DOCSLIB.ORG

Mcdonald Garry

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Mcdonald Garry GARRY MCDONALD | Actor FILM Year Production / Character Director Company 2014 THE LIGHT BETWEEN OCEANS Derek Cianfrance LBO Productions Bill Graysmark 2012 VENICE Miro Bilbrough Venice Productions. Arthur 2011 BURNING MAN Jonathon Teplitzky Burning Man Productions. Doctor 2010 DON’T BE AFRAID OF THE DARK Troy Nixey Don’t Be Afraid (Aust) Pty Ltd. Emerson Blackwood 2002 THE RAGE IN PLACID LAKE Tony McNamara Rapacious Pictures. Doug Lake 2000 RABBIT PROOF FENCE Phil Noyce Jabal Films. Mr Neal 1999 MOULIN ROUGE Baz Luhrmann Bazmark. The Doctor 1998 MR ACCIDENT Yahoo Serious Happy Brand Films. Kelvin 1991 STRUCK BY LIGHTNING Jerzy Domaradzki Dark Horse Pictures. Rennie 1986 THOSE DEAR DEPARTED Ted Robinson Phillip Emanuel Productions. Max Falcon 1986 THE BEE-EATER George Ogilvie Daedalus Films. Shanahan Management Pty Ltd Level 3 | Berman House | 91 Campbell Street | Surry Hills NSW 2010 PO Box 1509 | Darlinghurst NSW 1300 Australia | ABN 46 001 117 728 Telephone 61 2 8202 1800 | Facsimile 61 2 8202 1801 | [email protected] Dan Burroughs 1985 WILLS AND BURKE: THE UNTOLD Bob Weis Stoney Desert Limited. STORY Robert O'Hara Burke 1982 MOLLY Ned Lander Troplisa Productions. Jones 1982 GINGER MEGGS Jonathan Dawson John Sexton Productions. Mr Meggs 1982 THE PIRATE MOVIE JHI Productions Police Sergeant, French Inspector, Long John Silver, and the voice of the Parrot. 1977 PICTURE SHOW MAN John Power Limelight Productions. Lou 1975 PICNIC AT HANGING ROCK Peter Weir Picnic Productions. Const. Jones 1974 STONE Sandy Harbutt Hedon Productions. Mechanic 1973 AVENGERS OF THE REEF Chris McCullough Timon Productions. Updike’s Aide TELEVISION Year Production/Character Director Company 2014 OFFSPRING: SERIES 5 Various Southern Star. Dr Phillip Noonan 2013 OFFSPRING: SERIES 4 Various Southern Star. Dr Phillip Noonan 2012 RAKE: SERIES 2 Peter Duncan Essential Media and Entertainment. Lawerence Fenton 2012 OFFSPRING: SERIES 3 Various Southern Star. Dr Phillip Noonan 2009 A MODEL DAUGHTER: THE Tony Tilse CB Productions. Pty Ltd. KILLING OF CAROLINE BYRNE Tony Byrne 2006 THE KING Matt Saville Crackerjack Productions Pty Ltd. Nicky Whitta 2006 STEP FATHER OF THE BRIDE Roger Hodgman RB Films. Ari Shanahan Management Pty Ltd Level 3 | Berman House | 91 Campbell Street | Surry Hills NSW 2010 PO Box 1509 | Darlinghurst NSW 1300 Australia | ABN 46 001 117 728 Telephone 61 2 8202 1800 | Facsimile 61 2 8202 1801 | [email protected] 2005 BLACKJACK: ‘DEAD MEMORY’ Peter Andrikidis Jigsaw Entertainment. James 2005 TWO TWISTED: ‘FINDING FRANK’ Jody Dwyer Two Twisted. Norm 2004 MARY BRYANT Peter Andrikidis Screentime Pty Ltd. Reverend Johnson 2000 LOVE IS A 4 LETTER WORD Various ABC TV. Tom Mattingly 1999 ALL SAINTS Various Amalgamated TV Services. Dave Armstrong 1999 THE ADVENTURES OF Various Barron TV Ltd. CHUCK FINN . Roland Rigatoni 1998 HALIFAX f.p. Various Simpson Le Mesurier Films. Alex Goodson 1997 MEDIVAC Various Liberty and Beyond Productions. Ernie Sharp 1997 RIP SNORTERS Game Show Southern Star Entertainment. 