[email protected]
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Solar Eclipses in the Outlook of the Slavs
ics & Ae ys ro h sp p a o r c t e s T A e Prokofyev, J Astrophys Aerospace Technol 2014, 2:2 f c h o Journal of Astrophysics & n l o a DOI: 10.4172/2329-6542.1000107 l n o r g u y o J Aerospace Technology ISSN: 2329-6542 Research Article Open Access Solar Eclipses in the Outlook of the Slavs Prokofyev A* KITION Planetarium & Observatory, Kiti, Larnaca, Cyprus *Corresponding author: Alexandr Prokofyev, KITION Planetarium & Observatory, Ammochostou 9, Kiti, 7550, Larnaca, Cyprus. Tel: +357 99037440; E-mail: [email protected] Rec date: Jul 1, 2014, Acc date: Jul 26, 2014, Pub date: Aug 15, 2014 Copyright: © 2014 Prokofyev A. This is an open-access article distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited. Abstract The article provides an overview of descriptions of total solar eclipses in different literature forms, rites and toponyms of Slavs. It is shown that the solar eclipse had a prominent role in the worldview of the tribes. Explanations of some terms of Slavic outlook are given with suggestions for the correct terminology. A program for further investigation in Slavic and other people’s culture is proposed. Keywords: Total solar eclipse; Archeoastronomy; Mythology; Slavs; Character 'Akhet' (Figure 2) should be translated as 'eclipse' instead of Akhet; Myth of creation of the world; Myth of end of the world; 'horizon'. Then the next well-known text obtains a simple explanation. Dragon slayer; Tales During the advance of the eclipse (former translation: after sunset at the horizon) Ra joins the fight against the forces of darkness, Introduction crocodiles, snakes and so on. -
Jack Haney's Introduction to the Russian Folktale Is the First Volume of an Ambi- Tious Project to Translate Anew Aleksandr Afans'ev's Russkie Narodnye Skazki
Jack V. Haney. An Introduction to the Russian Folktale. Armonk, NY and London: M. E. Sharpe, 1999. viii, 135 pp. $40.00 (cloth); $18.95 (paper). An Anthology of Russian Folk Epics. Edited by James Bailey and Tatiana Ivanova. Armonk, NY and London: M. E. Sharpe, 1998. 464 pp. $69.95 (cloth); $29.95 (pa- per). Jack Haney's Introduction to the Russian Folktale is the first volume of an ambi- tious project to translate anew Aleksandr Afans'ev's Russkie narodnye skazki. To help the North American reader cross over into the world of the Russian tale, it discusses the collecting and publication of Russian tales, performers and performance, tale con- tent, and the probable mythic and ritual basis of tales. Haney performs an especially valuable service by concentrating on the Russian perspective on this genre. Folktales are ubiquitous and one of the richest and most varied narrative types. They can be, and have been, approached in many ways. The Russian approach is probably the least familiar to the North American reader and the one most in need of explication. Folktales tend to be associated with the past, either the historical past or the past of an individual, namely childhood. In the West, Bruno Bettelheim's Uses of Enchant- ment and the works of Marie von Franz have encouraged us to look at tales in the con- text of human development, to see parallels between the psychological growth of the child and the adventures of tale heroes. More recently, Jack Zipes and Marina Wamer have drawn our attention to the political dimension of tales, the messages beneath the surface and even the commercial intent behind the folktale versions produced in film studios. -
ENGLISH Only
FOM.GAL/3/19/Rev.1 4 July 2019 ENGLISH only Organization for Security and Co-operation in Europe The Representative on Freedom of the Media Harlem Désir 4 July 2019 Regular Report to the Permanent Council for the period from 22 November 2018 to 4 July 2019 1 Introduction Excellencies, Ladies and Gentlemen, I have the honour to present to you my latest report to the Permanent Council, which covers the period from November last year until today. In introducing this report I would like to focus on two key issues that we are facing when it comes to freedom of the media and freedom of expression. The first and greatest challenge facing journalists and other media actors which I wish to address is safety. I would like to warn, in particular, against the risk of normalization and indifference. Just