David Williamson's
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
A H Ist Or Y of Fa Llin G T H In
7 JULY – 20 AUGUST 2016 A HISTORY OF FALLING THINGS by James Graham A HISTORY OF FALLING THINGS by James Graham PLAYWRIGHT DIRECTOR JAMES GRAHAM NICOLE BUFFONI CAST CREW ROBIN JACQUI DESIGNER ASSISTANT ERIC BEECROFT SOPHIE HENSSER ANNA GARDINER STAGE MANAGER SLADE BLANCH LIGHTING LESLEY REECE DESIGNER WARDROBE MERRIDY BRIAN MEEGAN CHRISTOPHER PAGE COORDINATOR EASTMAN RENATA BESLIK AV DESIGNER JIMMY TIM HOPE DIALECT SAM O’SULLIVAN COACH SOUND DESIGNER NICK CURNOW ALISTAIR WALLACE JOHN REHEARSAL (VOICEOVER) STAGE OBSERVER MARK KILMURRY MANAGER ELSIE EDGERTON-TILL LARA QUALTROUGH PROUDLY SUPPORTED BY RUNNING TIME: APPROXIMATELY 90 MINUTES (NO INTERVAL) JAMES GRAHAM – PLAYWRIGHT James is a playwright and film Barlow. It opened in Boston in Summer 2014 and and television writer who won transferred to Broadway in Spring 2015. His play the Pearson Playwriting Bursary THE VOTE at the Donmar Warehouse aired in real in 2006 and went on to win the time on TV in the final 90 minutes of the 2015 Catherine Johnson Award for the Best Play in polling day and has been nominated for a BAFTA. 2007 for his play EDEN’S EMPIRE. James’ play His first film for television, CAUGHT IN A TRAP, was THIS HOUSE premièred at the Cottesloe Theatre broadcast on ITV1 on Boxing Day 2008. James was in September 2012, directed by Jeremy Herrin, and picked as one of Broadcast Magazine’s Hotshots transferred to the Olivier in 2013 where it enjoyed in the same year. He is developing original series a sell out run and garnered critical acclaim and and adaptations with Tiger Aspect, Leftbank, a huge amount of interest and admiration from Kudos and the BBC. -
Particpant Bios
CAAP Artist Lab Participants BIOGRAPHIES LENA CRUZ Lena is a graduate of the Western Australian Academy of Performing Arts. Theatre highlights include her debut as Jenny in The Threepenny Opera for Western Australian Opera, Lady Macbeth in Macbeth for Bell Shakespeare, Mother Courage for Belvoir, Monkey- Journey to the West for Theatre of Image, Miss Bell in Fame, Hair, and creating the role of Cynthia in the original production of Priscilla, Queen of the Desert the Musical. Most recently, she has appeared in STC’s The Wharf Revue. Film and television highlights include starring as Rory Van Dyke in The Wannabes, Margarita in The Night We Called it A Day, Cassandra in Upskirt, Sofia Martinez in Shortland Street, Pet in Bargain Coast, Jody Lim in Dirt Game, Comedy Inc, Watch With Mother, All Saints, The Very Trevor Ashley Show, and Kiki and Kitty. She has co- written and co-starred in the cabarets The Singer’s Guide To The Universe, About Face, and one-woman shows I’m A Stranger Here Myself directed by Tony Sheldon and Bitter Sweet, for which she was nominated for the Sydney Fringe Festival Drum Media Show-Stopping Individual Performance Award and the Best Of People’s Choice Award. HAPPY FERAREN Happy Feraren is a Filipino actor and improviser based in Sydney with 11 years experience. She has performed in over 500 shows in a wide range of improvisational theatre formats both locally and internationally (including Manila, Sydney, Hong Kong, Amsterdam, Chicago and New York). In the Philippines, she began as a presenter for national radio and television as well as live events and was a supporting actor in the feature film ‘My Candidate’. -
DAVID WILLIAMSON Is Australia's Best Known and Most Widely
DAVID WILLIAMSON is Australia’s best known and most widely performed playwright. His first full-length play The Coming of Stork was presented at La Mama Theatre in 1970 and was followed by The Removalists and Don’s Party in 1971. His prodigious output since then includes The Department, The Club, Travelling North, The Perfectionist, Sons of Cain, Emerald City, Top Silk, Money and Friends, Brilliant Lies, Sanctuary, Dead White Males, After the Ball, Corporate Vibes, Face to Face, The Great Man, Up For Grabs, A Conversation, Charitable Intent, Soulmates, Birthrights, Amigos, Flatfoot, Operator, Influence, Lotte’s Gift, Scarlet O’Hara at the Crimson Parrot, Let the Sunshine and Rhinestone Rex and Miss Monica, Nothing Personal and Don Parties On, a sequel to Don’s Party, When Dad Married Fury, At Any Cost?, co-written with Mohamed Khadra, Dream Home, Happiness, Cruise Control and Jack of Hearts. His plays have been translated into many languages and performed internationally, including major productions in London, Los Angeles, New York and Washington. Dead White Males completed a successful UK production in 1999. Up For Grabs went on to a West End production starring Madonna in the lead role. In 2008 Scarlet O’Hara at the Crimson Parrot premiered at the Melbourne Theatre Company starring Caroline O’Connor and directed by Simon Phillips. As a screenwriter, David has brought to the screen his own plays including The Removalists, Don’s Party, The Club, Travelling North and Emerald City along with his original screenplays for feature films including Libido, Petersen, Gallipoli, Phar Lap, The Year of Living Dangerously and Balibo. -
