INTERNATIONAL DOG SHOW CACIB-FCI Date: 12.06.2021 RUSSIA, MOSCOW

Total Page:16

File Type:pdf, Size:1020Kb

INTERNATIONAL DOG SHOW CACIB-FCI Date: 12.06.2021 RUSSIA, MOSCOW INTERNATIONAL DOG SHOW CACIB-FCI Date: 12.06.2021 RUSSIA, MOSCOW Группа / Group №1 Sheepdogs and Cattledogs (except Swiss Cattledogs) АВСТРАЛИЙСКАЯ ОВЧАРКА / AUSTRALIAN SHEPHERD Кобели / Males: CACIB Класс: Промежуточный / Intermediate class 1 AMBASSADOR BY BAUER N/B, RKF 5906041, 08.07.2019, Tat.: YYY 6244, Owner: ADUSHKINA E. Judge: RASCHIKHMAROVA T. V. (RUSSIA) RCACIB Класс: Открытый / Open class 2 APPLEDORE BARKING HEARTBREAKER, RKF 5624204, 01.05.2019, Tat.: ACQ 3080, Owner: MINGALIEVA D. Judge: RASCHIKHMAROVA T. V. (RUSSIA) Суки / Females: CACIB Класс: Промежуточный / Intermediate class 10 BRIGHTTOUCH CLICK YOUR WISH N/B, RKF 5905754, 24.09.2019, Tat.: XTX 4163, Owner: KOZLOVA L.&MALYGINA E. Judge: RASCHIKHMAROVA T. V. (RUSSIA) RCACIB Класс: Чемпионов / Champion class 13 APPLEDORE AMBER MOON N/B, RKF 5128586, 26.02.2018, Tat.: EMN 1358, Owner: MINGALIEVA D., GASS YU. Judge: RASCHIKHMAROVA T. V. (RUSSIA) БЕЛАЯ ШВЕЙЦАРСКАЯ ОВЧАРКА / WHITE SWISS SHEPHERD DOG Кобели / Males: CACIB Класс: Чемпионов / Champion class 18 BEL ETUAL ORSO, RKF 4091763, 26.08.2014, Tat.: TNE 940, Owner: ANTIPOV O. Judge: RASCHIKHMAROVA T. V. (RUSSIA) Суки / Females: CACIB Класс: Промежуточный / Intermediate class 21 AKNUR GUL ATTIKA STELLA ALBA, RKF 5678642, 15.08.2019, Tat.: FYF 2993, Owner: CHUPEEVA D.A. Judge: RASCHIKHMAROVA T. V. (RUSSIA) RCACIB Класс: Открытый / Open class 23 MEMORY OF ANGELOTTI, RKF 5491334, 08.11.2018, Tat.: ZMI 6506, Owner: MURZAKOVA M.V. Judge: RASCHIKHMAROVA T. V. (RUSSIA) БЕЛЬГИЙСКАЯ ОВЧАРКА ГРЮНЕНДАЛЬ / BELGIAN SHEPHERD DOG GROENENDAEL Суки / Females: CACIB Класс: Промежуточный / Intermediate class 27 NATUS VINCERE NAVARA FORTIS MALIS (G), RKF 5589926, 11.07.2019, Tat.: ZMI 6661, Owner: BERKUTOVA D.T. Judge: GALIASKAROVA L. V. (RUSSIA) БЕЛЬГИЙСКАЯ ОВЧАРКА МАЛИНУА / BELGIAN SHEPHERD DOG MALINOIS Суки / Females: CACIB Класс: Промежуточный / Intermediate class 30 ATRIKS (M), RKF 5685309, 08.09.2019, Tat.: DCH 6, Owner: TROFIMOVA N.A. Judge: GALIASKAROVA L. V. (RUSSIA) БЕЛЬГИЙСКАЯ ОВЧАРКА ТЕРВЮРЕН / BELGIAN SHEPHERD DOG TERVUEREN Кобели / Males: 1 CACIB Класс: Чемпионов / Champion class 31 GLOWING LIGHT FIRE (T), RKF 4211730, 09.03.2015, Tat.: DIK 1332, Owner: EVSTRATOVA O.S. Judge: GALIASKAROVA L. V. (RUSSIA) Суки / Females: CACIB Класс: Чемпионов / Champion class 32 GLIMBI'S XIA V. PASCHA, RKF 5687100, 04.02.2019, Tat.: CHIP, Owner: ZHIGUNOV S.E. Judge: GALIASKAROVA L. V. (RUSSIA) БОРДЕР КОЛЛИ / BORDER COLLIE Кобели / Males: CACIB Класс: Открытый / Open class 34 ICE GUARD TIMBER BACK, RKF 5689901, 18.09.2019, Tat.: DNJ 9726, Owner: LYSOV M.YU. Judge: RASCHIKHMAROVA T. V. (RUSSIA) RCACIB Класс: Чемпионов / Champion class 35 SIMARO PHANTOM OV LUV, RKF 5581862, 01.11.2016, Tat.: CHIP, Owner: SEMINA A. Judge: RASCHIKHMAROVA T. V. (RUSSIA) БОРОДАТЫЙ КОЛЛИ / BEARDED COLLIE Кобели / Males: CACIB Класс: Чемпионов / Champion class 39 ARIKO KOYU FREEDOM RIDER, RKF 5111345, 13.08.2017, Tat.: IKO 31, Owner: TEPLOVA E.I. Judge: RASCHIKHMAROVA T. V. (RUSSIA) RCACIB Класс: Чемпионов / Champion class 40 BEAUTIFUL SHINE OF SILVER STAR SEBASTIAN, RKF 4896787, 24.05.2017, Tat.: HIB 4330, Owner: SEMISHEVA A.V. Judge: RASCHIKHMAROVA T. V. (RUSSIA) Суки / Females: CACIB Класс: Чемпионов / Champion class 42 SANDAURI