"The Regiment Bore a Conspicuous Part": a Brief History of the Eight Ohio Volunteer Infantry, Gibraltar Brigade, Army
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'Triptych', from Seamus Heaney's Field Work
An In-Depth Study of ‘Triptych’, from Seamus Heaney’s Field Work An In-Depth Study of ‘Triptych’, from Seamus Heaney’s Field Work Martin Connolly This paper focuses critical attention on ‘Triptych’, the sequence of three poems in Seamus Heaney’s 1979 collection Field Work. The sequence directly follows the opening poem ‘Oysters’, and by virtue of position alone commands attention. It is the first of a number of poems in the collection to address the conflict in Northern Ireland, and can be seen as a kind of public poetry, very different in tone, theme and style from early Heaney. This exploration derives from attempts to provide satisfactory answers to questions concerning elements within the sequence which resist smooth interpretation. My method of approach is largely chronological, in the sense that I go through the poems starting at the beginning and plough through to the end, stanza by stanza, sometimes line by line, attempting to guide the reader toward an understanding of the poem derived from apparent textual evidence. Early on, however, I do state what I think the poetic sequence is designed to be, and this argument informs my interpretation throughout. Yet, at every point, I provide what I consider a coherent rationale and logic for my critical opinions. I would certainly welcome debate on each and every point. The conclusions I have come to in regard to this poetic sequence, are, at times, negative, but not exclusively so. I have looked at this poetic sequence up close and - 129 - found it to be problematic in a number of areas. -
First Battle of Kernstown
First Battle of Kernstown The First Battle of Kernstown was fought on March 23, 1862, in Frederick County and Winchester, Virginia, the opening battle of Confederate Maj. Gen. Thomas J. “Stonewall” Jackson's campaign through the Shenandoah Valley during the American Civil War. Attempting to tie down the Union forces in the Valley, under the overall command of Maj. Gen. Nathaniel P. Banks, Jackson received incorrect intelligence that a small detachment under Col. Nathan Kimball was vul- nerable, but it was in fact a full infantry division more than twice the size of Jackson’s force. His initial cavalry attack was forced back and he immediately reinforced it with a small infantry brigade. With his other two brigades, Jack- son sought to envelop the Union right by way of Sandy Ridge. But Col. Erastus B. Tyler's brigade countered this movement, and, when Kimball’s brigade moved to his Valley Campaign: Kernstown to McDowell. assistance, the Confederates were driven from the field. Confederate There was no effective Union pursuit. Union Although the battle was a Confederate tactical defeat, it represented a strategic victory for the South by prevent- ing the Union from transferring forces from the Shenan- doah Valley to reinforce the Peninsula Campaign against maining division, under Brig. Gen. James Shields, was the Confederate capital, Richmond. Following the earlier stationed at Strasburg to guard the lower (northeastern) Battle of Hoke’s Run, the First Battle of Kernstown may Valley, and intelligence indicated that it was withdrawing be considered the second among Jackson’s rare defeats. toward Winchester. Banks made preparations to leave the Valley personally on March 23.[4] Jackson’s orders from Johnston were to prevent Banks’s 1 Background force from leaving the Valley, which it appeared they were now doing. -
In Memoriam Frederick Dougla
