1 Conservation Casework Log Notes February 2020
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RECORD OF MEMBER CLUBS 1975-2021 Club 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 2019 2020 2021 Maori (1) Bookham Burpham Carshalton Caterham Chessington Deando Ruxley (2) Godstone & Horne (3) GLC Kingswood LESSA 18 5 Merstham Netherne Hospital New Malden Haarambe (4) Norbiton Redhill & Old Coulsdon (5) Streatham Hollingtonians (6) Old Suttonians Old Tenisonians Old Thorntonians Old Walcountians Petersham Putney Sheen Park Streatham 6 Surbiton Town Temple Bar Watney Combe Reid (7) Westfield West Wickham Cane Hill Crockham Hill Hampton Addison Burgh Heath Economicals Hawker Athletic Hurlingham Oddfellows Manor Athletic Morden Spartans Motspur Park Northwood (Purley) Surbiton Hill Methodists Woodies Lions (8) Yateley John Fisher (9) Morden Old Westminster Citizens Spelthorne 24 Travaux Battersea Ironsides Racal Decca (10) South Wimbledon Old Freemen's Old Isleworthians & Heston (11) Whyteleafe Copthorne Bank of Credit & Commerce Bethlem R&M Hospital Claygate Lambeth Enterprise 18 Redhill 5 Nestle (Croydon) West Drayton BBC Deando 2 Heston 11 Clapham Old Xaverians 24 Balham & Tooting SSC (12) 24 Hanwell Sunbury Edward Alleyn/Honor Oak (13) London Welsh 24 Norwood Wallington Old Foresters Abahani Addington 1743 18 Ashford (Middx) Wandsworth (14) Milan St Lukes 24 Selsdon Wandgas (Mitcham) Beddington Village Kempton (15) Banstead Bec Old Boys 24 Park Hill 24 Beddington -
Landscape,Associationism & Exoticism
702132/702835 European Architecture B landscape,associationism & exoticism COMMONWEALTH OF AUSTRALIA Copyright Regulations 1969 Warning This material has been reproduced and communicated to you by or on behalf of the University of Melbourne pursuant to Part VB of the Copyright Act 1968 (the Act). The material in this communication may be subject to copyright under the Act. Any further copying or communication of this material by you may be the subject of copyright protection under the Act. do not remove this notice Pope's Villa at Twickenham Pevsner, Studies in Art, Architecture and Design, I, p 89 CCHISWICKHISWICK Chiswick, by Lord Burlington, begun 1725, south front Jeff Turnbull Chiswick and its garden from the west, by Pieter Rysbrack, 1748 Steven Parissien, Palladian Style (London 1994), p 99 Chiswick: drawing by Kent showing portico and garden John Harris, The Palladian Revival: Lord Burlington, his Villa and Garden at Chiswick (Montréal 1994), p 255 Chiswick: general view of house and garden, by P J Donowell, 1753 Jourdain, The Work of William Kent, fig 103 Doric column, Chiswick, perhaps by William Kent, c 1714 Harris, The Palladian Revival, p 71 Bagno, Chiswick, by Burlington, 1717 Campbell, Vitruvius Britannicus, III, p 26 Bagno and watercourse, Chiswick Jourdain, The Work of William Kent, fig 105 Chiswick: plan of the garden Architectural Review, XCV (1944), p 146. Chiswick, garden walks painting by Peter Rysbrack & engraving Lawrence Fleming & Alan Gore, The English Garden (London 1988 [1979]), pl 57. B S Allen, Tides in English Taste (1619-1800) (2 vols, New York 1958 [1937]), I, fig 33 Bagno and orange trees, Chiswick, by Rysbrack, c 1729-30 Fleming & Gore, The English Garden, pl 58 Bagno or Pantheon, Chiswick,probably by William Kent Jeff Turnbull Chiswick: design for the Cascade, by William Kent Harris, The Palladian Revival, p 14 Chiswick: the Great Walk and Exedra, by Kent. -
Landscape and Architecture COMMONWEALTH of AUSTRALIA Copyright Regulations 1969