YURAI HEEPP, RKF 4768992, 17.03.2017, Tat.: AAJ 4750, Owner: ZAGAYNOVA O.O. Judge: RASCHIKHMAROVA T. V. (RUSSIA) БОСЕРОН / BEAUCE SHEEP DOG Кобели / Males: CACIB Класс: Чемпионов / Champion class 44 COUNTRYFOEK MY SHAGGY GUARD, RKF 4418666, 26.10.2015, Tat.: ARU 245, Owner: BUROV I. & BOGORODSKAYA N. Judge: GALIASKAROVA L. V. (RUSSIA) RCACIB Класс: Открытый / Open class 43 COUNTRYFOEK EYREN, RKF 5585468, 06.06.2019, Tat.: ARU 323, Owner: EGOZARYAN V.V. Judge: GALIASKAROVA L. V. (RUSSIA) БРИАР / BRIARD Кобели / Males: CACIB Класс: Открытый / Open class 48 SHEGGI MIRAKL DIO BRANDO, RKF 5586944, 03.02.2019, Tat.: AKK 189, Owner: TSYGANKOV A.V. & BULGAKOVA G.V. Judge: GALIASKAROVA L. V. (RUSSIA) Суки / Females: 2 CACIB Класс: Чемпионов / Champion class 50 JULIETTA WIELKA SFORA URWISOW, RKF 5337480, 14.05.2018, Tat.: CHIP, Owner: KIRYVSHINA I. Judge: GALIASKAROVA L. V. (RUSSIA) RCACIB Класс: Открытый / Open class 49 SHEGGI MIRAKL DAENERYS, RKF 5586948, 03.02.2019, Tat.: AKK 193, Owner: BULGAKOVA G.V. & TSYGANKOV A.V. Judge: GALIASKAROVA L. V. (RUSSIA) ВЕЛЬШ КОРГИ КАРДИГАН / WELSH CORGI CARDIGAN Кобели / Males: CACIB Класс: Чемпионов / Champion class 59 TEREMOK USATYI-POLOSATYI, RKF 5704719, 25.06.2019, Tat.: TRQ 67, Owner: SHPANOVA E.V. Judge: LOBAKIN V. A. (AZERBAIJAN) RCACIB Класс: Промежуточный / Intermediate class 54 DOM CORGI EASY BOOST, RKF 5702938, 16.08.2019, Tat.: SIG 1101, Owner: FALIMONOVA T.V. Judge: LOBAKIN V. A. (AZERBAIJAN) Суки / Females: CACIB Класс: Открытый / Open class 66 TIM PRIDE IRIS IN BLACK, RKF 5729381, 11.11.2019, Tat.: HHA 4528, Owner: TRIFONOVA E.V. Judge: LOBAKIN V. A. (AZERBAIJAN) ВЕЛЬШ КОРГИ ПЕМБРОК / WELSH CORGI PEMBROKE Кобели / Males: CACIB Класс: Чемпионов / Champion class 83 ANDVOL KILIMANJARO ( N/B ), RKF 5142764, 18.10.2017, Tat.: BSK 951, Owner: ZIMINA T.V. Judge: LOBAKIN V. A. (AZERBAIJAN) RCACIB Класс: Промежуточный / Intermediate class 73 ANDVOL SHARIS ( N/B ), RKF 5701951, 11.07.2019, Tat.: BSK 1146, Owner: RYABETS A.V. & VOLKOVA M.A. Judge: LOBAKIN V. A. (AZERBAIJAN) Суки / Females: CACIB Класс: Открытый / Open class 105 SNOW STAIL WEST END TRIUMPH, RKF 5643048, 09.05.2019, Tat.: KKF 1344, Owner: BAYKOVA E. Judge: LOBAKIN V. A. (AZERBAIJAN) RCACIB Класс: Промежуточный / Intermediate class 98 ANDVOL BARSELONA, RKF 5703343, 01.08.2019, Tat.: BSK 1163, Owner: GRIGORYEVA V.K. Judge: LOBAKIN V. A. (AZERBAIJAN) КОЛЛИ Д-Ш / COLLIE ROUGH Кобели / Males: CACIB Класс: Чемпионов / Champion class 117 FRIDENS SHOW MUST GO ON, RKF 4840406, 23.02.2017, Tat.: GDR 1145, Owner: PLEKHANOVA M.N. Judge: RASCHIKHMAROVA T. V. (RUSSIA) RCACIB Класс: Промежуточный / Intermediate class 110 LUNAR LAKES POWER OF LOVE, RKF 5929200, 10.03.2020, Tat.: AWT 31281, Owner: CHERKASOVA L.G. Judge: RASCHIKHMAROVA T. V. (RUSSIA) Суки / Females: 3 CACIB Класс: Промежуточный / Intermediate class 124 FRIDENS XTRAVAGANZA, RKF 5913524, 06.10.2019, Tat.: GDR 2595, Owner: VOROBYEVA E.N. Judge: RASCHIKHMAROVA T. V. (RUSSIA) RCACIB Класс: Открытый / Open class 126 FRIDENS DOMINICANA, RKF 5016571, 15.06.2017, Tat.: GDR 1317, Owner: KISELEVA T.V. Judge: RASCHIKHMAROVA T. V. (RUSSIA) МАРЕММО-АБРУЦКАЯ ОВЧАРКА / MAREMMA AND THE ABRUZZES SHEEPDOG Кобели / Males: CACIB Класс: Чемпионов / Champion class 135 NIKO WAY VIKTARI, RKF 4505108, 24.06.2016, Tat.: LIL 4028, Owner: ODEROV A.V. Judge: GALIASKAROVA L. V. (RUSSIA) RCACIB Класс: Открытый / Open class 133 IMPERIAL CHOICE TEODORO, RKF 