Central Library of Rochester and Monroe County · Historic Monographs Collection Central Library of Rochester and Monroe County · Historic Monographs Collection CANNOT BE PHOTOCOPIED * Not For Circulation Central Library of Rochester and Monroe County · Historic Monographs Collection / III llllllllllll 3 9077 03100227 5 Central Library of Rochester and Monroe County · Historic Monographs Collection jFrebericfc Bouglass t Central Library of Rochester and Monroe County · Historic Monographs Collection fry ^tty <y /z^ {.CJ24. Central Library of Rochester and Monroe County · Historic Monographs Collection Hn flDemoriam Frederick Douglass ;?v r (f) ^m^JjZ^u To live that freedom, truth and life Might never know eclipse To die, with woman's work and words Aglow upon his lips, To face the foes of human kind Through years of wounds and scars, It is enough ; lead on to find Thy place amid the stars." Mary Lowe Dickinson. PHILADELPHIA: JOHN C YORSTON & CO., Publishers J897 Central Library of Rochester and Monroe County · Historic Monographs Collection Copyright. 1897 & CO. JOHN C. YORSTON Central Library of Rochester and Monroe County · Historic Monographs Collection 73 7^ In WLzmtxtrnm 3fr*r**i]Ch anglais; "I have seen dark hours in my life, and I have seen the darkness gradually disappearing, and the light gradually increasing. One by one, I have seen obstacles removed, errors corrected, prejudices softened, proscriptions relinquished, and my people advancing in all the elements I that make up the sum of general welfare. remember that God reigns in eternity, and that, whatever delays, dis appointments and discouragements may come, truth, justice, liberty and humanity will prevail." Extract from address of Mr. -
NEW YORK HERALD Oh Hostages for the Promised Appearance of the Tribe the Catted State* Seaate
Herald's A Sheet. Schema. Cheyenne warriors were captured and are retained Our Financial mad Political PhndOTwr*- War ProtebllltlM la Eorcp«. The Pregiese. Qudraple Flak, Jr., Ml the Bmllroad NEW YORK HERALD oh hostages for the promised appearance of the tribe The Catted State* Seaate. A oabie despatch from Paris says that We issue the Hebald this morning in a Oiir lively friend, Fisk, Jr., in his troublw to treat (or . peace. When our war for the consolidation of the French officers and on leave of quadruple sheet form an absolute necessity, with other railroad schemers and theirschemes, BROADWAY AND ANN 8TREBT. The between Lewie Cass and privates correspondence was a absence to their for the fulfilment of our President President Buchanan, when the former tendered his Union broke out government pleasure, hare been ordered rejoin necessary complete evidently appreciates the advice of few in JAMES GORDON real/uatlon as Secretary of State, was transmitted not a burden, to the country. Everything regiments on the 1st of April. A days journalistio mission the reporting of news Lincoln to General Gillmore, at Charleston, (o BENNETT, the fact that PROP R 1ET0R. to the Senate yesterday. It discloses flourished, and indefinite expansion invited in¬ ago we had a cable despatch quite as startling from all parts of the world, civilized and un¬ "keep pegging away," and he Bticks to the Mr. Cass was the only one of the Cabinet who ur«ed ternal and external Our com¬ as this one, being that the Emperor of the civilized, and the making known the wants, Union Paciflo Credit Mobilier and aud reinforcement of the forts in Charles¬ enterprise. -
La Nuit Des Rêves
2014 Silent Auction Guide La Nuit des Rêves 24TH ANNUAL GALA SATURDAY, MARCH 22ND, 2014 3 VREELAND ROAD FLORHAM PARK, NJ Table of Contents BEHIND THE SCENES 100 ARTS, CULTURE, & MEMORABILIA 200 FINE ART 300 FOR HER 400 THE WINE STORE 500 ENTERTAINING & DINING 600 FOR THE FAMILY & HOME 700 RECREATION & 800 RELAXATION MAGIC COINS!! Buy a magic coin and buy a dream! You can help support the many education and training programs of The Shakespeare Theatre of New Jersey by purchasing our magic coins (they happen to be vintage doubloons from Mardi Gras past!). Each coin costs $50. Buy one – buy many! Each coin buys you a surprise gift! Many gifts are worth far more than $50, but more important, your purchase will help support the dreams of young artists, and you will walk away a little richer for it! Find the masked man, present your coin, and receive your gift! (Our volunteers will point you in the right direction!) Silent Auction Procedures Please read the silent auction descriptions carefully, noting any restrictions. The Shakespeare Theatre of New Jersey will not be responsible for auction items not redeemed within the time specified by the donor or within a year. Item descriptions are followed by a value. In the case of particularly unique items, the value is listed as priceless. Please note that only the amount paid over the value is tax-deductible to the fullest extent provided by law. PLACING A BID: To place a bid, write your name and bid amount on the corresponding bid sheet directly in front of the item. -
