KENSINGTON PALACE 1 This Is Your Confirmation Pack for Visiting Kensington Palace. the Pack Includes Information for Teachers/Gr
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Gunnersbury Park and Museum Improvements
1 Gunnersbury Park and Museum Introduction Vision Ealing and Hounslow Councils are planning a major programme of works Gunnersbury Park and Museum will become a vibrant to restore and develop Gunnersbury Park and Museum. community hub and a leading visitor destination. It will be a place of enjoyment, discovery and learning by Gunnersbury 2026 is a masterplan that aims to renovate and restore the engaging local, national and international audiences entire site by 2026, which is the centenary of Gunnersbury becoming a public park. This will involve restoring heritage features, fi nding uses for drawn to its historic landscape and building set within an key buildings and new sports and community facilities. extensive parkland offering a wide range of facilities and an inspiring programme of events and activities. In order to make such a large project manageable, it will be undertaken in phases, beginning with the Heritage Lottery Fund(HLF) project. Heritage Lottery Funded (HLF) Projects: 3 10 11 12 1 1. Large Mansion (Gunnersbury Park House) & Museum (See boards 5, 9 6, & 7) 2 5 4 2. Gunnersbury Park Improvements (See boards 8, 9 and 10) 8 Future phases of works: 3. Gunnersbury House (small mansion) - commercial / community 7 options under investigation 4. East and West Stables - commercial / community options under investigation 5. Japanese Garden - future community garden project 6 6. Potomac Lake - community wildlife and fi shing project under discussion Gunnersbury 2026 Masterplan 7. Sports facilities - community sports hub options under investigation Future phases of works 8. Children’s Playground - refurbishment through planned maintenance Proposed Heritage Lottery funded projects area N programme (completed) Improvement to entrances as a part of proposed Heritage Lottery funded projects 9. -
Annual Review 2016/17
Historic Royal Places – Spines Format A4 Portrait Spine Width 35mm Spine Height 297mm HRP Text 20pt (Tracked at +40) Palace Text 30pt (Tracked at -10) Icon 20mm Wide (0.5pt/0.25pt) Annual Review 2016/17 1 2 06 Welcome to another chapter in our story Contents 07 Our work is guided by four principles 08 Chairman’s Introduction 09 Chief Executive – a reflection 10 The Year of the Gardens 14 Guardianship 20 Showmanship 26 Discovery 32 Independence 38 Money matters 39 Visitor trends 40 Summarised financial statements 42 Trustees and Directors 44 Supporters 46 Acknowledgments Clockwise from top left: The White Tower, Tower of London; the West Front, Hampton Court Palace; the East Front, Kensington Palace; the South Front, Hillsborough Castle; Kew Palace; Banqueting House. 4 This year, the famous gardens of Hampton Court Palace took Guardianship: Welcome to centre stage. Already a huge attraction in their own right, this Our work is We exist for tomorrow, not just for yesterday. Our job is to give year the historic gardens burst into even more vibrant life. these palaces a future as valuable as their past. We know how another Prompted by the 300th anniversary of the birth of Lancelot guided by four precious they and their contents are, and we aim to conserve ‘Capability’ Brown, we created a spectacular programme of them to the standard they deserve: the best. chapter in exhibitions, events and activities. A highlight was the royal principles Discovery: opening of the Magic Garden; our playful and spectacular We explain the bigger picture, and then encourage people to our story 21st century contribution to 500 years of garden history. -
Landscape,Associationism & Exoticism