5265020, 28.04.2018, Tat.: ICO 205, Owner: DENISOV D.G. Judge: GALIASKAROVA L. V. (RUSSIA) Суки / Females: CACIB Класс: Открытый / Open class 138 ORIETTA DI ARAJANI, RKF 5952830, 12.05.2019, Tat.: CHIP, Owner: CHIBIZOVA I.I. Judge: GALIASKAROVA L. V. (RUSSIA) НЕМЕЦКАЯ ОВЧАРКА / GERMAN SHEPHERD DOG DOUBLE COAT Кобели / Males: CACIB Класс: Промежуточный / Intermediate class 148 YANKI LEO STAR IZ BELOGO JARA, RKF 5813082, 07.10.2019, Tat.: DVZ 1514, Owner: MATVEEVA E.A. Judge: GALIASKAROVA L. V. (RUSSIA) RCACIB Класс: Открытый / Open class 149 GRANDIOSO VON DER DOGSHEIDE, RKF 5954711, 31.03.2019, Tat.: CHIP, Owner: SHEKHOVTSOV YU.V. Judge: GALIASKAROVA L. V. (RUSSIA) Суки / Females: CACIB Класс: Чемпионов / Champion class 153 INGERMANLANDIJA NORVEGIYA, RKF 4864702, 06.06.2017, Tat.: ACQ 1677, Owner: SILANTYEVA G.N. Judge: GALIASKAROVA L. V. (RUSSIA) RCACIB Класс: Открытый / Open class 152 NOTA LIVE ODRIANA, RKF 5812371, 18.01.2019, Tat.: VLI 732, Owner: ROGACHEVA L.V. Judge: GALIASKAROVA L. V. (RUSSIA) НЕМЕЦКАЯ ОВЧАРКА Д-Ш / GERMAN SHEPHERD DOG LONG AND HARSH OUTER COAT Кобели / Males: CACIB Класс: Промежуточный / Intermediate class 155 TEAM ZIBEN VIND PRIDE (L-H), RKF 5817842, 28.01.2020, Tat.: MXM 1414, Owner: PANFILOV A.P. Judge: GALIASKAROVA L. V. (RUSSIA) RCACIB Класс: Промежуточный / Intermediate class 154 LANDOS AUS VIKWELT (L-H), RKF 5956038, 13.11.2019, Tat.: VIE 310, Owner: ZAKHARENKO I.A. Judge: GALIASKAROVA L. V. (RUSSIA) 4 ПУЛИ ДРУГИЕ ОКРАСЫ / PULI OTHER COLORS Кобели / Males: CACIB Класс: Чемпионов / Champion class 162 MATTHIAS REX VAKHUR, RKF 4047521, 24.09.2014, Tat.: DAL 2189, Owner: MELNIKOVA E.A. Judge: GALIASKAROVA L. V. (RUSSIA) RCACIB Класс: Промежуточный / Intermediate class 160 KOCOS-KINCSEM EBEN, RKF 5972715, 07.11.2019, Tat.: CHIP, Owner: MELNIKOVA A. Judge: GALIASKAROVA L. V. (RUSSIA) ПУМИ / PUMI Суки / Females: CACIB Класс: Чемпионов / Champion class 163 ARKOSLIGETI KOCOS SZEMERMETES, RKF 5681040, 08.04.2019, Tat.: CHIP, Owner: ORLOVA E. Judge: GALIASKAROVA L. V. (RUSSIA) СЛОВАЦКИЙ ЧУВАЧ / SLOVAKIAN CHUVACH Кобели / Males: CACIB Класс: Промежуточный / Intermediate class 165 KAIZER S KRESTOVOGO POHODA, RKF 5846092, 20.11.2019, Tat.: TVH 1930, Owner: BUYLOVA T.V. Judge: GALIASKAROVA L. V. (RUSSIA) Суки / Females: CACIB Класс: Промежуточный / Intermediate class 166 KARABASKA S KRESTOVOGO POHODA, RKF 5846095, 20.11.2019, Tat.: TVH 1933, Owner: BUYLOVA T.V. Judge: GALIASKAROVA L. V. (RUSSIA) СТАРОАНГЛИЙСКАЯ ОВЧАРКА / OLD ENGLISH SHEEPDOG Кобели / Males: CACIB Класс: Чемпионов / Champion class 169 GRILAND THROUGHOUT THE WORLD, RKF 4833730, 23.02.2017, Tat.: JCL 165, Owner: GRIGORYAN K. Judge: RASCHIKHMAROVA T. V. (RUSSIA) RCACIB Класс: Открытый / Open class 168 SMOLIN'S DOG KOROLEVICH YELISEY, RKF 5620056, 14.12.2018, Tat.: DGA 2950, Owner: SMOLINA E. Judge: RASCHIKHMAROVA T. V. (RUSSIA) Суки / Females: CACIB Класс: Чемпионов / Champion class
Recommended publications
  • Jack Haney's Introduction to the Russian Folktale Is the First Volume of an Ambi- Tious Project to Translate Anew Aleksandr Afans'ev's Russkie Narodnye Skazki
