Bert Newton Has Proved the Teacher’S If You Loved Sport, Chances Are Once Considered the Poor Hint of the Skills Bert Newton Instincts Were Right on the Money
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Australian Story – Monday 13 November, 8Pm, ABC and ABC Iview BEHIND the MASK – MIKE WILLESEE, PART TWO
RELEASED: Thursday 9 November, 2017 Australian Story – Monday 13 November, 8pm, ABC and ABC iview BEHIND THE MASK – MIKE WILLESEE, PART TWO Introduced by Ray Martin. The conclusion to Australian Story’s two-part exclusive on current affairs legend Mike Willesee as he faces the fight of his life – a cancer diagnosis. The episode begins in 1993 when Mike returned to A Current Affair for a year, conducting some of his most memorable interviews. He drew wide praise for an interview with opposition leader John Hewson, during which the prime ministerial hopeful tied himself in knots over a question about the GST. Many considered it the moment Hewson lost the election. Four weeks later praise turned to condemnation when Mike interviewed two young children held captive by killers during the Cangai siege. “I think this is a classic case where we misjudged the audience reaction,” admits former Nine news chief Peter Meakin. Tiring of nightly current affairs, Mike turned his attention to a variety of business interests and documentary making. While in Kenya on his way to film in Sudan he had a premonition that the small plane he was boarding would crash. Shortly after take-off, it did. Although Mike was unhurt, the experience had a profound impact on him and led him on a long journey back to the Catholic faith of his childhood. In the years since he has invested much of his time into trying to find scientific proof for various religious miracles. It is Mike’s strong religious faith, along with the support of his family, that has helped him since being diagnosed with cancer in October last year. -
Sydney Program Guide
Page 1 of 24 Sydney Program Guide Sun Oct 13, 2013 06:00 BUBBLE GUPPIES Captioned Repeat WS G The Legend of Pinkfoot! Legend has it that when you go on a camping trip, and the moon is full, you just might meet Pinkfoot. So grab your flashlight and pack your s’mores; you’re going camping with the Bubble Guppies! Find out if the legend of Pinkfoot is true, or just a spooky old campfire tale. 06:30 DORA THE EXPLORER Captioned Repeat G The Backpack Parade Today is the Backpack Parade and Backpack gets to lead the parade with her song! But Backpack keeps sneezing! 07:00 WEEKEND TODAY Captioned Live WS NA Join the team as they bring you the latest in news, current affairs, sports, politics, entertainment, fashion, health and lifestyle. 10:00 FINANCIAL REVIEW SUNDAY Captioned Live WS NA Expert insights of the nation’s leading business, finance and investment commentators from The Australian Financial Review, hosted by Deborah Knight. 10:30 WIDE WORLD OF SPORTS Captioned Live WS G Join Ken Sutcliffe and the team for all the overnight news and scores, sports features, special guests and light- hearted sporting moments. 11:30 AUSTRALIAN FISHING CHAMPIONSHIPS Captioned WS G Gladstone, Queensland Kris Hickson (ranked #3) and Shane Taylor from Team HOBIE take on Russell Babekuhl (ranked #1) and Warren Carter of Team MERCURY, fishing for Bream in what should be a classic first round of AFC Series 10 in Gladstone, Queensland 12:00 THE NRL ONE COMMUNITY AWARDS Captioned WS PG The NRL One Community Awards Tim Gilbert and Erin Molan present the One Community Awards celebrate Rugby League’s unsung heroes and recognise the work NRL stars and volunteers contribute to grassroots rugby league. -
Sydney Program Guide
Page 1 of 19 Sydney Program Guide Sun Jun 26, 2016 06:00 PAW PATROL Captioned Repeat HD WS G A pack of six heroic puppies and a tech-savvy 10-year-old boy work together using a unique blend of problem- solving skills, cool vehicles and lots of cute doggy humour on high-stakes rescue missions to protect the Adventure Bay community. 06:30 DORA THE EXPLORER Captioned Repeat WS G Vamos A Pintar Dora and Boots are painting pictures in Dora's yard when suddenly, they hear crying. In the nearby forest, they discover Pincel, a paintbrush who's crying multi-colored tears. He needs their help getting back to the Art Studio! 07:00 WEEKEND TODAY Captioned Live HD WS NA Join the Weekend Today team as they bring you the latest in news, current affairs, sports, politics, entertainment, fashion, health and lifestyle. 10:00 WIDE WORLD OF SPORTS Captioned Live HD WS PG Join Ken Sutcliffe, Emma Freedman and the team for all the overnight news and scores, sports features, special guests and light-hearted sporting moments. 11:00 SUNDAY FOOTY SHOW Captioned Live HD WS PG Breaking NRL news, expert analysis, high profile guests taking you to places and people no ticket can buy. Hosted by Yvonne Sampson. 13:00 SUBARU FULL CYCLE Captioned HD WS NA Hosted by two of Australia’s most coveted former cyclists Scott McGrory and Bradley McGee who will keep fans up to date with all the news & action on the road and behind the scenes at the Subaru National Road Series. -
Open Tues-Fri 10Am-5Pm Weekends 12-4Pm Corner Kembla & Burelli