two weeks ago, Vadim Komarov, a journalist from Cherkasy in Ukraine, died from his wounds following a brutal attack in May. His death did not generate much international attention or outrage, but it is no less revolting and sends a clear and sordid message of intimidation to many of his colleagues working on the same issues in the country. Komarov was investigating corruption and abuses of power in his city for many years and had been attacked in the past. He was the second journalist killed this year in the OSCE region. In April, 29-year-old journalist Lyra McKee was shot while covering riots in Northern Ireland, in the United Kingdom. She was a passionate and talented young journalist, known for her investigative reporting on the political history in the region. -
The Inextricable Link Between Literature and Music in 19Th
COMPOSERS AS STORYTELLERS: THE INEXTRICABLE LINK BETWEEN LITERATURE AND MUSIC IN 19TH CENTURY RUSSIA A Thesis Presented to The Graduate Faculty of The University of Akron In Partial Fulfillment Of the Requirements for the Degree Master of Music Ashley Shank December 2010 COMPOSERS AS STORYTELLERS: THE INEXTRICABLE LINK BETWEEN LITERATURE AND MUSIC IN 19TH CENTURY RUSSIA Ashley Shank Thesis Approved: Accepted: _______________________________ _______________________________ Advisor Interim Dean of the College Dr. Brooks Toliver Dr. Dudley Turner _______________________________ _______________________________ Faculty Reader Dean of the Graduate School Mr. George Pope Dr. George R. Newkome _______________________________ _______________________________ School Director Date Dr. William Guegold ii TABLE OF CONTENTS Page CHAPTER I. OVERVIEW OF THE DEVELOPMENT OF SECULAR ART MUSIC IN RUSSIA……..………………………………………………..……………….1 Introduction……………………..…………………………………………………1 The Introduction of Secular High Art………………………………………..……3 Nicholas I and the Rise of the Noble Dilettantes…………………..………….....10 The Rise of the Russian School and Musical Professionalism……..……………19 Nationalism…………………………..………………………………………..…23 Arts Policies and Censorship………………………..…………………………...25 II. MUSIC AND LITERATURE AS A CULTURAL DUET………………..…32 Cross-Pollination……………………………………………………………...…32 The Russian Soul in Literature and Music………………..……………………...38 Music in Poetry: Sound and Form…………………………..……………...……44 III. STORIES IN MUSIC…………………………………………………… ….51 iii Opera……………………………………………………………………………..57 -
Weekend Glance
Thursday, June 29, 2017 Vol. 16 No. 12 NEWS NEWS ENTERTAINMENT NEWS No budget Illegal What’s new Service club in Norwalk fireworks on Netflix updates SEE PAGE 2 SEE PAGE 3 SEE PAGE 9 SEE PAGE 3 Here is where to buy your ‘safe and sane’ fireworks JULY 4 Downey Fireworks Show Residents wishing to purchase “safe and sane” fireworks to celebrate the 4th of July holiday can choose from 17 different FridayWeekend79˚ DATE: Tuesday, July 4 local organizations and religious groups who have fireworks stands throughout the city. Fireworks can be legally purchased at a TIME: 9 pm July 1-4. Glance LOCATION: Downey High Saturday 6878˚⁰ The list of groups and their stand locations can be found below. Friday JULY 6 Let’s Do Lunch mixer Sunday 76˚ DATE: Thursday, July 6 70⁰ 12 pm 1.) 2.) 3.) 4.) Saturday TIME: Organization: Downey Organization: Downey Organization: Downey Organization: Downey LOCATION: Green Olive First Church Sister Cities Elks Lodge No. 2020 United Methodist Church (Promenade) Location: 251 Stonewood Location: 9859 Firestone Location: 11233 Woodruff Location: 7676 Firestone JULY 8 FROM OUR FACEBOOK St. (Stonewood parking lot Blvd. (Rite Aid) Ave. (Elks Hall) Blvd. (Albertson’s parking Community BBQ near Firestone) lot) DATE: Saturday, July 8 L.A. County pledges to TIME: 11 am secure south Rancho LOCATION: Downey United campus after latest fire Masonic Lodge 5.) 6.) 7.) 8.) Alicia Edquist: Come up Organization: CC Organization: St. Organization: Downey Organization: West with a plan to protect the JULY 10 Foursquare Church Raymond’s Church Rose Float Assoc. Downey Little League property? Really!? Now you want to protect your precious Kabuki Sushi property? If LA county wants DATE: Tuesday, July 10 Location: 8530 Firestone Location: 12348 Location: 8626 Firestone Location: 7399 Stewart to own it why does our city Blvd. -
28Apr2004p2.Pdf