    Jack V. Haney. An Introduction to the Russian Folktale. Armonk, NY and London: M. E. Sharpe, 1999. viii, 135 pp. $40.00 (cloth); $18.95 (paper). An Anthology of Russian Folk Epics. Edited by James Bailey and Tatiana Ivanova. Armonk, NY and London: M. E. Sharpe, 1998. 464 pp. $69.95 (cloth); $29.95 (pa- per). Jack Haney's Introduction to the Russian Folktale is the first volume of an ambi- tious project to translate anew Aleksandr Afans'ev's Russkie narodnye skazki. To help the North American reader cross over into the world of the Russian tale, it discusses the collecting and publication of Russian tales, performers and performance, tale con- tent, and the probable mythic and ritual basis of tales. Haney performs an especially valuable service by concentrating on the Russian perspective on this genre. Folktales are ubiquitous and one of the richest and most varied narrative types. They can be, and have been, approached in many ways. The Russian approach is probably the least familiar to the North American reader and the one most in need of explication. Folktales tend to be associated with the past, either the historical past or the past of an individual, namely childhood. In the West, Bruno Bettelheim's Uses of Enchant- ment and the works of Marie von Franz have encouraged us to look at tales in the con- text of human development, to see parallels between the psychological growth of the child and the adventures of tale heroes. More recently, Jack Zipes and Marina Wamer have drawn our attention to the political dimension of tales, the messages beneath the surface and even the commercial intent behind the folktale versions produced in film studios.
    [Show full text]
  • The Inextricable Link Between Literature and Music in 19Th
    COMPOSERS AS STORYTELLERS: THE INEXTRICABLE LINK BETWEEN LITERATURE AND MUSIC IN 19TH CENTURY RUSSIA A Thesis Presented to The Graduate Faculty of The University of Akron In Partial Fulfillment Of the Requirements for the Degree Master of Music Ashley Shank December 2010 COMPOSERS AS STORYTELLERS: THE INEXTRICABLE LINK BETWEEN LITERATURE AND MUSIC IN 19TH CENTURY RUSSIA Ashley Shank Thesis Approved: Accepted: _______________________________ _______________________________ Advisor Interim Dean of the College Dr. Brooks Toliver Dr. Dudley Turner _______________________________ _______________________________ Faculty Reader Dean of the Graduate School Mr. George Pope Dr. George R. Newkome _______________________________ _______________________________ School Director Date Dr. William Guegold ii TABLE OF CONTENTS Page CHAPTER I. OVERVIEW OF THE DEVELOPMENT OF SECULAR ART MUSIC IN RUSSIA……..………………………………………………..……………….1 Introduction……………………..…………………………………………………1 The Introduction of Secular High Art………………………………………..……3 Nicholas I and the Rise of the Noble Dilettantes…………………..………….....10 The Rise of the Russian School and Musical Professionalism……..……………19 Nationalism…………………………..………………………………………..…23 Arts Policies and Censorship………………………..…………………………...25 II. MUSIC AND LITERATURE AS A CULTURAL DUET………………..…32 Cross-Pollination……………………………………………………………...…32 The Russian Soul in Literature and Music………………..……………………...38 Music in Poetry: Sound and Form…………………………..……………...……44 III. STORIES IN MUSIC…………………………………………………… ….51 iii Opera……………………………………………………………………………..57
    [Show full text]
  • 28Apr2004p2.Pdf