open Tues-Fri 10am-5pm Wollongong Art Gallery is a service of Wollongong City weekends 12-4pm Council and receives assistance from the NSW Government Corner Kembla & Burelli through Create NSW. Wollongong Art Gallery is a member streets Wollongong of Regional and Public Galleries of NSW. phone 02 4227 8500 www.wollongongartgallery.com www.facebook/wollongongartgallery When I think of television, I automatically think of my youth. It’s a time machine set for 1985. Jana Wendt and her big hair interviewing style Simon Townsend and his sad looking dog Being afraid of Norman Gunston And bewildered by Jeanne Little If nostalgia was an object it would be a TV Guide. The bible for the week - Graffitied in black marker so the days, nights and weekends were planned, Watched and then forgotten - Only to be remembered many years later at the pub, When new friends bonded by Recounting soap opera theme songs or word for word advertising jingles. The big box housing the television was Saturday’s dusting date with Mr Sheen and we danced upon that chipboard veneer and elegantly glided over the glass. Pleasure Drill, 2018, Two channel digital video with sound Videographer: Dara Gill. Special thanks to Michael and Di Kershaw. Courtesy of the artist As an indicator of how life could be represented, measured and performed - The TV was my sometimes stand-in for divorcing parents. Loving fictional families were there to council you, cover you cosy - Pleasure Drill is a two channel video that explores the false many years of failed applications to be part of the TV show The In a 30-minute hug. -
Heath Franklin
HEATH FRANKLIN As 'Chopper', Heath Franklin is an Australian cultural and comedy icon. With his own TV show, four live comedy specials, 2 ARIA nominations, 1 Logie nomination and over 500,000 tickets sold worldwide, Chopper has nearly done it all. The man behind the tatts and 'stache, Heath Franklin, is an Australian actor, comedic performer, improviser and writer. Franklin made his television debut on the sketch show, The Ronnie Johns Half Hour, from where his comedic impersonation of real-life criminal Mark 'Chopper' Read, became an international cult hit. In 2006, Franklin's talent was rewarded with the nomination an Australian TV Logie award, the inaugural Graham Kennedy Award for Most Outstanding New Talent. Since 2007, he has toured Chopper across the country, and around the world, culminating in 2018, when Heath was awarded the Comedians Choice Award - The Piece of Wood Award - at The Melbourne International Comedy Festival for his sell-out, international tour 'Bogan Jesus'. As Chopper, he created and performed the variety show, Chopper's Republic of Anzackistan (TV3/Network 10) in 2015, and featured in his own segment, Chopper's Weekly Review, on the Triple M Network's, Merrick and Australia drive show. Since 2009, he has also been a season regular on NZ's news panel show, 7 Days (TV3). As himself, Heath Franklin has guest starred in numerous Australian comedies, such as Thank God You're Here, Drunk Histories and Review with Myles Barlow, as well as being regular cast in Best Bits (Seven), Wednesday Night Fever (ABC), How Not to Behave (ABC) and Randling (ABC). -
A Dark New World : Anatomy of Australian Horror Films
A dark new world: Anatomy of Australian horror films Mark David Ryan Faculty of Creative Industries, Queensland University of Technology A thesis submitted in fulfillment of the degree Doctor of Philosophy (PhD), December 2008 The Films (from top left to right): Undead (2003); Cut (2000); Wolf Creek (2005); Rogue (2007); Storm Warning (2006); Black Water (2007); Demons Among Us (2006); Gabriel (2007); Feed (2005). ii KEY WORDS Australian horror films; horror films; horror genre; movie genres; globalisation of film production; internationalisation; Australian film industry; independent film; fan culture iii ABSTRACT After experimental beginnings in the 1970s, a commercial push in the 1980s, and an underground existence in the 1990s, from 2000 to 2007 contemporary Australian horror production has experienced a period of strong growth and relative commercial success unequalled throughout the past three decades of Australian film history. This study explores the rise of contemporary Australian horror production: emerging production and distribution models; the films produced; and the industrial, market and technological forces driving production. Australian horror production is a vibrant production sector comprising mainstream and underground spheres of production. Mainstream horror production is an independent, internationally oriented production sector on the margins of the Australian film industry producing titles such as Wolf Creek (2005) and Rogue (2007), while underground production is a fan-based, indie filmmaking subculture, producing credit-card films such as I know How Many Runs You Scored Last Summer (2006) and The Killbillies (2002). Overlap between these spheres of production, results in ‘high-end indie’ films such as Undead (2003) and Gabriel (2007) emerging from the underground but crossing over into the mainstream. -
State Ed by Sue Smith
