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Great Physicists
Great Physicists Great Physicists The Life and Times of Leading Physicists from Galileo to Hawking William H. Cropper 1 2001 1 Oxford New York Athens Auckland Bangkok Bogota´ Buenos Aires Cape Town Chennai Dar es Salaam Delhi Florence HongKong Istanbul Karachi Kolkata Kuala Lumpur Madrid Melbourne Mexico City Mumbai Nairobi Paris Sao Paulo Shanghai Singapore Taipei Tokyo Toronto Warsaw and associated companies in Berlin Ibadan Copyright ᭧ 2001 by Oxford University Press, Inc. Published by Oxford University Press, Inc. 198 Madison Avenue, New York, New York 10016 Oxford is a registered trademark of Oxford University Press All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press. Library of Congress Cataloging-in-Publication Data Cropper, William H. Great Physicists: the life and times of leadingphysicists from Galileo to Hawking/ William H. Cropper. p. cm Includes bibliographical references and index. ISBN 0–19–513748–5 1. Physicists—Biography. I. Title. QC15 .C76 2001 530'.092'2—dc21 [B] 2001021611 987654321 Printed in the United States of America on acid-free paper Contents Preface ix Acknowledgments xi I. Mechanics Historical Synopsis 3 1. How the Heavens Go 5 Galileo Galilei 2. A Man Obsessed 18 Isaac Newton II. Thermodynamics Historical Synopsis 41 3. A Tale of Two Revolutions 43 Sadi Carnot 4. On the Dark Side 51 Robert Mayer 5. A Holy Undertaking59 James Joule 6. Unities and a Unifier 71 Hermann Helmholtz 7. The Scientist as Virtuoso 78 William Thomson 8. -
Trent Suidgeest Design Theatrical Lighting & Set Designer
TRENT SUIDGEEST DESIGN THEATRICAL LIGHTING & SET DESIGNER +61 (0) 409 446 830 [email protected] http://www.trentsuidgeest.com/ TRAINING 2006 - 2008 Western Australian Academy of Performing Arts WAAPA Lighting Design - Bachelor of Performing Arts (Production and Design) PROFESSIONAL REFEREES John Sheedy [email protected] Wesley Enoch [email protected] Adam Mitchell [email protected] PERSONAL REFEREES Alicia Clements 0417 334 585 Genevieve Jones 0420 970 411 GRANTS 2015 - Mike Walsh Fellowship 2015 - WA Department of Young People Fellowship 2014 - Australia Council Creative Professionals 2010 - Australia Council Artstart Grant AWARDS / NOMINATIONS WA Equity Guild Awards 2012 Best Design nominee EXPERIENCES Internships: 2014 A View From The Bridge - Young Vic Theatre - Directed by Ivo van Hove, lighting by Jan Versweyveld Sunny Afternoon - Hampstead Theatre, UK - Lighting Designer Rick Fisher Les Miserables - Broadway Revival, Imperial Theatre - Lighting Designer Paule Constable Act One - Lincoln Centre Theatre - Lighting Designer Ken Billington. Directed by James Lapine Secondments: 2008 Billy Elliot The Musical - Broadway - Lighting Designer Rick Fisher Wicked Australia, High School Musical Australia DESIGN CREDITS: NEXT TO NORMAL by Brian Yorkey and Tom Kitt NEXT: Lighting Designer for Director Adam Mitchell - Black Swan State Theatre Company THE RED BALLOON by Hilary Bell from the short film Lighting Designer for Director Chrissie Parrott - Black Swan State Theatre Company [World Premiere] EXTINCTION by -
Literature and Science Forthcoming Titles in ABC-CLIO’S
Literature and Science Forthcoming titles in ABC-CLIO’s Science and Society: Impact and Interaction Series The Environment and Science, Christian C. Young Exploration and Science, Michael S. Reidy, Gary Kroll, and Erik M. Conway Imperialism and Science, George N. Vlahakis, Isabel Maria Malaquias, Nathan M. Brooks, François Regourd, Feza Gunergun, and David Wright Literature and Science Social Impact and Interaction John H. Cartwright and Brian Baker ABC-CLIO Santa Barbara, California • Denver, Colorado • Oxford, England Copyright 2005 by John H. Cartwright and Brian Baker All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechani- cal, photocopying, recording, or otherwise, except for the inclusion of brief