1996 FALLEN ANGELS Various ABC TV. Malcolm Lucas 1995 FIRE II Various Beyond Productions/Liberty Films. Mike Lucas 1994 MOTHER AND SON: SERIES 7 Various ABC TV. Arthur Beare 1994 GP Various Roadshow Coote & Carroll. Garry “Gazza” Weller 1993 MOTHER AND SON: SERIES 6 Various ABC TV. Arthur Beare 1993 EGGSHELLS: Series 2 Various ABC TV. Frank Rose 1993 WOMAN IN A LAMPSHADE Yowie Films. 1993 MIDDAY SHOW Channel 9. Co-hosted as Norman Gunston with Ray Martin. 1991 THE OTHER SIDE OF PARADISE Renny Rye Grundy Motion Pictures. Mr Johnston 1991 MOTHER AND SON: SERIES 5 Various ABC TV. Arthur Beare Shanahan Management Pty Ltd Level 3 | Berman House | 91 Campbell Street | Surry Hills NSW 2010 PO Box 1509 | Darlinghurst NSW 1300 Australia | ABN 46 001 117 728 Telephone 61 2 8202 1800 | Facsimile 61 2 8202 1801 | [email protected] 1990 EGGSHELLS: Series 2 Various ABC TV. Frank Rose 1989 MOTHER AND SON: SERIES 4 Various ABC TV. Arthur Beare 1986 COUNTING FROM SIX Film Australia. Doug Farrelly 1985 MOTHER AND SON: SERIES 3 Various ABC TV. Arthur Beare 1984 MOTHER AND SON: SERIES 2 Various ABC TV. Arthur Beare 1984 WINNERS: “THE TOP KID” Carl Schultz Great Scott Productions. Freddie Brooks 1984 FIVE MILE CREEK Valstar Productions. Simon Galt 1984 PRIME TIME ABC TV. Harvey Hanna 1983 MOTHER AND SON: SERIES 1 Various ABC TV. Arthur Beare 1981 JIMMY DANCER: SPRING AND ABC TV. FALL SERIES 1979 THE NORMAN GUNSTON SHOW: John Eastway ATN 7. SERIES 5 1979 THE NORMAN GUNSTON SHOW: John Eastway ATN 7. SERIES 4 1978 THE NORMAN GUNSTON SHOW: John Eastway ATN 7. SERIES 3 1977 THE GARRY McDONALD SHOW ABC TV. 1976 THE NORMAN GUNSTON SHOW: John Eastway ABC TV. SERIES 2 1975 GAMES FOR PARENTS AND OTHER TVP. CHILDREN 1975 THE NORMAN GUNSTON SHOW: John Eastway ABC TV. SERIES 2 1975 WOLLONGONG THE BRAVE ABC TV. 1974 WILLESSEE SHOW ATN 7. 1974 FLASH NICK FROM JINDABICK Ted Robinson ABC TV. Morris Murphy Shanahan Management Pty Ltd Level 3 | Berman House | 91 Campbell Street | Surry Hills NSW 2010 PO Box 1509 | Darlinghurst NSW 1300 Australia | ABN 46 001 117 728 Telephone 61 2 8202 1800 | Facsimile 61 2 8202 1801 | [email protected] 1973 THE AUNTY JACK SHOW: SERIES 2 ABC TV. 1973 OVER THERE ABC TV. Skinny 1973 THE COMEDY GAME ABC TV. Comedy Game 1973 AUNTY JACK ROX ON ABC TV. 1972 SNAKE GULLY WITH DAD N' DAVE ATN 7. 1971-74 MATLOCK Various Crawford Productions Stan Smith, Sid Hawkins, Donny Skinner 1971-74 DIVISION 4 Various Crawford Productions Rev. Gareth Davis 1971-74 HOMICIDE Various Crawford Productions Davo 1968 MY NAMES'S McGOOLEY A.T.N. 7 1968 HUNTER Crawford Productions Ebeling 1967 YOU CAN'T SEE ROUND CORNERS ABC TV. SHORT FILM Year Production/Character Director Company 2005 MARTI’S PARTY Annabelle Murphy Producer: Cath Murphy Martin THEATRE Year Production/Character Director Company 2011 HAMLET Simon Phillips Melbourne Theatre Company. Polonius 2011 NOVEMBER Adam Cook State Theatre Company of South President Charles Smith Australia. 2011 DON PARTIES ON Robyn Nevin Melbourne Theatre Company. Don 2010 HALPERN & JOHNSON Mark Kilmurry Ensemble Productions Pty Ltd. Dennis Johnson 2010 THE GRENADE Peter Evans Melbourne Theatre Company. Busby McTavish Shanahan Management Pty Ltd Level 3 | Berman House | 91 Campbell Street | Surry Hills NSW 2010 PO Box 1509 | Darlinghurst NSW 1300 Australia | ABN 46 001 117 728 Telephone 61 2 8202 1800 | Facsimile 61 2 8202 1801 | [email protected] 2009 GUYS AND DOLLS Guys & Dolls Productions (Sydney Nathan