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Kitchen Kitchen Come to Our Blues Kitchen and Taste the Blues! Comeheigh to Our Blues CHIEF
Konzerthaus Solingen Konzerthaus Solingen Konzerthaus Solingen Konzertfoyer Konzertfoyer Konzertfoyer Einlass: 19:00 Uhr Einlass: 19:00 Uhr Einlass: 19:00 Uhr Beginn: 20:00 Uhr Beginn: 20:00 Uhr Beginn: 20:00 Uhr Liebe Blues-Freude, Liebe Blues-Freude, Liebe Blues-Freude, Eintritt: 18,00 € Eintritt: 18,00 € Eintritt: 18,00 € Eintritt am 23.09.2020: 12,00 € Eintritt am 23.09.2020: 12,00 € erneut freuen wir uns auf unsere erfolgreiche Musikreihe erneutEintritt freuen am 23.09.2020: wir uns auf 12,00 unsere € erfolgreiche Musikreihe erneut freuen wir uns auf unsere erfolgreiche Musikreihe Blues Kitchen. Hier stellen wir Ihnen hochklassige Live-Acts Blues Kitchen. Hier stellen wir Ihnen hochklassige Live-Acts Blues Kitchen. Hier stellen wir Ihnen hochklassige Live-Acts aus aller Welt vor. Mal laut, mal leise – aber immer bewe- aus aller Welt vor. Mal laut, mal leise – aber immer bewe- aus aller Welt vor. Mal laut, mal leise – aber immer bewe- www.theater-solingen.de www.theater-solingen.de gend und einzigartig. gendwww.theater-solingen.de und einzigartig. gend und einzigartig. /KulturmanagementSG /KulturmanagementSG /KulturmanagementSGKitchen SPIELZEIT Kitchen SPIELZEIT Kitchen SPIELZEIT /theaterundkonzerthaussolingen /theaterundkonzerthaussolingen Hier treffen Rhythm und Blues auf Jazz, Funk oder rockige Hier /theaterundkonzerthaussolingentreffen Rhythm und Blues auf Jazz, Funk oder rockige Hier treffen Rhythm und Blues auf Jazz, Funk oder rockige Mit freundlicher Unterstützung: Mit freundlicher Unterstützung: Töne. Lassen Sie sich mitreißen! -
Guitar Capo Reference Chart
Guitar Capo Reference Chart Chrestomathic Zalman puns very just-in-time while Pail remains uncircumcised and aligning. Unshed Clarance snipes, his auklet swang deep-fries tomorrow. Oogamous Dov yells no schoolhouses craning frolicsomely after Christian stultify confusedly, quite unmastered. Not hard it be just about guitar capo is assumed Using a capo will almost anything make the chords feel a little easier which immediately allow you to count more songs and caught more fun which will anger you had practice note All dice which will make you fly better player. 27 Chord Progressions for Guitar Players and Reference for Rhythm Technique What's must this post With it chord progression listed we've also included a. Getting a capo for my OM conversion from a 34 guitar 2275 scale. Hint to visualize the chart indicates a capo reference chart this now and effectively an error, you should open. Born In The USA Bruce Springsteen CAPO 7 I've oversee A once The Beatles. Guitar Capo Transition Chart Guitar Warrior. GuitarToolkit Agile Partners. Universal Capo Guitar Accessories Quick table Clamp Key Aluminium. How memory use a Capo on Guitar Using a Guitar Capo. Buy Guitar Laminated Chord Reference Sheet Tools Amazoncom FREE DELIVERY possible. For electric guitars and basses Capo the last fret. What trait I became instead embrace a capo? Reference Easy Apply Acoustic Electric Music Learning Guitar Chord Chart. Guitar Capos JOYO Audio UK. Diagram make reference to the left her finger- ing Some chord. When referencing fingerings for a return that uses a capo the player determines whether the chart references absolute finger positions or positions relative major the. -
Arborite Postforming & General Purpose Laminate