144 NAXOS CATALOGUE 2004 | ALPHORN – BAROQUE ○○○○ ■ COLLECTIONS INVITATION TO THE DANCE Adam: Giselle (Acts I & II) • Delibes: Lakmé (Airs de ✦ ✦ danse) • Gounod: Faust • Ponchielli: La Gioconda ALPHORN (Dance of the Hours) • Weber: Invitation to the Dance ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ Slovak RSO / Ondrej Lenárd . 8.550081 ■ ALPHORN CONCERTOS Daetwyler: Concerto for Alphorn and Orchestra • ■ RUSSIAN BALLET FAVOURITES Dialogue avec la nature for Alphorn, Piccolo and Glazunov: Raymonda (Grande valse–Pizzicato–Reprise Orchestra • Farkas: Concertino Rustico • L. Mozart: de la valse / Prélude et La Romanesca / Scène mimique / Sinfonia Pastorella Grand adagio / Grand pas espagnol) • Glière: The Red Jozsef Molnar, Alphorn / Capella Istropolitana / Slovak PO / Poppy (Coolies’ Dance / Phoenix–Adagio / Dance of the Urs Schneider . 8.555978 Chinese Women / Russian Sailors’ Dance) Khachaturian: Gayne (Sabre Dance) • Masquerade ✦ AMERICAN CLASSICS ✦ (Waltz) • Spartacus (Adagio of Spartacus and Phrygia) Prokofiev: Romeo and Juliet (Morning Dance / Masks / # DREAMER Dance of the Knights / Gavotte / Balcony Scene / A Portrait of Langston Hughes Romeo’s Variation / Love Dance / Act II Finale) Berger: Four Songs of Langston Hughes: Carolina Cabin Shostakovich: Age of Gold (Polka) •␣ Bonds: The Negro Speaks of Rivers • Three Dream Various artists . 8.554063 Portraits: Minstrel Man •␣ Burleigh: Lovely, Dark and Lonely One •␣ Davison: Fields of Wonder: In Time of ✦ ✦ Silver Rain •␣ Gordon: Genius Child: My People • BAROQUE Hughes: Evil • Madam and the Census Taker • My ■ BAROQUE FAVOURITES People • Negro • Sunday Morning Prophecy • Still Here J.S. Bach: ‘In dulci jubilo’, BWV 729 • ‘Nun komm, der •␣ Sylvester's Dying Bed • The Weary Blues •␣ Musto: Heiden Heiland’, BWV 659 • ‘O Haupt voll Blut und Shadow of the Blues: Island & Litany •␣ Owens: Heart on Wunden’ • Pastorale, BWV 590 • ‘Wachet auf’ (Cantata, the Wall: Heart •␣ Price: Song to the Dark Virgin BWV 140, No. -
The Poet Takes Himself Apart on Stage: Vladimir Mayakovsky's
The Poet Takes Himself Apart on Stage: Vladimir Mayakovsky’s Poetic Personae in Vladimir Mayakovsky: Tragediia and Misteriia-buff By Jasmine Trinks Senior Honors Thesis Department of Germanic & Slavic Languages and Literatures University of North Carolina at Chapel Hill March 2015 Approved: ____________________________ Kevin Reese, Thesis Advisor Radislav Lapushin, Reader CONTENTS INTRODUCTION………………………………………………1 CHAPTER I: Mayakovsky’s Superfluous Sacrifice: The Poetic Persona in Vladimir Mayakovsky: Tragediia………………….....4 CHAPTER II: The Poet-Prophet Confronts the Collective: The Poetic Persona in Two Versions of Misteriia-buff………………25 CONCLUSION…………………………………………………47 BIBLIOGRAPHY………………………………………………50 ii INTRODUCTION In his biography of Vladimir Mayakovsky, Edward J. Brown describes the poet’s body of work as a “regular alternation of lyric with political or historical themes,” noting that Mayakovsky’s long lyric poems, like Человек [Man, 1916] and Про это [About That, 1923] are followed by the propagandistic Мистерия-буфф [Mystery-Bouffe, 1918] and Владимир Ильич Ленин [Vladimir Il’ich Lenin, 1924], respectively (Brown 109). While Brown’s assessment of Mayakovsky’s work is correct in general, it does not allow for adequate consideration of the development of his poetic persona over the course of his career, which is difficult to pinpoint, due in part to the complex interplay of the lyrical and historical in his poetry. In order to investigate the problem of Mayakovsky’s ever-changing and contradictory poetic persona, I have chosen to examine two of his plays: Владимир Маяковский: Трагедия [Vladimir Mayakovsky: A Tragedy, 1913] and both the 1918 and 1921 versions of Mystery- Bouffe. My decision to focus on Mayakovsky's plays arose from my desire to examine what I termed the “spectacle-ization” of the poet’s ego—that is, the representation of the poetic persona in a physical form alive and on stage. -
Russian Media Policy in the First and Second Checen Campaigns