Detroit Season) 2008 THE HYPOCRITE Peter Evans Melbourne Theatre Company. Orgon 2008 GUYS AND DOLLS Guys and Dolls Productions Nathan Detroit (Melbourne Season) 2007 WHOSE AFRAID OF Peter Evans Melbourne Theatre Company. OF VIRGINIA WOOLF George 2006 UNCLE VANYA Adam Cook State Theatre of South Australia. Uncle Vanya 2006 THE GIVE AND TAKE Peter Evans Melbourne Theatre Company. Don 2005 THE GIVE AND TAKE Peter Evans Sydney Theatre Company. Don 2005 TWO BROTHERS Simon Phillips Melbourne Theatre Company. Eggs Benedict 2004 AMIGOS Jennifer Flowers Sydney Theatre Company. Stephen Ryan 2002 LAUGHTER ON THE 23rd FLOOR Kate Cherry Melbourne Theatre Company. Max Prince 2002 AFTER THE BALL Sandra Bates Ensemble Theatre. Stephen McCrae 2001 UP FOR GRABS Gale Edwards Sydney Theatre Company. Manny 1998 LAUGHTER ON THE 23rd FLOOR Adam Cook Ensemble Theatre. Max Prince 1998 AFTER THE BALL David Berthold Sydney Theatre Company. Stephen (Older) 1997 LITTLE SHOP OF HORRORS David Atkins David Atkins Enterprises. Mushnik 1995 ALADDIN (The Pantomime) Edgar Metcalf International Management Group of Abanazar America. 1995 DOUBLE ACT Alan Becher Perth Theatre Company. George 1994/95 HOTSPUR Simon Phillips Melbourne Theatre Company. Freddy Brown 1992 MUCH ADO ABOUT NOTHING Wayne Harrison Sydney Theatre Company. Shanahan Management Pty Ltd Level 3 | Berman House | 91 Campbell Street | Surry Hills NSW 2010 PO Box 1509 | Darlinghurst NSW 1300 Australia | ABN 46 001 117 728 Telephone 61 2 8202 1800 | Facsimile 61 2 8202 1801 | [email protected] Dogberry 1989 SPEED-THE-PLOW Neil Armfield Sydney Opera House Trust & Gary Fox Penny Productions. 1989 DON'S PARTY Graeme Blundell Kinselas Productions Mal 1988 LOOT Richard Wherrett Sydney Theatre Company. Truscott 1988 EMERALD CITY Richard Wherrett Sydney Theatre Company, London Colin West End season 1987 EMERALD CITY Richard Wherrett Sydney Theatre Company. Colin 1986/87 SUGAR BABIES Ernest Flatt Elizabethan Theatre Trust. The Comic 1986 THE FLOATING WORLD Richard Wherrett, Sydney Theatre Company. Phil Stine, The Entertainer Wayne Harrison 1986 GLENGARRY GLEN ROSS Neil Armfield Gary Penny Productions. John Williamson 1984 OLIVER Adelaide Festival Trust, and Her Fagan Majesty's Melbourne. 1982 ON OUR SELECTION Graeme Blundell Melbourne Theatre Company. Dave 1972 MAVIS McMAHON SHOW Chevron Theatre Restaurant. 1977 YOUNG MO Richard Wherrett Nimrod Theatre. THE GOVERNMENT INSPECTOR Richard Wherrett Old Tote Theatre Co. THE NATIONAL HEALTH Phillip Hedley Old Tote Theatre Co. ARTURO UI Richard Wherrett Old Tote Theatre Co. 1972 MEASURE FOR MEASURE John Bell Nimrod Theatre. 1971 AS YOU LIKE IT Jim Sharman Old Tote Theatre Co. 1970 THE LEGEND OF KING John Bell Richbrooke Theatre/N.I.D.A. O'MALLEY HEDDA GABLER Alex Hay Theatre Royal, Hobart. 1970 LET'S GET A DIVORCE Tasmania. 1968 TERROR AUSTRALIS Jim Sharman Jane Street Theatre. CONCERT AND CABARET Shanahan Management Pty Ltd Level 3 | Berman House | 91 Campbell Street | Surry Hills NSW 2010 PO Box 1509 | Darlinghurst NSW 1300 Australia | ABN 46 001 117
Load more

Recommended publications
  • Open Tues-Fri 10Am-5Pm Weekends 12-4Pm Corner Kembla & Burelli
