muse.jhu.edu/book/70847 [ Access provided at 30 Sep 2021 22:19 GMT with no institutional affiliation ] This work is licensed under a Creative Commons Attribution 4.0 International License. HOPKINS OPEN PUBLISHING ENCORE EDITIONS Sigurd Burckhardt The Drama of Language Essays on Goethe and Kleist Open access edition supported by the National Endowment for the Humanities / Andrew W. Mellon Foundation Humanities Open Book Program. © 2019 Johns Hopkins University Press Published 2019 Johns Hopkins University Press 2715 North Charles Street Baltimore, Maryland 21218-4363 www.press.jhu.edu The text of this book is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License: https://creativecommons.org/licenses/by-nc-nd/4.0/. CC BY-NC-ND ISBN-13: 978-1-4214-3499-5 (open access) ISBN-10: 1-4214-3499-7 (open access) ISBN-13: 978-1-4214-3497-1 (pbk. : alk. paper) ISBN-10: 1-4214-3497-0 (pbk. : alk. paper) ISBN-13: 978-1-4214-3498-8 (electronic) ISBN-10: 1-4214-3498-9 (electronic) This page supersedes the copyright page included in the original publication of this work. THE DRAMA OF LANGUAGE Essays on Goethe and Kleist urckhardt THE DRAMA OF LANGUAGE Essays on Goethe and Kleist The Johns Hopkins Press Baltimore a11d London Copyright© 1970 by The Johns Hopkins Press All rights reserved Manufactured in the United States of America The Johns Hopkins Press, Baltimore, Maryland 21218 The Johns Hopkins Press Ltd., London Library of Congress Catalog Card Number 77-97492 Standard Book Number 8018-1049-3 Contents Foreword vu Introduction: Of Order, Abstraction, and Language 1 1. -
Black Institutions and the Rise of Student Activism In
SHELTER IN A TIME OF STORM: BLACK COLLEGES AND THE RISE OF STUDENT ACTIVISM IN JACKSON, MISSISSIPPI DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Jelani Manu-Gowon Favors, B.A., M.A. The Ohio State University 2006 Dissertation Committee: Warren Van Tine, Adviser Hasan Kwame Jeffries, Co-Adviser Leslie Alexander William Nelson Jr. Approved by Adviser Graduate Program in History Co-Adviser Graduate Program in History Copyright by Jelani M. Favors ABSTRACT The most underdeveloped area of study concerning the Civil Rights Movement of the 1960’s is the effect of Black student activism during the explosive decade. The field is currently dominated by two-dimensional studies that define student activism under the banner of the Student Nonviolent Coordinating Committee (SNCC), or the Black Studies campaigns on white college campuses in the latter half of the decade. Assessing student protests merely through this lens yields a narrow view of this generation of activists. One cause of our failure to identify these students is that scholars of the Civil Rights Movement have ignored the very environment in which the majority of student activists lived, learned, socialized, and ultimately revolted. Analyses of Black colleges invariably conclude that they were paternalistic and their curriculums were conformist, if not geared toward assimilation. Students from these all-Black institutions in the South succeeded in their public and private assault against the policies of Jim Crow and at the dawn of the Civil Rights Movement they vaulted the struggle for human rights to unprecedented levels. -
Amigos Playtext.P65 1 2/06/04, 12:53 PM 2 AMIGOS
INTRODUCTION i DAVID WILLIAMSON’s first full-length play, The Coming of Stork, premiered at the La Mama Theatre, Carlton, in 1970 and later became the film Stork, directed by Tim Burstall. The Removalists and Don’s Party followed in 1971, then Jugglers Three (1972), What If You Died Tomorrow? (1973), The Department (1975), A Handful of Friends (1976), The Club (1977) and Travelling North (1979). In 1972 The Removalists won the Australian Writers’ Guild AWGIE Award for best stage play and the best script in any medium and the British production saw Williamson nominated most promising playwright by the London Evening Standard. The 1980s saw his success continue with Celluloid Heroes (1980), The Perfectionist (1982), Sons of Cain (1985), Emerald City (1987) and Top Silk (1989); whilst the 1990s produced Siren (1990), Money and Friends (1991), Brilliant Lies (1993), Sanctuary (1994), Dead White Males (1995), Heretic (1996), Third World Blues (an adaptation of Jugglers Three) and After the Ball (both in 1997), and Corporate Vibes and Face to Face (both in 1999). The Great Man (2000), Up for Grabs, A Conversation, Charitable Intent (all in 2001), Soulmates (2002) and Birthrights (2003) have since followed. Williamson is widely recognised as Australia’s most successful playwright and over the last thirty years his plays have been performed throughout Australia and produced in Britain, United States, Canada and many European countries. A number of his stage works have been adapted for the screen, including The Removalists, Don’s Party, The Club, Travelling North, Emerald City, Sanctuary and Brilliant Lies. David Williamson has won the Australian Film Institute film script award for Petersen (1974), Don’s Party (1976), Gallipoli (1981) and Travelling North (1987) and has won eleven Australian Writers’ Guild AWGIE Awards. -
