Alexander's Return to Greece in the Alexander Romance
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
MAC II in General, All Greek Troops “Constitutionally
ALEXANDER’S FINAL ARMY An Honors Thesis for the Department of History By Jonathan A. Miller Thesis Advisor: Steven Hirsch Tufts University, 2011 AKNOWLEDGMENTS Alexander the Great is a man with whom many great leaders throughout history have been compared, a model of excellence whose achievements can never quite be matched. 2 My introduction to his legacy occurred in the third grade. Reading a biography of Julius Caesar for a class project, I happened across Plutarch’s famous description of Caesar’s reaction to reading a history of Alexander: “he was lost in thought for a long time, and then burst into tears. His friends were astonished, and asked the reason for his tears. ‘Do you not think,’ said he, ‘that it is a matter of sorrow that while Alexander, at my age, was already king of so many peoples, I have as yet achieved no brilliant success?’”1 This story captivated my imagination and stuck with me throughout my middle and high school years. Once at college, I decided to write a thesis on Alexander to better understand the one man capable of breeding thoughts of inadequacy in Caesar. This work is in many ways a tribute to both Caesar and Alexander. More pointedly, it is an exploration into the designs of a man at the feet of whom lay the whole world. This paper has meant a lot to me. I want to thank all those who made it possible. First and foremost, my undying gratitude goes to Professor Steven Hirsch, who has helped me navigate the difficult process of researching and writing this thesis. -
The Greek Alexander Romance Free Ebook
FREETHE GREEK ALEXANDER ROMANCE EBOOK Richard Stoneman | 208 pages | 05 Nov 1991 | Penguin Books Ltd | 9780140445602 | English | London, United Kingdom Alexander Romance - Wikipedia Alexander romanceany of a body of legends about the career of Alexander the Greattold and retold with varying emphasis and purpose by succeeding ages and civilizations. The chief source of all Alexander romance literature was a folk epic written in Greek by a Hellenized Egyptian in Alexandria during the 2nd century ad. Surviving translations and copies make its reconstruction possible. It portrayed Alexander as a national messianic herothe natural son of an Egyptian wizard-king by the wife of Philip II of Macedon. In later romances, however, marvels and exotic anecdotes predominated and gradually eclipsed the historical personality. This work inspired the Alexanderlied by the German poet Lamprecht der Pfaffe. An The Greek Alexander Romance poet, Thomas of Kent, wrote the Roman de toute chevalerie toward the end of the 12th century, and about this was remodeled to become the Middle English romance of King Alisaunder. Italian Alexander romances began to appear during the 14th century, closely followed by versions in Swedish, Danish, Scots, and dating from a little earlier in the Slavic languages. The Arabs, expanding Syrian versions of the legend, passed them on to the many peoples with whom they came in contact. Alexander romance literature declined in the late 12th century, and, with the revival of classical scholarship during the Renaissance, historical accounts displaced the Alexander romances. Alexander romance Article Additional Info. Print Cite. Facebook Twitter. Give Feedback The Greek Alexander Romance Websites. Let us know if you have suggestions to improve this article requires login. -
Introduction
Introduction KONSTANTIN DOULAMIS University College Cork This collection of articles originated in the colloquium ‘The Ancient Novel and its Reception of Earlier Literature’, which was held at University Col- lege Cork in August 2007, with funding from UCC’s Faculty of Arts and the Classics Department. As the conference theme indicates, the purpose of that two-day event was to explore the reception of antecedent literature in Greek and Roman narratives, to consider ways in which earlier texts are assimilated in prose fiction, and to reflect on the implications that this assimilation may have for our understanding of the works discussed. The colloquium, which comprised papers on a variety of texts, from the ‘canonical’ Greek