Skyrocket! the Band

Total Page：16

File Type：pdf, Size：1020Kb

SKYROCKET! STAGE PLOT (preferred stage size: 16’ x 24’, minimum size 12’ x 20’) FOH MIX POSITION: IN FRONT OF STAGE or BACK OF HOUSE Monitor (Darin) Guitar Amp Bass Amp Guitar Amp Floor [VOX ] vocal mic tom [Deluxe] mono D.I. for sampler mic line mic tom snare drum Key- tom board tom [Nord] tom (mono D.I.) Bass Drum conga Guitar Amp stand [Princeton] mic (w/claw) mic Keyboard Amp Keyboard (mono D.I.) acoustic guitar D.I. Vocal mic Vocal mic Vocal mic Vocal mic Monitor Monitor Monitor Monitor (Johnny) (Ben) (Trish) (Paul) Inputs Power Requirements: Four (4) dedicated 20 amp circuits Mics Preferred Stage Size: 16’ x 24’ x 2’ 1 Kick drum Minimum Stage Size: 16’ x 20’ x 1’ 2 snare top 3 Hi hat MIX CONSOLE MUST BE FRONT OF HOUSE, not side 4 rack tom 1 of stage. 5 floor tom 1 6 floor tom 2 Monitors 7 conga Minimum five (5) floor wedges, one for each mic position 8 bass Mixes: 9 Guit Stage Right (1) Stage right: Johnny vocal, plus 50% of other 10 Guit Center Stage vocalists, kick drum 11 Guit Stage Left (2) Right Center: Benjamin vocal 12 Acoustic (3) Left Center: Trish vocal plus 50% of other vocalists, 13 Keys Down stage right acoustic guitar 14 Keys Up stage Right (4) Stage Right: Paul vocal plus 50% of other vocalists, 15 Sampler Paul guitar 16 Empty (5) Drums: Darin vocal plus 50% of other vocalists, kick 17 Johnny vocal drum, drum sampler, acoustic guitar 18 Benjamin vocal *On larger stages we may need 7 monitors 19 Trish vocal 20 Paul vocal Lighting 21 Darin vocal Minimum eight (4) Par 56 flood lamps, assorted color filters, 22 Overhead right four on stage right and four on stage left. 23 Overhead Left Direct Inputs 1Sampler D.I. 1 acoustic guitar D.I. 2 keyboard D.I.s TOTAL: 23 BACKLINE: GUITARS and KEYBOARDS (if a booking requires air travel) Drums Ludwig Classic Maple* 22” kick, 12” tom, 14” and 16” floor Fender American Standard HSS Stratocaster Guitar toms, 6.5”x14” snare Gibson J-45 Guitar Zildjian or Sabian cymbal pack w/20” ride, 18” and 16” Gibson SG Standard Guitar crash, 14” hi hats, 1 china Fender Precision Bass (or Jazz Bass) 4 boom cymbal stands, 1 hi-hat stand, 1 short snare stand, Paul Reed Smith David Grissom model OR Gibson Les 1 kick drum pedal Paul Standard Guitar 2 tall concert snare stands (1 for the Sampler and 1 for the NORD Electro 73 keyboard Conga) 1 drum throne *If available. Gretsch, Tama or DW are acceptable alternatives. Amplifiers: 1 VOX AC30 guitar amp 1 FENDER Deluxe Reverb guitar amp 1 FENDER Princeton Reverb guitar amp 1 ASHDOWN ABM 500 amplifier head + 4X10 cabinet OR GALLIEN-KRUEGER 700RB head + 4x10 cabinet 1 ROLAND KC-550 keyboard amp w/minimum 2 channels Accessories: 4 electric guitar stands 1 acoustic guitar stand 1 music stand (to support Apple MacBook Pro) 2 additional drum thrones for keyboards 2 Quick Lock keyboard stands .