702132/702835 European Architecture B landscape,associationism & exoticism COMMONWEALTH OF AUSTRALIA Copyright Regulations 1969 Warning This material has been reproduced and communicated to you by or on behalf of the University of Melbourne pursuant to Part VB of the Copyright Act 1968 (the Act). The material in this communication may be subject to copyright under the Act. Any further copying or communication of this material by you may be the subject of copyright protection under the Act. do not remove this notice Pope's Villa at Twickenham Pevsner, Studies in Art, Architecture and Design, I, p 89 CCHISWICKHISWICK Chiswick, by Lord Burlington, begun 1725, south front Jeff Turnbull Chiswick and its garden from the west, by Pieter Rysbrack, 1748 Steven Parissien, Palladian Style (London 1994), p 99 Chiswick: drawing by Kent showing portico and garden John Harris, The Palladian Revival: Lord Burlington, his Villa and Garden at Chiswick (Montréal 1994), p 255 Chiswick: general view of house and garden, by P J Donowell, 1753 Jourdain, The Work of William Kent, fig 103 Doric column, Chiswick, perhaps by William Kent, c 1714 Harris, The Palladian Revival, p 71 Bagno, Chiswick, by Burlington, 1717 Campbell, Vitruvius Britannicus, III, p 26 Bagno and watercourse, Chiswick Jourdain, The Work of William Kent, fig 105 Chiswick: plan of the garden Architectural Review, XCV (1944), p 146. Chiswick, garden walks painting by Peter Rysbrack & engraving Lawrence Fleming & Alan Gore, The English Garden (London 1988 [1979]), pl 57. B S Allen, Tides in English Taste (1619-1800) (2 vols, New York 1958 [1937]), I, fig 33 Bagno and orange trees, Chiswick, by Rysbrack, c 1729-30 Fleming & Gore, The English Garden, pl 58 Bagno or Pantheon, Chiswick,probably by William Kent Jeff Turnbull Chiswick: design for the Cascade, by William Kent Harris, The Palladian Revival, p 14 Chiswick: the Great Walk and Exedra, by Kent. -
Landscape and Architecture COMMONWEALTH of AUSTRALIA Copyright Regulations 1969
702132/702835 European Architecture B landscape and architecture COMMONWEALTH OF AUSTRALIA Copyright Regulations 1969 Warning This material has been reproduced and communicated to you by or on behalf of the University of Melbourne pursuant to Part VB of the Copyright Act 1968 (the Act). The material in this communication may be subject to copyright under the Act. Any further copying or communication of this material by you may be the subject of copyright protection under the Act. do not remove this notice garden scene from a C15th manuscript of the Roman de la Rose Christopher Thacker, The History of Gardens (Berkeley [California] 1979), p 87 Monreale Cathedral, Palermo, Sicily, 1176-82: cloisters of the Benedictine Monastery commercial slide RENAISSANCERENAISSANCE && MANNERISMMANNERISM gardens of the Villa Borghese, Rome: C17th painting J D Hunt & Peter Willis, The Genius of the Place: the English Landscape Garden 1620-1820 (London 1975), p 61 Villa Medici di Castello, Florence, with gardens as improved by Bernardo Buontalenti [?1590s], from the Museo Topografico, Florence Monique Mosser & Georges Teyssot [eds], The History of Garden Design: The Western Tradition from the Renaissance to the Present Day (London 1991 [1990]), p 39 Chateau of Bury, built by Florimund Robertet, 1511-1524, with gardens possibly by Fra Giocondo W H Adams, The French Garden 1500-1800 (New York 1979), p 19 Chateau of Gaillon (Amboise), begun 1502, with gardens designed by Pacello de Mercogliano Adams, The French Garden, p 17 Casino di Pio IV, Vatican gardens, -
Simon Thurley, ‘Kensington Palace: an Incident in Anglo-Dutch Architectural Collaboration?’, the Georgian Group Journal, Vol
Simon Thurley, ‘Kensington Palace: an incident in Anglo-Dutch architectural collaboration?’, The Georgian Group Journal, Vol. XVII, 2009, pp. 1–18 TEXT © THE AUTHORS 2009 KENSINGTON PALACE: AN INCIDENT IN ANGLO-DUTCH ARCHITECTURAL COLLABORATION? SIMON THURLEY illiam III was brought up in what is often The second was after the death of Charles II in Wtermed the ‘Golden Age’ of Dutch culture, in when William and Mary became next in line to the a country whose intellectual and artistic singularity throne of England after James II. In this period and creativity were recognised across Europe. William’s court, such as it was, was swelled by He came, as King, to a country that Voltaire saw as English visitors and his palaces were enlarged and having made, since , ‘greater progress in all the made more magnificent, both to entertain them, and arts than in all preceding ages’, and having the to reflect