The Great Houses of the Byrrin with Biographical Sketches of Some Important Personages
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4 the Structural Framework of Governance
4 The structural framework of governance The last few decades of historical research have been focused on social interactions as a key issue in the research on the past. Medievalists have withdrawn to large extent from studying constitutional and legal matters, leaving such topics behind as some sort of anachronistic holdover of positivistic methodology. It seems, however, that there is no way for a study of political issues to abandon questions of the structural means of power – as defined in Chapter 1 – as an important element of the instrumentarium of particular players on the dynamic chessboard of the European High Middle Ages. These means, including changes and redefinitions of the legal status of the province under study, were an indispensable counterpart of the ad hoc political and personal measures related to in the previous chapter. 4.1 Marchia Milzania: the status of Milsko in the structure of the Ottonian and early Salian Empire The starting point for considerations about the formal status of Milsko as part of the Empire should be the assertion from Chapter 3 that between 1004–1007, Milsko for the first time became a territory administered by an individual appointed by the German king as comes, Herman I. Herman’s status as a royal administrator is illustrated in several sources. The most significant of these is a charter by Henry II from January 1, 1007 (DH II, no. 124) confirming the donation by the king of three ringforts (castella) in Milsko along with their districts (burgwards) to the Bishopric of Meissen. The strongholds -
'Triptych', from Seamus Heaney's Field Work
An In-Depth Study of ‘Triptych’, from Seamus Heaney’s Field Work An In-Depth Study of ‘Triptych’, from Seamus Heaney’s Field Work Martin Connolly This paper focuses critical attention on ‘Triptych’, the sequence of three poems in Seamus Heaney’s 1979 collection Field Work. The sequence directly follows the opening poem ‘Oysters’, and by virtue of position alone commands attention. It is the first of a number of poems in the collection to address the conflict in Northern Ireland, and can be seen as a kind of public poetry, very different in tone, theme and style from early Heaney. This exploration derives from attempts to provide satisfactory answers to questions concerning elements within the sequence which resist smooth interpretation. My method of approach is largely chronological, in the sense that I go through the poems starting at the beginning and plough through to the end, stanza by stanza, sometimes line by line, attempting to guide the reader toward an understanding of the poem derived from apparent textual evidence. Early on, however, I do state what I think the poetic sequence is designed to be, and this argument informs my interpretation throughout. Yet, at every point, I provide what I consider a coherent rationale and logic for my critical opinions. I would certainly welcome debate on each and every point. The conclusions I have come to in regard to this poetic sequence, are, at times, negative, but not exclusively so. I have looked at this poetic sequence up close and - 129 - found it to be problematic in a number of areas. -
In Memoriam Frederick Dougla
Central Library of Rochester and Monroe County · Historic Monographs Collection Central Library of Rochester and Monroe County · Historic Monographs Collection CANNOT BE PHOTOCOPIED * Not For Circulation Central Library of Rochester and Monroe County · Historic Monographs Collection / III llllllllllll 3 9077 03100227 5 Central Library of Rochester and Monroe County · Historic Monographs Collection jFrebericfc Bouglass t Central Library of Rochester and Monroe County · Historic Monographs Collection fry ^tty <y /z^ {.CJ24. Central Library of Rochester and Monroe County · Historic Monographs Collection Hn flDemoriam Frederick Douglass ;?v r (f) ^m^JjZ^u To live that freedom, truth and life Might never know eclipse To die, with woman's work and words Aglow upon his lips, To face the foes of human kind Through years of wounds and scars, It is enough ; lead on to find Thy place amid the stars." Mary Lowe Dickinson. PHILADELPHIA: JOHN C YORSTON & CO., Publishers J897 Central Library of Rochester and Monroe County · Historic Monographs Collection Copyright. 