Catalogue of a Loan Exhibition of Paintings by Winslow Homer : New
THE METROPOLITAN MUSEUM OF ART WINSLOW HOMER MEMORIAL EXHIBITION MCMXI CATALOGUE OF A LOAN EXHIBITION OF PAINTINGS BY WINSLOW HOMER OF THIS CATALOGUE AN EDITION OF 2^00 COPIES WAS PRINTED FEBRUARY, I 9 I I Digitized by the Internet Archive in 2015 https://archive.org/details/catalogueofloaneOOhome FISHING BOATS OFF SCARBOROUGH BY WINSLOW HOMER LENT BY ALEXANDER W. DRAKE THE METROPOLITAN MUSEUM OF ART CATALOGUE OF A LOAN EXHIBITION OF PAINTINGS BY WINSLOW HOMER NEW YORK FEBRUARY THE SIXTH TO MARCH THE NINETEENTH MCMXI COPYRIGHT, FEBRUARY, I 9 I I BY THE METROPOLITAN MUSEUM OF ART LIST OF LENDERS National Gallery of Art Pennsylvania Academy of the Fine Arts The Lotos Club Edward D. Adams Alexander W. Drake Louis Ettlinger Richard H. Ewart Hamilton Field Charles L. Freer Charles W. Gould George A. Hearn Charles S. Homer Alexander C. Humphreys John G. Johnson Burton Mansfield Randall Morgan H. K. Pomroy Mrs. H. W. Rogers Lewis A. Stimson Edward T. Stotesbury Samuel Untermyer Mrs. Lawson Valentine W. A. White COMMITTEE ON ARRANGEMENTS John W. Alexander, Chairman Edwin H. Blashfield Bryson Burroughs William M. Chase Kenyon Cox Thomas W. Dewing Daniel C. French Charles W. Gould George A. Hearn Charles S. Homer Samuel Isham Roland F. Knoedler Will H. Low Francis D. Millet Edward Robinson J. Alden Weir : TABLE OF CONTENTS Page Frontispiece, Opposite Title-Page List of Lenders . Committee on Arrangements . viii Table of Contents .... ix Winslow Homer xi Paintings in Public Museums . xxi Bibliography ...... xxiii Catalogue Oil Paintings 3 Water Colors . • 2 7 Index ......... • 49 WINSLOW HOMER WINSLOW HOMER INSLOW HOMER was born in Boston, February 24, 1836. -
William Shakespeare's the Tempest
Date:_________________________________ Study Booklet Year 8: Unit 3 William Shakespeare’s The Tempest Name Class Teacher 1 | P a g e @saysmiss KHoward Date:_________________________________ Study Booklet Contents 3 Key vocabulary 4 Learning aids 5 Literary Timeline 6 Character list 7 Big Lecture notes 13 How does setting choice reflect themes of the play? 13 Shakespeare’s Other World 20 Act 1 Scene 1: The Storm 24 How are oppression and power presented within the play? 26 Act 1 Scene 2 Part 1 29 Act 1 Scene 2 Part 2 32 How do characters defy hierarchy? 33 Act 1 Scene 2 Part 3 40 Act 1 Scene 2 Part 4 48 To what extent has Prospero created a utopian society? 49 Act 2 Scene 1 Part 1 52 Act 2 Scene 1 Part 2 57 Act 2 Scene 2 63 How does Miranda’s character conform with the patriarchy? 65 Act 3 Scene 1 67 How is colonialism a consideration within the play? 68 Act 3 Scene 2 72 Act 3 Scene 3 79 How is Prospero presented as a character throughout the play? 79 Act 4 Scene 1 Part 1 81 Act 4 Scene 1 Part 2 84 Act 5 Scene 1 Part 1 87 Act 5 Scene 1 Part 2 93 Act 5 Scene 1 Part 3 96 Character Analysis of Prospero 105 To what extent is this a didactic play? 105 Epilogue 106 Tempestuous words: The Tempest and Shakespeare’s linguistic innovation 111 Multiple Choice Quiz 2 | P a g e @saysmiss KHoward Date:_________________________________ Key word Definition Antagonist A person who actively opposes or is hostile towards someone. -
William Shakespeare's Long Lost First Play