    open Tues-Fri 10am-5pm Wollongong Art Gallery is a service of Wollongong City weekends 12-4pm Council and receives assistance from the NSW Government Corner Kembla & Burelli through Create NSW. Wollongong Art Gallery is a member streets Wollongong of Regional and Public Galleries of NSW. phone 02 4227 8500 www.wollongongartgallery.com www.facebook/wollongongartgallery When I think of television, I automatically think of my youth. It’s a time machine set for 1985. Jana Wendt and her big hair interviewing style Simon Townsend and his sad looking dog Being afraid of Norman Gunston And bewildered by Jeanne Little If nostalgia was an object it would be a TV Guide. The bible for the week - Graffitied in black marker so the days, nights and weekends were planned, Watched and then forgotten - Only to be remembered many years later at the pub, When new friends bonded by Recounting soap opera theme songs or word for word advertising jingles. The big box housing the television was Saturday’s dusting date with Mr Sheen and we danced upon that chipboard veneer and elegantly glided over the glass. Pleasure Drill, 2018, Two channel digital video with sound Videographer: Dara Gill. Special thanks to Michael and Di Kershaw. Courtesy of the artist As an indicator of how life could be represented, measured and performed - The TV was my sometimes stand-in for divorcing parents. Loving fictional families were there to council you, cover you cosy - Pleasure Drill is a two channel video that explores the false many years of failed applications to be part of the TV show The In a 30-minute hug.
    [Show full text]
  • Semaphore Sea Power Centre - Australia Issue 8, 2017 the Royal Australian Navy on the Silver Screen
    SEMAPHORE SEA POWER CENTRE - AUSTRALIA ISSUE 8, 2017 THE ROYAL AUSTRALIAN NAVY ON THE SILVER SCREEN In this day and age, technologies such as smart phones and tablets allow users to film and view video streams on almost any topic imaginable at the convenience of their fingertips. Indeed, most institutions, including the Royal Australian Navy (RAN), promote video streaming as part of carefully coordinated public relations, recruiting and social media programs. In yesteryear, however, this was not a simple process and the creation and screening of news reels, motion pictures and training films was a costly and time consuming endeavor for all concerned. Notwithstanding that, the RAN has enjoyed an ongoing presence on the silver screen, television and more recently the internet on its voyage from silent pictures to the technologically advanced, digital 21st century. The RAN’s earliest appearances in motion pictures occurred during World War 1. The first of these films was Sea Dogs of Australia, a silent picture about an Australian naval officer blackmailed into helping a foreign spy. The film’s public release in August 1914 coincided with the outbreak of war and it was consequently withdrawn after the Minister for Defence expressed security concerns over film footage taken on board the battlecruiser HMAS Australia (I). There was, however, an apparent change of heart following the victory of HMAS Sydney (I) over the German cruiser SMS Emden in November 1914. Australia’s first naval victory at sea proved big news around the globe The Art Brand Productions - The Raider Emden. and it did not take long before several short, silent propaganda films were produced depicting the action.
