Fender Bass Guitars
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W Irin G D Iag Ram S
1 s A 2 3 4 5 B 6 500k ON/ON/ON 7 m 8 9 C 10 11 500k a 12 ON ON 47nF r Jetzt mit Schaltplan zu jeder Schaltung! g a i d 1 2 3 4 5 6 7 nicht mehr ganz so g n kleine Sammlung i r i von Schaltplänen w Version 4.03 WITH AN GERM GLISH EN Y ONAR DICTI NOW! Passive Schaltungen für E-Bässe sowie einige aktive Schaltungen • Historische Schaltungen • Umbauten & Eigenbauten • Modifikationen • Grundlagen & Theorie • Pläne selbst entwerfen Inhaltsverzeichnis 1 1 Deckblatt 54 1.1.651 Fender Bass V 1965 - 70 2 1 Inhaltsverzeichnis 55 1.1.661 Fender Bass VI 1961 - 75 6 1 Vorwort 56 1.1.666 Fender Bass VI Pawn Shop 2013 x x x 57 1.1.731 Fender P.S. Reverse Jaguar 2012 8 1 Historische Schaltungen 58 1.1.741 Fender La Cabronita Boracho 2012 9 1.1.101 Fender Precision Bass 1951 - 56 59 1.1.771 Fender Roscoe Beck Bass 2004 10 1.1.103 Fender Precision Bass 1952 - 53 60 1.1.811 Fender Coronado I Bass 1966 - 70 11 1.1.106 Fender Precision Bass 1954 61 1.1.821 Fender Coronado II Bass 1966 -72 12 1.1.108 Fender Precision Bass 1955 62 1.1.921 Fender Performer Bass FB-555 1982 13 1.1.121 Fender Precision Bass '51 2003 63 1.2.111 Squier CV 50's P-Bass 04.2008 14 1.1.124 Fender Precision Bass OPB'54 1983 64 1.2.113 Squier CV 50's P-Bass 09.2008 15 1.1.131 Fender Prec. -
5.16 Patents Und Inventions
5-208 5. Magnetic pickups 5.16 Patents und inventions 5.16.1 American Patents (selection) 1890 435679 Breed: the first guitar pickup? 1890!! 1927 1933299 Vierling: piano-pickup (PU) 1929 1839395 Kauffman: tremolo (vibrato-unit) 1929 1838886 Tuininga: violin-HB 1930 2027073 Vierling: piano-PU (see also 1933299) 1931 1906607 Jacobs: piano-PU 1931 1915858 Miessner: piano-PU 1931 1978583 Kentner: piano-PU 1934 1941870 Severy: synthesizer 1934 2020557 Loar: guitar with structure-borne-sound-PU 1934 2025875 Loar: guitar with structure-borne-sound-PU 1934 2089171 Beauchamp: Rickenbacker Frying Pan, Horseshoe-PU 1935 2026841 Lesti: PU w/out permanent magnet 1935 2119584 Knoblaugh: stacked HB w/out permanent magnet 1936 2087106 Hart/Fuller (Gibson): Charlie-Christian-PU 1936 2170294 Dopyera: National Hawaiian guitar, Blade-PU 1936 2152783 Beauchamp: Rickenbacker Electro Spanish Guitar, Horseshoe-PU 1937 2175325 Sunshine/Epiphone: "Oblong Pickup" 1938 2145490 Miller (Gibson): further development of 2087106 1938 2241911 Kauffman: motorized tremolo for steel-guitar 1939 2262335 Russell: HB w/horseshoe-magnet 1940 2261358 Fuller (Gibson): retrofit-PU 1940 2294861 Fuller (Gibson): retrofit-PU 1944 2455575 Fender/Kauffman: Solidbody guitar w/PU 1946 2455046 DeArmond: PU "Type-1000" 1948 2542271 Alvarez: Piano-HB 1948 2567570 McCarty (Gibson): PU within the pickguard 1948 2686270 Ayres: piano-HB 1949 2557754 Morrison: Solidbody guitar w/PU potted in wax, 6 cylindrical magnets 1950 2573254 Fender: Telecaster-precursor 1950 2612072 DeArmond: PU w/6 adjustable -
AT AUCTION FEBRUARY 27 Dear Guitar Collector
GUITARS AT AUCTION FEBRUARY 27 Dear Guitar Collector: On this disc are images of the 284 guitars currently in this Auction plus an additional 82 lots of collectible amps, music awards and other related items GUITARS all being sold on Saturday, February 27. The Auction is being divided into three AT AUCTION FEBRUARY 27 sessions starting at 10am, 2pm and 7pm (all East Coast time.) Session I, at 10am, contains the Delaware Collection of instruments and other music-related objects all autographed by well known musicians. Sessions II and III contain an extraordinary array of fine and exciting instruments starting with Lot 200 on this disc. The majority of lots in this Auction are being sold without minimum reserve. AUCTION Saturday, February 27 Session I – 10am: The Delaware Collection Session II – 2pm: Commencing with Lot #200 The event is being held “live” at New York City’s Bohemian National Hall, a great Session III – 7pm: Commencing with Lot #400 setting at 321 East 73rd Street in