Insights A Study Guide to the Utah Shakespeare Festival William Shakespeare’s Long Lost First Play (abridged) The articles in this study guide are not meant to mirror or interpret any productions at the Utah Shakespeare Festival. They are meant, instead, to bean educational jumping-off point to understanding and enjoying the plays (in any production at any theatre) a bit more thoroughly. Therefore the stories of the plays and the interpretative articles (and even characters, at times) may differ dramatically from what is ultimately produced on the Festival’s stages. The Study Guide is published by the Utah Shakespeare Festival, 351 West Center Street; Cedar City, UT 84720. Bruce C. Lee, communications director and editor; Phil Hermansen, art director. Copyright © 2017, Utah Shakespeare Festival. Please feel free to download and print The Study Guide, as long as you do not remove any identifying mark of the Utah Shakespeare Festival. For more information about Festival education programs: Utah Shakespeare Festival 351 West Center Street Cedar City, Utah 84720 435-586-7880 www.bard.org. Cover photo: Riley Shanahan (left) as Riley and Luke Striffler as Luke in the Utah Shakespeare Festival’s 2017 pro- duction of William Shakespeare’s Long Lost First Play (abridged). William Shakespeare’s Long Lost First Play (abridged) Contents Information on the Play Synopsis 4 Characters 5 About the Playwright 6 Scholarly Articles on the Play A Reduced Shakespeare Company Strikes Again 8 Utah Shakespearean Festival 3 351 West Center Street • Cedar City, Utah 84720 • 435-586-7880 Synopsis: William Shakespeare’s Long Lost First Play (abridged) An ancient manuscript is discovered in a treasure-filled parking lot in Leicester, England (next to a pile of bones that didn’t look that important). -
Virgil and the Tempest
VIRGIL AND THE TEMPEST The Politics of Imitation Donna B. Hamilton Virgil and The Tempest offers a new assess ment of the art and politics of Shakespeare's comic masterpiece by examining its relation ship to both the contemporary political con text and to Virgil's Aeneid. Challenging the view that The Tempest supports the absolutist theories and policies of King James I, Donna Hamilton instead shows how the play pre sents an argument for a limited monarchy. Virgil and James I each represent a set of symbols and idioms that Shakespeare appro priates for his own use in The Tempest. In the process, he pays homage to their respective eminence and brings them into dialogic rela tion with each other, changing the language to suit his purposes. This means rewriting the Aeneid to suit a new time and situation, and it means subtly altering the king's language to present a strong argument for constitu tionalism. Scholars who have emphasized the "trans cendent" Shakespeare have sometimes failed to recognize the playwright's passion for resistance, a passion nowhere more cunningly present than in The Tempest. Sixteenth- and seventeenth-century plays were character ized by an indirection that only a practiced rhetorical skill could produce, a skill that pur chased not only safety, but respect, author ity, and power. This skill was equally useful to writers engaged in oppositional politics and to apologists for the established authority. Shakespeare's work, therefore, cannot be fully appreciated by today's readers without being sufficiently historicized. Virgil and The Tempest Virgil and The Tempest THE POLITICS OF IMITATION Donna B. -
Sons of Union Veterans of the Civil War Incorporated by Act of Congress
Grand Army of the Republic Posts - Historical Summary National GAR Records Program - Historical Summary of Grand Army of the Republic (GAR) Posts by State FLORIDA Prepared by the National Organization SONS OF UNION VETERANS OF THE CIVIL WAR INCORPORATED BY ACT OF CONGRESS No. Alt. Post Name Location County Dept. Post Namesake Meeting Place(s) Organized Last Mentioned Notes Source(s) No. PLEASE NOTE: The GAR Post History section is a work in progress (begun 2013). More data will be added at a future date. 000 (Department) N/A N/A FL Org. 9 July 1884 Ended 1945 Provisional Department organized in February 1868. Discontinued Beath, 1889; Carnahan, 1893; 28 January 1875. Provisional Department restored in early 1889. National Encampment Permanent Department of Florida organized 9 July 1884 with six Proceedings, 1945 Posts. The Department came to an end with the passing of Department Commader Logan J. Dyke, in 1945. 001 W. B. Woolsey Warrington Escambia FL Chart'd 1880 Post was present when the Department was reorganized in July Beath, 1889 1884. 002 James A. Garfield Pensacola / Escambia FL MG James Abram Garfield (1831- Post was present when the Department was reorganized in July Beath, 1889 Warrington 1881), Civil War leader and later 1884. US President (assassinated). 002 Stanton Lynn Haven Bay FL Org. 1911 Twenty -eight charter members. Biographical Sketches of Old Soldiers of Lynn Haven, 1920's 003 MAJ B. C. Lincoln Key West Monroe FL MAJ Benjamin Curtis Lincoln Post was present when the Department was reorganized in July Beath, 1889 (1840-1865), 2nd US Colored Inf., 1884. -