Video Games and the Mobilization of Anxiety and Desire
PLAYING THE CRISIS: VIDEO GAMES AND THE MOBILIZATION OF ANXIETY AND DESIRE BY ROBERT MEJIA DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Communications in the Graduate College of the University of Illinois at Urbana-Champaign, 2012 Urbana, Illinois Doctoral Committee: Professor Kent A. Ono, Chair Professor John Nerone Professor Clifford Christians Professor Robert A. Brookey, Northern Illinois University ABSTRACT This is a critical cultural and political economic analysis of the video game as an engine of global anxiety and desire. Attempting to move beyond conventional studies of the video game as a thing-in-itself, relatively self-contained as a textual, ludic, or even technological (in the narrow sense of the word) phenomenon, I propose that gaming has come to operate as an epistemological imperative that extends beyond the site of gaming in itself. Play and pleasure have come to affect sites of culture and the structural formation of various populations beyond those conceived of as belonging to conventional gaming populations: the workplace, consumer experiences, education, warfare, and even the practice of politics itself, amongst other domains. Indeed, the central claim of this dissertation is that the video game operates with the same political and cultural gravity as that ascribed to the prison by Michel Foucault. That is, just as the prison operated as the discursive site wherein the disciplinary imaginary was honed, so too does digital play operate as that discursive site wherein the ludic imperative has emerged. To make this claim, I have had to move beyond the conventional theoretical frameworks utilized in the analysis of video games. -
After the Ball David Williamson
David Williamson’s first full-length play, The Coming of Stork, premiered at the La Mama Theatre, Carlton, in 1970 and later became the film Stork, directed by Tim Burstall. The Removalists and Don’s Party followed in 1971, then Jugglers Three (1972), What If You Died Tomorrow? (1973), The Department (1975), A Handful of Friends (1976), The Club (1977) and Travelling North (1979). In 1972 The Removalists won the Australian Writers’ Guild AWGIE Award for best stage play and the best script in any medium and the British production saw Williamson nominated most promising playwright by the London Evening Standard. The 1980s saw his success continue with Celluloid Heroes (1980), The Perfectionist (1982), Sons of Cain (1985), Emerald City (1987) and Top Silk (1989); whilst the 1990s produced Siren (1990), Money and Friends (1991), Brilliant Lies (1993), Sanctuary (1994), Dead White Males (1995), Heretic (1996), Third World Blues (an adaptation of Jugglers Three) and After the Ball (both in 1997), and Corporate Vibes and Face to Face (both in 1999). The Great Man (2000), Up for Grabs, A Conversation, Charitable Intent (all in 2001), Soulmates (2002), Birthrights (2003), Amigos, Flatfoot (both in 2004), Operator and Influence(both 2005) have since followed. Williamson is widely recognised as Australia’s most successful playwright and over the last thirty years his plays have been performed throughout Australia and produced in Britain, United States, Canada and many European countries. A number of his stage works have been adapted for the screen, including The Removalists, Don’s Party, The Club, Travelling North, Emerald City, Sanctuary and Brilliant Lies. -
Melbourne Theatre Company
David Williamson’s WELCOME At MTC we are passionate about Australian stories, be they modern masterpieces or brand new plays fresh off the page. In our 2020 season new works dominate, but there was one classic we couldn’t go past, especially as its revival marks a particularly special milestone. In his 50th year as a playwright, we celebrate David Williamson’s incredible career and achievements as a writer with this new production of Emerald City – one of his finest plays and an undeniable Australian classic. As the 21st century seems to careen again into the Greed is Good world of self-interest, self-obsession, consumerism and real estate dreams so pervasive in the 1980s, there is no better time to re-visit this classic play. Set at the height of the 80s pandemic of wealth accumulation at all costs, Emerald City takes the blowtorch to one of our most visible signs of money vs humanity – the wrestle between art and commercialism. This high-velocity dramedy, full of Williamson wit and zingers, uses of course its infamous backdrop of Sydney/Melbourne rivalry to land its exploration of seduction by wealth, beauty and a gorgeous harbour view. But more broadly, its revival in 2020 asks whether we ever really left behind the Greed is Good years of the 80s. Please do read both David’s essay in this programme and that of director Sam Strong, who each write so eloquently about Emerald City’s themes and about David’s astonishing career. David is revered around the country as one of our most popular dramatists, and his prolific output and critical success have long secured his place in the literary canon. -