1897 & CO. JOHN C. YORSTON Central Library of Rochester and Monroe County · Historic Monographs Collection 73 7^ In WLzmtxtrnm 3fr*r**i]Ch anglais; "I have seen dark hours in my life, and I have seen the darkness gradually disappearing, and the light gradually increasing. One by one, I have seen obstacles removed, errors corrected, prejudices softened, proscriptions relinquished, and my people advancing in all the elements I that make up the sum of general welfare. remember that God reigns in eternity, and that, whatever delays, dis appointments and discouragements may come, truth, justice, liberty and humanity will prevail." Extract from address of Mr. -
Parish of Skipton*
294 HISTORY OF CRAVEN. PARISH OF SKIPTON* HAVE reserved for this parish, the most interesting part of my subject, a place in Wharfdale, in order to deduce the honour and fee of Skipton from Bolton, to which it originally belonged. In the later Saxon times Bodeltone, or Botltunef (the town of the principal mansion), was the property of Earl Edwin, whose large possessions in the North were among the last estates in the kingdom which, after the Conquest, were permitted to remain in the hands of their former owners. This nobleman was son of Leofwine, and brother of Leofric, Earls of Mercia.J It is somewhat remarkable that after the forfeiture the posterity of this family, in the second generation, became possessed of these estates again by the marriage of William de Meschines with Cecilia de Romille. This will be proved by the following table:— •——————————;——————————iLeofwine Earl of Mercia§=j=......... Leofric §=Godiva Norman. Edwin, the Edwinus Comes of Ermenilda=Ricardus de Abrineis cognom. Domesday. Goz. I———— Matilda=.. —————— I Ranulph de Meschines, Earl of Chester, William de Meschines=Cecilia, daughter and heir of Robert Romille, ob. 1129. Lord of Skipton. But it was before the Domesday Survey that this nobleman had incurred the forfeiture; and his lands in Craven are accordingly surveyed under the head of TERRA REGIS. All these, consisting of LXXVII carucates, lay waste, having never recovered from the Danish ravages. Of these-— [* The parish is situated partly in the wapontake of Staincliffe and partly in Claro, and comprises the townships of Skipton, Barden, Beamsley, Bolton Abbey, Draughton, Embsay-with-Eastby, Haltoneast-with-Bolton, and Hazlewood- with-Storithes ; and contains an area of 24,7893. -
NEW YORK HERALD Oh Hostages for the Promised Appearance of the Tribe the Catted State* Seaate
Herald's A Sheet. Schema. Cheyenne warriors were captured and are retained Our Financial mad Political PhndOTwr*- War ProtebllltlM la Eorcp«. The Pregiese. Qudraple Flak, Jr., Ml the Bmllroad NEW YORK HERALD oh hostages for the promised appearance of the tribe The Catted State* Seaate. A oabie despatch from Paris says that We issue the Hebald this morning in a Oiir lively friend, Fisk, Jr., in his troublw to treat (or . peace. When our war for the consolidation of the French officers and on leave of quadruple sheet form an absolute necessity, with other railroad schemers and theirschemes, BROADWAY AND ANN 8TREBT. The between Lewie Cass and privates correspondence was a absence to their for the fulfilment of our President President Buchanan, when the former tendered his Union broke out government pleasure, hare been ordered rejoin necessary complete evidently appreciates the advice of few in JAMES GORDON real/uatlon as Secretary of State, was transmitted not a burden, to the country. Everything regiments on the 1st of April. A days journalistio mission the reporting of news Lincoln to General Gillmore, at Charleston, (o BENNETT, the fact that PROP R 1ET0R. to the Senate yesterday. It discloses flourished, and indefinite expansion invited in¬ ago we had a cable despatch quite as startling from all parts of the world, civilized and un¬ "keep pegging away," and he Bticks to the Mr. Cass was the only one of the Cabinet who ur«ed ternal and external Our com¬ as this one, being that the Emperor of the civilized, and the making known the wants, Union Paciflo Credit Mobilier and aud reinforcement of the forts in Charles¬ enterprise. -