romances and the Roman novels to Alexander’s Letter about India and the Alexander Romance, gave birth to stimulating discussions, both in and out of confe- rence sessions, in a relaxed yet productive ambience of fruitful academic exchange, constructive criticism and collegiality, and yielded some interest- ing conclusions. The following are some of the main questions that were raised and de- bated during the colloquium: Is the ancient novel distinctive in its reception of earlier literary production? To what extent can we talk of a ‘sociology of reception’? Can intertextuality in the Greek and Roman narratives be used in order to define a specific type of reader or social model? What role does the author of a text play in all this? Should emphasis be placed on authorial in- tent or on textual relations? The revised version of the nine conference pa- pers collected here explore these and other similar broad questions, focusing on various types of literary echoes in ancient narratives. -
The Apprentice's Sorcerer: Pancrates and His Pow Ers
ACTA CLASSICA XLVII (2004) 101-126 ISSN 0065-1141 THE APPRENTICE’S SORCERER: PANCRATES AND HIS POW ERS IN CONTEXT (LUCIAN, PHILOPSEUDES 33-36)∗ Daniel Ogden University of Exeter ABSTRACT The figure of the sorcerer Pancrates in Lucian’s tale of The Sorcerer’s Apprentice at Philopseudes 33-36 alludes to the traditions relating to Hadrian’s poet Pancrates Epicus and to those relating to his supposed magicial guru Pachrates. These traditions are argued to have had a common origin, and new arguments are advanced for this position. Lucian further exploits the significance of Pancrates’ name (‘All-powerful’) in relation to that of a well-established character-type within his stock-in-trade, Eucrates (‘Well- powerful’), who is accordingly cast in the role of his apprentice. Pancrates’ focal spell, the animation of the pestle for domestic service, reflects the themes and concerns of contempary magical practice as documented in the papyri. Admonitory Cynic imagery, of a sort found elsewhere in the Philopseudes, may be latent both in the figure of Pancates and in his pestle. The famous tale of The Sorcerer’s Apprentice, now known principally from the works of Goethe and Disney,1 originates among the ‘lying’ stories related in Lucian’s dialogue Philopseudes or Lover of Lies.2 Here Tychiades gives his friend ∗ I acknowledge with gratitude the significant contributions made to the development of this paper by: the staff of the department of Classics, Near and Far Eastern and Religious Studies at UNISA; the staff of the Classics Department in the University of Natal at Pietermaritzburg, where an incunabular version was delivered in 2001; and the anonymous AClass referees. -
THE ETHIOPIC ALEXANDER ROMANCE Peter Christos Kotar Introduction the Ethiopic Alexander Romance Is Written in the Old Ethiopic L
CHAPTER SEVEN THE ETHIOPIC ALEXANDER ROMANCE Peter Christos Kotar Introduction The Ethiopic Alexander romance is written in the old Ethiopic language Ge’ez, a Semitic language, belonging to the south-Semitic branch.1 Ge’ez has been used in literature from the 4th century on in the north- ern part of Ethiopia (Eritrea). Center of the Ethiopic culture after 100 A.D. was the city of Aksum. Shortly after 340, the kingdom of Aksum was Christianized.2 In the 13th century, beginning with the so-called “Salomonian dynasty” (1270–1285), founded by Jekuno Amlak, a new orientation of Ethiopic literature took place with a strong dependence on the Christian-Arabic literature of the Coptic church of Egypt.3 In this golden era of Ethiopic literature, at the end of the 14th century, falls the Zēnā Eskender [history of Alexander the Great], a genuine creation of Ethiopic literature, not to be confused with the Alexan- der romance of Pseudo-Callisthenes (PC).4 Later, both the 16th and 17th centuries were further high points of Ethiopic literature. Dur- ing this period, the monastery of Dabra Libanos was the most impor- tant center of Arabo-Ethiopic translation.5 It can be assumed that the 1 J. Tropper, Altäthiopisch. Grammatik des Ge’ez mit Übungstext und Glossar. pp. 1–3; F. Prätorius, Äthiopische Grammatik mit Paradigmen, Litteratur, Chrestoma- thie und Glossar. pp. 3–4; T.O. Lambdin, Introduction to Classical Ethiopic (Ge’ez); S. Procházka, Altäthiopische Studiengrammatik. Orbis Biblicus et Orientalis. Subsidia linguistica 2; O. Raineri, Introduzione alla lingua Ge’ez. 2 Ge’ez as language of the clergy is still used in the Ethiopic church as language of the scripts and liturgy. -
