Tempest Crusade

Total Page:16

File Type:pdf, Size:1020Kb

Tempest Crusade TEMPEST CRUSADE: ULGU th st Sat 20 – Sun 21 January 2018 ARMY LISTS INTRO In the following pages you’ll see all 36 army lists due to play at Tempest this year. You’ll also see some added commentary from the Great and the Good (Bad) of Scottish Warhammer. Treat it firmly with the tongue in cheek, and all in the name of banter…… John – One of our DWARF overlords, Coach at Scotland’s successful AoS 6 Nations 2017 campaign, and TO for the 2018 one! He loves Trains, and Bretonnians (don’t mention the War…), and renting Rich’s armies. Just don’t let him pick any music. Ever. Calum – Scotland’s resident expert in Spoonery. What Calum doesn’t know about the lower reaches of tournament tables isn’t worth knowing. Partial to Tzeentch/Death at the moment. Mike – Mike’s a grumpy Dwarf player (stunties, not the Fifers) who still yearns for the ageless halls of Karaz-a-Karak. He also does nae bad with his Khorne at AoS (and soon the Stormcrutch!!) Expect puns galore from him in the coming pages………..if anyone can Mike Calla-ghan! Dave – Chief Accountant for Tempest. He has cast his beady eye over all the lists, and adds an English meta slant to the reviews at the end. Formerly of this parish, but now embedded down South. He owns, and paints, LOTs of armies. Now bathe in the goodness of the Listssss…. Scott CHAOS Tzeentch 3 Khorne 2 Clan Skryre 2 Chaos 2 Nurgle 1 Slaves to Darkness 1 Total 11 DEATH Death 3 Flesh Eater Courts 1 Total 4 DESTRUCTION Destruction 3 Beastclaw Raiders 3 Bonesplitterz 1 Ironjawz 1 Total 8 ORDER Stormcast Eternals 6 Sylvaneth 2 Seraphon 2 Kharadron Overlords 1 Fyreslayers 1 Order 1 Total 13 CHAOS Nathan Watson Allegiance: Tzeentch Lord Of Change (300) - General - Trait: Magical Supremacy - Artefact: Phantasmal Weapons - Lore of Change: Tzeentch's Firestorm Kairos Fateweaver (340) - Lore of Change: Unchecked Mutation The Blue Scribes (120) - Lore of Change: Fold Reality The Changeling (140) - Lore of Change: Treason of Tzeentch Gaunt Summoner and Chaos Familiars (120) - Artefact: Aspect of Tzeentch - Lore of Fate: Treacherous Bond 10 x Pink Horrors Of Tzeentch (120) - Lore of Change: Bolt of Tzeentch 10 x Pink Horrors Of Tzeentch (120) - Lore of Change: Bolt of Tzeentch 10 x Pink Horrors Of Tzeentch (120) - Lore of Change: Arcane Transformation 30 x Blue Horrors Of Tzeentch (120) 10 x Brimstone Horrors Of Tzeentch (40) 10 x Brimstone Horrors Of Tzeentch (40) Changehost (160) Reinforcement Points (260) Total: 2000 / 2000 Allies: 0 / 400 Calum: An all-round Tzeentch daemon list. Nathan knows what he's doing with it too, so should do very well. Mike: Nathan is a famously awful person and this is proof. He’s experience as an awful human should see him please Tzeentch. John: Nathan is the reigning young upstart of AoS here in the grim cold north, having smashed up all comers at Northern Invasion. Clearly know what he’s doing with this list and is nice guy as well. I hate his smug face. Richard Strachan Allegiance: Khorne Mighty Lord Of Khorne (140) - General - Trait: Disciple of Khorne - Artefact: Gorecleaver Slaughterpriest (100) - Blood Blessing: Killing Frenzy Bloodstoker (80) Bloodsecrator (120) 15 x Blood Warriors (300) - Goreaxe & Gorefist - 1x Goreglaives 10 x Blood Warriors (200) - Goreaxes - 1x Goreglaives 3 x Mighty Skullcrushers (140) - Bloodglaives 10 x Bloodreavers (70) - Reaver Blades 10 x Skullreapers (360) - Daemonblades - 2x Soultearers 1 x Skull Cannons (160) 3 x Varanguard (300) - 2x Ensorcelled Weapons - 1x Fellspears - Allies Total: 1970 / 2000 Allies: 300 / 400 Calum: The lesser spotted Varanguard unit. Could add the punch that this list otherwise lacks. Nice mix of units in here. Mike: This gives me PTSD. Nice to see Varanguard, but unfortunately I think the list will struggle. John: Rich is a nice guy and the actual antithesis of this list. In your face, full of anger and likely to scare some people (but not those using Stormbros, Clown Cars and Destiny Dice) Michael Hanns Allegiance: Nurgle Exalted Greater Daemon of Nurgle (500) - General Daemon Prince Of Nurgle (160) Festus The Leechlord (120) Plague Priest with Plague Censer (80) 30 x Plaguebearers Of Nurgle (270) 5 x Putrid Blightkings (180) 5 x Putrid Blightkings (180) 6 x Plague Drones Of Nurgle (440) 1 x Beasts Of Nurgle (60) Total: 1990 / 2000 Allies: 0 / 400 Calum: That Maggotkin book can't come soon enough eh Hanns? Mike: God loves a trier. With a pretty army. John: It’s mean, it’s green and it’s a month to early. Greig Summers Allegiance: Slaves to Darkness (The Brazen Bastards) Chaos Sorcerer Lord On Manticore(200) - General - Trait: Master of Deception - Artefact: Idolatrous Plackart - Mark of Chaos: Tzeentch Sayl The Faithless (120) Chaos Sorcerer Lord (160) - Mount: Steed - Runestaff - Artefact: Hellfire Sword - Mark of Chaos: Tzeentch 1 x Chaos Chariots (80) - Greatblades - Mark of Chaos: Tzeentch 1 x Chaos Chariots (80) - Greatblades - Mark of Chaos: Tzeentch 15 x Chaos Knights (480) - Chaos Glaives - Mark of Chaos: Tzeentch 30 x Chaos Warriors (480) - Hand Weapon & Shield - Mark of Chaos: Tzeentch 1 x Nightmaw (80) 10 x Chaos Warhounds (80) - Allies 10 x Chaos Warhounds (80) - Allies Godsworn Champions of Ruin (160) Total: 2000 / 2000 Allies: 160 / 400 Calum: Like a true Spandau Ballet fan, Greig believes in Gold. Mike: Good to see Slaves to Darkness on the table. In the right hands definitely have potential. But not Greig’s. John: Oh I Sayl…. Michael is a month early with Nurgle, Greigs a year late with Sayl. John Bayliss Allegiance: Tzeentch Lord Of Change (300) - General - Incorporeal Form - Wellspring of Tz. - Lore of Change: Tz Firestorm Archaon (700) - Infusion Arcanum. The Changeling (140) - Lore of Change: Treason of Tz Herald on Disc (120) - Aspect of Tz. - Lore of Change: Fold Reality 10 x Pink Horrors Of Tzeentch (120) - Lore of Fate: Bolt of Tzeentch 10 x Pink Horrors Of Tzeentch (120) - Lore of Change: Unchecked Mutation 10 x Pink Horrors Of Tzeentch (120) - Lore of Change: Arcane Transformation 10 x Blue Horrors Of Tzeentch (50) 10 x Blue Horrors Of Tzeentch (50) 10 x Brimstone Horrors Of Tzeentch (40) 10 x Brimstone Horrors Of Tzeentch (40) 10 x Brimstone Horrors Of Tzeentch (40) Changehost (160) Total: 2000 / 2000 Allies: 0 / 400 Calum: “I need to have as many models on the board as possible at once. Don't ask me why. It's a thing.” Mike: The ever chosen Changehost. How well does Archie work with this? Let's