La Nuit Des Rêves
2014 Silent Auction Guide La Nuit des Rêves 24TH ANNUAL GALA SATURDAY, MARCH 22ND, 2014 3 VREELAND ROAD FLORHAM PARK, NJ Table of Contents BEHIND THE SCENES 100 ARTS, CULTURE, & MEMORABILIA 200 FINE ART 300 FOR HER 400 THE WINE STORE 500 ENTERTAINING & DINING 600 FOR THE FAMILY & HOME 700 RECREATION & 800 RELAXATION MAGIC COINS!! Buy a magic coin and buy a dream! You can help support the many education and training programs of The Shakespeare Theatre of New Jersey by purchasing our magic coins (they happen to be vintage doubloons from Mardi Gras past!). Each coin costs $50. Buy one – buy many! Each coin buys you a surprise gift! Many gifts are worth far more than $50, but more important, your purchase will help support the dreams of young artists, and you will walk away a little richer for it! Find the masked man, present your coin, and receive your gift! (Our volunteers will point you in the right direction!) Silent Auction Procedures Please read the silent auction descriptions carefully, noting any restrictions. The Shakespeare Theatre of New Jersey will not be responsible for auction items not redeemed within the time specified by the donor or within a year. Item descriptions are followed by a value. In the case of particularly unique items, the value is listed as priceless. Please note that only the amount paid over the value is tax-deductible to the fullest extent provided by law. PLACING A BID: To place a bid, write your name and bid amount on the corresponding bid sheet directly in front of the item. -
Catalogue of a Loan Exhibition of Paintings by Winslow Homer : New
THE METROPOLITAN MUSEUM OF ART WINSLOW HOMER MEMORIAL EXHIBITION MCMXI CATALOGUE OF A LOAN EXHIBITION OF PAINTINGS BY WINSLOW HOMER OF THIS CATALOGUE AN EDITION OF 2^00 COPIES WAS PRINTED FEBRUARY, I 9 I I Digitized by the Internet Archive in 2015 https://archive.org/details/catalogueofloaneOOhome FISHING BOATS OFF SCARBOROUGH BY WINSLOW HOMER LENT BY ALEXANDER W. DRAKE THE METROPOLITAN MUSEUM OF ART CATALOGUE OF A LOAN EXHIBITION OF PAINTINGS BY WINSLOW HOMER NEW YORK FEBRUARY THE SIXTH TO MARCH THE NINETEENTH MCMXI COPYRIGHT, FEBRUARY, I 9 I I BY THE METROPOLITAN MUSEUM OF ART LIST OF LENDERS National Gallery of Art Pennsylvania Academy of the Fine Arts The Lotos Club Edward D. Adams Alexander W. Drake Louis Ettlinger Richard H. Ewart Hamilton Field Charles L. Freer Charles W. Gould George A. Hearn Charles S. Homer Alexander C. Humphreys John G. Johnson Burton Mansfield Randall Morgan H. K. Pomroy Mrs. H. W. Rogers Lewis A. Stimson Edward T. Stotesbury Samuel Untermyer Mrs. Lawson Valentine W. A. White COMMITTEE ON ARRANGEMENTS John W. Alexander, Chairman Edwin H. Blashfield Bryson Burroughs William M. Chase Kenyon Cox Thomas W. Dewing Daniel C. French Charles W. Gould George A. Hearn Charles S. Homer Samuel Isham Roland F. Knoedler Will H. Low Francis D. Millet Edward Robinson J. Alden Weir : TABLE OF CONTENTS Page Frontispiece, Opposite Title-Page List of Lenders . Committee on Arrangements . viii Table of Contents .... ix Winslow Homer xi Paintings in Public Museums . xxi Bibliography ...... xxiii Catalogue Oil Paintings 3 Water Colors . • 2 7 Index ......... • 49 WINSLOW HOMER WINSLOW HOMER INSLOW HOMER was born in Boston, February 24, 1836. -
William Shakespeare's the Tempest