702132/702835 European Architecture B landscape and architecture COMMONWEALTH OF AUSTRALIA Copyright Regulations 1969 Warning This material has been reproduced and communicated to you by or on behalf of the University of Melbourne pursuant to Part VB of the Copyright Act 1968 (the Act). The material in this communication may be subject to copyright under the Act. Any further copying or communication of this material by you may be the subject of copyright protection under the Act. do not remove this notice garden scene from a C15th manuscript of the Roman de la Rose Christopher Thacker, The History of Gardens (Berkeley [California] 1979), p 87 Monreale Cathedral, Palermo, Sicily, 1176-82: cloisters of the Benedictine Monastery commercial slide RENAISSANCERENAISSANCE && MANNERISMMANNERISM gardens of the Villa Borghese, Rome: C17th painting J D Hunt & Peter Willis, The Genius of the Place: the English Landscape Garden 1620-1820 (London 1975), p 61 Villa Medici di Castello, Florence, with gardens as improved by Bernardo Buontalenti [?1590s], from the Museo Topografico, Florence Monique Mosser & Georges Teyssot [eds], The History of Garden Design: The Western Tradition from the Renaissance to the Present Day (London 1991 [1990]), p 39 Chateau of Bury, built by Florimund Robertet, 1511-1524, with gardens possibly by Fra Giocondo W H Adams, The French Garden 1500-1800 (New York 1979), p 19 Chateau of Gaillon (Amboise), begun 1502, with gardens designed by Pacello de Mercogliano Adams, The French Garden, p 17 Casino di Pio IV, Vatican gardens, -
Rare Books Special List for New York Antiquarian Book Fair April 11 – 14, 2013
Priscilla Juvelis – Rare Books Special List for New York Antiquarian Book Fair April 11 – 14, 2013 Architecture & Photography 1. Bickham, George. The beauties of Stow: or a description of pages a bit age toned at top edge but no the pleasant seat and noble gardens of the Right Honourable Lord spotting or foxing and the images clean Viscount Cobham. With above Thirty Designs, or drawings, and beautiful on vellum paper, a quite engraved on Copper-Plates, of each particular Building. London: collectable copy of a key book in early photography. E. Owen for George Bickham, M.DCC.L [1750]. $5,500 P. H. Emerson (1856-1936), born First edition complete with all 30 copperplate engravings of the gardens in Cuba to an American father and at Stow[e]. Page size: 3-7/8 x 6-½ inches; 67pp. + 3 pp. ads for other books British mother, earned a medical de- printed for George Bickham. Bound: brown calf with paneled spine, gree at Clare College, Cambridge. A lacking label on second panel, double gilt rule along all edges of front and keen ornithologist, he bought his first back panel, early ownership signatures on front pastedown, front cover camera to be used as a tool on bird- detached, pages a bit sunned and brittle but no foxing watching trips. He was involved in the at all, leaf F3 with ½ inch tear at fore edge, housed in formation of the Camera Club of Lon- marbled paper over boards slipcase with title printed don and soon after abandoned his ca- on brown leather label (probably originally on spine). -
English-Palladianism.Pdf
702132/702835 European Architecture B Palladianism COMMONWEALTH OF AUSTRALIA Copyright Regulations 1969 Warning This material has been reproduced and communicated to you by or on behalf of the University of Melbourne pursuant to Part VB of the Copyright Act 1968 (the Act). The material in this communication may be subject to copyright under the Act. Any further copying or communication of this material by you may be the subject of copyright protection under the Act. do not remove this notice THETHE TRUMPETTRUMPET CALLCALL OFOF AUTHORITYAUTHORITY St George, Bloomsbury, London, by Hawksmoor, 1716- 27: portico Miles Lewis St Mary-le-Strand, London, by James Gibbs, 1714-17: in a view of the Strand Summerson, Architecture in Britain, pl 171A. In those admirable Pieces of Antiquity, we find none of the trifling, licentious, and insignificant Ornaments, so much affected by some of our Moderns .... nor have we one Precedent, either from the Greeks or the Romans, that they practised two Orders, one above another, in the same Temple in the Outside .... and whereas the Ancients were contented with one continued Pediment .... we now have no less than three in one Side, where the Ancients never admitted any. This practice must be imputed either to an entire Ignorance of Antiquity, or a Vanity to expose their absurd Novelties ... Colen Campbell, 'Design for a Church, of St Mary-le-Strand from the south-east my Invention' (1717) Miles Lewis thethe EnglishEnglish BaroqueBaroque vv thethe PalladianPalladian RevivalRevival Christopher Wren Colen Campbell -