Macedonian Relations with Greece Under Philip and Alexander
MACEDONIANMACEDONIAN RELATIONRELA TrONSS WITWITHH GREECEGREECE UNDEUNDERR PHILIPHILIPP ANANDD ALEXANDERALEXANDER byby NicholaNicholass SpearSpear ProukouProukou A thesisthesis submittedsubmitted toto thethe facultyfaculty ofof ThThee UniversitUniversityy ooff UtahUtah in partiapartiall fulfillmentfulfillment ofof ththee requirementrequirementss foforr ththee degreedegree of MasteMasterr ofof ArtsArts DepartmentDepartment ofof HistoryHistory ThThee UniversityUniversity ofof UtahUtah AugusAugustt 20092009 CopyrightCopyright © NicholaNicholass SpearSpear ProukoProukouu 20092009 AlAlll RightRightss ReservedReserved THE UNJVERSJTY OF UTAH GRADUATE SCHOOL SUPERVISORY COMMITTEE APPROVAL of a thesis submitted by Nicholas Spear Proukou This thesis has been read by each member of the following supervisory committee and by majority vote has been found to be satisfactory. Randall O. Stewart· THE UNIVERSITY OF UTAH GRADUATE SCHOOL FINAL READING APPROVAL To the Graduate Council of the University of Utah: I have read the dissertation of Nicholas Spear Proukou in its final form and have found that (1) its format, citations, and bibliographic style are consistent and acceptable; (2) its illustrative materials including figures, tables, and charts are in place; and (3) the final manuscript is satisfactory to the supervisory committee and is ready for submission to The GraduateSchool. '2go9 ff�(/' a!�2� Date Winthrop 1. Adams Chair: Supervisory Committee Approved for the MajorDepartment ��eLL1, JamesR. Lehning 3 ChairlDean Approved for the Graduate Council -
Tales of Philip II Under the Roman Empire
Tales of Philip II under the Roman Empire: Aspects of Monarchy and Leadership in the Anecdotes, Apophthegmata , and Exempla of Philip II Michael Thomas James Welch BA (Hons. Class 1) M.Phil. A thesis submitted for the degree of Doctor of Philosophy at The University of Queensland in 2016 School of Philosophical and Historical Inquiry P a g e 1 | 270 Abstract This thesis examines the role anecdotes, apophthegmata , and exempla play in the historiography of the Macedonian king Philip II in the Roman world - from the first century BCE to the fourth century CE. Most of the material examined comes from moral treatises, collections of tales and sayings, and military works by Greek and Latin authors such as Plutarch, Valerius Maximus, Aelian, Polyaenus, Frontinus, and Stobaeus (supplemented with pertinent material from other authors). This approach will show that while many of the tales surely originate from the earlier Greek world and Hellenistic times, the use and manipulation of the majority of them and the presentation of Philip are the product of a world living under Roman political and cultural domination. This thesis is divided into six chapters. Chapter one defines and discusses anecdotal material in the ancient world. Chapter two examines two emblematic ancient authors (Plutarch and Valerius Maximus) as case studies to demonstrate in detail the type of analysis required by all the authors of this study. Following this, the thesis then divides the material of our authors into four main areas of interest, particularly concerning Philip as a king and statesman. Therefore, chapter three examines Philip and justice. -
John Walsh, Antipater and the Lamian War: a Study in 4Th Century Macedonian Counterinsurgency Doctrine