Date:_________________________________ Study Booklet Year 8: Unit 3 William Shakespeare’s The Tempest Name Class Teacher 1 | P a g e @saysmiss KHoward Date:_________________________________ Study Booklet Contents 3 Key vocabulary 4 Learning aids 5 Literary Timeline 6 Character list 7 Big Lecture notes 13 How does setting choice reflect themes of the play? 13 Shakespeare’s Other World 20 Act 1 Scene 1: The Storm 24 How are oppression and power presented within the play? 26 Act 1 Scene 2 Part 1 29 Act 1 Scene 2 Part 2 32 How do characters defy hierarchy? 33 Act 1 Scene 2 Part 3 40 Act 1 Scene 2 Part 4 48 To what extent has Prospero created a utopian society? 49 Act 2 Scene 1 Part 1 52 Act 2 Scene 1 Part 2 57 Act 2 Scene 2 63 How does Miranda’s character conform with the patriarchy? 65 Act 3 Scene 1 67 How is colonialism a consideration within the play? 68 Act 3 Scene 2 72 Act 3 Scene 3 79 How is Prospero presented as a character throughout the play? 79 Act 4 Scene 1 Part 1 81 Act 4 Scene 1 Part 2 84 Act 5 Scene 1 Part 1 87 Act 5 Scene 1 Part 2 93 Act 5 Scene 1 Part 3 96 Character Analysis of Prospero 105 To what extent is this a didactic play? 105 Epilogue 106 Tempestuous words: The Tempest and Shakespeare’s linguistic innovation 111 Multiple Choice Quiz 2 | P a g e @saysmiss KHoward Date:_________________________________ Key word Definition Antagonist A person who actively opposes or is hostile towards someone. -
The Schottenklöster in the World: Identity, Independence and Integration*
chapter 16 The Schottenklöster in the World: Identity, Independence and Integration* Diarmuid Ó Riain Introduction One of the central concerns of the original Enclaves of Learning, Religion, Ideology and Practice working group was to examine the multifaceted connec- tions between the “enclave” and the surrounding world and to illustrate how texts produced within these communities served to both record and reinter- pret this interaction as well as having the potential to change the underlying relationships.1 This approach essentially treats of the physical, legal or other factors underpinning the identification as an enclave of learning, religion, ideol- ogy and practice within the broader context of the institution’s social relations, thereby seeking to redress the potentially problematic semantic implications of the term “enclave”. The focus of my paper will be the so-called Schottenklöster or Irish Benedictine monasteries, which were established between the later 11th and early 13th centuries in modern-day southern Germany and Austria. That the monasteries of medieval Europe were deeply embedded in the wider social environment rather than detached islands goes, of course, almost with- out saying.2 This reality coexisted, however, with what Hallinger called the traditional gegenweltliche instincts of monasticism, and the rhetoric of with- drawal from the world would always remain prominent, particularly in the context of the emergence of new monastic movements.3 What makes the Schottenklöster an especially interesting case-study with regard to the interplay between idealized detachment and actual integration is the issue of ethnicity; the Irish identity of the monasteries was their sine qua non, and, accordingly, had a profound influence on the level of independence and integration they * The research for this article was funded by the Austrian Science Fund (FWF): F42 Visions of Community. -
William Shakespeare's Long Lost First Play
Insights A Study Guide to the Utah Shakespeare Festival William Shakespeare’s Long Lost First Play (abridged) The articles in this study guide are not meant to mirror or interpret any productions at the Utah Shakespeare Festival. They are meant, instead, to bean educational jumping-off point to understanding and enjoying the plays (in any production at any theatre) a bit more thoroughly. Therefore the stories of the plays and the interpretative articles (and even characters, at times) may differ dramatically from what is ultimately produced on the Festival’s stages. The Study Guide is published by the Utah Shakespeare Festival, 351 West Center Street; Cedar City, UT 84720. Bruce C. Lee, communications director and editor; Phil Hermansen, art director. Copyright © 2017, Utah Shakespeare Festival. Please feel free to download and print The Study Guide, as long as you do not remove any identifying mark of the Utah Shakespeare Festival. For more information about Festival education programs: Utah Shakespeare Festival 351 West Center Street Cedar City, Utah 84720 435-586-7880 