his increased status. These bursts of cultural influence to create in Europe the ‘Age of the architectural activity were triggered by the practical English’. The marriage of the two cultures in the requirements of a prince, rather than being the result person of King William was surely to hold great of a love of building and architectural display such as things for the state of English architecture. Yet, in that which drove his grandparents. In Jacob van reality, the English king who spent more on building der Does wrote of William’s grandfather, Frederik than any other in the seventeenth century led court Hendrik, that he was ‘possessed by such a passion architecture into a cul-de-sac. -
Famous Places in London
Famous places in London Residenz der englischen Könige Sitz der britischen Regierung große Glocke, Wahrzeichen Londons großer Park in London Wachsfigurenkabinett Treffpunkt im Zentrum Londons berühmte Kathedrale ehemaliges Gefängnis, heute Museum, Kronjuwelen sind dort untergebracht berühmte Brücke, kann geöffnet werden, Wahrzeichen Londons großer Platz mit Nelson-Denkmal Krönungskirche des englischen Königshauses berühmte Markthallen berühmtes Warenhaus Riesenrad in London Sammelplatz für Unzufriedene, die die Menge mit ihren Schimpfreden unterhalten, im Hyde Park Sitz der englischen Kriminalpolizei Wohnsitz der königlichen Familie erstellt von Sabine Kainz für den Wiener Bildungsserver www.lehrerweb.at - www.kidsweb.at - www.elternweb.at Big Ben Scotland Yard Westminster Abbey Piccadilly Circus Hyde Park St. Paul’s Cathedral The Tower of London Tower Bridge Covent Garden Speakers Corner Houses of Parliament Buckingham Palace Trafalgar Square Madame Tussaud´s Harrods London Eye Kensington Palace erstellt von Sabine Kainz für den Wiener Bildungsserver www.lehrerweb.at - www.kidsweb.at - www.elternweb.at Famous places in London Buckingham Palace Residenz der englischen Könige Houses of Parliament Sitz der britischen Regierung Big Ben große Glocke, Wahrzeichen Londons Hyde Park großer Park in London Madame Tussaud´s Wachsfigurenkabinett Piccadilly Circus Treffpunkt im Zentrum Londons St. Paul’s Cathedral berühmte Kathedrale ehemaliges Gefängnis, heute The Tower of London Museum, Kronjuwelen sind dort untergebracht berühmte Brücke, kann geöffnet -
Kensington Palace, London
Kensington Palace, London Kensington Palace has been the residence for the British monarchy for more than 300 years Kensington Palace has been one of the homes of the British monarchy for more than 300 years. Even today, certain apartments within the Palace are used as a residence by the present British monarchs. Kensington Palace was the residence of the late Princess Diana. This royal Palace was the birthplace of Queen Victoria and she grew up at Kensington Palace. Today, not only does the British royalty use this magnificent palace as a place of residence, but being a working palace, it accommodates some very important offices of the British monarchy. Among the attractions of the palace are the apartments of the king and queen, which have been preserved splendidly. The king's apartments are grandiose regal rooms, which are decorated with unique wall paintings and the royal architecture is indeed splendid. If the king's apartment exudes the lavish and opulent side of British royalty, the queen's apartments echo with the sensitive and aesthetic side of palace life. The queen's apartments have most of the original furniture which was used by Queen Mary II. Apart from the royal apartments, you will be mesmerized by the splendor of the graceful Victorian rooms. It is believed that Princess Victoria along with her mother, the Duchess of Kent, lived in the Victorian rooms, which are still preserved impeccably with many of the original items which were then used by Queen Victoria and Prince Albert. By far the best way to appreciate the stunning beauty of Kensington Palace is by walking on the landscaped gardens of the palace. -
Hammersmith Bus Station