    [Show full text]
  • Bracken's Back - Spreading Sunshine
    OCTOBER, 1987 Vol 11 No 9 ISSN 0314 - 0598 A publication of the Australian Elizabethan Theatre Trust Eddie Bracken as Willie Clarke in THE SUNSHINE BOYS Bracken's back - spreading sunshine THE SUNSHINE BOYS blades (he can't hold with his shaking As well as the comedy we can always by Neil Simon hands). It is the role played by Walter expect from Neil Simon this play also Directed by Eddie Bracken Matthau in the film version of the play. has touches of pathos. It has been writ­ Cast includes: Eddie Bracken, Ray Eddie Bracken knew the two men ten out of love and deep affinity with Barrell, Pat McDonald and John portrayed in the play and claims never the theatrical scene and temperament. The New York Daily News said of the Orscik to have heard even a cross word pass between them. But altercations and play "another hit for Simon in this resh from his success in the lead role conflict make for interest and fun in the shrewdly balanced, splendidly per­ F of SUGAR BABIES which has just play. formed and rather touching slice of completed a national tour for the Trust, Ray Barrett plays Willie's partner Al showbiz life". Lewis, the role played by the-still-alive­ Eddie Bracken will direct and star in BOOKlNG INFORMATION THE SUNSHINE BOYS which comes after-all-these-years, George Bums. Pat McDonald will be returning to the stage Her Majesty's Theatre to Sydney's Her Majesty's Theatre next Tue Nov 24 to Sat Dec 12 month. Eddie Bracken plays Willie after five years as Aunt Fiona in TV's Mon to Sat at 8 p.m.
    [Show full text]
  • [Warning - This Film Contains Nudity and References to Drugs]
    [Warning - This film contains nudity and references to drugs] [What A Life! Rock Photography by Tony Mott - a free exhibition until 7 February 2016. Solid Gold - Jeff Apter & Philip Morris, Metcalfe Theatre, State Library of NSW, 5th December 2015] [Dressed in a black shirt and dark jeans, grey-haired Philip Morris sits beside his interviewer Jess Apter, a bald man dressed casually] [JEFF APTER] Thank you. Before starting, I want to say I was really fortunate to be able to work with Philip on this book. [Jeff Apter holds up a coffee table book] [JEFF APTER] And it was one of the more interesting exercises, wasn't it? Because we were given a directive to come up with... Was it 200 photos? ..for this book. [PHILIP MORRIS] That's right. [JEFF APTER] And Philip's archive is so fantastic and so rich, that I think we got it down to, what, 600? [PHILIP MORRIS] Yeah. [Audience laughs] [JEFF APTER] Was it 600 to start with? It was something like that. And it's staggering, really. It's a really great document of Australian rock history at a really interesting turning point. So to get it down to this... It's begging for a second edition, by the way. There's so many great photos. So it was a real honour to be able to... to do that. It was a lot of fun. [PHILIP MORRIS] Yeah, it was. [JEFF APTER] We actually had built into our contract... Our agreement was an understanding that we would never work in a boring situation.
    [Show full text]
  • Miro Bilbrough
    PRESS KIT Screen Australia Dragonet Films and Firesign in association with ScreenNSW present ►►►Being Venice Sometimes the men in a woman’s life bring nothing but trouble * OR * One of the great mysteries: what it’s like inside another’s head Starring Alice McConnell, Garry McDonald Simon Stone, Katie Wall Director/writer Miro Bilbrough Producers Karen Radzyner, Michael Wrenn Filmed entirely on location in Sydney, Australia Sales agent: Wide Film Sales Australian/NZ distributor: Curious Distribution Length: 89 minutes Aspect ratio: 1:1,85 Sound: 6 Channel Wav Language: English Screen Australia, Screen NSW, Dragonet Films Pty Ltd ► BEING VENICE SYNOPSES In one line Venice is having trouble with the men in her life: she breaks up with her lover and starts an affair with her best friend. The aggravation of her ex-hippy dad, camped on her sofa, is the last straw. * OR * During the week her ex-hippy dad is sleeping on her sofa, Venice is dumped by her lover, has an affair with her best friend, and faces up to ghosts from the past. In a nutshell Venice is having trouble with the men in her life. On the night her ex-hippy dad Arthur arrives in Sydney to stay on the sofa of her tiny apartment for a week, she is dumped by her lover and begins an ill-advised affair with her charismatic best friend Lenny. Arthur carefully ignores the turmoil swirling around his daughter’s life until she confronts him about the childhood that still pains her. In detail Whether Venice is at the art gallery where she works or out with friends, she jots down observations on post-it notes and stores them, like unborn poems, in an old cake tin.