quotations in a review, without prior permission in writing from the publishers. Library of Congress Cataloging-in-Publication Data Cartwright, John H., 1953- Literature and science : social impact and interaction / John H. Cartwright and Brian Baker. p. cm. — (Science and society) Includes bibliographical references and index. ISBN 1-85109-458-X (hardback : alk. paper) — ISBN 1-85109-463-6 (ebook) 1. Science and literature. I. Baker, Brian, 1969– II. Title. III. Series: Science and society (Santa Barbara, Calif.) PN55.C39 2005 809'.9336—dc22 2005000977 09—08—07—06—05——10—9—8—7—6—5—4—3—2—1 This book is also available on the World Wide Web as an eBook. Visit abc-clio.com for details. ABC-CLIO, Inc. 130 Cremona Drive, P.O. Box 1911 Santa Barbara, California 93116-1911 This book is printed on acid-free paper. -
Download Horace: the SATIRES, EPISTLES and ARS POETICA
+RUDFH 4XLQWXV+RUDWLXV)ODFFXV 7KH6DWLUHV(SLVWOHVDQG$UV3RHWLFD Translated by A. S. Kline ã2005 All Rights Reserved This work may be freely reproduced, stored, and transmitted, electronically or otherwise, for any non- commercial purpose. &RQWHQWV Satires: Book I Satire I - On Discontent............................11 BkISatI:1-22 Everyone is discontented with their lot .......11 BkISatI:23-60 All work to make themselves rich, but why? ..........................................................................................12 BkISatI:61-91 The miseries of the wealthy.......................13 BkISatI:92-121 Set a limit to your desire for riches..........14 Satires: Book I Satire II – On Extremism .........................16 BkISatII:1-22 When it comes to money men practise extremes............................................................................16 BkISatII:23-46 And in sexual matters some prefer adultery ..........................................................................................17 BkISatII:47-63 While others avoid wives like the plague.17 BkISatII:64-85 The sin’s the same, but wives are more trouble...............................................................................18 BkISatII:86-110 Wives present endless obstacles.............19 BkISatII:111-134 No married women for me!..................20 Satires: Book I Satire III – On Tolerance..........................22 BkISatIII:1-24 Tigellius the Singer’s faults......................22 BkISatIII:25-54 Where is our tolerance though? ..............23 BkISatIII:55-75 -
Download Full Book
The Drama of Language Burckhardt, Sigurd Published by Johns Hopkins University Press Burckhardt, Sigurd. The Drama of Language: Essays on Goethe and Kleist. Johns Hopkins University Press, 1970. Project MUSE. doi:10.1353/book.70847. https://muse.jhu.edu/. For additional information about this book https://muse.jhu.edu/book/70847 [ Access provided at 30 Sep 2021 22:19 GMT with no institutional affiliation ] This work is licensed under a Creative Commons Attribution 4.0 International License. HOPKINS OPEN PUBLISHING ENCORE EDITIONS Sigurd Burckhardt The Drama of Language Essays on Goethe and Kleist Open access edition supported by the National Endowment for the Humanities / Andrew W. Mellon Foundation Humanities Open Book Program. © 2019 Johns Hopkins University Press Published 2019 Johns Hopkins University Press 2715 North Charles Street Baltimore, Maryland 21218-4363 www.press.jhu.edu The text of this book is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License: https://creativecommons.org/licenses/by-nc-nd/4.0/. CC BY-NC-ND ISBN-13: 978-1-4214-3499-5 (open access) ISBN-10: 1-4214-3499-7 (open access) ISBN-13: 978-1-4214-3497-1 (pbk. : alk. paper) ISBN-10: 1-4214-3497-0 (pbk. : alk. paper) ISBN-13: 978-1-4214-3498-8 (electronic) ISBN-10: 1-4214-3498-9 (electronic) This page supersedes the copyright page included in the original publication of this work. THE DRAMA OF LANGUAGE Essays on Goethe and Kleist urckhardt THE DRAMA OF LANGUAGE Essays on Goethe and Kleist The Johns Hopkins Press Baltimore a11d London Copyright© 1970 by The Johns Hopkins Press All rights reserved Manufactured in the United States of America The Johns Hopkins Press, Baltimore, Maryland 21218 The Johns Hopkins Press Ltd., London Library of Congress Catalog Card Number 77-97492 Standard Book Number 8018-1049-3 Contents Foreword vu Introduction: Of Order, Abstraction, and Language 1 1. -