Route 9 : Route Record Aldwych – Hammersmith Bus Station Start Date : 16 February 2008 Reason for Issue : Opening of Hammersmith Bus Station Streets Traversed Towards Hammersmith Bus Station: Strand, Charing Cross, Trafalgar Square (South Side), Cockspur Street, Pall Mall, Waterloo Place, Regent Street, Piccadilly, Duke Of Wellington Place, Grosvenor Place, Knightsbridge, Kensington Road, Kensington Gore, Kensington Road, Kensington High Street, Hammersmith Road, Butterwick, Talgarth Road, Hammersmith Bus Station High Level. Towards Aldwych: Hammersmith Bus Station, Hammersmith Broadway, Hammersmith Road, Kensington High Street, Kensington Road, Kensington Gore, Kensington Road, Knightsbridge, Hyde Park Corner, Piccadilly, Piccadilly Circus, Haymarket, Cockspur Street, Trafalgar Square (South Side), Strand, Aldwych. Page 1 of 6 Stands And Turning Points ALDWYCH, EAST ARM Public offside stand for 6 buses on south side of Aldwych (east arm) commencing 10 metres west of Melbourne Place and extending 67 metres west. Overflow public stand for 3 buses on south side of Strand commencing 10 metres east of Surrey Street and extending 36 metres east. Buses proceed from Aldwych direct to stand, departing via Aldwych to Strand. Set down in Aldwych, at Stop E and pick up in Strand, at Stop R. AVAILABILITY: At any time. OPERATING RESTRICTIONS: No more than 3 buses on Route 9 should be scheduled to stand at any one time. MEAL RELIEFS: No meal relief vehicles to stand at any time. FERRY VEHICLES: No ferry vehicles to park on stand at any time. DISPLAY: Aldwych. OTHER INFORMATION: Stand available for 2 one-person operated vehicles and 1 two-person operated vehicle Toilet facilities available (24 hours). TRAFALGAR SQUARE (from Hammersmith Bus Station) Buses proceed from Cockspur Street via Trafalgar Square (South Side), Charing Cross and Trafalgar Square (South Side) departing to Cockspur Street. -
A4 Web Map 26-1-12:Layout 1
King’s Cross Start St Pancras MAP KEY Eurostar Main Starting Point Euston Original Tour 1 St Pancras T1 English commentary/live guides Interchange Point City Sightseeing Tour (colour denotes route) Start T2 W o Language commentaries plus Kids Club REGENT’S PARK Euston Rd b 3 u Underground Station r n P Madame Tussauds l Museum Tour Russell Sq TM T4 Main Line Station Gower St Language commentaries plus Kids Club q l S “A TOUR DE FORCE!” The Times, London To t el ★ River Cruise Piers ss Gt Portland St tenham Ct Rd Ru Baker St T3 Loop Line Gt Portland St B S s e o Liverpool St Location of Attraction Marylebone Rd P re M d u ark C o fo t Telecom n r h Stansted Station Connector t d a T5 Portla a m Museum Tower g P Express u l p of London e to S Aldgate East Original London t n e nd Pl t Capital Connector R London Wall ga T6 t o Holborn s Visitor Centre S w p i o Aldgate Marylebone High St British h Ho t l is und S Museum el Bank of sdi igh s B tch H Gloucester Pl s England te Baker St u ga Marylebone Broadcasting House R St Holborn ld d t ford A R a Ox e re New K n i Royal Courts St Paul’s Cathedral n o G g of Justice b Mansion House Swiss RE Tower s e w l Tottenham (The Gherkin) y a Court Rd M r y a Lud gat i St St e H n M d t ill r e o xfo Fle Fenchurch St Monument r ld O i C e O C an n s Jam h on St Tower Hill t h Blackfriars S a r d es St i e Oxford Circus n Aldwyc Temple l a s Edgware Rd Tower Hil g r n Reg Paddington P d ve s St The Monument me G A ha per T y Covent Garden Start x St ent Up r e d t r Hamleys u C en s fo N km Norfolk -
Rare Books Special List for New York Antiquarian Book Fair April 11 – 14, 2013
Priscilla Juvelis – Rare Books Special List for New York Antiquarian Book Fair April 11 – 14, 2013 Architecture & Photography 1. Bickham, George. The beauties of Stow: or a description of pages a bit age toned at top edge but no the pleasant seat and noble gardens of the Right Honourable Lord spotting or foxing and the images clean Viscount Cobham. With above Thirty Designs, or drawings, and beautiful on vellum paper, a quite engraved on Copper-Plates, of each particular Building. London: collectable copy of a key book in early photography. E. Owen for George Bickham, M.DCC.L [1750]. $5,500 P. H. Emerson (1856-1936), born First edition complete with all 30 copperplate engravings of the gardens in Cuba to an American father and at Stow[e]. Page size: 3-7/8 x 6-½ inches; 67pp. + 3 