The Original Innovators Price List 3/2011
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1 s A 2 3 4 5 B 6 500k ON/ON/ON 7 m 8 9 C 10 11 500k a 12 ON ON 47nF r Jetzt mit Schaltplan zu jeder Schaltung! g a i d 1 2 3 4 5 6 7 nicht mehr ganz so g n kleine Sammlung i r i von Schaltplänen w Version 4.03 WITH AN GERM GLISH EN Y ONAR DICTI NOW! Passive Schaltungen für E-Bässe sowie einige aktive Schaltungen • Historische Schaltungen • Umbauten & Eigenbauten • Modifikationen • Grundlagen & Theorie • Pläne selbst entwerfen Inhaltsverzeichnis 1 1 Deckblatt 54 1.1.651 Fender Bass V 1965 - 70 2 1 Inhaltsverzeichnis 55 1.1.661 Fender Bass VI 1961 - 75 6 1 Vorwort 56 1.1.666 Fender Bass VI Pawn Shop 2013 x x x 57 1.1.731 Fender P.S. Reverse Jaguar 2012 8 1 Historische Schaltungen 58 1.1.741 Fender La Cabronita Boracho 2012 9 1.1.101 Fender Precision Bass 1951 - 56 59 1.1.771 Fender Roscoe Beck Bass 2004 10 1.1.103 Fender Precision Bass 1952 - 53 60 1.1.811 Fender Coronado I Bass 1966 - 70 11 1.1.106 Fender Precision Bass 1954 61 1.1.821 Fender Coronado II Bass 1966 -72 12 1.1.108 Fender Precision Bass 1955 62 1.1.921 Fender Performer Bass FB-555 1982 13 1.1.121 Fender Precision Bass '51 2003 63 1.2.111 Squier CV 50's P-Bass 04.2008 14 1.1.124 Fender Precision Bass OPB'54 1983 64 1.2.113 Squier CV 50's P-Bass 09.2008 15 1.1.131 Fender Prec. -
Ultimate Guitar Online's Revisions: Instrument
1.5 6.0 6.0 178.3 279.6 29.2 120.0 29.2 54.1 171.5 54.1 7.5 11.5 16.0 12.0 4.5 4.5 A B 2.4 6.0 3.0 228.5 54.1 120.4 54.1 151.3 26.5 98.3 26.5 11.5 16.0 5.0 4.5 4.5 10.7 10.7 104.6 C E 4.8 7.2 3.0 6.0 385.3 117.1 54.1 61.9 54.1 51.6 109.6 54.1 26.5 64.2 26.5 11.5 16.0 5.0 4.5 M D 3.0 3.0 23.4 197.1 210.1 26.5 144.2 26.5 26.5 157.1 26.5 5.0 5.0 192.3 F G 3.0 224.7 251.7 26.5 171.7 26.5 26.5 198.8 26.5 5.0 5.0 H J 3.0 3.0 205.7 165.6 26.5 152.7 26.5 26.5 112.6 26.5 5.0 5.0 K L Certain Luthiers Tune The Top By Making The Top Progressively Thinner As It Reaches The Guitar Edge And Remain Full Thickness At The Top. If You Do This Do Not Reduce The Edges Below 2.2mm And Make The Center Slightly Thicker. Center Bridge Brace On 660mm Line For Scale 52.4 Length. (4500 C F Brace Key Numbers. Refer To Brace Diagram Plan For 54.0 Bracing Layouts 20.8 4.8 (4500 G 29.1 R 36.8 Dashed Line Indicates Rossette 85.7 12.7 1.2 Reinforcement Extends Beyond Rossette Approx. -
Layout 1 (Page 1)
OWNER’S MANUAL 1550-07 GUS © 2007 Gibson Guitar Corp. To the new Gibson owner: Congratulations on the purchase of your new Gibson electric guitar—the world’s most famous electric guitar from the leader of fretted instruments. Please take a few minutes to acquaint yourself with the information in this booklet regarding materials, electronics, “how to,” care, maintenance, and more about your guitar. And then begin enjoying a lifetime of music with your new Gibson. The Components of the Solidbody Electric Guitar 4 Gibson Innovations 6 The History of Gibson Electric Guitars 8 DESIGN AND CONSTRUCTION Body 13 Neck and Headstock 13 Pickups 14 Controls 15 Bridge 17 Tailpiece 18 CARE AND MAINTENANCE Finish 19 Your Guitar on the Road 19 Things to Avoid 20 Strings 21 Install Your Strings Correctly 22 String Gauge 23 Brand of Strings 23 NEW TECHNOLOGY The Gibson Robot Guitar 24 64 Strap Stopbar Tune-o-matic Three-way 12th Fret Button Tailpiece Bridge Pickups Toggle Switch Marker/Inlay Neck Fret Fingerboard Nut Headstock The Components of the Solidbody Electric Guitar Featuring a Les Paul Standard in Heritage Cherry Sunburst Input Jack Tone Volume Binding Body Single Truss Machine Tuning Controls Controls Cutaway Rod Heads Keys Cover 57 Strap Stopbar Tune-o-matic 12th Fret Button Body Tailpiece Bridge Pickups Neck Marker/Inlay Fret Fingerboard Nut Headstock Three-way Toggle Switch The Components of the Solidbody Electric Guitar Featuring a V-Factor