find out. John: Lost track of Tzeentch armies, think I’ve reviewed this one already. Am pretty certain the only differences are the bases on the day. Daniel Marshall Allegiance: Tzeentch Curseling, Eye of Tzeentch (140) - General - Trait: Magical Supremacy - Artifact: Paradoxical Shield - Lore of Tzeentch: Shield of Fate Kairos Fateweaver (340) - Lore of Fate: Unchecked Mutation Tzaangor Shaman (160) - Lore of Fate: Bolt of Tzeentch Herald on Burning Chariot (200) - Lore of Change: Treason of Tzeentch 6 x Flamers Of Tzeentch (360) 3 x Tzaangor Skyfires (200) 10 x Tzaangors (180) - 3 x Pair of Savage Blade - 1 x Savage Greatblade - 6 x Savage Blade & Arcanite Shield 10 x Tzaangors (180) - 1 x Pair of Savage Blade - 1 x Savage Greatblade - 8 x Savage Blade & Arcanite Shield 10 x Kairic Acolytes (100) - Scroll of Dark Arts and Vulcharc - 2 x Pair of Cursed Blades - 3 x Cursed Blade & Arcanite Shield - 3 x Single Cursed Blade - 2 x Cursed Glaives 5 x Chaos Chosen (140) - Mark of Chaos : Tzeentch Total: 2000/ 2000 Allies: 0 / 400 Calum: Marshall's mercurial mystifying magical monster mash Mike: What’s a Kairic Acolyte? Nice to see some love for neglected units. Flame On I say. John: Well done Daniel, a non-standard Tzeentch list. Will be competitive but not top tables I think. Iain Hunter Allegiance: Chaos Doombull (120) - General - Great Axe - Trait: Great Destroyer - Artefact: Chaos Talisman Doombull (120) - Great Axe Doombull (120) - Great Axe 9 x Bullgors (540) - Pairs of Axes 6 x Bullgors (360) - Pairs of Axes 3 x Bullgors (180) - Pairs of Axes 3 x Bullgors (180) - Pairs of Axes 3 x Bullgors (180) - Pairs of Axes Ghorgon (200) Total: 2000 / 2000 Allies: 0 / 400 Calum: HULK SMAAAAASHHHH Mike: Bullshit. John: It’ll smash someone up in one of 5 games but other than that jeeeezo would someone please sell Iain another fucking army and put us all out of his misery Paul Di Duca Allegiance: Clan Skryre Arch Warlock (140) - General - Trait: Masterful Scavenger Warlock Engineer (100) - Artefact: Vigordust Injector Verminlord Deceiver (320) - Allies 3 x Stormfiends (300) 3 x Stormfiends (300) 3 x Stormfiends (300) 1 x Ratling Gun Weapon Team (80) 1 x Ratling Gun Weapon Team (80) 1 x Poisoned Wind Mortar Weapon Team (60) 1 x Poisoned Wind Mortar Weapon Team (60) 1 x Poisoned Wind Mortar Weapon Team (60) 1 x Poisoned Wind Mortar Weapon Team (60) Balewind Vortex (100) Total: 1960 / 2000 Allies: 320 / 400 Calum: That's a lot of weapons teams that will surely ruin someones day. Could fold like a wet paper bag though. Mike: This is going to hurt someone a lot or blow up in his face. John: I hate rats, and this list is no different. Erik Bews Allegiance: Khorne Bloodthirster Of Insensate Rage (260) Skullmaster, Herald of Khorne (100) - General - Trait: Immense Power - Artefact: The Crimson Crown Chaos Lord On Daemonic Mount (140) - Artefact: Gorecleaver - Mark of Chaos: Khorne Valkia The Bloody (140) 20 x Bloodletters (220) 20 x Bloodletters (220) 3 x Bloodcrushers (160) 5 x Chaos Knights (160) - Chaos Glaives - Mark of Chaos: Khorne 1 x Skull Cannons (160) 1 x Skull Cannons (160) Murderhost (120) Reinforcement Points (160) Total: 2000 / 2000 Allies: 0 / 400 Calum: Bit of a mish-mash of Khornes greatest hits.