Manhattan. For those unable to attend in person, PUBLIC PREVIEW February 25 & 26 the event is being conducted on two “bidding platforms”… liveauctioneers. Noon to 8pm (each day) com and invaluable.com. For those who so wish, telephone bidding can easily be arranged by contacting us. All the auction items will be on preview display LOCATION Bohemian National Hall 321 East 73rd Street Thursday and Friday, February 25 and 26, from 12 noon to 8 pm each day. New York, NY Please note that this disc only contains photographic images of the items along ONLINE BIDDING Liveauctioneers.com Invaluable.com with their lot headings. -
Full Rider 2019 Robbie Grey Vocals Mick Conroy Bass
FULL RIDER 2019 ROBBIE GREY VOCALS MICK CONROY BASS GARY MCDOWELL GUITAR STEVE WALKER KEYS ROY MARTIN DRUMS DANIEL JAKUBOVIC GUITAR STEVEN KRAVAC SOUND/DRIVER 213-280-6176 : [email protected] THERE ARE 7 in the traveling party. Catering/Buyout: Meals/buyouts are required for all touring personnel. This will be handled on a show-to-show basis and will be advanced by the Tour Manager. Dressing Room: • We require 1 clean, well lit, comfortably furnished dressing room. • Room must be lockable, with the keys available to the tour manager upon arrival. Room must be large enough to accommodate 7 people comfortably. • Facilities in the dressing room must include ample power outputs, full- length mirror and a trash receptacle. • Upon arrival at the venue, the dressing room should be already be prepared and stocked with the following: Hot Tea & Coffee making facilities with condiments (ie: honey, half & half, fresh lemons) One (1) 24 pack of water (non-sparkling) One (1) 24 pack of Beer on ice (Heineken preferred) Three (3) bottles of Red Wine (Pinot Noir, Cabernet Sauvignon, Merlot. Please no cheap stuff. $15/bottle minimum) One (1) bottle non alcoholic Wine One Deli platter, Turkey, Tuna Salad, Cheese, Hummus, Veggies. One Bag Tortilla chips and Salsa One Fresh Fruit salad platter One loaf Whole Wheat Bread One 6 piece (small) Fruit Pie (Apple, Cherry) or Cheesecake. One (1) 6 pack of Coke on ice One (1) 6 pack of Sprite on ice All applicable cutlery etc. and a bottle opener Six (6) stage towels Six (6) full body towels for shower use where -
2003 Price List
Table of Contents Title Page Number I. Fender Custom Shop 3 II. Fender Electric Guitars & Basses 9 III. Fender Instrument Amplifiers 21 IV. Fender Acoustic Instruments 25 V. Fender Strings, Parts, and Accessories 31 VI. Squier 47 VII. Fender Clothing and Collectibles 53 ©2003 FMIC - All prices and specifications are subject to change without notice. All Fender Custom Shop instruments are built to the highest standards of workmanship and materials in Corona, California. Masterbuilt Models are built by one of Fender’s renowned Master Builders from hand selected materials. While the instruments in this price list reflect our most requested models, we gladly accept custom orders for the unique instrument of your dreams. Your imagination and The Fender Custom Shop...consider the possibilities. Model Number U.S. Retail Frontline Custom Artist Series Stratocaster® 010-2400- Ritchie Blackmore Stratocaster....................................................................................................... 5029.99 pg. 27 010-2460- Ritchie Blackmore Stratocaster, Roland® Ready........................................................................... 5429.99 pg. 27 805 Olympic White 010-9100- Robert Cray Stratocaster................................................................................................................. 2779.99 pg. 27 800 3-Color Sunburst 824 Inca Silver 826 Violet 010-6100- Dick Dale Stratocaster .................................................................................................................... 3029.99 -
Search for the Ultimate 5-String, Bass Player, January 1997