Faded in Worn Cherry Input Jack Tone Volume Pickguard Truss Machine Tuning Control Controls Rod Heads Keys Cover 6 Here are just a few of the Gibson innovations that have reshaped the guitar world: 1894 – First archtop guitar 1922 – First ƒ-hole archtop, the L-5 1936 – First professional quality electric guitar, the ES-150 1947 – P-90 single-coil pickup introduced 1948 – First dual-pickup Gibson, the ES-300 1949 – First three-pickup electric, the ES-5 1949 – First hollowbody electric with pointed cutaway, the ES-175 1952 – First Les Paul guitar 1954 – Les Paul Custom and Les Paul Jr. -
Client Price List.Pdf
Page 1 Price List.xls Brand Model DESCRIPTION Retail Price GUITARS CLASSIC GUITARS STARFIRE SAC31 1/8 SIZE 523.09 STARFIRE SAC34 1/2 SIZE 523.09 STARFIRE SAC36 3/4 SIZE 523.089 STARFIRE SAC39 4/4 SIZE 654.189 SUZUKI SG1B 1/2 SIZE NYLON STRING GUITAR WITH BAG 916.389 SUZUKI SG2B 3/4 SIZE NYLON STRING GUITAR WITH BAG 916.389 SUZUKI SG3B 4/4 SIZE NYLON STRING GUITAR WITH BAG 916.389 SUZUKI SCG6CE CLASSIC 4/4 SIZE EELECTRIC CUTAWAY GTR W/NYLON BAG 1566.645 SUZUKI SCG36CE CLASSIC 4/4 SIZE EELECTRIC CUTAWAY GTR W/NYLON BAG 1566.645 ARIA AKN15 CLASSIC 1047.489 ARIA AK20 CLASSIC - 1/4, 1/2, 3/4 1173.35 ARIA AK30 CLASSIC 1566.65 ARIA AK35 CLASSIC 2091.05 ARIA AC25 CLASSIC PRO MADE IN SPAIN - CEDER TOP 6548.445 ARIA AC25CE CLASSIC WITH FISHERMAN PICK UP & EQ 9301.545 ARIA AC35 CLASSIC PRO MADE IN SPAIN - CEDER TOP 8383.845 ARIA AK30CE CLASSIC - WITH PICK UP & EQ. 2615.45 ARIA AC35CE CLASSIC WITH FISHERMAN PICK UP & EQ 10612.545 ARIA AC50SP CLASSIC PRO MADE IN SPAIN - CEDER TOP 11792.445 ARIA AC50CE CLASSIC WITH FISHERMAN PICK UP & EQ 9437.889 ARIA AC70F FLAMENGO CLASSIC MADE IN SPAIN - CEDER TOP 10219.245 ARIA AC70FCE FLAMENCO CLASSIC MADE IN SPAIN - WITH CUTAWAY AND PICKUP 17429.745 ARIA AC80SP CLASSIC PRO MADE IN SPAIN - SPRUCE 18740.745 ARIA AK45 CLASSIC 2163.15 ARIA AK40 CLASSIC-SPRUCE TOP 1304.445 WASHBURN C40 CLASSIC ACOUSTIC GUITAR 1965.189 WASHBURN C44CE CLASSIC ACOUSTIC ELECTRIC GUITAR 2746.545 WASHBURN C80S CLASSIC ACOUSTIC GUITAR 2615.445 WASHBURN C64SCE CLASSIC ACOUSTIC GUITAR 3800.589 WASHBURN ACB40PROWAK AON CLASSIC ELECTRIC BASS -
Bass Guitar Owner's Manual Bass Guitar Configuration
Bass Guitar Owner's Manual Bass Guitar Configuration 4 5 6 3 11 7 8 9 10 3 12 1. Volume 7. Position Markers 2. Tone Controls 8. Fret 3. Strap Button 9. Fingerboard 4. Bridge 10. Nut 1 5. Bridge Pickup 11. Tuning Keys 2 6. Neck Pickup 12. String Retainer Control Configuration blend treble tone bass volume bridge volume treble tone neck volume neck volume bridge volume tone Congratulations So, you are the owner of a new Peavey Bass Guitar. Congratulations! Your purchase proves your taste in musical instruments is superb. Peavey offers a wide variety of bass guitars for beginners to professionals, each with unique qualities and features. While our professional luthiers have carefully inspected your guitar, every model requires some initial setup, and periodic maintenance is required for peak performance. To ensure proper care of your quality instrument, visit www.peavey.com/accessories for Peavey-recommended accessories, parts and cleaning supplies. Cleaning & Care When properly cared for, your Peavey bass will offer you years of pleasure. Playing your bass means that you will need to perform regular, general maintenance, such as cleaning and proper storage, to keep it looking and sounding great. Every time you play your bass, body oils and perspiration are transferred to the body, back of the neck, headstock, fingerboards, strings, tuners, pickups and bridge. After you finish performing, but before you put your bass away, take a moment to remove these contaminants. Cleaning - Wood To clean and care for the major wood parts of your bass guitar (body, headstock and the back of the neck), Peavey recommends that you use a clean, soft, lint-free, dry cotton cloth and the specially formulated guitar polish available at www.peavey.com/acces- sories. -