Recommended publications
  • 'Triptych', from Seamus Heaney's Field Work
    An In-Depth Study of ‘Triptych’, from Seamus Heaney’s Field Work An In-Depth Study of ‘Triptych’, from Seamus Heaney’s Field Work Martin Connolly This paper focuses critical attention on ‘Triptych’, the sequence of three poems in Seamus Heaney’s 1979 collection Field Work. The sequence directly follows the opening poem ‘Oysters’, and by virtue of position alone commands attention. It is the first of a number of poems in the collection to address the conflict in Northern Ireland, and can be seen as a kind of public poetry, very different in tone, theme and style from early Heaney. This exploration derives from attempts to provide satisfactory answers to questions concerning elements within the sequence which resist smooth interpretation. My method of approach is largely chronological, in the sense that I go through the poems starting at the beginning and plough through to the end, stanza by stanza, sometimes line by line, attempting to guide the reader toward an understanding of the poem derived from apparent textual evidence. Early on, however, I do state what I think the poetic sequence is designed to be, and this argument informs my interpretation throughout. Yet, at every point, I provide what I consider a coherent rationale and logic for my critical opinions. I would certainly welcome debate on each and every point. The conclusions I have come to in regard to this poetic sequence, are, at times, negative, but not exclusively so. I have looked at this poetic sequence up close and - 129 - found it to be problematic in a number of areas.
    [Show full text]
  • In Memoriam Frederick Dougla
    Central Library of Rochester and Monroe County · Historic Monographs Collection Central Library of Rochester and Monroe County · Historic Monographs Collection CANNOT BE PHOTOCOPIED * Not For Circulation Central Library of Rochester and Monroe County · Historic Monographs Collection / III llllllllllll 3 9077 03100227 5 Central Library of Rochester and Monroe County · Historic Monographs Collection jFrebericfc Bouglass t Central Library of Rochester and Monroe County · Historic Monographs Collection fry ^tty <y /z^ {.CJ24. Central Library of Rochester and Monroe County · Historic Monographs Collection Hn flDemoriam Frederick Douglass ;?v r (f) ^m^JjZ^u To live that freedom, truth and life Might never know eclipse To die, with woman's work and words Aglow upon his lips, To face the foes of human kind Through years of wounds and scars, It is enough ; lead on to find Thy place amid the stars." Mary Lowe Dickinson. PHILADELPHIA: JOHN C YORSTON & CO., Publishers J897 Central Library of Rochester and Monroe County · Historic Monographs Collection Copyright. 1897 & CO. JOHN C. YORSTON Central Library of Rochester and Monroe County · Historic Monographs Collection 73 7^ In WLzmtxtrnm 3fr*r**i]Ch anglais; "I have seen dark hours in my life, and I have seen the darkness gradually disappearing, and the light gradually increasing. One by one, I have seen obstacles removed, errors corrected, prejudices softened, proscriptions relinquished, and my people advancing in all the elements I that make up the sum of general welfare. remember that God reigns in eternity, and that, whatever delays, dis appointments and discouragements may come, truth, justice, liberty and humanity will prevail." Extract from address of Mr.
    [Show full text]
  • NEW YORK HERALD Oh Hostages for the Promised Appearance of the Tribe the Catted State* Seaate
    Herald's A Sheet. Schema. Cheyenne warriors were captured and are retained Our Financial mad Political PhndOTwr*- War ProtebllltlM la Eorcp«. The Pregiese. Qudraple Flak, Jr., Ml the Bmllroad NEW YORK HERALD oh hostages for the promised appearance of the tribe The Catted State* Seaate. A oabie despatch from Paris says that We issue the Hebald this morning in a Oiir lively friend, Fisk, Jr., in his troublw to treat (or . peace. When our war for the consolidation of the French officers and on leave of quadruple sheet form an absolute necessity, with other railroad schemers and theirschemes, BROADWAY AND ANN 8TREBT. The between Lewie Cass and privates correspondence was a absence to their for the fulfilment of our President President Buchanan, when the former tendered his Union broke out government pleasure, hare been ordered rejoin necessary complete evidently appreciates the advice of few in JAMES GORDON real/uatlon as Secretary of State, was transmitted not a burden, to the country. Everything regiments on the 1st of April. A days journalistio mission the reporting of news Lincoln to General Gillmore, at Charleston, (o BENNETT, the fact that PROP R 1ET0R. to the Senate yesterday. It discloses flourished, and indefinite expansion invited in¬ ago we had a cable despatch quite as startling from all parts of the world, civilized and un¬ "keep pegging away," and he Bticks to the Mr. Cass was the only one of the Cabinet who ur«ed ternal and external Our com¬ as this one, being that the Emperor of the civilized, and the making known the wants, Union Paciflo Credit Mobilier and aud reinforcement of the forts in Charles¬ enterprise.