The Ancient History Bulletin VOLUME TWENTY-NINE: 2015 NUMBERS 1-2 Edited by: Edward Anson ò Michael Fronda òDavid Hollander Timothy Howe òJoseph Roisman ò John Vanderspoel Pat Wheatley ò Sabine Müller ISSN 0835-3638 ANCIENT HISTORY BULLETIN Volume 29 (2015) Numbers 1-2 Edited by: Edward Anson, Michael Fronda, David Hollander, Sabine Müller, Joseph Roisman, John Vanderspoel, Pat Wheatley Senior Editor: Timothy Howe Editorial correspondents Elizabeth Baynham, Hugh Bowden, Franca Landucci Gattinoni, Alexander Meeus, Kurt Raaflaub, P.J. Rhodes, Robert Rollinger, Victor Alonso Troncoso Contents of volume twenty-nine Numbers 1-2 1 John Walsh, Antipater and the Lamian War: A Study in 4th Century Macedonian Counterinsurgency Doctrine 28 Nikos Karkavelias, The End of the Four Hundred Regime 57 Eloisa Paganoni, Bithynia in Memnon’s Perì Herakleias: A Case Study for a Reappraisal of Old and New Proposals Review Article 80 Thomas Scanlon, Satan’s Business or the People’s Choice: The Decline of Athletics in Late Antiquity NOTES TO CONTRIBUTORS AND SUBSCRIBERS The Ancient History Bulletin was founded in 1987 by Waldemar Heckel, Brian Lavelle, and John Vanderspoel. The board of editorial correspondents consists of Elizabeth Baynham (University of Newcastle), Hugh Bowden (Kings College, London), Franca Landucci Gattinoni (Università Cattolica, Milan), Alexander Meeus (University of Leuven), Kurt Raaflaub (Brown University), P.J. Rhodes (Durham University), Robert Rollinger (Universität Innsbruck), Victor Alonso Troncoso (Universidade da Coruña) AHB is currently edited by: Timothy Howe (Senior Editor: [email protected]), Edward Anson, Michael Fronda, David Hollander, Sabine Müller, Joseph Roisman, John Vanderspoel and Pat Wheatley. AHB promotes scholarly discussion in Ancient History and ancillary fields (such as epigraphy, papyrology, and numismatics) by publishing articles and notes on any aspect of the ancient world from the Near East to Late Antiquity. -
The Creative Reception of the Alexander Romance in Iran
The Creative Reception of the Alexander Romance in Iran Ulrich Marzolph hen the Greek emperor Alexander died, aged 33, in the year 323 BCE, his life and career destined him to become the ideal model W for the topos of valiant hero and reckless conqueror. Considering his conquest of more or less the whole world known to the Greek culture of his day, he would even become the quintessential expression of a world ruler. In world literature, no other historical character plays a similarly significant role. No other character has been portrayed so often and in so many different ways in historical literature, in epics, romances, and legends, in songs and dramatic poetry, in works of pious edification and in prophetic revelations.1 In terms of geography, the narrative tradition dealing with Alexander covers primarily the whole of Europe and the Near and Middle East. In terms of chronology, it has stayed alive and vibrant, albeit with changing notions, from the earliest versions up to the very present. As a matter of fact, the Alexander tradition is so overwhelmingly present in both space and time that in a historical perspective it is hard to think of any work of transnational narrative literature surpassing its popularity. Consequently, it was neither surprising nor coincidental that Alexander became the focus of scholarly attention towards the end of the second millennium CE, when his memory was celebrated in various conferences, large research projects, and numerous scholarly publications.2 The narrative tradition focusing on Alexander derives mostly from a work of late Greek antiquity that has erroneously been attributed to Greek historian Callisthenes (ca. -
“Alexander the Great: a Lesson Taught by Roman Historians” Jaxon Saunders Western Oregon University, [email protected]
Western Oregon University Digital Commons@WOU Student Theses, Papers and Projects (History) Department of History 2011 “Alexander the Great: A Lesson Taught by Roman Historians” Jaxon Saunders Western Oregon University, [email protected] Follow this and additional works at: https://digitalcommons.wou.edu/his Part of the European History Commons Recommended Citation Saunders, Jaxon, "“Alexander the Great: A Lesson Taught by Roman Historians”" (2011). Student Theses, Papers and Projects (History). 100. https://digitalcommons.wou.edu/his/100 This Paper is brought to you for free and open access by the Department of History at Digital Commons@WOU. It has been accepted for inclusion in Student Theses, Papers and Projects (History) by an authorized administrator of Digital Commons@WOU. For more information, please contact [email protected]. Jaxon Saunders History 499 Senior Thesis June 13, 2011 © Jaxon Saunders, 2011 Alexander the Great: A Lesson Taught by Roman Historians ΣΤΟΝ ΚΑΛΛΙΤΕΡΟ ΠΑΝΕ ΤΑ ΛΑΦΥΡΑ ΤΗΣ ΓΝΩΣΗΣ (to the best goes the spoils of knowledge) Saunders 1 The image of Alexander the Great, “according to the many legends he was a king, a hero, a god, a conqueror, a philosopher, a scientist, a prophet, a statesman, and a visionary.”1 This is the story of Alexander the Great that is taught. The deeds of valor are truly awe-inspiring to those who take them at face value. Alexander is seen as a man who broke the mold. Libraries have been devoted to the study of Alexander. However, over the past sixty years scholars have become divided about their understanding of such a figure. -