Guitars, Keyboards Wind/Brass Instruments and Accessories ROL-243 61-Key Keyboard with LCD Display
www.rollinsguitar.com Guitars, Keyboards Wind/Brass Instruments and Accessories ROL-243 61-key keyboard with LCD display Touch sensitivity. Metronome. MIDI Output. Vibrato/Sustain/Transpose. 128 Rhythms/128 Timbres. One-key/Ensemble. 61 keyboard percussion. Headphone Jack/Speaker Outputs(L/R)/MIDI 15 Demonstration Songs. Output Jack. Volume Control/Tempo Control. Keyboard Split Feature. Record and playback. Memory function: M1/M2/M3. Single Finger/Fingered Chord/Full Chords. AC/DC Adaptor Included. Rhythm Programming Function/Sync/Fill-in/Intro/ Ending. 2 www.rollinsguitar.com ROL-343 61-key keyboard with LCD display USB Capability/MIDI(USB line is included). Programming Editing/Intro/Ending/Fill-in. Touch sensitivity. Metronome. 128 Rhythms/128 Tones. Vibrato/Sustain/Transpose/Tune. 8 panel percussion & 61 keyboard percussion. 3-Lesson Feature:One-key/Follow/Enesmble. 30 Demonstration Songs. Headphone Jack/Speaker Output(L/R). Volume Control/ Tempo Control. AC/DC Adaptor Included. Record and playback. Chord Accompaniment: Single-finger,Bass. www.rollinsguitar.com 3 ROL-443 61-key keyboard with LCD display USB Capability/MIDI(USB line is Metronome. included). Vibrato/Sustain/Transpose. Touch sensitivity. 3-Lesson Feature: Lesson 1/Lesson 2/Lesson 200 Rhythms/162 Timbres. 3/Left&Right Hand Lesson Mode. 8 panel percussion & 61 keyboard Headphone Jack/Speaker Outputs (L/R)/Sus- percussion. tain Pedal Jack. 100 learning songs & 2 Demo Songs. Keyboard Split Feature. Volume Control/ Tempo Control. Memory function: M1/M2/M3/M4/M5/M6 Record and playback. Pitch Bend/Vibrato Bend. Chord Function/Chord Dictionary. AC/DC Adaptor Included. Programming Editing/Sync/Fill in A & B/Intro/ Ending/Fade in/Fade Out. -
5.16 Patents Und Inventions
5-208 5. Magnetic pickups 5.16 Patents und inventions 5.16.1 American Patents (selection) 1890 435679 Breed: the first guitar pickup? 1890!! 1927 1933299 Vierling: piano-pickup (PU) 1929 1839395 Kauffman: tremolo (vibrato-unit) 1929 1838886 Tuininga: violin-HB 1930 2027073 Vierling: piano-PU (see also 1933299) 1931 1906607 Jacobs: piano-PU 1931 1915858 Miessner: piano-PU 1931 1978583 Kentner: piano-PU 1934 1941870 Severy: synthesizer 1934 2020557 Loar: guitar with structure-borne-sound-PU 1934 2025875 Loar: guitar with structure-borne-sound-PU 1934 2089171 Beauchamp: Rickenbacker Frying Pan, Horseshoe-PU 1935 2026841 Lesti: PU w/out permanent magnet 1935 2119584 Knoblaugh: stacked HB w/out permanent magnet 1936 2087106 Hart/Fuller (Gibson): Charlie-Christian-PU 1936 2170294 Dopyera: National Hawaiian guitar, Blade-PU 1936 2152783 Beauchamp: Rickenbacker Electro Spanish Guitar, Horseshoe-PU 1937 2175325 Sunshine/Epiphone: "Oblong Pickup" 1938 2145490 Miller (Gibson): further development of 2087106 1938 2241911 Kauffman: motorized tremolo for steel-guitar 1939 2262335 Russell: HB w/horseshoe-magnet 1940 2261358 Fuller (Gibson): retrofit-PU 1940 2294861 Fuller (Gibson): retrofit-PU 1944 2455575 Fender/Kauffman: Solidbody guitar w/PU 1946 2455046 DeArmond: PU "Type-1000" 1948 2542271 Alvarez: Piano-HB 1948 2567570 McCarty (Gibson): PU within the pickguard 1948 2686270 Ayres: piano-HB 1949 2557754 Morrison: Solidbody guitar w/PU potted in wax, 6 cylindrical magnets 1950 2573254 Fender: Telecaster-precursor 1950 2612072 DeArmond: PU w/6 adjustable -
Fender Bass Guitars