www.bard.org. Cover photo: Riley Shanahan (left) as Riley and Luke Striffler as Luke in the Utah Shakespeare Festival’s 2017 pro- duction of William Shakespeare’s Long Lost First Play (abridged). William Shakespeare’s Long Lost First Play (abridged) Contents Information on the Play Synopsis 4 Characters 5 About the Playwright 6 Scholarly Articles on the Play A Reduced Shakespeare Company Strikes Again 8 Utah Shakespearean Festival 3 351 West Center Street • Cedar City, Utah 84720 • 435-586-7880 Synopsis: William Shakespeare’s Long Lost First Play (abridged) An ancient manuscript is discovered in a treasure-filled parking lot in Leicester, England (next to a pile of bones that didn’t look that important). -
Virgil and the Tempest
VIRGIL AND THE TEMPEST The Politics of Imitation Donna B. Hamilton Virgil and The Tempest offers a new assess ment of the art and politics of Shakespeare's comic masterpiece by examining its relation ship to both the contemporary political con text and to Virgil's Aeneid. Challenging the view that The Tempest supports the absolutist theories and policies of King James I, Donna Hamilton instead shows how the play pre sents an argument for a limited monarchy. Virgil and James I each represent a set of symbols and idioms that Shakespeare appro priates for his own use in The Tempest. In the process, he pays homage to their respective eminence and brings them into dialogic rela tion with each other, changing the language to suit his purposes. This means rewriting the Aeneid to suit a new time and situation, and it means subtly altering the king's language to present a strong argument for constitu tionalism. Scholars who have emphasized the "trans cendent" Shakespeare have sometimes failed to recognize the playwright's passion for resistance, a passion nowhere more cunningly present than in The Tempest. Sixteenth- and seventeenth-century plays were character ized by an indirection that only a practiced rhetorical skill could produce, a skill that pur chased not only safety, but respect, author ity, and power. This skill was equally useful to writers engaged in oppositional politics and to apologists for the established authority. Shakespeare's work, therefore, cannot be fully appreciated by today's readers without being sufficiently historicized. Virgil and The Tempest Virgil and The Tempest THE POLITICS OF IMITATION Donna B. -
Ambassadors to and from England
p.1: Prominent Foreigners. p.25: French hostages in England, 1559-1564. p.26: Other Foreigners in England. p.30: Refugees in England. p.33-85: Ambassadors to and from England. Prominent Foreigners. Principal suitors to the Queen: Archduke Charles of Austria: see ‘Emperors, Holy Roman’. France: King Charles IX; Henri, Duke of Anjou; François, Duke of Alençon. Sweden: King Eric XIV. Notable visitors to England: from Bohemia: Baron Waldstein (1600). from Denmark: Duke of Holstein (1560). from France: Duke of Alençon (1579, 1581-1582); Prince of Condé (1580); Duke of Biron (1601); Duke of Nevers (1602). from Germany: Duke Casimir (1579); Count Mompelgart (1592); Duke of Bavaria (1600); Duke of Stettin (1602). from Italy: Giordano Bruno (1583-1585); Orsino, Duke of Bracciano (1601). from Poland: Count Alasco (1583). from Portugal: Don Antonio, former King (1581, Refugee: 1585-1593). from Sweden: John Duke of Finland (1559-1560); Princess Cecilia (1565-1566). Bohemia; Denmark; Emperors, Holy Roman; France; Germans; Italians; Low Countries; Navarre; Papal State; Poland; Portugal; Russia; Savoy; Spain; Sweden; Transylvania; Turkey. Bohemia. Slavata, Baron Michael: 1576 April 26: in England, Philip Sidney’s friend; May 1: to leave. Slavata, Baron William (1572-1652): 1598 Aug 21: arrived in London with Paul Hentzner; Aug 27: at court; Sept 12: left for France. Waldstein, Baron (1581-1623): 1600 June 20: arrived, in London, sightseeing; June 29: met Queen at Greenwich Palace; June 30: his travels; July 16: in London; July 25: left for France. Also quoted: 1599 Aug 16; Beddington. Denmark. King Christian III (1503-1 Jan 1559): 1559 April 6: Queen Dorothy, widow, exchanged condolences with Elizabeth.