    [Show full text]
  • Anita Heiss Brendan Cowell
    WeLcOMe This level of innovation and growth is due MeSSaGe to many people who have contributed their time and their talent during the past 10 OUr PreSeNtING years. There are too many to mention, but SPONSOr those who stand out are David and Kristen Williamson, John Fell, Karen Mitchell, You would expect Rowland Hill, Earle Bailey and Simon the opening Gamble all of whom we have considered remarks to friends and whose friendship and an event that commitment we have valued immensely. Macquarie has Separately, I would especially like to sponsored for acknowledge the special talent and 10 years would dedication of our Festival Director, Ian start something MacKellar, who for the past three years like: “Macquarie has added a level of professionalism and is proud to be creative talent that guarantees our Noosa associated with the Noosa Longweekend Longweekend Festival its place among which is celebrating its 10th Anniversary Australia’s best. this year.” We have spent 10 years marvelling at this These words might accurately describe festival and believing that each year could Macquarie’s relationship with one of not be topped – only to come back the next Australia’s best cultural festivals, but year to find ourselves once again amazed somehow it falls short of expressing just at the quality and the breadth. how important the Noosa Longweekend is to us. I wish you all a wonderful 10th Anniversary and I know this year will be the best ever. For the past decade we have watched this pre-eminent cultural festival grow, each year it attracts bigger and more talented artists, it is innovative in the breadth of its genres and it takes calculated risks with the acts it has experimented with, yet it Peter Maher also maintains a strong link to the local Group Head, Macquarie Banking and community.
    [Show full text]
  • Australian Broadcasting Tribunal Annual Report 1981-82 Annual Report Australian Broadcasting Tribunal 1981-82
    AUSTRALIAN BROADCASTING TRIBUNAL ANNUAL REPORT 1981-82 ANNUAL REPORT AUSTRALIAN BROADCASTING TRIBUNAL 1981-82 Australian Government Publishing Service Canberra 1982 © Commonwealth of Australia 1982 ISSN 0728-606X Printed by Canberra Publishing & Printing Co .. Fyshwick. A.C.T. 2609 The Honourable the Minister for Communications In conformity with the provisions of section 28 of the Broadcasting and Television Act 1942, as amended, I have pleasure in presenting the Annual Report of the Australian Broadcasting Tribunal for the period l July 1981 to 30 June 1982. David Jones Chairman iii CONTENTS PART/ INTRODUCTION Page Legislation 1 Functions of the Tribunal 1 Membership of the Tribunal 1 Meetings of the Tribunal 2 Addresses given by Tribunal Members and Staff 2 Organisation and Staff of the Tribunal 4 Location of the Tribunal's Offices 4 Overseas Visits 5 Financial Accounts of the Tribunal 5 PART II GENERAL Broadcasting and Television Services in operation since 1953 6 Financial results - commercial broadcasting and television stations 7 Fees for licences for commercial broadcasting and television stations 10 Broadcasting and Televising of political matter 13 Political advertising 15 Administration of Section 116(4) of the Act 16 Complaints about programs and advertising 18 Appeals or reviews of Tribunal Decisions and actions by Commonwealth 20 Ombudsman, AdministrativeReview Council and Administrative Appeals Tribunal Reference of questions of law to the Federal Court of Australia pursuant 21 to Section 22B of the Act PART III PUBLIC INQUIRIES
    [Show full text]
  • Melbourne Theatre Company
    David Williamson’s WELCOME At MTC we are passionate about Australian stories, be they modern masterpieces or brand new plays fresh off the page. In our 2020 season new works dominate, but there was one classic we couldn’t go past, especially as its revival marks a particularly special milestone. In his 50th year as a playwright, we celebrate David Williamson’s incredible career and achievements as a writer with this new production of Emerald City – one of his finest plays and an undeniable Australian classic. As the 21st century seems to careen again into the Greed is Good world of self-interest, self-obsession, consumerism and real estate dreams so pervasive in the 