A Place to Call Home Media
Australia’s number one drama is back A PLACE TO CALL HOME Holding the secret of James’ attempted Which secrets will come out? Which WAS THE MOST-WATCHED suicide forever linked Sarah’s future with secrets will be buried? the Blighs. AUSTRALIAN DRAMA A Place to Call Home is created by Bevan SERIES OF 2013. Over time, her connection with charming Lee, the man behind iconic Australian widower George Bligh developed into love, shows such as Packed to the Rafters, It was lauded by critics who hailed it and the unexpected romance helped Sarah Always Greener and Winners & Losers. ‘mesmerising’, ‘captivating’ and ‘a class move on from the death of her beloved The cast features MARTA DUSSELDORP act.’ With a combined weekly audience of husband Rene, murdered by the Nazis. 2.2 million viewers each week, it cemented as Sarah Adams, NONI HAZLEHURST as its place in TV history and people’s hearts. This series will see Sarah move into Ash Elizabeth Bligh, BRETT CLIMO as George Park and work to prove herself a fitting Bligh, CRAIG HALL as Dr. Jack Duncan, Last year’s dramatic finale saw the lives of wife-to-be for George, while his mother SARA WISEMAN as Carolyn Bligh, DAVID the Bligh family imploding. Elizabeth plays a devious waiting game BERRY as James Bligh, ARIANWEN After paying off Bert to keep him quiet to see what Regina will unearth about PARKES-LOCKWOOD as Olivia Bligh, about his son James’ sexuality, George Sarah’s past in Europe. ABBY EARL as Anna Bligh, ALDO MIGNONE as Gino Poletti, MATT LEVETT as Andrew was furious when he attempted to extort Little does Sarah know, Elizabeth will Swanson and FRANKIE J. -
A Consideration of the Philosophical Insights Of
A CONSIDERATION OF THE PHILOSOPHICAL INSIGHTS OF ERIC VOEGELIN: THE LIFE OF REASON, THE EQUIVALENT SYMBOL OF THE DIVINE HUMAN ENCOUNTER A dissertation by Claire Rawnsley, B.A.Hons. Submitted in fulfilment of PH.D in the Department of History, University of Queensland July 1998 ACKNOWLEDGEMENTS There are many people who have in various ways I have been kind enough to read and give advice regarding this thesis. First, I would thank the various lecturers in the History Department at University of Queensland who have assisted my work on this thesis from the beginning. There is Professor Paul Crook, Dr. John Moses, my supervisors, and also Dr. Martin Stuart-Fox who have all offered important criticism of my work. I would also like to thank those people whom I contacted in the Voegelin society, in particular, Dr. Geoffrey Price. He has generously offered many valuable suggestions and provided points that have had an important bearing of the thesis. I would also like to thank Mr. Mike Dyson who introduced me to the complexity of the world of Plato and Aristotle and gave me critical points to consider in that area. There are many others who have helped with the typing and editing of the several drafts. First there is Mrs. Irene Saunderson who typed the first draft of my thesis before I acquired some computer expertise. Then there is Ms. Robin Bennett who painstaking edited the draft and also Mrs.Mary Kooyman who kindly offered many valuable suggestions with the presentation and final editing. I would also like to thank Mrs.Rosemary van Opdenbosch who generously translated several articles from French and German. -
By Suzie Miller
GRIFFIN THEATRE COMPANY PRESENTS GRIFFIN THEATRE PRIMA COMPANY FACIEBY SUZIE MILLER SBW STABLES THEATRE 17 MAY - 22 JUNE 2019 DIRECTOR LEE LEWIS DESIGNER RENÉE MULDER LIGHTING DESIGNER TRENT SUIDGEEST COMPOSER & SOUND DESIGNER PAUL CHARLIER STAGE MANAGER KHYM SCOTT WITH SHERIDAN HARBRIDGE SUPPORTED BY: Production Sponsor Griffin’s Production Partner program Griffin acknowledges the generosity of the Seaborn, Broughton & Walford Foundation in allowing it the use of the SBW Stables Theatre rent free, less outgoings, since 1986. PLAYWRIGHT’S talented Lee Lewis directing this work, and starring the dynamic Sheridan Harbridge, makes for a dream team, but they are just the beginning. Thanks to the staff and Board at Griffin, to the creative NOTE team behind Prima Facie, and of course, those wonderful Griffin donors. Thanks Prima Facie has been playing out in also to my agents Dayne Kelly (Sydney) my mind since my law school days, and Georgina Ruffhead (London), and years before I was a playwright. It to my warm, generous publisher Claire was there waiting for me to find the Grady, and Currency Press, who make courage to write it and for the right theatre into something you can hold onto social environment to provide a space and hand out! for it. In light of the #MeToo movement, Prima Facie was able to be realised. I would like to offer my personal thanks Years of practicing as a human rights to my family, Robert, Gabriel and Sasha and criminal defence lawyer did nothing Beech-Jones, and my beloved mother to silence my feminist questioning of Elaine Doreen Miller (the original the legal system, because while I firmly inspiration for living a vital, vivid and believe that ‘innocent until proven guilty’ big life).