    144 NAXOS CATALOGUE 2004 | ALPHORN – BAROQUE ○○○○ ■ COLLECTIONS INVITATION TO THE DANCE Adam: Giselle (Acts I & II) • Delibes: Lakmé (Airs de ✦ ✦ danse) • Gounod: Faust • Ponchielli: La Gioconda ALPHORN (Dance of the Hours) • Weber: Invitation to the Dance ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ Slovak RSO / Ondrej Lenárd . 8.550081 ■ ALPHORN CONCERTOS Daetwyler: Concerto for Alphorn and Orchestra • ■ RUSSIAN BALLET FAVOURITES Dialogue avec la nature for Alphorn, Piccolo and Glazunov: Raymonda (Grande valse–Pizzicato–Reprise Orchestra • Farkas: Concertino Rustico • L. Mozart: de la valse / Prélude et La Romanesca / Scène mimique / Sinfonia Pastorella Grand adagio / Grand pas espagnol) • Glière: The Red Jozsef Molnar, Alphorn / Capella Istropolitana / Slovak PO / Poppy (Coolies’ Dance / Phoenix–Adagio / Dance of the Urs Schneider . 8.555978 Chinese Women / Russian Sailors’ Dance) Khachaturian: Gayne (Sabre Dance) • Masquerade ✦ AMERICAN CLASSICS ✦ (Waltz) • Spartacus (Adagio of Spartacus and Phrygia) Prokofiev: Romeo and Juliet (Morning Dance / Masks / # DREAMER Dance of the Knights / Gavotte / Balcony Scene / A Portrait of Langston Hughes Romeo’s Variation / Love Dance / Act II Finale) Berger: Four Songs of Langston Hughes: Carolina Cabin Shostakovich: Age of Gold (Polka) •␣ Bonds: The Negro Speaks of Rivers • Three Dream Various artists . 8.554063 Portraits: Minstrel Man •␣ Burleigh: Lovely, Dark and Lonely One •␣ Davison: Fields of Wonder: In Time of ✦ ✦ Silver Rain •␣ Gordon: Genius Child: My People • BAROQUE Hughes: Evil • Madam and the Census Taker • My ■ BAROQUE FAVOURITES People • Negro • Sunday Morning Prophecy • Still Here J.S. Bach: ‘In dulci jubilo’, BWV 729 • ‘Nun komm, der •␣ Sylvester's Dying Bed • The Weary Blues •␣ Musto: Heiden Heiland’, BWV 659 • ‘O Haupt voll Blut und Shadow of the Blues: Island & Litany •␣ Owens: Heart on Wunden’ • Pastorale, BWV 590 • ‘Wachet auf’ (Cantata, the Wall: Heart •␣ Price: Song to the Dark Virgin BWV 140, No.
    [Show full text]
  • Rimsky-Korsakov and His World
    © Copyright, Princeton University Press. No part of this book may be distributed, posted, or reproduced in any form by digital or mechanical means without prior written permission of the publisher. David Brodbeck The Professor and the Sea Princess: Letters of Nikolai Rimsky-Korsakov and Nadezhda Zabela-Vrubel EDITED BY MARINA FROLOVA-WALKER TRANSLATED BY JONATHAN WALKER I am still filled, my dear, dear friend, Filled with your visage, filled with you! . It is as if a light-winged angel Descended to converse with me. Leaving the angel at the threshold Of holy heaven, now alone, I gather some angelic feathers Shed by rainbow wings . —Apollon Maykov (1852), set by Rimsky-Korsakov as No. 4 of his Opus 50 songs and dedicated to Nadezhda Zabela-Vrubel “I am rather dry by nature,” confessed Rimsky-Korsakov in one of his letters.1 This is indeed the prevailing impression we are likely to draw from his biographies, or even from his own memoirs. We know so much about the externals of his life, and yet the inner man somehow eludes us, obscured by his professorial image: a kindly but reserved man, with a pos- itive outlook on life, dignified and of impeccable morals. The contrast with the wild biographies of Musorgsky and Tchaikovsky allows us to suppose that Rimsky-Korsakov was really rather ordinary, even a little dreary. 1. Maykov’s Russian original of the epigraph above is as follows: Yeshcho ya poln, o drug moy milïy, / Tvoim yavlen'yem, poln toboy!. ./ Kak budto angel legkokrïlïy / Sletal besedovat' so mnoy, / I, provodiv yego v preddver'ye svyatïkh nebes, ya bez nego / Sbirayu vïpavshiye per'ya / Iz krïl'yev raduzhnïkh yego… • 3 • For general queries, contact [email protected] © Copyright, Princeton University Press.