Willis Papers INTRODUCTION Working
Willis Papers INTRODUCTION Working papers of the architect and architectural historian, Dr. Peter Willis (b. 1933). Approx. 9 metres (52 boxes). Accession details Presented by Dr. Willis in several instalments, 1994-2013. Additional material sent by Dr Willis: 8/1/2009: WIL/A6/8 5/1/2010: WIL/F/CA6/16; WIL/F/CA9/10, WIL/H/EN/7 2011: WIL/G/CL1/19; WIL/G/MA5/26-31;WIL/G/SE/15-27; WIL/G/WI1/3- 13; WIL/G/NA/1-2; WIL/G/SP2/1-2; WIL/G/MA6/1-5; WIL/G/CO2/55-96. 2103: WIL/G/NA; WIL/G/SE15-27 Biographical note Peter Willis was born in Yorkshire in 1933 and educated at the University of Durham (BArch 1956, MA 1995, PhD 2009) and at Corpus Christi College, Cambridge, where his thesis on “Charles Bridgeman: Royal Gardener” (PhD 1962) was supervised by Sir Nikolaus Pevsner. He spent a year at the University of Edinburgh, and then a year in California on a Fulbright Scholarship teaching in the Department of Art at UCLA and studying the Stowe Papers at the Huntington Library. From 1961-64 he practised as an architect in the Edinburgh office of Sir Robert Matthew, working on the development plan for Queen’s College, Dundee, the competition for St Paul’s Choir School in London, and other projects. In 1964-65 he held a Junior Fellowship in Landscape Architecture from Harvard University at Dumbarton Oaks Research Library and Collection in Washington, DC, returning to England to Newcastle University in 1965, where he was successively Lecturer in Architecture and Reader in the History of Architecture. -
The Garter Room at Stowe House’, the Georgian Group Journal, Vol
Michael Bevington, ‘The Garter Room at Stowe House’, The Georgian Group Journal, Vol. XV, 2006, pp. 140–158 TEXT © THE AUTHORS 2006 THE GARTER ROOM AT STOWE HOUSE MICHAEL BEVINGTON he Garter Room at Stowe House was described as the Ball Room and subsequently as the large Tby Michael Gibbon as ‘following, or rather Library, which led to a three-room apartment, which blazing, the Neo-classical trail’. This article will show Lady Newdigate noted as all ‘newly built’ in July that its shell was built by Lord Cobham, perhaps to . On the western side the answering gallery was the design of Capability Brown, before , and that known as the State Gallery and subsequently as the the plan itself was unique. It was completed for Earl State Dining Room. Next west was the State Temple, mainly in , to a design by John Hobcraft, Dressing Room, and the State Bedchamber was at perhaps advised by Giovanni-Battista Borra. Its the western end of the main enfilade. In Lady detailed decoration, however, was taken from newly Newdigate was told by ‘the person who shewd the documented Hellenistic buildings in the near east, house’ that this room was to be ‘a prodigious large especially the Temple of the Sun at Palmyra. Borra’s bedchamber … in which the bed is to be raised drawings of this building were published in the first upon steps’, intended ‘for any of the Royal Family, if of Robert Wood’s two famous books, The Ruins of ever they should do my Lord the honour of a visit.’ Palmyra otherwise Tedmor in the Desart , in . -
Art As Healing: Edward Adamson