B Y SCOTT MALANDRONE ine qua non. It means “The cased 13 of the most affordable basses on the Finest.” That Latin phrase could racks. This time, though, we were out to be used to describe a bass built find the best 5-string money can buy. (We are of the most lavish woods. It gluttons for punishment!) The Ultimate 5-String could also define one with extra- Shootout was born. rich tone. Or it could describe a This roundup’s a bit different, though. Since 5-string with an astounding B. it’s hard to put a dollar value on perfection, we What’s your description of the didn’t set a maximum list price for the basses consummate axe? Have you found your S.Q.N. to be submitted. We soon had more than 50 instrument? 5-strings filling every corner of our offices. But Here at BASS PLAYER, we’re always on the we didn’t want companies to simply send their lookout for the finest instruments available on most expensive models (we’d be considering the market. They don’t have to be the most value, too), so we set up three price categories: expensive ones, though; our Shootout of UNDER $1,500; $1,500 TO $2,499; and $2,500 4-Strings Under $500 (September ’96) show- &UP. Not every bass we received would be PHOTOGRAPHS BY PAUL HAGGARD 38 BASS PLAYER ? JANUARY 1997 We put over 50 basses through the ringer— here’s the scoop on the 21 best. a time. A high fret can mean string buzz—and THE ULTIMATE 5-STRING continued poor tone. -
Jamatoriumtm Gear
The jamatorium 2014 STUDIO GEAR RENTER’S GUIDE Version 5.3 Updated 7/29/2014 Welcome!!! It happens all the time – you’re reading the liner notes on an album and it reads, “…we used a ’63 Tele’ on that song to get a different feel…” As a collector and a musician, I am continuously amazed at how profoundly one seemingly simple piece of gear can change, inspire or add to the creative thought process of a musician… My personal goal has always been to find “that perfect guitar…” My continuous search has left me with a collection of what I consider to be true “player” guitars – the ones you want with you on your special studio day. Some happen to be great makes and models that we all know… some are not so familiar. Some are truly surprising! I make available my personal collection of musical instruments to regional professional recording studios. I have much to offer your studio in providing added value to your clients – perhaps the one piece of gear that will alter or inspire a project! Let’s enhance your clients studio experience with the option to use alternate gear! Inside... Terms Guitars Amps Miscellany Rock’n Rich 1984 “Amnesty” SIMPLE Terms… We rent to studios for studio work only!!! Our gear is not permitted to be used for performances, “gigs” or any thing not studio related! You may set-up the guitars to your liking (actions, strings…)Please reset the instrument to original actions prior to our retrieving the instrument (except for strings). Please off-set customized tunings to reduce stress on the neck and return to standard when done. -
Fender Introduces 50 Anniversary Jazz Bass Guitar
FOR IMMEDIATE RELEASE Contact: Henric Carlsson +46 (0)31 352 28 00 [email protected] FENDER® INTRODUCES 50th ANNIVERSARY JAZZ BASS® GUITAR SCOTTSDALE, Ariz. (Jan. 14, 2010) – To celebrate 50 years of its groundbreaking and ubiquitous Jazz Bass guitar, Fender introduces the limited edition 50th Anniversary Jazz Bass. The instrument stands out distinctively among Fender’s many variations on the Jazz Bass in that it brings design elements from several important periods in the model’s history together in one beautiful new bass guitar. Introduced in 1960 as a deluxe model, the Jazz Bass was designed as a sleek “sports” car to complement the Precision Bass’s “muscle” car. With its comfortably-slim neck, sultry offset waist and guttural midrange growl, the Jazz Bass quickly became prized on stages and in studios worldwide for its smooth feel and broad tonal versatility. As such, it is one of the most successful bass guitars—if not the most successful bass guitar—of all time. Although it has flourished for half a century now remarkably unchanged