    [Show full text]
  • JAN 2015 Sponsored by Time Warner Inc
    2015 Winter/Spring Season JAN 2015 Sponsored by Time Warner Inc. Larry Poons, Untitled, 2009, acrylic on canvas, 68”x85” Published by: Season Sponsor: BAM 2015 Winter/Spring Season #MariinskyBAM Brooklyn Academy of Music The Mariinsky Theatre Alan H. Fishman, Valery Gergiev, Chairman of the Board General and Artistic Director, State Academic Mariinsky Theatre William I. Campbell, Frederick Iseman, Vice Chairman of the Board Chairman, Mariinsky Foundation of America Adam E. Max, Donald M. Kendall, Vice Chairman of the Board Chairman Emeritus Karen Brooks Hopkins, Michael D. White, President Vice Chairman Joseph V. Melillo, Executive Producer BAM and the Mariinsky Theatre present The Enchanted Wanderer Season Sponsor: By Rodion Shchedrin Directed by Alexei Stepanyuk BAM engagement made possible by: Mariinsky Opera Musical direction by Valery Gergiev Conducted by Valery Gergiev Leadership support for the Mariinsky Residency at BAM provided by Frederick Iseman BAM Howard Gilman Opera House Jan 14 at 7:30pm VTB Bank is the Principal Partner of the Mariinsky Theatre. Sberbank and Yoko Nagae Ceschina are Principal Sponsors. Running time: one hour and 35 minutes, no intermission Support for the Signature Artists Series Libretto by the composer after the novel by provided by the Howard Gilman Foundation Nikolai Leskov, The Enchanted Wanderer Leadership support for opera at BAM provided by: Set design by Alexander Orlov Aashish & Dinyar Devitre Costume design by Irina Cherednikova Stavros Niarchos Foundation Lighting design by Yevgeny Ganzburg Major support for the Mariinsky Residency at BAM Choreography by Dmitry Korneyev provided by Renova Endowment funding has been provided by Performed in Russian with English titles The Andrew W.
    [Show full text]
  • Appendices Bust of General Manager Giulio Gatti-Casazza by Frederick Macmonnies, in the Old Metropolitan Opera House
    Appendices Bust of general manager Giulio Gatti-Casazza by Frederick MacMonnies, in the old Metropolitan Opera House 280/APPENDIX I APPENDIX I: CHIEF ADMINISTRATORS 1883-84 Henry E. Abbey 1908-10 Giulio Gatti-Casazza Andreas Dippel 1884-85 Leopold Damrosch (died 2/15/85) 1910-35 Giulio Gatti-Casazza 1885-91 Edmund C. Stanton Anton Seidl 1935-36 Herbert Witherspoon (died 5/10/35) Edward Johnson 1891-92 Henry E. Abbey Maurice Grau 1936-50 Edward Johnson John B. Schoeffel 1950-72 Rudolf Bing 1892-93 Season cancelled 1972-73 Goran Gentele (died 7/18172) 1893-97 Henry E. Abbey (died 10/17/96) Schuyler G. Chapin Grau Maurice 1973-74 Schuyler G. Chapin John B. Schoeffel Rafael Kubelik 1897-98 Season cancelled 1974-75 Schuyler G. Chapin Maurice Grau 1898-1903 1975-81 Anthony A. Bliss 1903-04 Heinrich Conried James Levine Felix Mottl John Dexter 1904-08 Heinrich Conried 1981-85 Anthony A. Bliss James Levine APPENDIX 1/281 Kurt Adler David Stivender 282/APPENDIX II APPENDIX II: CHORUS MASTERS 1883-84 F. De Rialp 1904-05 Hugo Bryck 1884-85 John Lund Paul Eisler Mr. Reichelt Hans Morgenstern Tullio Voghera 1885-91 Frank Damrosch 1905-06 Paul Eisler 1891-92 Carlo Corsi Tullio Voghera 1892-93 Season cancelled 1906-08 Pietro Nepoti 1893-97 Carlo Corsi 1908-17 Giulio Setti Hans Steiner 1897-98 Season cancelled Giulio Setti 1898-99 Pietro Nepoti 1917-35 Gustav Hinrichs 1935-42 Fausto Cleva Konrad Neuger 1899-1900 Pietro Nepoti 1942-45 Konrad Neuger 1900-02 Pietro Nepoti Giacomo Spadoni Hans Morgenstern 1945-73 Kurt Adler 1902-03 Pietro Nepoti 1973-85 David Stivender 1903-04 Pietro Nepoti Selmar Meyrowitz APPENDIX 11/283 George Balanchine Zachary Solov with ballerina Janet Collins rehearsing Ai da, 1951 Antony Tudor with Alicia Markova 284/APPENDIX III APPENDIX III: BALLET MASTERS 1883-84 Luigi Danesi 1911-12 Ottokar Bartik 1933-35 Rosina Galli Malvina CavalazzF Mikail Mordkin 1935-38 George Balanchine 1884-85 F.