state ed by Sue Smith 2 3 Index .................................................................................................................................................................................................... 4 Cast & Creatives .............................................................................................................................................................................. 5 Writer .................................................................................................................................................................................................. 6 Synopsis ............................................................................................................................................................................................. 8 Plot ....................................................................................................................................................................................................... 9 Director............................................................................................................................................................................................ 11 Actor Profile ................................................................................................................................................................................... 13 Characters ..................................................................................................................................................................................... -
Screen Australia Annual Report 2011/12 Published by Screen Australia October 2012 ISSN 1837-2740 © Screen Australia 2012
Screen Australia Annual Report 2011/12 Published by Screen Australia October 2012 ISSN 1837-2740 © Screen Australia 2012 The text in this Annual Report is released subject to a Creative Commons BY licence (Licence). This means, in summary, that you may reproduce, transmit and distribute the text, provided that you do not do so for commercial purposes, and provided that you attribute the text as extracted from Screen Australia’s Annual Report 2011/12. You must not alter, transform or build upon the text in this Annual Report. Your rights under the Licence are in addition to any fair dealing rights which you have under the Copyright Act 1968 (Cwlth). For further terms of the Licence, please see http://creativecommons.org/licenses/ by-nc-nd/3.0/au/. You are not licensed to reproduce, transmit or distribute any still photographs contained in this Annual Report without the prior written permission of Screen Australia. This Annual Report is available to download as a PDF from www.screenaustralia.gov.au Front cover image from The Sapphires. Screen Australia Annual Report 2011/12 Correction Department of Regional Australia, Local Government, Arts and Sport Screen Australia Annual Report 2011/12 Producer Offset and Co-productions – page 74: Incorrect total (173) for Producer Offset Provisional Certificates issued in 2011/12. It should read: 145 Provisional Certificates. Producer Offset and Co-productions – page 76: Under heading Certificates issued in 2011/12, the figures for Producer Offset Provisional Certificates (Features – 78; Non-feature documentaries – 54; TV and other – 41; Total – 173) are incorrect. The table should read: Certificates issued in 2011/12 Final Provisional Number Offset value ($m) Features 47 24 127.29 Non-feature documentaries 55 98 18.21 TV and other 43 39 58.45 Total 145 161 203.96 Note: Figures may not total exactly due to rounding. -
Australian Story – Monday 6 November, 8Pm, ABC and ABC Iview BEHIND the MASK – MIKE WILLESEE
RELEASED: Thursday 2 November, 2017 Australian Story – Monday 6 November, 8pm, ABC and ABC iview BEHIND THE MASK – MIKE WILLESEE An inimitable presence on our TV screens for 50 years, Mike Willesee now faces his greatest challenge – a diagnosis of throat cancer. In a two-part exclusive, Australian Story looks back over the extraordinary life of one of broadcasting’s more enigmatic characters. Born in Perth, Mike was profoundly influenced by the family’s strong Catholic faith and his father’s involvement in politics. “I went to John Curtin’s funeral and I sat on Ben Chifley’s knee and Gough Whitlam watched me play football so I guess by osmosis if nothing else I was learning about politics,” Mike says. As a 10-year-old, Mike was sent briefly to the notorious Bindoon Boy’s Town by his father in order to toughen him up. It was a brutal experience. “I still don't know why my father thought I needed to toughen up,” Mike says, “but I did toughen up. You know, it changed me.” Later, a split within the Labor party saw the family ostracised by the Catholic church. His father was railed against from the pulpit and Mike was forced out of school a year early by the Catholic brothers who taught him. These events, and an emerging interest in girls, saw Mike turn his back on the church. After school, Mike fell into journalism, working for papers in Perth and Melbourne before ending up in Canberra. When the ABC launched the ground- breaking current affairs program This Day Tonight, he found himself in the right place at the right time. -
The Plight of ABC Produced Programs and Staff and Can Be Found at Plight-Of-Abc-Produced-Programs-And-Staff