ARBORITE POSTFORMING & GENERAL PURPOSE LAMINATES TECHNICAL DATA Manufacturer Arborite 385 Lafleur, Lasalle (Québec), H8R 3H7 Web site : www.arborite.com - Phone: 1-800-996-0366 Alternate manufacturing facility – Fletcher, NC Product Description Arborite decorative laminates are a high pressure thermoset plastic surfacing material. It consists of multi layers of kraft (core) papers impregnated with phenolic resins, covered by a melamine impregnated decorative surface. These layers are then consolidated into a solid sheet under the effect of high temperature and pressure. 0.045" / 1.14 mm Basic Decorative High Pressure Laminates – for horizontal and vertical applications Arborite decorative laminates are engineered to improve the product life cycle for wear, chemical and stain resistance under normal use and conditions. Available in 3 grades, Arborite laminates offer 4 exceptional performance features, and are available in Arborite’s expressive range of colors. Arborite Flex 4 grades: . 0.025" / (0.63 mm) - Arborite laminate type A3 . 0.034" / (0.86 mm) - Arborite laminate type A4 . 0.045" / (1.14 mm) - Arborite laminate type A5 Usage For all types of flatwork applications: work surfaces, counters, cabinets, furniture, equipment, food service, displays, caseworks, doors, walls, ceilings, window sills and frames, partition systems, enclosures, shelving and trims. suitable for most commercial, institutional and residential applications. Typical uses by grade: A3 (0.025") for light duty applications - most vertical surfaces such as interior doors, cabinet fronts, wall paneling and similar surfaces. A4 (0.034") & A5 (0.045") for heavier duty applications – work surfaces, counters, table tops, cabinets, furniture, wall paneling, doors, window sills and similar surfaces. Arborite Postforming & General Purpose Laminates 1 Revised: September 2015 Arborite – Features . -
Roger Sadowsky Interview, Bass Guitar Magazine UK
ROGER THAT 028 BASS GUITAR MAGAZINE 028-030 Sadowsky_rev3JH.indd 28 13/07/2015 18:17 BASSISTS ROGER SADOWSKY Roger Sadowsky, one of the world’s leading bass luthiers, stopped by at the London Bass Guitar Show to talk to Mike Brooks about his bass building philosophy stroll around Olympia during the “I recommended a good fret job, shielding the London Bass Guitar Show can be electronics, a better bridge and a preamp – actually, a noisy experience to say the only the second bass preamp I had ever installed. I was least – yet on both days of this using a circuit by Stars Guitars from San Francisco, a year’s event back in March, group that had come out of the Alembic school. That’s A there was a tangible buzz: an what I gave Marcus – but within a year, they went out audible sound of hushed of business and Marcus’s preamp died! They told me mutterings between those in attendance. “It is him, when they were closing up that the closest thing to isn’t it?”... “Is that really him? Here in London?” what they were making was a Bartolini TCT preamp. Who could they have been talking about, you ask? I used that until 1990, when I wanted to create my Well, yes it was true – one of the premier luthiers outboard preamp box and Alex Aguilar [of Aguilar of the bass world was there at the London Bass fame] helped me to design my own circuit.” Guitar Show, and boy did Roger Sadowsky make a Back in those days, there was no internet or social splash. -
Jack Pearson
$6.00 Magazine Volume 16, Number 2 January/February 2012 Jack Pearson Al Smith Nick DiSebastian Schenk Guitars 1 Flatpicking Guitar Magazine January/February 2012 design by [email protected] by “I am very picky about the strings I use on my Kendrick Custom Guitar, and GHS gives me unbeatable tone in a very long lasting string.” GHS Corporation / 2813 Wilber Avenue / Battle Creek . Michigan 49015 / 800 388 4447 2 Flatpicking Guitar Magazine January/February 2012 Block off February 23 thru the 26th!! Get directions to the Hyatt Regency in Bellevue, WA. Make hotel & travel arrangements. Purchase tickets for shows and workshops! Practice Jamming!! Get new strings! Bookmark wintergrass.com