Bclr+Ohni PICKUPS and ELECTRONICS -120- Mv Mv J-250Oj^ ETC-S, E90, ETC-D with Full Treble Boost
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W Irin G D Iag Ram S
1 s A 2 3 4 5 B 6 500k ON/ON/ON 7 m 8 9 C 10 11 500k a 12 ON ON 47nF r Jetzt mit Schaltplan zu jeder Schaltung! g a i d 1 2 3 4 5 6 7 nicht mehr ganz so g n kleine Sammlung i r i von Schaltplänen w Version 4.03 WITH AN GERM GLISH EN Y ONAR DICTI NOW! Passive Schaltungen für E-Bässe sowie einige aktive Schaltungen • Historische Schaltungen • Umbauten & Eigenbauten • Modifikationen • Grundlagen & Theorie • Pläne selbst entwerfen Inhaltsverzeichnis 1 1 Deckblatt 54 1.1.651 Fender Bass V 1965 - 70 2 1 Inhaltsverzeichnis 55 1.1.661 Fender Bass VI 1961 - 75 6 1 Vorwort 56 1.1.666 Fender Bass VI Pawn Shop 2013 x x x 57 1.1.731 Fender P.S. Reverse Jaguar 2012 8 1 Historische Schaltungen 58 1.1.741 Fender La Cabronita Boracho 2012 9 1.1.101 Fender Precision Bass 1951 - 56 59 1.1.771 Fender Roscoe Beck Bass 2004 10 1.1.103 Fender Precision Bass 1952 - 53 60 1.1.811 Fender Coronado I Bass 1966 - 70 11 1.1.106 Fender Precision Bass 1954 61 1.1.821 Fender Coronado II Bass 1966 -72 12 1.1.108 Fender Precision Bass 1955 62 1.1.921 Fender Performer Bass FB-555 1982 13 1.1.121 Fender Precision Bass '51 2003 63 1.2.111 Squier CV 50's P-Bass 04.2008 14 1.1.124 Fender Precision Bass OPB'54 1983 64 1.2.113 Squier CV 50's P-Bass 09.2008 15 1.1.131 Fender Prec. -
Gitarren, Amps, Effekte & Co
2/2018 l D: 9,80 l A: 11,50 l BeNeLux: 11,90 l CH: SFR 16,20 l I: 12,80 l E: 12,80 2018 2018 Sonderheft Nr. 2 Sonderheft Nr. Gitarren, Amps, Effekte & Co. Guitar-Guide 144 Seiten Test & Technik Marshall + Fender + Engl + Music Man + Schecter + Malekko + Fulltone + EVH + Charvel + Randall + LTD + Nexi +Gibson + Walrus Audio + Zoom + Cordial + Learn more about the All-New Electromatic guitars at: bassisten & gitarristen für magazin Lehle + TAD + Evidence + Elixir + Danelectro + Maybach + gretschguitars.com/electromatic Relish + Reverend Guitars u.v.m. ©2018 FMIC. Gretsch®, Electromatic®, Jet™, and Bigsby® are trademarks of Fred W. Gretsch Enterprises, Ltd. and used herein under license. All rights reserved. 2018 Electromatic Jet BT GER Guitar 210x280mm[3mbld].indd 1 25/07/2018 11:12 INTRO Liebe Leser! „Es liegt in der Natur des Gitarristen: Wir alle wollen mehr!“ Dieser Spruch stammt aus dem angedachten Editorial unseres verehrten Chefredakteurs Jürgen. Dass dieses Editorial nun aus meiner Feder stammt, liegt wohl daran, dass ich ihm diese Aufgabe respektive Ehre irgendwas zwischen abgeluchst und abgenommen habe. Ist ja letztlich auch vollkommen wurscht, wiesoweshalbwarum … Nun denn, auf zur Tat. Vorliegen habt ihr nicht weniger als 144 Seiten voll mit Tests der vergangenen anderthalb Jahre rund um Gitarren, Amps, Effekte und Zubehör. Ausgewählt haben wir nach verschiedenen Kriterien: So sind etwa unsere Preis-Leistungs-Sieger mit dabei, dazu kleine, aber feine Hersteller wie Malekko, Orion oder Mad Professor. Selbstredend fehlen ebensowenig die Großen wie Fender, Gibson, Blackstar, EVH und Charvel, Klassiker aus dem Hause Marshall oder die High-Class-Gitarren aus dem Hause Ernie Ball. -
GUITAR CENTER, INC. Form 10-K Annual Report Filed 2013-03-26
SECURITIES AND EXCHANGE COMMISSION FORM 10-K Annual report pursuant to section 13 and 15(d) Filing Date: 2013-03-26 | Period of Report: 2012-12-31 SEC Accession No. 0001104659-13-024368 (HTML Version on secdatabase.com) FILER GUITAR CENTER, INC. Mailing Address Business Address 5795 LINDERO CANYON RD 5795 LINDERO CANYON RD CIK:1021113| IRS No.: 954600862 | State of Incorp.:DE | Fiscal Year End: 1231 WESTLAKE VILLAGE CA WESTLAKE VILLAGE CA Type: 10-K | Act: 34 | File No.: 000-22207 | Film No.: 13716047 91362 91362 SIC: 5731 Radio, tv & consumer electronics stores 8187358800 GUITAR CENTER HOLDINGS, INC. Mailing Address Business Address 5795 LINDERO CANYON 5795 