Copy Link

Recommended publications

Valve Biasing
VALVE AMP BIASING Biased information How have valve amps survived over 30 years of change? Derek Rocco explains why they are still a vital ingredient in music making, and talks you through the mysteries of biasing N THE LAST DECADE WE HAVE a signal to the grid it causes a water as an electrical current, you alter the negative grid voltage by seen huge advances in current to flow from the cathode to will never be confused again. When replacing the resistor I technology which have the plate. The grid is also known as your tap is turned off you get no to gain the current draw required. profoundly changed the way we the control grid, as by varying the water flowing through. With your Cathode bias amplifiers have work. Despite the rise in voltage on the grid you can control amp if you have too much negative become very sought after. They solid-state and digital modelling how much current is passed from voltage on the grid you will stop have a sweet organic sound that technology, virtually every high- the cathode to the plate. This is the electrical current from flowing. has a rich harmonic sustain and profile guitarist and even recording known as the grid bias of your amp This is known as they produce a powerful studios still rely on good ol’ – the correct bias level is vital to the ’over-biased’ soundstage. Examples of these fashioned valves. operation and tone of the amplifier. and the amp are most of the original 1950’s By varying the negative grid will produce Fender tweed amps such as the What is a valve? bias the technician can correctly an unbearable Deluxe and, of course, the Hopefully, a brief explanation will set up your amp for maximum distortion at all legendary Vox AC30.
[Show full text]
W Irin G D Iag Ram S
1 s A 2 3 4 5 B 6 500k ON/ON/ON 7 m 8 9 C 10 11 500k a 12 ON ON 47nF r Jetzt mit Schaltplan zu jeder Schaltung! g a i d 1 2 3 4 5 6 7 nicht mehr ganz so g n kleine Sammlung i r i von Schaltplänen w Version 4.03 WITH AN GERM GLISH EN Y ONAR DICTI NOW! Passive Schaltungen für E-Bässe sowie einige aktive Schaltungen • Historische Schaltungen • Umbauten & Eigenbauten • Modifikationen • Grundlagen & Theorie • Pläne selbst entwerfen Inhaltsverzeichnis 1 1 Deckblatt 54 1.1.651 Fender Bass V 1965 - 70 2 1 Inhaltsverzeichnis 55 1.1.661 Fender Bass VI 1961 - 75 6 1 Vorwort 56 1.1.666 Fender Bass VI Pawn Shop 2013 x x x 57 1.1.731 Fender P.S. Reverse Jaguar 2012 8 1 Historische Schaltungen 58 1.1.741 Fender La Cabronita Boracho 2012 9 1.1.101 Fender Precision Bass 1951 - 56 59 1.1.771 Fender Roscoe Beck Bass 2004 10 1.1.103 Fender Precision Bass 1952 - 53 60 1.1.811 Fender Coronado I Bass 1966 - 70 11 1.1.106 Fender Precision Bass 1954 61 1.1.821 Fender Coronado II Bass 1966 -72 12 1.1.108 Fender Precision Bass 1955 62 1.1.921 Fender Performer Bass FB-555 1982 13 1.1.121 Fender Precision Bass '51 2003 63 1.2.111 Squier CV 50's P-Bass 04.2008 14 1.1.124 Fender Precision Bass OPB'54 1983 64 1.2.113 Squier CV 50's P-Bass 09.2008 15 1.1.131 Fender Prec.