for more information! Tell my friends about who’s performing: Ricky Skaggs & Kentucky Thunder Tim O’Brien, The Wilders, The Grascals, The Hillbenders, Anderson Family Bluegrass and more!!! Practice Jamming!!!!! wintergrass.com 3 Flatpicking Guitar Magazine January/February 2012 Feb 23-26th 4 Flatpicking Guitar Magazine January/February 2012 1 Flatpicking Guitar Magazine January/February 2012 CONTENTS Flatpicking FEATURES Jack Pearson & “Blackberry Pickin’” 6 Guitar Schenk Guitars 25 Flatpick Profile: Al Smith & “Take This Hammer” 30 Magazine CD Highlight: Nick DiSebastian: “Snowday” 58 The Nashville Number System: Part 2 63 Volume 16, Number 2 COLUMNS January/February 2012 Bluegrass Rhythm Guitar: Homer Haynes 15 Published bi-monthly by: Joe Carr High View Publications Beginner’s Page: “I Saw the Light” 18 P.O. Box 2160 Dan Huckabee Pulaski, VA 24301 -
Inside the World of Taylor Guitars / Volume 85 Summer 2016
The Taylor Neck Anatomy of a pitch-perfect design Rosewood Revisited The redesigned 700 Series Doobie Brother Pat Simmons Acoustic fingerstyle meets classic rock Dynamic Dreadnoughts 7 must-play models Baritone Basics Expand your musical palette 2 www.taylorguitars.com | dreamed of being involved with forest home I like to play and write with 11s. VOLUME 85 SUMMER 2016 development/management in the way So my answer? Buy another Taylor! I’m Full Recovery Taylor Guitars has been. thinking a new 710e or maybe even Letters The attached photo is of my 2014 First Edition 810e, just as it was Your response to Mr. McKee’s 810e... I’m a sucker for a dreadnought found, 13 days after our home was burglarized and it was stolen. I live in > CONTENTS < Find us on Facebook. Subscribe on YouTube. Follow us on Twitter: @taylorguitars inquiries re-affirmed everything I’ve and love the rosewood/spruce combo. Concord, Vermont, way up in the northeast corner of our state and just ever believed about our inherent I’m very excited for my next purchase! across the Connecticut River from Littleton, New Hampshire. Northern responsibility for good stewardship of Keep making these amazing instru- Lights Music in Littleton is where I fell in love with this guitar and purchased these precious natural resources. Good ments — I’m a fan and Taylor emissary it. Dan and Moocho Salomon at Northern Lights were phenomenal, as stewardship does not mean we — as for life. always, and their beautiful shop is a perfect place for a guitar nut to get lost the human beings whose lives and Kirk O’Brien FEATURES COLUMNS in. -
Makuterveisiä Välimereltä: Saarten Viinit Kuopiossa 2.-10.7.2010
Kuopio Wine Festival / Osuuskauppa PeeÄssä 18.1.2010 Lehdistötiedote 2: Ohjelma Välimeren makuja SISILIA • KREETA • MALLORCA • KORSIKA Makuterveisiä Välimereltä: Saarten viinit Kuopiossa 2.-10.7.2010 Kuopio Wine Festival uudistuu! Viinikylässä matkataan nyt yhden teemamaan sijaan neljän Välimeren saaren makumaisemiin. Aurinkomaiden helmiä lasissa, lautasella ja lavalla tarjoilevat perinteikkäät viinisaaret Sisilia, Kreeta, Mallorca ja Korsika. Musiikkimenun kotimainen kattaus sisältää perinteisen popin, rokin ja iskelmän lisäksi jazzia, bluesia ja swingiä. Kuopio Wine Festival on tutustuttanut suomalaisia Festivaalin ruokalista kumpuaa vuosisatoja vuosittain vaihtuvan teemamaan viini-, ruoka- ja vanhasta välimerellisestä ruokailuperinteestä. musiikkikulttuureihin jo 13 vuotta. Kuopion matkus- Saarille on tyypillistä, että ruoan ympärillä tapah- tajasataman viinikylässä ovat tähän mennessä esit- tuvaan kiireettömään seurusteluun kootaan niin täytyneet Itävalta, Unkari, Italia, Kalifornia, Espanja, suku kuin ystävätkin, ja ruokaa on tarjolla enemmän Kreikka, Etelä-Afrikka, Ranska, Chile, Australia, kuin tarpeeksi. Viinikylän makulautasella on mm. Portugali, Argentiina ja Saksa. Festivaalin vakiintu- antipastoja, gaspachoa, tsatsikia, korsikanmakkaraa, nut noin 40 000 kävijän yleisö tekee tapahtumasta monipuolisia juustoja, parasta oliiviöljyä, oliiveja yhden Suomen kesän suurimmista. sekä tuoretta leipää. Ruokalistalla on myös lam- masta, saarille tyypillistä kalaa sekä suussa sulavia Kaikki viinikylässä tarjoiltavat viinit tulevat suoraan -