Art as Healing: Edward Adamson David O’Flynn considers the life of a collector and pioneer of Art Therapy 1. Hogan, S. (2001) Healing Edward Adamson practiced art as healing before there were ever terms or labels like ‘Art Therapist’. Arts: the history of art therapy. London: Jessica Being with him for anyone was therapy and yet he didn’t play at clinician, but rather served so Kingsley Publishers. sweetly as a supreme friend, ‘there’ for those who had none other. There were for Edward no 2. Adamson, E. (1984) Art as Healing. London: Coventure. patients. I think that is why so many lost people in his care found their way back to themselves. © John Timlin Adamson’s was an alchemy of the highest sort. 3. Byrne, P. (1996) Edward Adamson and the experiment. Rebecca Alban Hoffberger, Founder/Director American Visionary Art Museum, 2011 International Journal of Art Therapy, 1, 32–36. 4. Adamson, E. (1970) Art for Edward Adamson (1911–1996) encouraged and tuberculosis sanatoria. As these closed after the Health. In The Social Context introduction of effective treatment, the programme was of Art by Jean Creddy (ed.). collected the paintings, drawings and sculptures by London: Tavistock. people compelled to live in a British long stay mental extended to the asylums. (1) asylum, Netherne Hospital in Surrey, between 1946 and By the 1940s, the Victorian asylums had 5. William Kurelek: The Messenger is at Winnipeg Art 1981. The Adamson Collection has 6,000 of these works become places of isolation and confinement, probably Gallery: 29 Sep – 31 Dec 2011; – of an estimated 100,000 when he retired. -
Chiswick House Case Study
April 2012 Case Study Chiswick House Chiswick, London W4 2RP copyright trees associates.com 1 CONTENTS LIST PAGE CONTENTS 2 LIST OF ILLUSTRATIONS 3 INTRODUCTION, LOCATION, TOPOGRAPHY & GEOLOGY 4 HISTORY OF CHISWICK HOUSE & GROUNDS 5 MAINTENANCE 9 MANAGEMENT 10 CONCLUSION 12 BIBLIOGRAPHY 13 2 LIST OF ILLUSTRATIONS Figure I : Chiswick House and Grounds :Urban Setting Source : Google Maps Figure 2 : Chiswick House and Grounds :Transport Links Source : Google Maps Figure 3 : Layout of Chiswick House and Grounds 1704 and 1733 Source : Chiswick House Grounds Historical Survey 1993 Chiswick Library Local History Section Figure 4 : Layout of Chiswick House and Grounds 1747 Source : Google : Royal Academy Prints Figure 5 : Layout of Chiswick House and Grounds 1818 Source : Chiswick House Grounds Historical Survey 1993 Chiswick Library Local History Section Figure 6 : Layout of Chiswick House and Grounds 1895 Source : Chiswick House Grounds Historical Survey 1993 Chiswick Library Local History Section Figure 7: Wood & branch stacks with new tree planting Source: Author Tim Rees Figure 8: Public information on restoration works and program Source: Author Tim Rees Figure 9: The Old Bothy Buildings Source: Author Tim Rees Figure 10: Kitchen Garden in the Walled Garden Source: Author Tim Rees 3 INTRODUCTION Chiswick House and Gardens is run by a public trust and registered charity called The Chiswick House and Gardens Trust. The Trust was established to integrate managerial responsibility for the running of the two principal assets the Palladian Villa and the Historic Garden. Both house and gardens are open to the public on a year round basis. It is situated in west London by the Thames in Chiswick in the London Borough of Hounslow. -
Julius Bryant – Mr Tulk's Table: from Marble Hill to Bondi and Back
83 JULIUS BRYANT Mr Tulk’s table: from Marble Hill to Bondi and back Every reader at the State Library of Victoria knows ‘Mr Tulk’, at least from his silhouette that forms the logo of the eponymous cafe at the La Trobe St entrance in Melbourne. While the Library challenges every passer-by with its slogan ‘What’s your story?’, few may be aware of Mr Tulk’s own tale, before his appointment as the institution’s first chief librarian in March 1854. Readers (and diners) may be surprised to learn that the childhood home in England of Augustus Henry Tulk (1810–73), Marble Hill in Twickenham, has been a museum since 1966, and that the search by the museum’s curators to recover the lost historic contents of the house has led to Woollahra and Bondi in Sydney. A magnificent carved and marble-topped pier table, taken to Australia by Mr Tulk, is now permanently back in the room in Twickenham for which it was designed. Research towards its recovery has shed light on the literary, artistic and even mystical circle of Romanticism’s avant-garde that frequented the family home where Mr Tulk grew up.1 Marble Hill was built between 1724 and 1729 for Henrietta Howard, daughter of Sir Henry Hobart, 4th Baronet. Known from 1731 by her title, Countess of Suffolk, the wife of Sir Charles Hotham was mistress to the Prince of Wales (from 1728, King George II) for nearly 15 years from 1718. Her home was built as an investment, in readiness for her inevitable fall from favour and retirement from court. -