Black Institutions and the Rise of Student Activism In
SHELTER IN A TIME OF STORM: BLACK COLLEGES AND THE RISE OF STUDENT ACTIVISM IN JACKSON, MISSISSIPPI DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Jelani Manu-Gowon Favors, B.A., M.A. The Ohio State University 2006 Dissertation Committee: Warren Van Tine, Adviser Hasan Kwame Jeffries, Co-Adviser Leslie Alexander William Nelson Jr. Approved by Adviser Graduate Program in History Co-Adviser Graduate Program in History Copyright by Jelani M. Favors ABSTRACT The most underdeveloped area of study concerning the Civil Rights Movement of the 1960’s is the effect of Black student activism during the explosive decade. The field is currently dominated by two-dimensional studies that define student activism under the banner of the Student Nonviolent Coordinating Committee (SNCC), or the Black Studies campaigns on white college campuses in the latter half of the decade. Assessing student protests merely through this lens yields a narrow view of this generation of activists. One cause of our failure to identify these students is that scholars of the Civil Rights Movement have ignored the very environment in which the majority of student activists lived, learned, socialized, and ultimately revolted. Analyses of Black colleges invariably conclude that they were paternalistic and their curriculums were conformist, if not geared toward assimilation. Students from these all-Black institutions in the South succeeded in their public and private assault against the policies of Jim Crow and at the dawn of the Civil Rights Movement they vaulted the struggle for human rights to unprecedented levels. -
Representations of Children, Families and Neo-Families in British Theatre 1993-2001
Representations of Children, Families and Neo-families in British Theatre 1993-2001 “…It’s not an ordinary family” (Phaedra’s Love: Kane 2001) Selina Busby Royal Holloway, University of London PhD Declaration of Authorship I Selina Busby hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 30 September 2013. ii Abstract In this thesis, I argue that a number of new British plays written in the period between 1993 and 2001 demonstrate that the ‘normalised’ family unit, which has been taken as “common sense,” is a social construct. I will outline how plays written during this period invite audiences to reconsider family structures and provide critical perspectives on the dominant ideology of ‘family’ life. I suggest that this critical perspective paves the way for the conceiving of alternative structures, and in so doing, argue that these plays offer a utopic vision. This thesis considers the family as a “mythical entity” that works as a unit of social control, political aspiration and regulation. I argue that British plays written during this time period represent an alternative in the form of what I shall call a neo-family structure. I suggest that the plays discussed in this thesis are inherently political in nature, in that they frame contemporary issues associated with family and neo-family structures and invite a reading of them that displays the social structures of governmentality. I outline the ways in which adherence to this traditional family structure can be seen as dangerous to its individual members, especially the children, who live within these arrangements. -
00008-13-2009 ( Pdf )
reAder AppreciAtiOn this WeeK OnlY EDITIOn Bus Routes Class Enrollments SCHOOL Open House Schedules BACK-TO- and so much more!!! 50¢ August 13, 2009 thursday ThE BakER COUNty PREss 80th Year, Vol. 16 • Winner of 9 state awards for journalism excellence in 2008 Woman dies in flipping pickup Mud bog permit A Glen St. Mary woman be- came the county’s ninth traffic fatality of 2009 when the pickup may end in court truck she was driving the morn- ing of August 8 overturned on CR 127 north of Cuyler. Hearing August 25 Tamara E. Marich, 43, was JOel AddingtOn cause the vacant tract is zoned dead at the scene after she was for agricultural use, which ex- partially thrown from the 2006 NEWs editOr [email protected] cludes mud bogs whether com- GMC pickup. Two passengers, mercial or not, said Planning Autumn Retcho, 10, and Mary The conflict that began about Director Ed Preston. Merkle, 7, both also of Glen, re- two months ago over a pro- Mr. McCullough immedi- ceived minor injuries. None of posed mud bogging site in the ately appealed the LPA’s deci- the occupants had on seat belts, south county may not end with sion to the Baker County Com- according to FHP Trooper D.L. a ruling from the Baker County mission, but said this week he’s Myers. Commission expected later this also considering alternate mud Ms. Marich was southbound month. bogging locations. on 127 when she swerved to Both Troy McCullough, who “I’ve been looking at some avoid animals in the road. -