Training Your Musical Muse with Richard Gilewitz... an Exclusive
Training Your Musical Muse with Richard Gilewitz... an exclusive guitar and ukulele 1 day workshop for beginner/intermediate instrumentalists (guitar or ukulele) and singer/songwriters No matter if you play a guitar or ukulele, sing or don’t sing, compose originals or play covers, it’s all the same when teaching your musical muse the solid basics of good technique. During this 1-day workshop, you’ll learn about fingerpicking patterns and strumming, rhythm, why some notes work while others are a train wreck, and how to develop good habits that will protect your inner muse from the dole drum of sameness and predictability. Join master teacher, Richard Gilewitz, for an experience for both ukulele and guitar. These workshops offer players and/or singers the techniques for developing and expanding a life-long craft in a most satisfying direction. It’s an opportunity to witness and join in on the fun and challenges presented by learning new techniques and how the Gilewitz method works for both guitar and ukulele. Class Sessions will be 50 minutes each with group exercises and special attention to every student in the class. Each class is $30 10:00am Guitar Class1: The Fingerpicking Engine, Effective Chord Transfers, & Food Rhythm Gather the ingredients for the picking fingers with very simple patterns that can be applied to literally any genre of music. The components of the Fingerpicking Engine are the foundation for fingerstyle guitar. Study and explore fingering techniques that power this playing style that include banjo- style inside and forward rolls, pairing, pinch-patterns, hammer-ons, and pull-offs, classical arpeggios, tapping and harmonics, as well as effective method of incorporating rhythmic/strumming techniques within your picking patterns. -
Downbeat.Com March 2014 U.K. £3.50
£3.50 £3.50 U.K. DOWNBEAT.COM MARCH 2014 D O W N B E AT DIANNE REEVES /// LOU DONALDSON /// GEORGE COLLIGAN /// CRAIG HANDY /// JAZZ CAMP GUIDE MARCH 2014 March 2014 VOLUME 81 / NUMBER 3 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editor Ed Enright Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes Editorial Intern Kathleen Costanza Design Intern LoriAnne Nelson ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene -
Marine-Brochure-Jan-2021-Web.Pdf
® LONMARINE® WOOD LONMARINE® WOOD is Lonseal’s high-performance, slip-resistant marine safety flooring that has been specifically manufactured to comply with IMO/MED specifications for international markets and is USCG approved. FEATURES (data shown is nominal): MW3473 MW3475 MW370 MW371 MW373 Roll Width: 6 ft. (1.8 m) Mahogany Solid Teak Teak & Holly Maple & Teak Mahogany & Holly Roll Length: 60 ft. (18.3 m) Overall Thickness: 0.080 in. (2.0 mm) Wear Layer Thickness: 0.020 in. (0.5 mm) Weight: 0.7 lbs./sq. ft. (3.4 kg/m²) EU REACH COMPLIANT FORMULATION: Phthalate free, SVHC free MEETS FMVS 302: Flammability of Interior Materials MW375 MW377 MW378 MW379 MW380 Teak & Ebony Walnut & Holly Teak & Ivory Antique & Ivory Weathered Teak & Ebony LONMARINE® STONE LONMARINE® STONE consists of a lightly dappled palette of neutral and gray tones that makes it a perfect fit for the interior spaces of both pleasure boats and hard-working industrial craft. The elegant marbleized pattern helps mask routine scuffing that can occur with heavy foot traffic. FEATURES (data shown is nominal): MS10 MS11 MS12 Roll Width: 6 ft. (1.8 m) Dorato Grigio Mare Roll Length: 60 ft. (18.3 m) Overall Thickness: 0.080 in. (2.0 mm) Wear Layer Thickness: 0.020 in. (0.5 mm) Weight: 0.7 lbs./sq. ft. (3.3 kg/m²) EU REACH COMPLIANT FORMULATION: Phthalate free, SVHC free MEETS FMVS 302: Flammability of Interior Materials MS13 MS14 MS15 Noce Carbone Russo Printing limitations may not represent the true color of the product. If color match is critical, please request a sample at 800.832.7111 or 310.830.7111. -