Melbourne Theatre Company
David Williamson’s WELCOME At MTC we are passionate about Australian stories, be they modern masterpieces or brand new plays fresh off the page. In our 2020 season new works dominate, but there was one classic we couldn’t go past, especially as its revival marks a particularly special milestone. In his 50th year as a playwright, we celebrate David Williamson’s incredible career and achievements as a writer with this new production of Emerald City – one of his finest plays and an undeniable Australian classic. As the 21st century seems to careen again into the Greed is Good world of self-interest, self-obsession, consumerism and real estate dreams so pervasive in the 1980s, there is no better time to re-visit this classic play. Set at the height of the 80s pandemic of wealth accumulation at all costs, Emerald City takes the blowtorch to one of our most visible signs of money vs humanity – the wrestle between art and commercialism. This high-velocity dramedy, full of Williamson wit and zingers, uses of course its infamous backdrop of Sydney/Melbourne rivalry to land its exploration of seduction by wealth, beauty and a gorgeous harbour view. But more broadly, its revival in 2020 asks whether we ever really left behind the Greed is Good years of the 80s. Please do read both David’s essay in this programme and that of director Sam Strong, who each write so eloquently about Emerald City’s themes and about David’s astonishing career. David is revered around the country as one of our most popular dramatists, and his prolific output and critical success have long secured his place in the literary canon. -
A Consideration of the Philosophical Insights Of
A CONSIDERATION OF THE PHILOSOPHICAL INSIGHTS OF ERIC VOEGELIN: THE LIFE OF REASON, THE EQUIVALENT SYMBOL OF THE DIVINE HUMAN ENCOUNTER A dissertation by Claire Rawnsley, B.A.Hons. Submitted in fulfilment of PH.D in the Department of History, University of Queensland July 1998 ACKNOWLEDGEMENTS There are many people who have in various ways I have been kind enough to read and give advice regarding this thesis. First, I would thank the various lecturers in the History Department at University of Queensland who have assisted my work on this thesis from the beginning. There is Professor Paul Crook, Dr. John Moses, my supervisors, and also Dr. Martin Stuart-Fox who have all offered important criticism of my work. I would also like to thank those people whom I contacted in the Voegelin society, in particular, Dr. Geoffrey Price. He has generously offered many valuable suggestions and provided points that have had an important bearing of the thesis. I would also like to thank Mr. Mike Dyson who introduced me to the complexity of the world of Plato and Aristotle and gave me critical points to consider in that area. There are many others who have helped with the typing and editing of the several drafts. First there is Mrs. Irene Saunderson who typed the first draft of my thesis before I acquired some computer expertise. Then there is Ms. Robin Bennett who painstaking edited the draft and also Mrs.Mary Kooyman who kindly offered many valuable suggestions with the presentation and final editing. I would also like to thank Mrs.Rosemary van Opdenbosch who generously translated several articles from French and German. -
Cultural Selection