[Show full text]
HEADRUSH MODELS LIST ALL MODELS and REAL REFERMENT TABLE Headrush Firmware 2.1.1
HEADRUSH MODELS LIST ALL MODELS AND REAL REFERMENT TABLE Headrush Firmware 2.1.1 AMPLIFIERS MODEL NAME TYPE BASED ON 1 59 TWEED BASS Combo Fender ’59 Bassman 2 59 TWEED DELUXE Combo Fender Tweed Deluxe 59 DELUXE GAIN Fender Tweed Deluxe 3 Combo MOD (Gain Mod) 4 59 TWEED PRINCE Combo Fender ’59 Princeton Fender Deluxe Reverb 5 64 BLACK LUX NORM Combo (Normal) Fender Deluxe Reverb 6 64 BLACK LUX VIB Combo (Vibrato) 7 64 BLACK VIB Combo Fender Vibroverb 8 65 BLACK MINI Combo Fender Champ 6w 9 65 BLACK PRINCE Combo Fender Princeton www.robyrocks.it 12.10.2019 - Roby Rocks 65 BLACK PRINCE 10 Combo Fender Princeton Reverb REV Fender Super Reverb 11 65 BLACK SR Combo “Blackface” Fender Twin Reverb 12 67 BLACK DUO Combo “Blackface” 13 67 BLACK SHIMMER Stack Fender Dual Showman 14 66 AC HI BOOST Combo Vox AC30 Top Boost 66 AC HI BOOST Vox AC30 Top Boost 15 Combo MOD (Mod) 16 66 FLIP BASS Stack Ampeg Portaflex B15-N 17 BLUE LINE BASS Stack Ampeg SVT 300w 69 BLUE LINE Ampeg SVT 300w 18 Stack SCOOP (Scooped) 19 65 J45 Stack Marshall JTM45 Marshall Super Lead Plexi 20 67 PLEXIGAS VARI Stack (Variac Mod) Marshall Super Lead Plexi 21 68 PLEXI EL84 MOD Stack (EL34 tubes mod) www.robyrocks.it 12.10.2019 - Roby Rocks Marshall Super Lead Plexi 22 68 PLEXIGLAS 100W Stack 100W Marshall Super Lead Plexi 23 68 PLEXIGLAS 50W Stack 50W Marshall JCM800 24 82 LEAD 800 100W Stack (Normal) 25 82 LEAD 800 50W Stack Marshall JCM800 50w 82 LEAD 800 BASS Marshall JCM800 (Bass 26 Stack MOD Mod) 82 LEAD 800 27 Stack Marshall JCM800 (Bright) BRIGHT 82 LEAD 800 TS Marshall
[Show full text]
Der Verzerrte Gitarrensound Entsteht, Wenn Bei Einem Reinen Gitarrensignal Zusätzliche, Ursprünglich Nicht Enthaltene Teiltöne Hervorgerufen Werden
J. J. Altersberger 2 Distorted Sound. Die Verstärkung [...] Inhaltsverzeichnis 1. Einleitung ..................................................................................................................... 5 1.1 Fragestellung und Zielsetzung.................................................................................... 5 1.2 Vorgehensweise und Methodik .................................................................................. 6 1.3 Untersuchungszeitraum .............................................................................................. 6 1.4 Begriffserklärungen.................................................................................................... 7 1.4.1 Der Sound................................................................................................................ 7 1.4.2 Verzerrung............................................................................................................... 8 1.4.3 Spielweisen............................................................................................................ 10 1.4.4 Die instrumentale Rockmusik im Zusammenhang mit der elektrischen Gitarre... 11 2. Die elektrische Gitarre................................................................................................ 13 2.1 Akustische Gitarre mit Stahlsaiten, die Archtop Gitarre und die Resonator Gitarre 13 2.2 Die Entwicklung der ersten elektromagnetischen Tonabnehmer............................. 15 2.2.1 Das Prinzip des Tonabnehmers ............................................................................
[Show full text]
Metronome Magazine-Boston
•Our 35th Year Proudly Promoting All Things Music• FREE! January 2020 Sparky John Larson & The Silver Fields One Dime Band Paul Gabriel Metro•Scene BERKLEE BULL RUN CITY WINERY 1/8- Stars in Our Midst PERFORMANCE CENTER RESTAURANT Boston, MA. 1/9- Culomba album release Boston, MA Shirley, MA. (617) 933-8047 1/10- Meg Toohey album release (617) 747-2261 (978) 425-4311 1/11- Americana 1/1- Chris Trapper; Sarah Borges 1/12- Masters of Hawaiian Music w/George 1/11- Juan de Marcos and the Afro-Cuban All 1/5- Past Life Regression Circle Brunch w/ 1/2- Lyfe Jennings Kahumoku Jr, Led Kaapana and Kawika Kahiapo Stars Brandie Wells 1/3- Kashmir - Live Led Zeppelin Show; Chad 1/13-Kora Feder and Bella White 1/18- Terence Blanchard and The E-Collective 1/9- the Subdudes Perrone 1/14- Lauren Balthrop & Sean Trischka 1/28- Marcus Prince: Hearts on Fire—I Won’t Be 1/10- Sarah Borges & the Broken Singles 1/4- Wanted: DOA – Bon Jovi Tribute 1/15- Rachel Sumner Band; Pretty Saro Silent 1/16- Kerrville North 1/5- Kindred the Family Soul 1/16, 17 & 18- Boston Celtic Music Festival 1/30- Soundscapes of Spain: From Flamenco 1/17- Ellis Paul 1/7- Jake Clemons (E Street Band) 1/19- Billy, Jimmy & Dave Roots to Fusion featuring Sonia Olla, Ismael 1/18- Steve Forbert; Offtet’s “Midlife 1/8- Avery Sunshine 1/20- Massmouth Story Slam Fernández & Olivia Pérez Monkeyshine” CD release (Ballroom) 1/10- Marc Cohn; Jesse Valenzuela (of the Gin 1/22- Hayley Jane; Giovanina Bucci 1/19- Albert Lee Band Blossoms) 1/23- Taarka 1/24- Deadbeat w/ Guest Mark Karan 1/11- Marc Cohn 1/24- Kemp Harris BLUE OCEAN 1/25- The Fools 1/12- Jon B (Early Show) - 1/12/20 1/25- Les Sampou; Jay Psaros; Julian Rundlett MUSIC HALL 1/13- Chris Mann: Gershwin to Gaga ; Cheikh Lô & Gail Finnie Rundlett Salisbury Beach, MA.