Welcome to “CHARGE
1 Welcome to “CHARGE!” From the Editor’s Desk This is the official newsletter of the Johnny Reb Gaming Society, an international association of miniature wargamers who use regimental-level rules such as the Johnny Reb gaming rules developed by John Hill. The newsletter will provide a quarterly forum for exchanging information regarding the rules, original wargaming scenarios written with JR in mind, and historical articles of general interest to the regimental ACW gamer. US membership in the society is $20 per year, which will partially cover the cost of assembling, printing, and mailing the newsletter. Dues are payable via money order or personal check, which must be made out to Deborah Mingus (society treasurer and secretary). Our mailing address and e-mail address are as follows: A photo of a 15mm miniature wargame I hosted The Johnny Reb Gaming Society for my kids over the holiday season. This 1383 Sterling Drive Christmas, we have been so blessed. As I write, York PA 17404 this, we are anxiously awaiting the birth of our [email protected] second grandson, another future battlefield tramping buddy for me! We welcome your submissions of articles, scenarios, advertising, and related information, This edition of Charge is the 22nd that Debi and as well as letters to the editor. The copyrighted I have produced, and we remain so very pleased name Johnny Reb is used by written permission and thankful at the response from the gaming of John Hill. community! So many of you have stepped up to Sample contributefile articles, scenarios, photographs, and Table of Contents advice, and we sincerely appreciate it! First Kernstown . -
Genesis of a Discourse: the Tempest and the Emergence of Postcoloniality
Genesis of a Discourse: The Tempest and the Emergence of Postcoloniality By Judith Anne Pocock A thesis submitted in conformity with the requirements for the degree of Doctor Philosophy, Graduate Department of English, University of Toronto © Copyright by Judith Pocock 2010 Genesis of a Discourse: The Tempest and the Emergence of Postcoloniality Judith Anne Pocock Degree of Doctor of Philosophy Graduate Department of English University of Toronto 2010 Abstract This dissertation contends that The Tempest by William Shakespeare plays a seminal role in the development of postcolonial literature and criticism because it was created in a moment when the colonial system that was now falling apart was just beginning to come into being. Creative writers and critics from the Third World, particularly Africa, the Caribbean, and Latin America, and the First found that the moment reflected in The Tempest had something very specific to say to a generation coming of age in the postcolonial world of the 1960s, 1970s, and early 1980s. I establish that a significant discourse that begins in the Nineteenth Century and intensifies in the Twentieth depends on The Tempest to explore the nature of colonialism and to develop an understanding of the postcolonial world. I then examine the role theories of adaptation play in understanding why The Tempest assumes such a crucial role and determine that the most useful model of adaptation resembles the method developed by biblical typologists which “sets two successive historical events [or periods] into a reciprocal relation of anticipation and fulfillment” (Brumm 27). I ague that postcolonial writers and critics found in The Tempest evidence of a history of colonial oppression and resistance often obscured by established historical narratives and a venue to explore their relationship to their past, present, and future.