LINDERO CANYON CIK:1427553| IRS No.: 000000000 | State of Incorp.:DE | Fiscal Year End: 1231 ROAD ROAD Type: 10-K | Act: 34 | File No.: 333-175270-07 | Film No.: 13716046 WESTLAKE VILLAGE CA WESTLAKE VILLAGE CA SIC: 5731 Radio, tv & consumer electronics stores 91362 91362 818-735-8888 Copyright © 2014 www.secdatabase.com. All Rights Reserved. Please Consider the Environment Before Printing This Document Table of Contents UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 10-K (Mark One) x ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended December 31, 2012 OR o TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the transition period from to Commission File Number 333-175270-07 GUITAR CENTER HOLDINGS, INC. (Exact Name of Registrant as Specified in Its Charter) Delaware 26-0843262 (State or Other Jurisdiction of (I.R.S. -
Roger Sadowsky Carves a Guitar Neck by Hand
Right: Roger Sadowsky carves a guitar neck by hand. Below: Roger takes a break beneath a wall of customized guitars and basses. ROGER SADOWSKY he job of the instrument maker is to provide a tool that “ allows the musician to express himself. Ultimately, the changes in sound and design don’t come from us, but New York’s T from innovative musicians whose talent demands something new. The most dramatic example we get is people Acclaimed Craftsman from all over the world requesting the ‘Marcus Miller bass sound’.” Tailors Instruments —Roger Sadowsky For Everyone From “Roger was the first repairman to take an interest in my playing. He asked a lot of questions concerning how hard I played, the Springsteen and Sting kinds of music I was involved with, and what sort of sound I was looking for. He has great insight into the wood and To Di Meola And Stern electronics that make up an instrument, and he suggested I try one of his preamps. At the time, I was having trouble conveying my style through my bass. With the preamp, I gradually noticed that I could do more with the instrument and the sound was By Chris Jisi projecting better. What Roger did was give me a sound with which I could communicate my style.” —Marcus Miller PHOTOS BY EBET ROBERTS PHOTOS Similar accolades arrive from all corners of the music busi- New York in 1979, 95% of my clients were top studio and ness for New York luthier/repairman Roger Sadowsky, from guitar touring musicians in town. -
Acousta-Electra Guitar Brochure Blue Note Woodworks
BlueNoteWoodworks.com Now Available for Retail Blue Note Woodworks Acousta-Elecktra “Crossover” Stereo Guitar USA The “Crossover” is our unique 2 in 1 Stereo Guitar . It’s both Acoustic & Electric in one, either separately or both together in Stereo. It’ s a Semi-Acoustic Electric with Unique Patent Pending Sound Chambers, Exclusive Ebony Wood Bridge Plate, Solid Tonewoods and Superb Craftsmanship, that rivals anything else out there. With all the capabilities of Blending the Folk-Rock-Country-Blues-Jazz genres all together. Handmade in the USA. Imagine having 2 Guitars in The Acousta-Elecktr 1+ in Stereo…that retains a “Crossover” the Best of Both Worlds! Full warm acoustic sound switchable to a full blown electric or both…in stereo! 3 internal passive acoustic pickups plus 2 coil tapped external humbuckers. 17 switchable pickup tonal variations. Wired in stereo (acou./elec. both splittable to a mixer and/or 2 amps). Exclusive sound chambers provide superior tone and Owner/Luthier/Guitar-Tech Rob Cusumano has been building resonance. and repairing musical instruments professionally for over 30yrs. He has worked for some of the world’s largest & most Exclusive uniquely designed popular guitar manufactures in the world, including Dobro, wood bridge & individually Fender ©, Music Man and G&L Guitars. And now, he’s unveiling adjustable string saddles. some his new uniquely innovated guitars & basses. “All our instruments are Handmade here in the USA. And we Premium figured tonewoods employ no CNC machines. I have always been drawn to the that enhance both sound early artist and craftsmen that continued a tradition of a true and beauty. -