Malagasy Precious Hardwoods Scientific and Technical Assessment to Meet CITES Objectives
Malagasy Precious Hardwoods Scientific and technical assessment to meet CITES objectives World Resources Institute 8 July 2016 Photo credit: Annah Peterson Agenda • Introduction on precious hardwoods: Rosewood and Ebony • Summary of the history and CITES Action Plan • Objectives of this assessment • Results • Recommendations • Conclusions • Discussion Back to School: Botany 101 Coconut Palm, Cocos nucifera How do you know? Leaves Habitat Fruits Trunk Coconut Palm, Cocos nucifera Which photo is Cocos nucifera? A) B) C) D) Cocos nucifera Vetchia arecina Ravenala madagascariensis Washingtonia robusta Photos: Catalogues des plantes vasculaires de Madagascar, TROPICOS Which photo is Dalbergia? A) B) C) D) Tectona grandis Dalbergia emirnensis Canarium madagascariensis Tambourissa sp. indet. Photos: Catalogues des plantes vasculaires de Madagascar, TROPICOS Malagasy Precious Woods Rosewood and Pallisander (Dalbergia spp.) Ebony (Diospyros spp.) Photos: The Guardian, Dec 23, 2013; An Introduction To Wood Species, Part 9: Ebony, Sept 11, 2013 Dalbergia and Diospyros Brazilian rosewoord, Dalbergia nigra Persimmon (kaki), Diospyros kaki Photos: Globaltrees.org; Global Survey of ex-situ ebony collections, BGCI Dalbergia and Diospyros Source: Discover Life, Global Mapper Brief History Precious Woods Industry in Madagascar • 1900’s: First documentation of the export of Malagasy rosewood • 1975: Law prohibiting the export of rosewood logs • 1991: Madagascar National Environmental Action Plan • 2000 and 2006: A moratorium on the export of rosewood and -
Legislative Assembly
9637 LEGISLATIVE ASSEMBLY Thursday 2 November 2000 ______ Mr Speaker (The Hon. John Henry Murray) took the chair at 10.00 a.m. Mr Speaker offered the Prayer. CRIMES (SENTENCING PROCEDURE) AMENDMENT (LIFE SENTENCE CONFIRMATION) BILL Second Reading Debate called on. Mr THOMPSON (Rockdale) [10.01 a.m.]: I move: That this debate be now adjourned. Division called for and, pursuant to sessional orders, deferred. PAY-ROLL TAX AMENDMENT (COUNTRY EMPLOYMENT) BILL Second Reading Debate called on. Mr THOMPSON (Rockdale) [10.03 a.m.]: I move: That this debate be now adjourned. Division called for and, pursuant to sessional orders, deferred. JURY AMENDMENT (DISSENTING JUROR) BILL Second Reading Debate called on. Mr THOMPSON (Rockdale) [10.05 a.m.]: I move: That this debate be now adjourned. Division called for and, pursuant to sessional orders, deferred. BUSINESS OF THE HOUSE Order of Business: Suspension of Standing and Sessional Orders Mr SPEAKER: Order! To bring forward the matters listed for 11.30 a.m. the Leader of the House may have to move that standing and sessional orders be suspended. Mr Hazzard: Point of order: The standing orders make quite clear that at 11.30 a.m. certain things are to happen, and the Leader of the House cannot now play stupid games. He has taken advice from the Clerks, who are telling him precisely that. He does not know what to do. The Opposition wishes to debate substantive bills in the Parliament, including the bills relating to life sentences, an important matter for the memory of Virginia Morse. It is time that debate came on.