    [Show full text]
  • La Nuit Des Rêves
    2014 Silent Auction Guide La Nuit des Rêves 24TH ANNUAL GALA SATURDAY, MARCH 22ND, 2014 3 VREELAND ROAD FLORHAM PARK, NJ Table of Contents BEHIND THE SCENES 100 ARTS, CULTURE, & MEMORABILIA 200 FINE ART 300 FOR HER 400 THE WINE STORE 500 ENTERTAINING & DINING 600 FOR THE FAMILY & HOME 700 RECREATION & 800 RELAXATION MAGIC COINS!! Buy a magic coin and buy a dream! You can help support the many education and training programs of The Shakespeare Theatre of New Jersey by purchasing our magic coins (they happen to be vintage doubloons from Mardi Gras past!). Each coin costs $50. Buy one – buy many! Each coin buys you a surprise gift! Many gifts are worth far more than $50, but more important, your purchase will help support the dreams of young artists, and you will walk away a little richer for it! Find the masked man, present your coin, and receive your gift! (Our volunteers will point you in the right direction!) Silent Auction Procedures Please read the silent auction descriptions carefully, noting any restrictions. The Shakespeare Theatre of New Jersey will not be responsible for auction items not redeemed within the time specified by the donor or within a year. Item descriptions are followed by a value. In the case of particularly unique items, the value is listed as priceless. Please note that only the amount paid over the value is tax-deductible to the fullest extent provided by law. PLACING A BID: To place a bid, write your name and bid amount on the corresponding bid sheet directly in front of the item.
    [Show full text]
  • Catalogue of a Loan Exhibition of Paintings by Winslow Homer : New
    THE METROPOLITAN MUSEUM OF ART WINSLOW HOMER MEMORIAL EXHIBITION MCMXI CATALOGUE OF A LOAN EXHIBITION OF PAINTINGS BY WINSLOW HOMER OF THIS CATALOGUE AN EDITION OF 2^00 COPIES WAS PRINTED FEBRUARY, I 9 I I Digitized by the Internet Archive in 2015 https://archive.org/details/catalogueofloaneOOhome FISHING BOATS OFF SCARBOROUGH BY WINSLOW HOMER LENT BY ALEXANDER W. DRAKE THE METROPOLITAN MUSEUM OF ART CATALOGUE OF A LOAN EXHIBITION OF PAINTINGS BY WINSLOW HOMER NEW YORK FEBRUARY THE SIXTH TO MARCH THE NINETEENTH MCMXI COPYRIGHT, FEBRUARY, I 9 I I BY THE METROPOLITAN MUSEUM OF ART LIST OF LENDERS National Gallery of Art Pennsylvania Academy of the Fine Arts The Lotos Club Edward D. Adams Alexander W. Drake Louis Ettlinger Richard H. Ewart Hamilton Field Charles L. Freer Charles W. Gould George A. Hearn Charles S. Homer Alexander C. Humphreys John G. Johnson Burton Mansfield Randall Morgan H. K. Pomroy Mrs. H. W. Rogers Lewis A. Stimson Edward T. Stotesbury Samuel Untermyer Mrs. Lawson Valentine W. A. White COMMITTEE ON ARRANGEMENTS John W. Alexander, Chairman Edwin H. Blashfield Bryson Burroughs William M. Chase Kenyon Cox Thomas W. Dewing Daniel C. French Charles W. Gould George A. Hearn Charles S. Homer Samuel Isham Roland F. Knoedler Will H. Low Francis D. Millet Edward Robinson J. Alden Weir : TABLE OF CONTENTS Page Frontispiece, Opposite Title-Page List of Lenders . Committee on Arrangements . viii Table of Contents .... ix Winslow Homer xi Paintings in Public Museums . xxi Bibliography ...... xxiii Catalogue Oil Paintings 3 Water Colors . • 2 7 Index ......... • 49 WINSLOW HOMER WINSLOW HOMER INSLOW HOMER was born in Boston, February 24, 1836.