pp. ads for other books British mother, earned a medical de- printed for George Bickham. Bound: brown calf with paneled spine, gree at Clare College, Cambridge. A lacking label on second panel, double gilt rule along all edges of front and keen ornithologist, he bought his first back panel, early ownership signatures on front pastedown, front cover camera to be used as a tool on bird- detached, pages a bit sunned and brittle but no foxing watching trips. He was involved in the at all, leaf F3 with ½ inch tear at fore edge, housed in formation of the Camera Club of Lon- marbled paper over boards slipcase with title printed don and soon after abandoned his ca- on brown leather label (probably originally on spine). -
English-Palladianism.Pdf
702132/702835 European Architecture B Palladianism COMMONWEALTH OF AUSTRALIA Copyright Regulations 1969 Warning This material has been reproduced and communicated to you by or on behalf of the University of Melbourne pursuant to Part VB of the Copyright Act 1968 (the Act). The material in this communication may be subject to copyright under the Act. Any further copying or communication of this material by you may be the subject of copyright protection under the Act. do not remove this notice THETHE TRUMPETTRUMPET CALLCALL OFOF AUTHORITYAUTHORITY St George, Bloomsbury, London, by Hawksmoor, 1716- 27: portico Miles Lewis St Mary-le-Strand, London, by James Gibbs, 1714-17: in a view of the Strand Summerson, Architecture in Britain, pl 171A. In those admirable Pieces of Antiquity, we find none of the trifling, licentious, and insignificant Ornaments, so much affected by some of our Moderns .... nor have we one Precedent, either from the Greeks or the Romans, that they practised two Orders, one above another, in the same Temple in the Outside .... and whereas the Ancients were contented with one continued Pediment .... we now have no less than three in one Side, where the Ancients never admitted any. This practice must be imputed either to an entire Ignorance of Antiquity, or a Vanity to expose their absurd Novelties ... Colen Campbell, 'Design for a Church, of St Mary-le-Strand from the south-east my Invention' (1717) Miles Lewis thethe EnglishEnglish BaroqueBaroque vv thethe PalladianPalladian RevivalRevival Christopher Wren Colen Campbell -
Digital Media at the Tower of London
Digital Media at the Tower of London Recommendations for a Mobile Application at the Mint Street Exhibition By: Michael Bartlett, Bryan Myers, Todd Pfizenmaier, Lauren Waring Digital Media at the Tower of London Recommendations for a Mobile Application at the Mint Street Exhibition An Interactive Qualifying Project Report Submitted to the faculty of the Worcester Polytechnic Institute In partial fulfillment of the requirements for Degree of Bachelor of Science In cooperation with The Tower of London On April 27, 2012 Submitted by: Submitted to: Michael Bartlett Megan Gooch Bryan Myers Dominique Driver Todd Pfizenmaier Professor Kathi Fisler Lauren Waring Professor Paul Davis i Abstract The following report evaluates the possible use of hand-held digital media in the Tower of London, specifically the Tower Mint Exhibition. Recommendations were created from visitor surveys, interviews with museum professionals, as well as, evaluations of digital media at other sites. Results show the implementation of an application adds value by letting visitors learn at their own pace, engage the whole family, as well as, share and extend their experience. These values correlate with possible characteristics for a successful application. i Acknowledgments Our team would like to thank our sponsor, the Tower of London, for the exciting opportunity to work on this project at the Tower of London. We would specifically like to extend our thanks to Megan Gooch and Dominique Driver whose consistent support made this project possible. We would also like to thank all the members of the Tower of London staff for their support, insight and assistance with the project. Finally, we would like to thank our Worcester Polytechnic Institute advisors, Paul Davis and Kathi Fisler, for their generous advice and support throughout this project.