Youth and Family Certified Peer Counselor Training Manual
WASHINGTON STATE YOUTH AND FAMILY CERTIFIED PEER COUNSELOR TRAINING THE JOURNEY Washington State Youth and Family Certified Peer Counselor Training Manual The Journey 2 | P a g e Table of Contents Table of Contents ……………….……………………..……………………………………………………………...3 Purpose of Manual……………………..…………..…………………………………………...……...….……….18 How to Use this Manual……………..…………………..…………………………………………….….………18 How to Use Your Knowledge and Certification………..………………………………………………19 Dedication …………………………....………….……………………………………………………….…..............20 Acknowledgements………..………………………..……………………………………………………...………20 Day One Planning the Trip and Following the Signs Overview of Certified Peer Counseling……………………………………………………….………..….22 What Is Peer Support?......................................................................................................................23 Who Can Be a Certified Peer Counselor?....................................................................................25 Medicaid and Peer Support Connection………………………………………………………………..…26 Washington Mental Health System Overview………………………………………….…….………...27 Mental Health Services………………………………………………………………….………..……….………29 Five Core Competencies of Youth and Family Peer Support……….…….……………….........32 Roles Responsibilities and Core Competencies………………………………………………………..33 Chapter 1 Hope and Beginning Relationships Objectives………....……………………………….………………………………………………………...………… 35 Overview ......……………………......…………………………………………………………………………………35 Message of Hope Youth ………………………………………………….……………………………………..…36 Message -
Mapping the British Biopic: Evolution, Conventions, Reception and Masculinities
Mapping the British Biopic: Evolution, Conventions, Reception and Masculinities Matthew Robinson A thesis submitted in partial fulfilment of the requirements of the University of the West of England, Bristol for the degree of Doctor of Philosophy Faculty of Arts, Creative Industries and Education, University of the West of England, Bristol June 2016 90,792 words Contents Abstract 2 Chapter One: Introduction 3 Chapter Two: Critical Review 24 Chapter Three: Producing the British Biopic 1900-2014 63 Chapter Four: The Reception of the British Biopic 121 Chapter Five: Conventions and Themes of the British 154 Biopic Chapter Six: This is His Story: ‘Wounded’ Men and 200 Homosocial Bonds Chapter Seven: The Contemporary British Biopic 1: 219 Wounded Men Chapter Eight: The Contemporary British Biopic 2: 263 Homosocial Recoveries Chapter Nine: Conclusion 310 Bibliography 323 General Filmography 355 Appendix One: Timeline of the British Biopic 1900-2014 360 Appendix Two: Distribution of Gender and Professional 390 Field in the British Biopic 1900-2014 Appendix Three: Column and Pie Charts of Gender and 391 Profession Distribution in British Biopics Appendix Four: Biopic Production as Proportion of Total 394 UK Film Production Previously Published Material 395 1 Abstract This thesis offers a revaluation of the British biopic, which has often been subsumed into the broader ‘historical film’ category, identifying a critical neglect despite its successful presence throughout the history of the British film industry. It argues that the biopic is a necessary category because producers, reviewers and cinemagoers have significant investments in biographical subjects, and because biopics construct a ‘public history’ for a broad audience. -
The Boy from Boort: Remembering Hank Nelson
The Boy from Boort The Boy from Boort Remembering Hank Nelson Edited by Bill Gammage, Brij V. Lal, Gavan Daws Published by ANU Press The Australian National University Canberra ACT 0200, Australia Email: [email protected] This title is also available online at http://press.anu.edu.au National Library of Australia Cataloguing-in-Publication entry Author: Gammage, Bill, 1942- author. Title: The boy from Boort : remembering Hank Nelson / Bill Gammage, Brij V. Lal, Gavan Daws. ISBN: 9781925021646 (paperback) 9781925021653 (ebook) Subjects: Nelson, Hank, 1937-2012. Historians--Australia--Biography. Military historians--Australia--Biography. College teachers--Australia--Biography. Papua New Guinea--Historiography. Other Authors/Contributors: Lal, Brij V., author. Daws, Gavan, author. Dewey Number: 994.007202 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Cover design by Nic Welbourn and layout by ANU Press Printed by Griffin Press This edition © 2014 ANU Press Contents Preface . vii Hyland Neil (‘Hank’) Nelson . ix Part I: Appreciation 1 . Farm Boys . 3 John Nelson 2 . The Boy from Boort . 5 Bill Gammage 3 . Talk and Chalk . 15 Ken Inglis 4 . Boort and Beyond . 19 Gavan Daws 5 . ‘I Don’t Think I Deserve a Pension – We Didn’t Do Much Fighting’: Interviewing Australian Prisoners of War of the Japanese, 1942–1945 . 33 Tim Bowden 6 . Doktorvater . 47 Klaus Neumann 7 . Hank, My Mentor . 55 Keiko Tamura 8 . Papua New Guinea Wantok . 63 Margaret Reeson 9 .