FENDER® BASS GUITARS MAKE HISTORY 82 Fender® Frontline In-Store | 2009 Fender® Frontline In-Store | 2009 83 Fender® Electric Basses ARTIST ARTIST Fender® Electric Basses STEVE BAILEY JAZZ BASS® VI MARCUS MILLER JAZZ BASS® When you play this bass you’re in good company with Steve Bailey himself, a pro bassist’s pro The Marcus Miller Jazz Bass® guitar delivers one of the most distinctive voices in the history of bassist, bass teacher and instructional author with a diverse and stellar list of performing and bass. An ash body coupled with a one-piece maple neck (7.25” radius) is accented with eye- recording credits that includes Dizzy Gillespie, the Rippingtons and Jethro Tull. The Fender® catching white binding and Pearloid block inlays on a maple fingerboard. Marcus’ signature Steve Bailey Fretless Jazz Bass® VI is a phenomenal vehicle for self expression that offers you black pickguard/control plate houses a unique active preamp with a mini-toggle active/passive the opportunity to explore a virtually limitless tonal palette in the quest of defining your own switch. A string-through-body or top-load bridge and chrome neck pickup cover top off the voice on the instrument. From silky singing cello-like tones, to the thundering bottom end that feature set of this signature bass. Deluxe gig bag included. only a beautifully executed low “B” string can produce, this instrument is the finest example of Part # Description MSRP the marriage of art and engineering. Features include a select alder body, a quartersawn maple 300 (3-Color Sunburst) neck -
Bridge Tailpiece Vintage Vibrato Bridge Bridge
Manual_artcoreAUG03618 04.9.28 9:51 AM ページ 1 Maintenance ➣➣ NECK Vintage Vibrato ➣➣ Bridge ➣➣ Ibanez steel string models are equipped with adjustable truss rods. The purpose of a truss rod is to adjust the neck to counteract string tension. There are many reasons FXB-50 Our congratulations and deepest thanks on (B) (B) for truss rod adjustments. One of the most frequent reasons is changing string (B) The strings are installed by putting the ball end gauges or tuning pitch which can affect string tension. String tension changes may into the slot (A) and hooking the ball end below (A) (A) (A) making Ibanez your choice of instrument. affect the string height and cause fret buzz or notes that don’t ring true. To adjust the the string catch (B). (B) truss rod, locate the truss rod nut and adjust it by inserting the correct wrench into Ibanez standards are second to none. All Ibanez the nut and tightening (clockwise) or loosening (counter clockwise) the rod. Truss rod tension can be measured by installing a capo at the first fret the holding the strings VBX60 VBS80 VBF70 instruments are set up to our strict quality down at the fret position where the neck joins the body. Insert a thickness gauge To raise or lower the string action, insert the correct Allen wrench into the screw (A) at the (A) between the string and the fret at the 8th fret. There should between 0.3 mm to For best results we recommend replacing one string at a time. This will help to control standards before shipping. -
7 Common Mistakes When Buying a Beginner Guitar
7 common mistakes when buying a beginner guitar 1. Getting the wrong sound – Classical, Acoustic or Electric? You have 3 basic choices of sound when you buy a guitar – Nylon String Classical, Steel String Acoustic and Electric. A lot of people believe that the best choice is to start on an Acoustic Guitar and build up to an Electric Guitar. However, I think it’s really about getting the sound that you want. If you like AC/DC, Green Day, or say the Foo Fighters, you really need an Electric Guitar to get the sound you want. If you like Jack Johnson, Ben Harper or Taylor Swift, An acoustic could be a good choice. Nylon string guitars sound great for flamenco music, classical music and a lot of traditional music. But they aren’t a great choice for pop music. Having said this, if it’s for a child under 12 we normally do recommend a nylon string as it’s easier for them to press the strings down. Young boys can be little better then young girls as this, so if you have a rough and tumble boy he might be able to handle steel strings earlier than a young girl. If you’re not sure what type of guitar is best for you, then just think of the music that you like to listen to the most, and call or email us. We will give you a personalized recommendation. 