from its original incarnation, the Jazz Bass has undergone several noteworthy design improvements and refinements throughout its history, particularly in the 1960s and 1970s. In celebration of the instrument’s remarkable 50 years on the scene, several of these features are brought together in the 50th Anniversary Jazz Bass. These include: • ’60s-era nitrocellulose finish in striking Candy Apple Red, headstock logo, chrome pickup/bridge covers, “C” neck shape and white Pearloid block fingerboard inlays. • ’70s-era bridge pickup placement and bass-side thumb rest. • Modern-era tuning machines, high-mass vintage-style bridge and Posiflex® neck support rods. -
Stuart Spector Designs, Ltd. V. Fender Musical Instruments Corporation
THIS OPINION IS A PRECEDENT OF THE TTAB Oral Hearing: Mailed: November 6, 2008 March 25, 2009 UNITED STATES PATENT AND TRADEMARK OFFICE _____ Trademark Trial and Appeal Board ______ Stuart Spector Designs, Ltd. v. Fender Musical Instruments Corporation Opposition No. 91161403 to application Serial No. 76516127 filed on April 25, 2003 _____ U.S. Music Corporation v. Fender Musical Instruments Corporation Opposition No. 911614051 to application Serial Nos. 76516126, 76516127, 76515928 filed on April 25, 2003 _____ Warmoth Guitar Products, Inc. v. Fender Musical Instruments Corporation Opposition No. 91161406 to application Serial Nos. 76516126, 76516127, 76515928 filed on April 25, 2003 1 The November 23, 2005 order dismissing this proceeding was vacated on December 12, 2005. The electronic case file has now been updated to reflect this correction. Opposition Nos. 91162245, 91162246 and 91162923 were dismissed without prejudice on September 9, 2005. Two other proceedings, Opposition Nos. 91161269 and 91162484, were dismissed with prejudice under separate orders, December 12, 2005 and February 11, 2008, respectively. Opposition Nos. 91161403 et al. _____ Indoor Storm, Ltd. v. Fender Musical Instruments Corporation Opposition No. 91161411 to application Serial Nos. 76516126, 76516127, 76515928 filed on April 25, 2003 _____ Tradition Guitars, Inc. v. Fender Musical Instruments Corporation Opposition No. 91161413 to application Serial Nos. 76516126, 76516127, 76515928 filed on April 25, 2003 _____ Raise Praise, Inc. d/b/a Tom Anderson Guitar Works v. Fender Musical Instruments Corporation Opposition No. 91161420 to application Serial Nos. 76516126, 76515928 filed on April 25, 2003 _____ Schecter Guitar Research, Inc. v. Fender Musical Instruments Corporation Opposition No. -
Sunn 200S 1967 ße Der Hallen, in Denen Sie Auftraten, Rasch Zu – Und Te Geschraubtes Brett Sorgt Für Gewissen Schutz Vor Damit Die Verstärkungsprobleme
VINTAGE VINTAGE In den frühen 1960er Jahren sah die Equipment-Welt noch komplett anders aus. Die sogenannten P.A.s (ei- Let The gentlich eher schwachbrüstige Gesangsanlagen mit Röhrenverstärkern), mit denen man damals Hallen be- schallte, würden heute nicht einmal mehr bei kleinen Club Gigs zum Einsatz kommen. Die leistungsstärks- ten dedizierten Bass-Amps wie der Brownface bzw. Blackface Fender Bassman mit geschlossener 2 x 12“ Box, in der normale Gitarren-Lautsprecher wie bes- tenfalls Jensen C12N saßen, lieferten mit einer End- stufe mit zwei 5881 oder 6L6GC und Siliziumdioden- Shine In Gleichrichter gerade einmal um die 40 bis 50 Watt. Als The Kingsmen aus Portland, Oregon, 1963 ihren großen Hit „Louie, Louie“ landeten, nahm die Grö- Sunn 200S 1967 ße der Hallen, in denen sie auftraten, rasch zu – und te geschraubtes Brett sorgt für gewissen Schutz vor damit die Verstärkungsprobleme. Norm Sundholm dem Berühren der bei Betrieb sehr heißen Gleich- konnte sich mit seinem Bass im Mix einfach nicht richter- und Endstufenröhren und lässt gleichzeitig durchsetzen und bat seinen Bruder Conrad, einen deren Belüftung zu. Auf der Oberseite findet sich Lehrer und Hobby Elektronik-Tüftler, um Hilfe. Aus ein mittig montierter schwarzer Kunststoffgriff mit Dynakits des amerikanischen