The Story of Nursing in British Mental Hospitals
Downloaded by [New York University] at 12:59 29 November 2016 The Story of Nursing in British Mental Hospitals From their beginnings as the asylum attendants of the nineteenth century, mental health nurses have come a long way. This is the first comprehensive history of mental health nursing in Britain in over twenty years, and during this period the landscape has transformed as the large institutions have been replaced by services in the community. McCrae and Nolan examine how the role of mental health nursing has evolved in a social and professional context, brought to life by an abundance of anecdotal accounts. The nine chronologically ordered chapters follow the development from untrained attendants in the pauper lunatic asylums to the professionally qualified nurses of the twentieth century, and, finally, consider the rundown and closure of the mental hospitals from nurses’ perspectives. Throughout, the argument is made that while the training, organisation and environment of mental health nursing has changed, the aim has remained essentially the same: to nurture a therapeutic relationship with people in distress. McCrae and Nolan look forward as well as back, and highlight significant messages for the future of mental health care. For mental health nursing to be meaningfully directed, we must first understand the place from which this field has developed. This scholarly but accessible book is aimed at anyone with an interest in mental health or social history, and will also act as a useful resource for policy- makers, managers and mental health workers. Niall McCrae is a lecturer in mental health nursing at Florence Nightingale Faculty of Nursing & Midwifery, King’s College London. -
Matthew Brettingham of Palladio's Villa Rotonda in England
Matthew Brettinghamthe Younger, Foots Cray Place, and the Secularization of Palladio'sVilla Rotonda in England to thememory of Rudolf Wittkower STANFORDANDERSON should have been placed in this volume. We can go some distancein this This British of MassachusettsInstitute of Technology answering question. Librarycopy Ware'sPalladio is bound in fine blue leatherwith gilt decoration n the BritishLibrary, affixed at the backof a copyof Isaac bearing the arms of Joseph Smith, the famous Englishman Ware's Palladio (1738), are four previously undiscussed resident in Venice from about 1700 until his death in 1770. eighteenth-centuryarchitectural drawings [Figures 2-5].1 The Smithwas the Britishconsul in Venice from 1744 to 1760. Also drawingscomprise a set of three plans (the basement, princi- in the BritishLibrary is a copy of the catalogueof the libraryof pal, and attic-storyplans) and a corresponding"Front Eleva- ConsulSmith of 1755, annotatedfor the purchaseof the library tion which Representsall The other Fronts"for a villa on the for KingGeorge IIIin 1763, a collectionthat later came into the model of Palladio'sVilla Capra, or Villa Rotonda. It is com- libraryof the British Museum, now the BritishLibrary. The monly said that four such villas were built in England in the Smithcatalogue contains an entryfor a copy of Ware'sPalladio eighteenth century.2It is readily revealed that the unknown that can only be the one in the BritishLibrary.8 The catalogue drawingscorrespond closely to the engravedrepresentations in entry makes no mention of any extraneous materialsin this VitruviusBritannicus, vol. 4 (1767) of one of these Anglo- Palladio.Nonetheless there are at least two reasons to assign Palladianvillas, Foots Cray Place in Kent[Figures 6-8].