Gretsch Junior Jet Bass Ii Modifications
Gretsch Junior Jet Bass Ii Modifications Penn bang-up his ravishments moit winsomely, but varied Jennings never spines so mesially. Allotriomorphic and deductive Matias herries, but Schuyler inauspiciously corduroy her hypoglycaemia. Plenteous and enforced Clayborne reprove exotically and inactivated his groom even and jumpily. Yamaha makes vibrato in very nicely made to the world of electric bass bass junior jet ii, ethereal look and conditions of the They supersize view marshall inspired by gretsch junior jet bass ii modifications. Mediterranean and northern Africa. Your motorcycle enthusiasts and regulated by our second numbers below the jet ii i really fix idling problems that some items bestselling alphabetical: studios memphis decal on! Jazz kit contains affiliate advertising program, food storage kitchen knives to gretsch junior jet bass ii modifications is right to stage; you are hardly played. It cleans up ok with a TON of elbow grease and a normal guitar polishing cloth. Fernandes sustainer in the neck. Very Low output from the neck Pickup and no output from the bridge pickup. Later models are priced electric solid repair project within any given to gretsch junior jet bass modifications is now coming apart from dark magic for an epic adventure or event related products. My first was a few modifications to gretsch junior jet bass ii modifications is the video and modifications to wait for thin piece of the free viewing this. This is without a doubt one of the best modded Marshalls I have ever played. Canada as possible but it is in a tendency to gigs and bass ii examples try to mattresses and map art. -
AT AUCTION FEBRUARY 27 Dear Guitar Collector
GUITARS AT AUCTION FEBRUARY 27 Dear Guitar Collector: On this disc are images of the 284 guitars currently in this Auction plus an additional 82 lots of collectible amps, music awards and other related items GUITARS all being sold on Saturday, February 27. The Auction is being divided into three AT AUCTION FEBRUARY 27 sessions starting at 10am, 2pm and 7pm (all East Coast time.) Session I, at 10am, contains the Delaware Collection of instruments and other music-related objects all autographed by well known musicians. Sessions II and III contain an extraordinary array of fine and exciting instruments starting with Lot 200 on this disc. The majority of lots in this Auction are being sold without minimum reserve. AUCTION Saturday, February 27 Session I – 10am: The Delaware Collection Session II – 2pm: Commencing with Lot #200 The event is being held “live” at New York City’s Bohemian National Hall, a great Session III – 7pm: Commencing with Lot #400 setting at 321 East 73rd Street in Manhattan. For those unable to attend in person, PUBLIC PREVIEW February 25 & 26 the event is being conducted on two “bidding platforms”… liveauctioneers. Noon to 8pm (each day) com and invaluable.com. For those who so wish, telephone bidding can easily be arranged by contacting us. All the auction items will be on preview display LOCATION Bohemian National Hall 321 East 73rd Street Thursday and Friday, February 25 and 26, from 12 noon to 8 pm each day. New York, NY Please note that this disc only contains photographic images of the items along ONLINE BIDDING Liveauctioneers.com Invaluable.com with their lot headings. -
Fender Bass Guitars