Stereoanlagen-Herstel- Stahleinlage und vernickelten Endkappen. Alle acht lers Dynaco für einen PAS-1 Pre-Amp und einen MK- Ecken sind durch verschraubte verchromte Metallauf- III Monoblock entwickelten sie in der Werkstatt des sätze geschützt. Von vorne schaut man auf die leicht Hauses ihres Vaters ein 60 W Topteil namens C60, bei nach hinten angeschrägte Metall-Frontblende, die in dem das Control Panel wie bei einem Tweed Bassman Schwarz und Rot siebbedruckt wurde – ein weiteres auf der Oberseite angesiedelt war, sowie eine hierauf ergonomisch vorteilhaftes Feature, wenn der Amp abgestimmte „rear-loaded“ 2 x 15“ Box nach dem Fol- typisch im Stehen bedient wird. -
Fender® Electric Guitars Fender Bass Guitars Squier® Fender Acoustic Instruments Fender Amplifiers
2009 NEW PRODUCTS FENDER® ELECTRIC GUITARS FENDER BASS GUITARS SQUIER® FENDER ACOUSTIC INSTRUMENTS FENDER AMPLIFIERS 44 Prices and specifications subject to change without notice. For more information, visit www.fender.com Prices and specifications subject to change without notice. For more information, visit www.fender.com 45 NEW PRODUCT FOR 2009 FENDER® ELECTRIC GUITARS FENDER® ELECTRIC GUITARS NEW PRODUCT FOR 2009 ERIC JOHNSON STRATOCASTER® RW Road Worn™ ‘50s STRAT® Guitar hero Eric Johnson has done it again! The man with the best ear in the business knows Few things in this world have gotten cooler with age than the Stratocaster® guitar. Born in the guitars and there is no greater example of this than his new signature model. With a singular ’50s, they became even cooler after years of use (and abuse) on the road—morphing over time attention to detail the new Eric Johnson Strat features a 2-piece alder body finished in thin-skin to look appealingly battered and feel even better than when they were brand-new. Fender’s nitrocellulose lacquer; a quartersawn maple neck with bound round-laminated 12” radius new maple fretboard Road Worn™ ’50s Strat® delivers that aged look and feel—built to look, fretboard; a three-ply parchment pickguard; pickups voiced by Eric himself; staggered vintage sound and feel like it’s got more than just a few miles on it, designed with 1950s specs, includ- style tuners; a custom trem block; and 4 brand new finish options - 3 of them exclusive to this ing a nitrocellulose lacquer finish, and supercharged with Tex-Mex™ pickups and 6105 frets. -
Vintage 1960 Fender Jazz Bass! What a Find!
Hi Alan! Daily Deals Gift Cards Sell Help & Contact My eBay Shop by Search... All Categories category Search Back to My eBay | Listed in category: Musical Instruments & Gear > Vintage Musical Instruments > Vintage Guitars > Bass VINTAGE 1960 FENDER JAZZ BASS! WHAT A FIND! Item -- | Add to watch list condition: Ends in: 1 day 1 hour Thursday, 3:06PM Seller information maggie3682 (181 ) 100% Positive feedback Current bid: US $3,035.00 [ 8 bids ] Follow this seller Place bid See other items Enter US $3,085.00 or more Add to watch list Mouse over to Zoom - Add to collection Click to enlarge Located in United States Shipping: $25.10 Standard Shipping | See details Item location: Dimondale, Michigan, United States Ships to: United States Delivery: Estimated between Wed. Oct. 21 and Wed. Oct. 28 Payments: Credit Cards processed by PayPal See details Returns: 14 days money back, buyer pays return shipping Mouse over image to zoom | See details Guarantee: | See details Get the item you ordered or get your money back. Covers your purchase price and original shipping. Have one to sell? Sell now People who viewed this item also viewed Feedback on our suggestions 1965 Fender Jazz Bass Vintage Pre-CBS 1962 Fabulous 1968 1971 Vintage Fender L Series 7 Sept 19... Fender Precision Ba... Telecaster Bass Jazz Bass USA $5,700.00 $4,800.00 $3,600.00 $1,350.00 Buy It Now or Best offer Buy It Now Buy It Now or Best offer 0 bids Free shipping + $100.00 + $40.00 + $80.00 Description Shipping and payments Report item eBay item number: 321888167465 Seller assumes all responsibility for this listing.