Laura Belin (doctoral candidate, University of Oxford) e-mail: [email protected] Paper given at the 52nd conference of the Political Studies Association Aberdeen, Scotland, 5-8 April 2002 RUSSIAN MEDIA POLICY IN THE FIRST AND SECOND CHECHEN CAMPAIGNS The military campaign in Chechnya from December 1994 to August 1996 became the "first real test of journalists' freedoms" since the end of the Soviet Union1 and loomed large in perceptions about the Russian media for the rest of the 1990s. Though some journalists had condemned "shock therapy" in 1992 and the shelling of the parliament in 1993, the Chechen war prompted the journalistic community to desert Boris Yel'tsin en masse for the first time. Moscow-based television networks were the public's main source of information on the fighting.2 The private network NTV exposed official lies about how the war was waged. Newscasts on state-owned Russian Television (RTR), which reached a nationwide audience on Channel 2, soon followed NTV's lead. Virtually all privately owned newspapers also raised their voices against the military campaign. The predominant slant of war coverage became a source of pride for many journalists. Though damning news reports did not end the bloodshed, steadfast public opposition to the war impelled Yel'tsin to pursue a ceasefire agreement while running for reelection in 1996.3 Both supporters and opponents of the military campaign believed that media coverage fostered and sustained the majority view. Yel'tsin rarely retreated from unpopular policies, but his turnaround on Chechnya arguably demonstrated that journalists had helped bring some degree of transparency and therefore accountability to 1 Frank Ellis, From Glasnost to the Internet: Russia's New Infosphere, London: Macmillan Press Ltd, 1999, p. -
Rimsky-Korsakov and His World
© Copyright, Princeton University Press. No part of this book may be distributed, posted, or reproduced in any form by digital or mechanical means without prior written permission of the publisher. David Brodbeck The Professor and the Sea Princess: Letters of Nikolai Rimsky-Korsakov and Nadezhda Zabela-Vrubel EDITED BY MARINA FROLOVA-WALKER TRANSLATED BY JONATHAN WALKER I am still filled, my dear, dear friend, Filled with your visage, filled with you! . It is as if a light-winged angel Descended to converse with me. Leaving the angel at the threshold Of holy heaven, now alone, I gather some angelic feathers Shed by rainbow wings . —Apollon Maykov (1852), set by Rimsky-Korsakov as No. 4 of his Opus 50 songs and dedicated to Nadezhda Zabela-Vrubel “I am rather dry by nature,” confessed Rimsky-Korsakov in one of his letters.1 This is indeed the prevailing impression we are likely to draw from his biographies, or even from his own memoirs. We know so much about the externals of his life, and yet the inner man somehow eludes us, obscured by his professorial image: a kindly but reserved man, with a pos- itive outlook on life, dignified and of impeccable morals. The contrast with the wild biographies of Musorgsky and Tchaikovsky allows us to suppose that Rimsky-Korsakov was really rather ordinary, even a little dreary. 1. Maykov’s Russian original of the epigraph above is as follows: Yeshcho ya poln, o drug moy milïy, / Tvoim yavlen'yem, poln toboy!. ./ Kak budto angel legkokrïlïy / Sletal besedovat' so mnoy, / I, provodiv yego v preddver'ye svyatïkh nebes, ya bez nego / Sbirayu vïpavshiye per'ya / Iz krïl'yev raduzhnïkh yego… • 3 • For general queries, contact [email protected] © Copyright, Princeton University Press. -
UNIVERSITY of CALIFORNIA Los Angeles Staging Mysteries
UNIVERSITY OF CALIFORNIA Los Angeles Staging Mysteries: Transnational Medievalist Performance in the Twentieth Century A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Theater and Performance Studies by Carla Neuss 2021 ã Copyright by Carla Neuss 2021 ABSTRACT OF THE DISSERTATION Staging Mysteries: Transnational Medievalist Performance in the Twentieth Century by Carla Neuss Doctor of Philosophy in Theatre and Performance Studies University of California, Los Angeles, 2021 Professor Sean Metzger, Chair This dissertation traces adapted forms of the medieval mystery cycle tradition within different transnational moments of social, political, and cultural crisis. In redirecting the spiritually didactic aims of medieval performance, the modern mysteries that constitute this project illuminate how medieval theatre functions as an historical imaginary for the transformative potential of performance. This project investigates three twentieth-century adaptations of the medieval mystery cycle tradition: Alexander Scriabin’s unfinished multi-genre performance, Mysterium (c. 1910); Jean Paul Sartre’s first play, Bariona (1940); and a South African production of the Chester Mystery Cycle, Yiimimangaliso (2000). Chapter 2 demonstrates how Mysterium sought to enact a distinctly medieval imaginary of spiritual unity epitomized by the Russian religious value of sobornost.’ In analyzing its Russian Symbolist aesthetics, I argue that the Mysterium was designed phenomenologically to enact social transformation on the eve of the Soviet revolution ii through "affective atmosphere.” Chapter 3 discusses Jean-Paul Sartre's relatively unknown play Bariona as an adaptation of the medieval French nativity play tradition produced during World War II. This chapter situates Bariona within the longstanding tradition of French medievalist performance as a contested political site within the national consciousness. -
The City of Moscow in Russia's Foreign and Security Policy: Role
Eidgenössische “Regionalization of Russian Foreign and Security Policy” Technische Hochschule Zürich Project organized by The Russian Study Group at the Center for Security Studies and Conflict Research Andreas Wenger, Jeronim Perovic,´ Andrei Makarychev, Oleg Alexandrov WORKING PAPER NO.7 APRIL 2001 The City of Moscow in Russia’s Foreign and Security Policy: Role, Aims and Motivations DESIGN : SUSANA PERROTTET RIOS Moscow enjoys an exceptional position among the Russian regions. Due to its huge By Oleg B. Alexandrov economic and financial potential, the city of Moscow largely shapes the country’s economic and political processes. This study provides an overall insight into the complex international network that the city of Moscow is tied into. It also assesses the role, aims and motivations of the main regional actors that are involved. These include the political authorities, the media tycoons and the major financial-industrial groups. Special attention is paid to the problem of institutional and non-institutional interaction between the Moscow city authorities and the federal center in the foreign and security policy sector, with an emphasis on the impact of Putin’s federal reforms. Contact: Center for Security Studies and Conflict Research ETH Zentrum / SEI CH-8092 Zürich Switzerland Andreas Wenger, head of project [email protected] Jeronim Perovic´ , project coordinator [email protected] Oleg Alexandrov [email protected]; [email protected] Andrei Makarychev [email protected]; [email protected] Order of copies: Center for Security Studies and Conflict Research ETH Zentrum / SEI CH-8092 Zürich Switzerland [email protected] Papers available in full-text format at: http://www.fsk.ethz.ch/ Layout by Marco Zanoli The City of Moscow in Russia’s Foreign and Security Policy: Role, Aims and Motivations By Oleg B. -
The Great Unwashed Public Baths in Urban America, 1840-1920
Washiîi! The Great Unwashed Public Baths in Urban America, 1840-1920 a\TH5 FOR Marilyn Thornton Williams Washing "The Great Unwashed" examines the almost forgotten public bath movement of the nineteenth and early twentieth cen turies—its origins, its leaders and their motives, and its achievements. Marilyn Williams surveys the development of the American obsession with cleanliness in the nineteenth century and discusses the pub lic bath movement in the context of urban reform in New York, Baltimore, Philadel phia, Chicago, and Boston. During the nineteenth century, personal cleanliness had become a necessity, not only for social acceptability and public health, but as a symbol of middle-class sta tus, good character, and membership in the civic community. American reformers believed that public baths were an impor tant amenity that progressive cities should provide for their poorer citizens. The bur geoning of urban slums of Irish immi grants, the water cure craze and other health reforms that associated cleanliness with health, the threat of epidemics—es pecially cholera—all contributed to the growing demand for public baths. New waves of southern and eastern European immigrants, who reformers perceived as unclean and therefore unhealthy, and in creasing acceptance of the germ theory of disease in the 1880s added new impetus to the movement. During the Progressive Era, these fac tors coalesced and the public bath move ment achieved its peak of success. Between 1890 and 1915 more than forty cities constructed systems of public baths. City WASHING "THE GREAT UNWASHED" URBAN LIFE AND URBAN LANDSCAPE SERIES Zane L. Miller and Henry D.