    [Show full text]
  • Acknowledgment to Reviewers of Applied Sciences in 2020
    Editorial Acknowledgment to Reviewers of Applied Sciences in 2020 Applied Sciences Editorial Office MDPI AG, St. Alban-Anlage 66, 4052 Basel, Switzerland Peer review is the driving force of journal development, and reviewers are gatekeepers who ensure that Applied Sciences maintains its standards for the high quality of its pub- lished papers. Thanks to the cooperation of our reviewers, in 2020, the median time to first decision was 15 days and the median time to publication was 35 days. The editors would like to express their sincere gratitude to the following reviewers for their precious time and dedication, regardless of whether the papers were finally published: Aamir, Muhammad Abdeljaber, Osama Aarniovuori, Lassi Abdelkader, Amr Aasa, Ulrika Abdelkefi, Abdessattar Aase, Reyes Abdellatef, Mohammed Abad, Begoña Abdellatif, Mohamed Abah, Obinna Abdelmaksoud, Ahmed Abainia, Kheireddine Abdelrahman, Mohamed Abalasei, Aurelia Beatrice Abdelrazec, Ahmed H. M. Abanteriba, Sylvester Abdelsalam, Mahmoud Abarca-Sos, Alberto Abdelsalam, Sara I. Abaspur Kazerouni, Iman Abdelwahed, Sameh Abate, Giada Abdi, Ghasem Abate, Lorenzo Abdo, Ahmad Abatzoglou, Nicolas Abdo, Peter Citation: Applied Sciences Editorial Abawajy, Jemal Abdul-Aziz, Ali Office. Acknowledgment to Abaza, Osama A. Abdulhammed, Razan Reviewers of Applied Sciences in 2020. Abbas, Farhat Abdulkhaleq, Ahmed Appl. Sci. 2021, 11, 1108. https:// Abbasi Layegh, Mahmood abdullah, Abu Yousuf Md doi.org/10.3390/app11031108 Abbasi, Hamid Abdullah, Oday Ibraheem Abbasi, Ubaid Abdullah, Tariq Published: 26 January 2021 Abbasnia, Arash Abdulmajeed, Wael Abbaspour, Aiyoub Abdur, Rahim Publisher’s Note: MDPI stays neu- Abbatangelo, Marco Abed, Eyad H. tral with regard to jurisdictional claims in published maps and institu- Abbes, Boussad Abedi, Reza tional affiliations.
    [Show full text]
  • RUSSIAN MYTHOLOGY Ayse Dietrich, Ph.D
    HUMANITIES INSTITUTE RUSSIAN MYTHOLOGY Ayse Dietrich, Ph.D. Introduction Mythology takes as its subject the significance of the objects that exist in the world, natural events, and the private matters and objects of social life from an emotional point of view. Mythology is the identification of humanity with nature, making the powers of nature one’s own in the imagination. In the face of natural events, the first humans were powerless, both before the events within themselves and those that came from outside. Therefore, it is directed at describing events and objects that were considered taboo, or embodying and personalizing events or objects that the mind could not grasp. Identifying itself with all living and non-living thing from the very beginning, the human mind tried to express them through various objects and symbols. The rustle of leaves, thunder, bird calls, and lightning striking – all these natural events were perceived by humans as a sign of good or evil, life or death. Mythological images are indirect expressions of humans’ internal worlds and emotions. Emotions override reason. Mythological images do not consist only of imaginary depictions. They also have the quality of making living in harmony with human desires and emotions, and acting together easier. In this context, The subject of Russian mythology consists of the belief of the Russian people, who planted fields, worked the land, and spent their lives together with animals such as eagles and wolves, that supernatural powers directed the fates of men, and the symbols and gods that before and after the coming of Christianity were passed down from generation to generation.
    [Show full text]
  • UNIVERSITY of CALIFORNIA Los Angeles “A Fullness of Living Forces”: Viacheslav Ivanov's Poetics of Theurgy a Dissertation
    UNIVERSITY OF CALIFORNIA Los Angeles “A Fullness of Living Forces”: Viacheslav Ivanov’s Poetics of Theurgy A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Slavic Languages and Literatures by Jeffrey T. Riggs 2018 © Copyright by Jeffrey T. Riggs 2018 ABSTRACT OF THE DISSERTATION “A Fullness of Living Forces”: Viacheslav Ivanov’s Poetics of Theurgy by Jeffrey T. Riggs Doctor of Philosophy in Slavic Languages and Literatures University of California, Los Angeles, 2018 Professor Ronald W. Vroon, Chair Developing poetry into a form of theurgy (“divine work,” from the Greek θεουργία) is perhaps the most heraldically proclaimed yet scantly defined preoccupation of the Russian Symbolist poet Viacheslav Ivanov (1866-1949). The Symbolist movement’s philosophical progenitor, Vladimir Solov’ev (1853-1900), sounded the clarion call for theurgic art in his treatise Crisis of Western Philosophy (1874), however the concept of theurgy dates to late antiquity, when the Neoplatonist philosophers Iamblichus (c. 245–c. 325 CE) and Proclus (412– 485 CE) posited theurgic ritual as superior to theological discourse. While it has been established that Ivanov followed Solov’evian paradigms in creating theurgic art, the Neoplatonic context of Ivanov’s engagement with theurgy has remained hitherto unexplored in Slavist scholarship. This dissertation argues for Neoplatonic theurgy as an active constituent in Ivanov’s poetics and theory of the symbol. Being an accomplished classical historian and philologist as ii well as a poet and theoretician, Ivanov incorporated both Solov’evian and Neoplatonic theurgic ideas into his highly allusive, richly symbolic, and archaically stylized poetry. Neoplatonism supplied Ivanov with a notion of the symbol as a conduit of divine mysteries, a mythopoetic device, and a functional element of ritual practice.