Persuasion, Emotion, and the Letters of the Alexander Romance
Persuasion, Emotion, and the Letters of the Alexander Romance JACQUELINE ARTHUR-MONTAGNE Stanford University Mixture is the letter, the epistle which is not a genre, but all genres, literature itself. Jacques Derrida, The Postcard (48) The presence of over thirty letters embedded in the Greek Alexander Romance has garnered frequent attention from scholars of epistolography, novels, and fiction.1 These letters are widely distributed throughout the three books of the Romance, attributed to various characters in the plot. What is most striking about the deployment of letters in the narrative is the mixture of different epis- tolographical types. From battle briefs, boastful barbarian epistles, and lengthy letters of marvels, it is clear that the epistolary frame here operates in very different capacities. I know of no other work of ancient fiction that in- corporates so many different epistolary forms. If it is fair to regard epistolog- raphy as a spectrum of genres,2 then the Alexander Romance spans the full register from functional to philosophical. Sorting the sources and interrelationships of these letters has been a chal- lenge for critics, further complicated by the tangled transmission history and the multiple recensions of the Alexander Romance. Reinhold Merkelbach’s seminal study in 1954 made a crucial and intuitive distinction between the lengthy ‘Wunderbriefe’ and the novel’s shorter letters: he claimed that the lat- ter category represents the remnants of a lost epistolary novel about the life of ————— 1 Hägg 1983, 126 regards the incorporation of letters as the ‘most important innovation’ on the part of the author. For the most recent treatments, see Konstan 1998, Rosenmeyer 2001 (ch. -
Lucian‟ S Paradoxa: Fiction, Aesthetics, and Identity
i Lucian‟s Paradoxa: Fiction, Aesthetics, and Identity A dissertation submitted to the Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Classics of the College of Arts and Sciences by Valentina Popescu BA University of Iasi June 2009 Committee Chair: Kathryn J. Gutzwiller, Professor of Classics Abstract This dissertation represents a novel approach to the Lucianic corpus and studies paradox, with rhetorical, philosophical, and aesthetic implications, as Lucian‟s distinctive discursive mode of constructing cultural identity and literary innovation. While criticizing paradoxography - the literature of wonders - as true discourse, Lucian creates a novel, avowed false, discourse, as a form of contemplation and regeneration of the Greek literary tradition. Paradoxography is Lucian‟s favorite self-referential discourse in prolaliai, rhetorical introductions, where he strives to earn doxa through paradoxa - paradigms of exoticism applied to both author and work. Lucian elevates paradox from exotic to aesthetic, from hybrid novelty to astonishing beauty, expecting his audience to sublimate the experience of ekplexis from bewilderment to aesthetic pleasure. Lucian‟s construction of cultural identity, as an issue of tension between Greek and barbarian and between birthright and paideutic conquest, is predicated on paradoxology, a first- personal discourse based on rhetorical and philosophical paradox. While the biography of the author insinuates itself into the biography of the speaker, Lucian creates tension between macro- text and micro-text. Thus, the text becomes also its opposite and its reading represents almost an aporetic experience. iii iv To my family for their love, sacrifices, and prayers and to the memory of Ion Popescu, Doina Tatiana Mănoiu, and Nicolae Catrina v Table of Contents Introduction 1 1.