FENDER® BASS GUITARS MAKE HISTORY 82 Fender® Frontline In-Store | 2009 Fender® Frontline In-Store | 2009 83 Fender® Electric Basses ARTIST ARTIST Fender® Electric Basses STEVE BAILEY JAZZ BASS® VI MARCUS MILLER JAZZ BASS® When you play this bass you’re in good company with Steve Bailey himself, a pro bassist’s pro The Marcus Miller Jazz Bass® guitar delivers one of the most distinctive voices in the history of bassist, bass teacher and instructional author with a diverse and stellar list of performing and bass. An ash body coupled with a one-piece maple neck (7.25” radius) is accented with eye- recording credits that includes Dizzy Gillespie, the Rippingtons and Jethro Tull. The Fender® catching white binding and Pearloid block inlays on a maple fingerboard. Marcus’ signature Steve Bailey Fretless Jazz Bass® VI is a phenomenal vehicle for self expression that offers you black pickguard/control plate houses a unique active preamp with a mini-toggle active/passive the opportunity to explore a virtually limitless tonal palette in the quest of defining your own switch. A string-through-body or top-load bridge and chrome neck pickup cover top off the voice on the instrument. From silky singing cello-like tones, to the thundering bottom end that feature set of this signature bass. Deluxe gig bag included. only a beautifully executed low “B” string can produce, this instrument is the finest example of Part # Description MSRP the marriage of art and engineering. Features include a select alder body, a quartersawn maple 300 (3-Color Sunburst) neck -
XG-900 Manual
by 1 Dear Customer, thank you for purchasing XG-900 Modeling Guitar. Here you have a brief Manual that introduces you to its main features. We are sure you will enjoy the variety of sounds and the playability of a handcraft, truly innovative, instrument. SIM1’s Team A – On/Off button: When in OFF position XG-900 works as a standard Electric Guitar. The Pickup Selector (I) works to select the Neck, Bridge or Mid Position Pickup. Then you can adjust the Volume Knob (H) and the Tone Knob (F). B – Battery Charger Outlet: Remove the plastic cap and connect the Battery Charger to the guitar and to the electric socket. NB: Use only the Battery Charger supplied with the Guitar. To check the battery level, turn the guitar on (A), then tap the Black Rotary Selector (D). Battery Life: Up to 6,5 hours C –Jack Output: Use a standard jack cable to connect the guitar to a power speaker, to a guitar amp or to the mixer. EASY MODE USE When you switch XG-900 on (A), the screen lights up and it becomes a Modeling Guitar. When XG-900 is brand new, it is always configured in the EASY MODE Use. This allows the User to start gradually practicing with its features. D – Black Rotary Selector: Rotate clockwise, or anticlockwise, to select the Guitar Model, then push it to confirm and activate the sound of the new guitar. 2 The Guitar Model in use is visualized on the screen, along with the Bank Number, the Target Guitar Pickup, and the Source Guitar Pickup in use. -
RECEIVES 2280 1 United States Department of the Interior National Park Service 51' JUN 0 7 2013 National Register of Historic Places Registration Form NAT
NPS Form 10-900 OMB No 1024-0018 un· 5'3' n n1 2) RECEIVES 2280 1 United States Department of the Interior National Park Service 51' JUN 0 7 2013 National Register of Historic Places Registration Form NAT. REGISTER OF HISTORIC PLACES NATIONAL PARK SERVICE This form is for use in nominating or requesti ng determ inations for individual properties and districts. See Ins n.Jct ons In a 1ona e , fo Complete the National Register of Historic Places Registration Form. If any iten·1 does not apply to the property being documented, enter "N/A" for "not applicable." For functions, architectural classificatlo.n, materials, and areas of significance, enter only categories and subcategories from the instructions. Place additional certification comments, entries, and na rrative items on continuation sheets if n eeded (NPS Form 10-900a). 1. Name of Property historic name Fender's Radio Service other names/site number Leo Fender's Radio Service; K&F Manufacturing Company; Fender Manufacturing Company; Fender Electric Instrument Company 2. Location street & number 1-7 South Harbor Boulevard D not for publication city or town .:....F-=u"'-lle::..:rt....:..o::..:n..:...__ _ _ ___ _____ _ _ _ ______ _ ____ LJ vicinity state California code CA county Orange code 059 zip code ---'-"--'--...::::.._92832 _ _ _ 3. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act, as amended, I hereby certify that this ___x__ nomination_ request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. -