Re: Recent ABC programming decisions From: Ken McKay Tuesday August 30th, 2011 Please find here the contents of a web page I have uploaded to the watvhistory.com web site. It is titled The plight of ABC produced programs and staff and can be found at http://watvhistory.com/2011/08/the- plight-of-abc-produced-programs-and-staff/ Because the site deals with WA television history matters, the emphasis given to the story is that of change, and the impact it has. Most of the content relates directly to the issues the Senate Hearing will be considering... The plight of ABC produced programs and staff POSTED BY KEN ON AUGUST - 29 - 2011 This is an examination of current issues facing the ABC. Fulfilling the ABC charter, program cuts, outsourcing, centralisation, technological change and job losses. As to be expected, there are a number of points of view, which this article will endeavour to report accurately in a fair and balanced manner. They are very contentious issues, which have been evolving over many years as broadcasting facilities, techniques and management styles change, from the previous bureaucratic, slow moving public service structure to one more aware of modern business philosophies, and capable of great innovation. The earlier days were more labour intensive when Perth was an isolated outpost, separated from the rest of the country by not only distance and poor roads, but also primitive communications. The history of change gave witness to a variety of predicaments as our ancestors approached the industrial age. Change manifests itself in different forms over time, and even though the circumstances vary, there is still an impact as people try to cope with a new age. -
'They're My Two Favourites' Versus' the Bigger Scheme of Things': Pro-Am
This may be the author’s version of a work that was submitted/accepted for publication in the following source: McKee, Alan & Keating, Chris (2012) ’They’re my two favourites’ versus ’the bigger scheme of things’: Pro-am historians remember Australian television. In Turnbull, S & Darian-Smith, K (Eds.) Remembering television: Histories, technologies, memories. Cambridge Scholars Publishing, United Kingdom, pp. 52-73. This file was downloaded from: https://eprints.qut.edu.au/54554/ c Copyright 2012 Alan McKee & Chris Keating This work is covered by copyright. Unless the document is being made available under a Creative Commons Licence, you must assume that re-use is limited to personal use and that permission from the copyright owner must be obtained for all other uses. If the docu- ment is available under a Creative Commons License (or other specified license) then refer to the Licence for details of permitted re-use. It is a condition of access that users recog- nise and abide by the legal requirements associated with these rights. If you believe that this work infringes copyright please provide details by email to [email protected] Notice: Please note that this document may not be the Version of Record (i.e. published version) of the work. Author manuscript versions (as Sub- mitted for peer review or as Accepted for publication after peer review) can be identified by an absence of publisher branding and/or typeset appear- ance. If there is any doubt, please refer to the published source. http:// www.c-s-p.org/ flyers/ Remembering-Television--Histories--Technologies--Memories1-4438-3970-1. -
Stephen Harrington Thesis
PUBLIC KNOWLEDGE BEYOND JOURNALISM: INFOTAINMENT, SATIRE AND AUSTRALIAN TELEVISION STEPHEN HARRINGTON BCI(Media&Comm), BCI(Hons)(MediaSt) Submitted April, 2009 For the degree of Doctor of Philosophy Creative Industries Faculty Queensland University of Technology, Australia 1 2 STATEMENT OF ORIGINAL AUTHORSHIP The work contained in this thesis has not been previously submitted to meet requirements for an award at this or any other higher education institution. To the best of my knowledge and belief, the thesis contains no material previously published or written by another person, except where due reference is made. _____________________________________________ Stephen Matthew Harrington Date: 3 4 ABSTRACT This thesis examines the changing relationships between television, politics, audiences and the public sphere. Premised on the notion that mediated politics is now understood “in new ways by new voices” (Jones, 2005: 4), and appropriating what McNair (2003) calls a “chaos theory” of journalism sociology, this thesis explores how two different contemporary Australian political television programs (Sunrise and The Chaser’s War on Everything) are viewed, understood, and used by audiences. In analysing these programs from textual, industry and audience perspectives, this thesis argues that journalism has been largely thought about in overly simplistic binary terms which have failed to reflect the reality of audiences’ news consumption patterns. The findings of this thesis suggest that both ‘soft’ infotainment (Sunrise) and ‘frivolous’ satire (The Chaser’s War on Everything) are used by audiences in intricate ways as sources of political information, and thus these TV programs (and those like them) should be seen as legitimate and valuable forms of public knowledge production.