1980s, there is no better time to re-visit this classic play. Set at the height of the 80s pandemic of wealth accumulation at all costs, Emerald City takes the blowtorch to one of our most visible signs of money vs humanity – the wrestle between art and commercialism. This high-velocity dramedy, full of Williamson wit and zingers, uses of course its infamous backdrop of Sydney/Melbourne rivalry to land its exploration of seduction by wealth, beauty and a gorgeous harbour view. But more broadly, its revival in 2020 asks whether we ever really left behind the Greed is Good years of the 80s. Please do read both David’s essay in this programme and that of director Sam Strong, who each write so eloquently about Emerald City’s themes and about David’s astonishing career. David is revered around the country as one of our most popular dramatists, and his prolific output and critical success have long secured his place in the literary canon.
    [Show full text]
  • A Place to Call Home Media
    Australia’s number one drama is back A PLACE TO CALL HOME Holding the secret of James’ attempted Which secrets will come out? Which WAS THE MOST-WATCHED suicide forever linked Sarah’s future with secrets will be buried? the Blighs. AUSTRALIAN DRAMA A Place to Call Home is created by Bevan SERIES OF 2013. Over time, her connection with charming Lee, the man behind iconic Australian widower George Bligh developed into love, shows such as Packed to the Rafters, It was lauded by critics who hailed it and the unexpected romance helped Sarah Always Greener and Winners & Losers. ‘mesmerising’, ‘captivating’ and ‘a class move on from the death of her beloved The cast features MARTA DUSSELDORP act.’ With a combined weekly audience of husband Rene, murdered by the Nazis. 2.2 million viewers each week, it cemented as Sarah Adams, NONI HAZLEHURST as its place in TV history and people’s hearts. This series will see Sarah move into Ash Elizabeth Bligh, BRETT CLIMO as George Park and work to prove herself a fitting Bligh, CRAIG HALL as Dr. Jack Duncan, Last year’s dramatic finale saw the lives of wife-to-be for George, while his mother SARA WISEMAN as Carolyn Bligh, DAVID the Bligh family imploding. Elizabeth plays a devious waiting game BERRY as James Bligh, ARIANWEN After paying off Bert to keep him quiet to see what Regina will unearth about PARKES-LOCKWOOD as Olivia Bligh, about his son James’ sexuality, George Sarah’s past in Europe. ABBY EARL as Anna Bligh, ALDO MIGNONE as Gino Poletti, MATT LEVETT as Andrew was furious when he attempted to extort Little does Sarah know, Elizabeth will Swanson and FRANKIE J.
    [Show full text]
  • High Priest Amanda Lohreyon David Walsh Andtasmania's Museum of Old and New Art
    The Monthly January, 2011 Brief: MONA Page: 78 Page 1 of 7 Section: General News Region: National Type: Magazines Business Size: 2,002.40 sq.cms. Frequency: Monthly High Priest Amanda Lohreyon David Walsh andTasmania's Museum of Old and New Art The Moorilla estate is set on a peninsula of sandstone cliffs he discovered that the scope for winning at card games was that juts out into the Derwcnt estuary on Hobart's northern limited he dropped out of his degree and, for most of the fringe. Framed to the south-west by the looming grandeur '8os and early '9os, spent ioo or more hours per week de- of Mt Wellington and to the east by Mt Direction, the slopes veloping a mathematical model that would enable him and of the peninsula are planted with grapevines, and a cluster his partners to win at other forms of gambling, especially of modern buildings perch atop the rise. It is here that horseracing. This he now pursues on a large scale in a num- the visionary project, the Museum of Old and New Art ber of countries. (MONA) is due to open on 21 January 2011, an $8o million There is a network of people involved in Walsh's outfit, wonder that will house a private art collection valued at over most notably his business partner of 30 years, Zeljko Ra- $ioo million. Already it has been hailed as the "Bilbao of nogajec. Walsh met Ranogajec at university where the latter the south" and the "Getty of the Antipodes", expecting an studied law and economics before he too dropped out to estimated 350,000 visitors per annum, contributing a major pursue a career in gambling.