Full Rider 2019 Robbie Grey Vocals Mick Conroy Bass
FULL RIDER 2019 ROBBIE GREY VOCALS MICK CONROY BASS GARY MCDOWELL GUITAR STEVE WALKER KEYS ROY MARTIN DRUMS DANIEL JAKUBOVIC GUITAR STEVEN KRAVAC SOUND/DRIVER 213-280-6176 : [email protected] THERE ARE 7 in the traveling party. Catering/Buyout: Meals/buyouts are required for all touring personnel. This will be handled on a show-to-show basis and will be advanced by the Tour Manager. Dressing Room: • We require 1 clean, well lit, comfortably furnished dressing room. • Room must be lockable, with the keys available to the tour manager upon arrival. Room must be large enough to accommodate 7 people comfortably. • Facilities in the dressing room must include ample power outputs, full- length mirror and a trash receptacle. • Upon arrival at the venue, the dressing room should be already be prepared and stocked with the following: Hot Tea & Coffee making facilities with condiments (ie: honey, half & half, fresh lemons) One (1) 24 pack of water (non-sparkling) One (1) 24 pack of Beer on ice (Heineken preferred) Three (3) bottles of Red Wine (Pinot Noir, Cabernet Sauvignon, Merlot. Please no cheap stuff. $15/bottle minimum) One (1) bottle non alcoholic Wine One Deli platter, Turkey, Tuna Salad, Cheese, Hummus, Veggies. One Bag Tortilla chips and Salsa One Fresh Fruit salad platter One loaf Whole Wheat Bread One 6 piece (small) Fruit Pie (Apple, Cherry) or Cheesecake. One (1) 6 pack of Coke on ice One (1) 6 pack of Sprite on ice All applicable cutlery etc. and a bottle opener Six (6) stage towels Six (6) full body towels for shower use where -
A History of Fender Guitars
A History of Fender Musical Instruments and Founder-Leo Fender (As documented by Wikopedia) Fender Musical Instruments Corporation of Scottsdale, Arizona is a manufacturer of stringed instruments and amplifiers, such as solid-body electric guitars, including the Stratocaster and the Telecaster. The company, previously named the Fender Electric Instru- ment Manufacturing Company, was founded in Fullerton, California, by Clarence Leonidas "Leo" Fender in 1946. Leo Fender also designed one of the first commercially successful solid-body electric bass, the Precision Bass (P-Bass), which has become known in rock, jazz, country, Motown, funk, and other types of music. The company is a privately held corporation, with the controlling majority of its stock owned by a group of its own company officers and managers. William (Bill) Mendello is Chairman of the Board of Directors and Chief Executive Officer and James Broenen is Chief Fi- nancial Officer. Fender's headquarters are in Scottsdale, Arizona with manufacturing facilities in Corona, California (USA) and Ensenada, Baja California (Mexico). History Fender offered the first mass-produced solid-body Spanish-style electric guitar, the Telecaster (originally named the 'Broadcaster'; 'Esquire' is a single pickup version)[1] the first mass-produced electric bass, the Precision Bass (P-Bass); and popular Stratocaster (Strat) guitar. While Fender was not the first to manufacture electric guitars, as other companies and luthiers had produced electric guitars since the late 1920s, none was as commercially successful as Fender's. Furthermore, while nearly all other electric guitars then were either hol- low-body guitars or more specialized instruments such as Rickenbacker's solid-body Hawaiian guitars, Fender had created versatile solid- body electric guitars.