    [Show full text]
  • William Shakespeare's the Tempest
    Date:_________________________________ Study Booklet Year 8: Unit 3 William Shakespeare’s The Tempest Name Class Teacher 1 | P a g e @saysmiss KHoward Date:_________________________________ Study Booklet Contents 3 Key vocabulary 4 Learning aids 5 Literary Timeline 6 Character list 7 Big Lecture notes 13 How does setting choice reflect themes of the play? 13 Shakespeare’s Other World 20 Act 1 Scene 1: The Storm 24 How are oppression and power presented within the play? 26 Act 1 Scene 2 Part 1 29 Act 1 Scene 2 Part 2 32 How do characters defy hierarchy? 33 Act 1 Scene 2 Part 3 40 Act 1 Scene 2 Part 4 48 To what extent has Prospero created a utopian society? 49 Act 2 Scene 1 Part 1 52 Act 2 Scene 1 Part 2 57 Act 2 Scene 2 63 How does Miranda’s character conform with the patriarchy? 65 Act 3 Scene 1 67 How is colonialism a consideration within the play? 68 Act 3 Scene 2 72 Act 3 Scene 3 79 How is Prospero presented as a character throughout the play? 79 Act 4 Scene 1 Part 1 81 Act 4 Scene 1 Part 2 84 Act 5 Scene 1 Part 1 87 Act 5 Scene 1 Part 2 93 Act 5 Scene 1 Part 3 96 Character Analysis of Prospero 105 To what extent is this a didactic play? 105 Epilogue 106 Tempestuous words: The Tempest and Shakespeare’s linguistic innovation 111 Multiple Choice Quiz 2 | P a g e @saysmiss KHoward Date:_________________________________ Key word Definition Antagonist A person who actively opposes or is hostile towards someone.
    [Show full text]
  • William Shakespeare's Long Lost First Play
    Insights A Study Guide to the Utah Shakespeare Festival William Shakespeare’s Long Lost First Play (abridged) The articles in this study guide are not meant to mirror or interpret any productions at the Utah Shakespeare Festival. They are meant, instead, to bean educational jumping-off point to understanding and enjoying the plays (in any production at any theatre) a bit more thoroughly. Therefore the stories of the plays and the interpretative articles (and even characters, at times) may differ dramatically from what is ultimately produced on the Festival’s stages. The Study Guide is published by the Utah Shakespeare Festival, 351 West Center Street; Cedar City, UT 84720. Bruce C. Lee, communications director and editor; Phil Hermansen, art director. Copyright © 2017, Utah Shakespeare Festival. Please feel free to download and print The Study Guide, as long as you do not remove any identifying mark of the Utah Shakespeare Festival. For more information about Festival education programs: Utah Shakespeare Festival 351 West Center Street Cedar City, Utah 84720 435-586-7880 www.bard.org. Cover photo: Riley Shanahan (left) as Riley and Luke Striffler as Luke in the Utah Shakespeare Festival’s 2017 pro- duction of William Shakespeare’s Long Lost First Play (abridged). William Shakespeare’s Long Lost First Play (abridged) Contents Information on the Play Synopsis 4 Characters 5 About the Playwright 6 Scholarly Articles on the Play A Reduced Shakespeare Company Strikes Again 8 Utah Shakespearean Festival 3 351 West Center Street • Cedar City, Utah 84720 • 435-586-7880 Synopsis: William Shakespeare’s Long Lost First Play (abridged) An ancient manuscript is discovered in a treasure-filled parking lot in Leicester, England (next to a pile of bones that didn’t look that important).