Cultural selection Agner Fog Kluwer Academic Publishers 1999 Contents 1. INTRODUCTION 9 2. THE HISTORY OF CULTURAL SELECTION THEORY 13 2.1 Evolutionism 13 2.2 Social darwinism 22 2.3 Functionalism 24 2.4 Neo-evolutionism 25 2.5 Diffusionism 30 2.6 Sociobiology 33 2.7 Interaction between genetic and cultural selection 36 2.8 Memetics 41 2.9 Sociology and anthropology 45 2.10 Synthesis of sociobiology and anthropology 47 2.11 Social psychology 49 2.12 Economic competition 50 2.13 Universal selection theory 52 2.14 Conclusion 55 3. FUNDAMENTAL MODEL FOR CULTURAL SELECTION 59 3.1 The genetic basis of culture 59 3.2 Cultural selection 60 3.3 Unit of selection 62 3.4 Innovation 65 3.5 Reproduction 67 3.6 Selection 69 3.7 Selection of meme complexes 73 6 3.8 Vicarious selection 74 3.9 Barriers in evolution 75 3.10 Differences between genetic and cultural selection 77 3.11 Cultural selection in animals 79 3.12 The applicability of cultural selection theory 80 4. FURTHER DEVELOPMENT OF THE MODEL 83 4.1 The concept of fitness 83 4.2 Genetic selection models 85 4.3 Genetic r- and K-selection 87 4.4 Cultural selection models 90 4.5 Cultural r- and k-selection 91 4.6 Mechanisms in cultural r/k-selection 94 4.7 Vicarious psychological mechanisms 96 4.8 The paradox of revolution 99 4.9 Typical characteristics of regal and kalyptic cultures 101 4.10 Limitations to the theory 103 4.11 Previously published related theories 104 4.12 Conservativism versus innovativism 108 5. -
THE Geograptiy of the GODS
THE GEOGRAPtiY OF THE GODS , A Study of the Religions of Patriotism By IRWIN ST. JOHN TUCKER Priest of the Protestant Episcopal Church, Diocese of New York; Bachelor in Divinity of the General Theological Seminary, 1912 To the Memory of FRANKLIN SPENCER SPALDINC Late Bishop of Utah PUBLISHED BY THE AUTHOR 1451 UNITY BUILDING CHICAGO . THE GEOGRAPHY OF THE GODS A Study of the Religions of Patriotism By IRWIN ST. JOHN TUCKER Priest of the Protestant Episcopal Church, Diocese of New York; Bachelor in Divinity of the General Theological Seminary, 1912 To the Memory of FRANKLIN SPENCER SPALDING Late Bishop of Utah PUBLISHED BY THE AUTHOR 1451 UNITY BUILDING CHICAGO +g&QO FOREWORD At the fiery touch of the world-conflict, many ancient shams crumbled, and many truths stood forth to light. To nothing has the fiery test been more resultfully applied than to Christianity; indeed, to the very essence of religion itself. And nothing has struck the heart of the world with more force than the apparent inability of Christianity to deal convincingly with the underlying causes of the strife. “Missionary work has enabled thousands of African savages to be educated so that they are able to fight in the British and French armies,” Bishop A. T. Howard of Dayton, declared at the Christian Endeavor convention of the United Brethren church. With every fresh appeal to his troops, the Kaiser bade his soldiers “Go forward with God,” and made confident reference to “Our good old God up there.” The same exhortation, though couched in less blunt and familiar terms, was heard on the other side. -
GREEK STUDIES Jl?»!!& • R "^ ^%W '^^^Ww^^M Ip « - 47/*^ •
,KW ;^-;i> ::*' :^?' 5^':^%?'*^^' i :^ %^^' S^ i^i*/ in, >*<. •3. m '<>.-.NS*,Crt' V;;. *« ^!y> m Tprescntc^ to of tbc laniverelti? of Toronto b^ Xab? falconer from tbe boohs ot tbc late Sir IRobert jfalconcr, ii^.(i,/iib,(3., IpresiDent ot tbe Tanfversitv> ot ^Toronto, 1907-1932 51 Digitized by the Internet Archive in 2010 with funding from University of Toronto http://www.archive.org/details/greekstudiesserOOpate GREEK STUDIES Jl?»!!