2. Getting the wrong size This is something that a lot of people get wrong. Electric Guitars are much smaller than Steel string acoustic guitars and Nylon String classical guitars, they can basically be used by most people, but you do need to consider the extra weight. -
1.5.10.1 Machine Heads for Classic Guitar
1.5 parts 1.5.10 machine heads 1.5.10.1 machine heads for classic guitar machine heads for classic guitar,metal shaft, 3x left+3x right, 70mm machine heads for classic guitar, double drilled metal shaft, 3x left+3x right, 11044 028 70mm 11993 028-2M metal buttons 9410 028-2 machine heads for classic guitar, nylon shaft, 3x left+3x right, 70mm machine heads for classic guitar, nylon shaft, 3x left+3x right, 70mm, gold, 34848 126-P pearloid buttons 34849 127-PG pearloid buttons machine heads for classic guitar, nylon shaft, 3x left+3x right, 70mm machine heads for classic guitar, nylon shaft, 3x left+3x right, 70mm, nickel 982 128 plastic buttons 983 129 pearloid buttons 11048 128-P pearloid buttons 984 129-P pearloid buttons 14631 129-B butterfly buttons machine heads for classic guitar, nylon shaft, 3x left+3x right, 70mm, gold machine heads for classic guitar, nylon shaft, 3x left+3x right, 70mm, solid 11054 129-G pearloid buttons brass 14630 129-PG pearloid buttons 11994 130-SB wood buttons 11053 129-BG butterfly buttons 1.5.10.1. - 1 133 1.5 parts 1.5.10 machine heads 1.5.10.1 machine heads for classic guitar machine heads for classic guitar, nylon shaft, 3x left+3x right, 70mm, nickel machine heads for classic guitar, nylon shaft, 3x left+3x right, 70mm, gold 14639 131 pearloid buttons 11995 131-G pearloid buttons 14632 131-P pearloid buttons 14633 131-PG pearloid buttons 14634 131-B butterfly buttons 14635 131-BG butterfly buttons machine heads for classic guitar, nylon shaft, 3x left+3x right, 70mm, machine heads for classic guitar, nylon shaft, 3x left+3x right. -
2013 Fender Bass Guitar Owner's Manual
OWNER’S MANUAL For Fender Bass Guitars 2 LANGUAGES Si necesita acceder a los manuales de Das Fender Bedienungshandbuch für Gitarren instrucciones de las guitarras en Español, in Deutsch, finden Sie auf unserer Website visite nuestra página web http://www.fender.com/support http://www.fender.com/support Se desejar ler o manual do proprietário Vous trouverez le mode d’emploi des Fender para guitarras em português, por favor, guitares Fender® en français sur le site Internet visite nosso website em http://www.fender.com/support http://www.fender.com/support Il manuale d’uso delle Chitarre Fender in 日本語のギター用 Fender オー ナ ーズ・マニ Italiano disponibile nel nostro sito web ュ ア ル は 、弊 社 の ウ ェ ブ サ イ ト http://www.fender.com/support http://www.fender.com/support をご参照ください。 3 CONGRATULATIONS … On your new Fender® electric instrument. Connect with us and other Fender players You’re now part of a worldwide family of worldwide by becoming part of the Fender Fender musicians inspired by an expansive online community. Create your own profile musical future and connected to more than and receive updates on music news, new half a century of heritage. The sound of Fender products, events, promotions and more. Visit is heard everywhere. It’s the culmination of www.fender.com for more information. musical expression that drives the sound of modern music. You can now contribute your Thank you, and enjoy your new Fender instrument! sound with unlimited musical imagination and creativity. Pick up your instrument and let it take you where you want to go.