    [Show full text]
  • [email protected]
    President, Kasia Metkowski Editor-in-Chief, John Dethlefsen Lead Designer, Leo Elyon Editor, Anashe Barton Editor, Ionela Maria Ciolan Editor, Caitlin Cozine Designer, Alexandra Dubinin Designer, Kylen Gensurowsky Editor, Alexandru Groza Administrative Assistant, Kevin Lasek Editor, Elizabeth Levinson Interested in submitting? Contact us at: [email protected] 1 now, Before We Begin a Letter from the President, This publication is ate career. Our grad- curacy of the content. made possible by sup- uate students partic- The opinions and Dear reader, port from the Institute ipate in the life of the views expressed in of Slavic, East Europe- Department (study- this publication are For this edition, we at Troika distinguished ourselves by picking a an, and Eurasian Stud- ing, teaching, run- those of the authors, theme that directly addresses the embittered temperament that, over ies at the University ning the library, and do not necessarily the past year, has crept into our lives. By “celebrating disillusion- of California, Berkeley, organizing film reflect the opinions ment,” we challenge this temperament. with funding from series, perfor- and views of the Troi- the US Department mances, colloquia, ka editors. Troika of Education Title conferences), in the does not endorse any This year, Berkeley students have grown especially weary, faced VI National Resource life of the Universi- opinions expressed by with constant protests and security measures surrounding both con- Centers Program. ty, and in the pro- the authors in this troversial speakers and unpopular election results, as well as the fession (reading pa- journal and shall not continual struggle against an unresponsive bureaucracy. Additionally, University of Cal- pers at national and be held liable for any millennials across the country have continued to experience decreas- ifornia, Berkeley, international- losses, claims, expens- ing job prospects, increasing debt, and a political system that is dis- Graduate Program conferences).
    [Show full text]
  • Between History and Memory: Cultural War in Contemporary Russian And
    Title Page Between History and Memory: Cultural War in Contemporary Russian and Ukrainian Cinema by Tetyana Shlikhar B.A. in Philology and Translation, Taras Shevchenko National University, Ukraine, 2005 M.A. in Translation Studies, Taras Shevchenko National University, Ukraine, 2006 Ph.D. in Translation Studies, Taras Shevchenko National University, Ukraine, 2010 M.A. in Slavic Languages and Literatures, University of Pittsburgh, 2016 Submitted to the Graduate Faculty of the Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2020 Committee Page UNIVERSITY OF PITTSBURGH DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Tetyana Shlikhar It was defended on July 31, 2020 and approved by David Birnbaum, Professor, Slavic Languages and Literatures Vladimir Padunov, Associate Professor, Slavic Languages and Literatures Randall Halle, Professor, German Dissertation Director: Nancy Condee, Professor, Slavic Languages and Literatures ii Copyright © by Tetyana Shlikhar 2020 iii Abstract Between History and Memory: Cultural War in Contemporary Russian and Ukrainian Cinema Tetyana Shlikhar, PhD University of Pittsburgh, 2020 Any approach to the past tailors our perception of the present, which is in turn inevitably elusive and unstable. The present is a site of contestation between memory and history, as well as a site for recounting the distant past by reflecting it through the prism of the present. The transition from the Soviet Union to independent states in 1991 triggered tensions within these newly created nation-states, with the collective and individual past being given a range of new interpretations. The connection between memory and identity obtained a renewed force.
    [Show full text]
  • RUSSIAN FAIRY TALES RUSS 0090 Spring 2020 Lead Instructor: Lecture Location and Times: J
    RUSSIAN FAIRY TALES RUSS 0090 Spring 2020 Lead Instructor: Lecture Location and Times: J. D. Wright ([email protected]) 121 Lawrence Hall, MW 12:00–12:50 pm Recitation Locations and Times: Co-Instructors: Check your schedule on PeopleSoft Eleni Anastasiou ([email protected]) Faculty Offices: Kiun Hwang ([email protected]) Check “Faculty Information” on CourseWeb Sabrina Robinson ([email protected]) Faculty Office Hours: Denis Saltykov ([email protected]) Check “Faculty Information” on CourseWeb Someday, you will be old enough to start reading fairy tales. —C. S. Lewis Fairy tales are more than true, not because they tell us that dragons exist but because they tell us that dragons can be beaten. —Neil Gaiman Every man’s life is a fairy tale written by God’s fingers. —Hans Christian Andersen Fairy tales change reality to magic and vice versa. —Terri Guillemets We all have one foot in a fairy tale and the other in the abyss. —Paulo Coelho 2 W ELCOME TO THE C OURSE! Although you might imagine fairy tales as works for children’s enjoyment, they began as a form of community entertainment for all types of people. Performed from memory (rather than written down and read) by storytellers and for listeners who were by and large illiterate, fairy tales are therefore tied very closely to the deepest roots of different societies’ cultures. As a result, they are of intense interest to many kinds of scholars from a variety of disciplines for what they have to tell us about culture, cultural development, and cultural difference. In this vein, we shall examine Russian fairy tales against a background of, and in comparison with, the western fairy-tale tradition (the Grimm Brothers, Perrault, and Disney in particular) in order to introduce you to Russian history and culture (including opera, ballet, the visual arts, animation, and film) and in order to initiate you into a wide variety of critical approaches for examining texts and other cultural artifacts.
    [Show full text]