& • r "^ ^%w '^^^ww^^m ip « - 47/*^ • GREEK STUDIES A SERIES OF ESSAYS BY WALTER PATER LATE FELLOW OF BRASENOSE COLLEGE PREPARED FOR THE PRESS BY CHARLES L SHADWELL FELLOW OF ORIEL COLLEGE Nefaj gork MACMILLAN AND CO. AND LONDON 1895 Aii rights reserved : Copyright, 1894, By MACMILLAN AND CO. SbSo Pi7 Noriuootr ^rfss J. S. Gushing & Co. — Berwick & Smith. Boston, Mass., U.S.A. PREFACE The present volume consists of a collection of essays by the late Mr. Pater, all of which have already been given to the public in various Magazines ; and it is owing to the kindness of the several proprietors of those Magazines that they can now be brought together in a collected shape. It will, it is believed, be felt, that their value is considerably enhanced by their appearance in a single volume, where they can throw light upon one another, and exhibit by their connexion a more complete view of the scope and purpose of Mr. Pater in dealing with the art and literature of the ancient world. The essays fall into two distinct groups, one dealing with the subjects of Greek mythology and Greek poetry, the other with the history of Greek sculpture and Greek architecture. -
The Dandy in Earnest: Oscar Wilde's Spiritual Aestheticism
ABSTRACT THE DANDY IN EARNEST: OSCAR WILDE’S SPIRITUAL AESTHETICISM In this thesis, I employ Bruce Bashford’s model of “Wildean dialectic” as a methodology to explore correspondences between Wilde’s critical writings, The Picture of Dorian Gray, “The Portrait of Mr. W.H.,” and some of Wilde’s fairy tales. In doing so, I demonstrate that far from being a mere intellectual or spiritual dalliance, whatever Wilde’s personal devotion may have been, his perennial interest in Catholicism had wide-ranging implications for his developing aesthetic philosophy and his writing. Wilde’s relationship to Catholicism has commonly been viewed as a question of religious commitment and many scholars have sought to verify his deathbed conversion as though this could explicate the nature of his almost lifelong engagement with Catholicism and Catholic theology. In my analysis of Wilde’s writing I circumvent biographical study as much as possible, showing via close readings of the selected texts how Wilde’s aesthetic philosophy appears to have evolved largely through dialectical interactions with Catholic theology. In particular, I find that Wilde’s references to Catholic theology and his uses of Catholic symbol and ritual within the fairy tales enable him to develop a system of aesthetic education based in literary space and operating through the subjective synthesis of deliberately constructed dialectic spaces. Specifically, I argue that through his uses of Catholic symbol, Wilde is able to focus the subjective in ways hypothetically superior to the theorized House Beautiful, providing a possible resolution to many of the problems of that model of aesthetic education. -
David Williamson's
WORLD PREMIERE DAVID WILLIAMSON’S 14 FEB – 9 APR 2020 WELCOME SYNOPSIS What a privilege and pleasure it is to direct David Williamson’s last ever play. His Steve is the typical Aussie bloke, self- work always has a finger on the pulse of contemporary issues and CRUNCH TIME assured, social and sports-mad. Recently sits right at the heart of the ongoing debate about the right to die with dignity. retired from a high-flying career, he’s But the main theme stems from within the family nucleus so CRUNCH TIME is passed the family business over to his son also about parents and children, husbands and wives, betrayal and ultimately Jimmy — a chip off the old block. But his love. It also happens to be very funny. eldest son Luke, an engineer with more of an interest in algebra than AFL, has never If there is a message in David’s amazing 50 year career in writing plays, it is this: quite seen eye-to-eye with his dad and be tolerant. Accept people with all their flaws, foibles and idiosyncrasies. Find a they haven’t spoken in seven years. When way to work together, and then you can move forward. I couldn’t think of a better Steve suddenly falls ill, time is running out message at this time in the world. Enjoy CRUNCH TIME and this wonderful cast to repair their broken relationship — and working with an incredible writer. Thank you David, it has been an honour. Luke and Jimmy will have to go to extreme Mark Kilmurry lengths to fulfil their father’s final wishes.