    [Show full text]
  • Narelle Gee Thesis
    MAINTAINING OUR RAGE: INSIDE AUSTRALIA’S LONGEST-RUNNING MUSIC VIDEO PROGRAM. By Narelle Gee BA/DipEd (University of NSW) A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy (Creative Industries) School of Media, Entertainment, Creative Arts, Film, Screen and Animation Creative Industries Faculty Queensland University of Technology 2015 Key Words ABC Music Television Alternative Music Music Videos Australian Broadcasting Corporation Popular Music Australian Cultural Industries Production Cultures Australian Television Public Service Broadcasting Creative Labour rage Cultural Production Television Broadcasting Media Culture Television Production Music Industry TV Programs 2 Abstract The thesis, “Maintaining our rage: inside Australia’s longest-running music video program”, takes a reflective and reflexive narrative journey across the decades of rage, from its 1987 creation through to the program’s current incarnation, providing unique insider perspectives and affordances. Australia’s longest-running music video program is also, arguably, the most sustained such program globally (Bodey, 2012; Helper, 2012). Despite its longevity, there has been scarce scholarly analysis of rage, and of what has underpinned its unusual endurance; many music video programs have come and gone during the program’s long-held tenure. How has rage survived the vicissitudes of network programming – particularly within the capricious space of music video programming - and maintained its cultural place and role, for more than a quarter of a century? The significance of this research is that it explores rage’s unusual durability, examines the program’s unique elements, and answers three key research questions: What has been the history of rage as a program and a cultural entity? What has been the cultural significance of rage? How did rage create a shift within the music industry ecology of Australia? This thesis presents an insider’s account of rage, exploring it within its ABC TV and public broadcasting context.
    [Show full text]
  • Stunned Mullet 3
    ^overfi^er 15175 ~tkl$ 15SCI& 000 Ben wick, jom BCRR9, teiQH GPMOHDS, URSULA feQUin, SlOR WOOD, CARG9 HA1WIO, BOB TUCKGR., <W CHFOCR, we qUCRSOHTL, SHGW. BMHGAR, QRCTCR iwy §Win, TIGD BROOKS, STU TAIT, OORR SGRRAriO, OAKG WACOhfin, wy SRXB9, ^OSeMRR\C B€LL, RUY1G FORS§R£Y1, ROBIR OOWSON, FRGD TO fitch, QRpce pon cunpRy, WL 5TG\OS, QCRRCD FORD, WRTARR ^wstoyv * TGRR9 S0UTHGRY1, ^UGC D€ CGTOWS, TGCC9 SAVACAS, Rusiy nevem, ?gtgr kyio^, SfirouGL r. oecrmy, « qiccespic, m sicvgrbgr^, qoubh wniTLR^ gy\qch wgcl ewe mentioned, among others PO ST S CRI PT----------------------------------------------------------------- Regular readers of the stuff I contribute to mailings of PAPA and ANZAPA will be accustomed to the silly things I have said in this issue. They know that most of my stuff is composed on stencil, that I drink too much while composing it, that I have a tendency to exaggerate, that (above all) what I write for my friends in the amateur publishing associations is not necessarily my last word on any given subject. When writing for a wider audience I usually take rather more care in what I say and how I say it. This issue of STUNNED MULLET started out as a contribution to the November mailing of the Fantasy Amateur Press Association. Somewhere along the line I decided it would also be a contribution to the October mailing of the Australian and New Zealand Amateur Publishing Association (our seventh anniversary mailing: three cheers for Leigh Edmonds and ANZAPA! Ta.). Then I thought I should run a few extra copies, for people who haven't heard from me lately and recent correspondents who have never heard from me.
    [Show full text]