    [Show full text]
  • Virgil and the Tempest
    VIRGIL AND THE TEMPEST The Politics of Imitation Donna B. Hamilton Virgil and The Tempest offers a new assess­ ment of the art and politics of Shakespeare's comic masterpiece by examining its relation­ ship to both the contemporary political con­ text and to Virgil's Aeneid. Challenging the view that The Tempest supports the absolutist theories and policies of King James I, Donna Hamilton instead shows how the play pre­ sents an argument for a limited monarchy. Virgil and James I each represent a set of symbols and idioms that Shakespeare appro­ priates for his own use in The Tempest. In the process, he pays homage to their respective eminence and brings them into dialogic rela­ tion with each other, changing the language to suit his purposes. This means rewriting the Aeneid to suit a new time and situation, and it means subtly altering the king's language to present a strong argument for constitu­ tionalism. Scholars who have emphasized the "trans­ cendent" Shakespeare have sometimes failed to recognize the playwright's passion for resistance, a passion nowhere more cunningly present than in The Tempest. Sixteenth- and seventeenth-century plays were character­ ized by an indirection that only a practiced rhetorical skill could produce, a skill that pur­ chased not only safety, but respect, author­ ity, and power. This skill was equally useful to writers engaged in oppositional politics and to apologists for the established authority. Shakespeare's work, therefore, cannot be fully appreciated by today's readers without being sufficiently historicized. Virgil and The Tempest Virgil and The Tempest THE POLITICS OF IMITATION Donna B.
    [Show full text]
  • Genesis of a Discourse: the Tempest and the Emergence of Postcoloniality
    Genesis of a Discourse: The Tempest and the Emergence of Postcoloniality By Judith Anne Pocock A thesis submitted in conformity with the requirements for the degree of Doctor Philosophy, Graduate Department of English, University of Toronto © Copyright by Judith Pocock 2010 Genesis of a Discourse: The Tempest and the Emergence of Postcoloniality Judith Anne Pocock Degree of Doctor of Philosophy Graduate Department of English University of Toronto 2010 Abstract This dissertation contends that The Tempest by William Shakespeare plays a seminal role in the development of postcolonial literature and criticism because it was created in a moment when the colonial system that was now falling apart was just beginning to come into being. Creative writers and critics from the Third World, particularly Africa, the Caribbean, and Latin America, and the First found that the moment reflected in The Tempest had something very specific to say to a generation coming of age in the postcolonial world of the 1960s, 1970s, and early 1980s. I establish that a significant discourse that begins in the Nineteenth Century and intensifies in the Twentieth depends on The Tempest to explore the nature of colonialism and to develop an understanding of the postcolonial world. I then examine the role theories of adaptation play in understanding why The Tempest assumes such a crucial role and determine that the most useful model of adaptation resembles the method developed by biblical typologists which “sets two successive historical events [or periods] into a reciprocal relation of anticipation and fulfillment” (Brumm 27). I ague that postcolonial writers and critics found in The Tempest evidence of a history of colonial oppression and resistance often obscured by established historical narratives and a venue to explore their relationship to their past, present, and future.
    [Show full text]
  • A Critical Study of the Novels of John Fowles
    University of New Hampshire University of New Hampshire Scholars' Repository Doctoral Dissertations Student Scholarship Spring 1986 A CRITICAL STUDY OF THE NOVELS OF JOHN FOWLES KATHERINE M. TARBOX University of New Hampshire, Durham Follow this and additional works at: https://scholars.unh.edu/dissertation Recommended Citation TARBOX, KATHERINE M., "A CRITICAL STUDY OF THE NOVELS OF JOHN FOWLES" (1986). Doctoral Dissertations. 1486. https://scholars.unh.edu/dissertation/1486 This Dissertation is brought to you for free and open access by the Student Scholarship at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. A CRITICAL STUDY OF THE NOVELS OF JOHN FOWLES BY KATHERINE M. TARBOX B.A., Bloomfield College, 1972 M.A., State University of New York at Binghamton, 1976 DISSERTATION Submitted to the University of New Hampshire in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in English May, 1986 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. This dissertation has been examined and approved. .a JL. Dissertation director, Carl Dawson Professor of English Michael DePorte, Professor of English Patroclnio Schwelckart, Professor of English Paul Brockelman, Professor of Philosophy Mara Wltzllng, of Art History Dd Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. I ALL RIGHTS RESERVED c. 1986 Katherine M. Tarbox Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. to the memory of my brother, Byron Milliken and to JT, my magus IV Reproduced with permission of the copyright owner.
    [Show full text]
  • The Great Houses of the Byrrin with Biographical Sketches of Some Important Personages
    The Great Houses of the Byrrin With Biographical Sketches of Some Important Personages Abramin (Wenemet) A relatively new player in the Byrrin, House Abramin originally hails from Djarden. Their meteor- ic rise in the early 1500s from local gentry to Cappargarnian merchant house is due to the fabulous wealth they accrued following the acession of the Pontiff's lands to the Republic. Lord Abramin Sardos I Member of the Djarden gentry who moved the House’s focus to Cappargarnia and trade. (d. 1514). Lord Abramin Talik Cappargarnian Prefect of Denbigh/Talikhiem in Oratoa, 1526-1541. Returned to Cappargarnia and was killed during the Kicitchat siege of the city in 1554, leaving the Lordly title to his nephew Sardos. Abramin Madasar Cappargarnian Senator (anti-Caranthes faction) (fl. 1540s to 50s). Abramin Lanharnes Cappargarnian Senator. One of the five Senators to stand against Prince Caranthes. Arrested in 1548. Released in the general amnesty. Arrested again in 1550 and died in prison. Lord Abramin Sardos II Cappargarnian Senator. One of the five Senators to stand against Prince Caranthes. Arrested in 1548. Released in the general amnesty and immediately vanished. Inherited Lordly title in 1554. Current whereabouts unknown. Anabrin (Wenemet) Ancient and well-respected political family, mainly based in and around Erediar, although there are cadet branches throughout the Byrrin. Anabrin Tremeneres Prince of Cappargarnia (1409-1427). Anabrin Caranthes Prince of Cappargarnia (1439-1457). Anabrin Thornley Cappargarnian Wizard, participated in the Second Battle of Balyow (1485). Anabrin Darronley Prince of Cappargarnia (1512-1528). As General Lord Anabrin Darronley, Cappargarnian military figure and hero who liberated Cappargarnia City from Atuburrk (1487); victor of the Battle of Ardarhun (1497).
    [Show full text]
  • Unearthing the Tempest
    Unearthing The Tempest The Tempest tells the story of Prospero, the deposed Duke of Milan, and his daughter, Miranda, who have spent the last twelve years in exile on a mysterious island. Upon first washing ashore with his infant child, Prospero captures two of the island’s occupants; with their help, Prospero spends the next twelve years plotting his revenge. The play opens on its namesake: a great storm of Prospero’s devising. Through the magic he has appropriated from Ariel, a mystical spirit, and the natural resources he has acquired from Caliban, the island’s only known native inhabitant, Prospero washes those who wronged him to his shores, seeking to bring them to justice and reestablish Milan’s natural order of succession. What follows is a story of revenge, redemption, and renewal as Prospero learns the meaning of mercy and forgiveness. Born in Stratford-upon-Avon, England in 1564, William Shakespeare is the author of some of the most well known plays in the western canon of dramatic literature. As he moved into the last stage of his career and life, Shakespeare was increasingly drawn to stories of restoration and rebirth, with a strong emphasis on father-daughter relationships. Other plays that share these themes have become known as “the romances,” which also include The Winter’s Tale, Cymbeline, and Pericles: Prince of Tyre. Penned between 1610 and 1611 under the patronage of King James I of England, The Tempest had its first recorded performance in 1611 on All Saints’ Day at Whitehall Palace. The King’s Men, the acting troupe to which Shakespeare belonged, performed the play before the King and his court.
    [Show full text]