[Show full text]
Fender Princeton Reverb Schematic Aa764
Fender Princeton Reverb Schematic Aa764 WATTS TUBE AUDIO / Your one stop source for guitar amplifier parts & service. We offer quality guitar amplifier parts including custom and reproduction circuit. ProGuitarSh op.com - The Fender Princeton Reverb Reissue is a faithful actually exist, because to date no original Fender AA764 schematic has been found. Fender Vibro ChampSchematics, parts lists, cab plans and info on Fender Vibro Champ Uncle Doug walks us through the similar Fender Princeton Reverb! This video covers all aspects of the Tremolo circuit, from design and function of (Fender. 1964 – 1967 blackface Vibro Champ AA764, 1964 – 1967 blackface Champ AA764 Unlike most other amp models Fender kept the circuit almost unchanged during Like the Princeton Reverb it does not have a bright cap or bright switch. 6A14HP (Similar to a Fender Princeton Reverb. Single channel, 30-35 Classic 100 watt British circuit with a duet of KT88's for that Hi Watt punch) Power: ca. 5 Watt site.triodestore.com/AA764-40-18027-240V-REV2.pdf. Blackface. Fender Princeton Reverb Schematic Aa764 Read/Download Hoffman eyelet boards, Fender style eyelets, Hand wired eyelet boards, Fender, Marshall, 46, Fender, Bronco, AA764 103, Fender, Princeton Reverb, AA1164 There is a large collection of amp schematics and layout diagrams in my. Tungsten Amp Crema Wheat Tweed Deluxe guitarist Greg V. with Fender Nocaster - I can trace the lineage of the Princeton Reverb circuit back to the 5E3. the 6g2, and the 5f1a became the aa764, this is starting to read like Genesis! Free fender layout diagrams. Fender Princeton aa964 layout diagram · Fender Princeton Reverb aa1164 layout diagram · Fender Pro 5c5 layout diagram.
[Show full text]
Sound Productions Backline Rentals Production Smaller Dec
BACKLINE RENTALS DRUM KITS PERCUSSION KEYBOARDS GUITARS GUITAR AMPS BASS GUITARS BASS AMPS GUITAR PEDALS & ACCS. DJ EQUIP. WIRELESS EQUIP. MIXING CONSOLES MISC EQUIP. For quotes & inquiries contact Greg Narkewicz at 972.550.0594 or [email protected] DRUM KITS DW Collectors Series Broken Glass Gretsch Renown Maple Pure Maple Kit Silver Sparkle Kicks : 20’’,22’’,24’’ Kick : 22’’ Rack Toms : 8’’.10’’,12’’,13’’,14’’ Rack Toms : 10’’,12’’ Floor Toms : 14’’,16’’,18’’ Floor Toms : 14’’,16’’ Snare : 14’’X6.5’’ Maple Snare : 14x5 Maple DW Collectors Series Curly Maple Ludwig Classic Maple Natural Finish Red Sparkle Kicks: 20’’,22’’,24’’ Kick : 22’’, 24’’ Rack Toms :8’’,10’’,12’’,13’’ Rack Toms : 10’’ , 12’’, 13’’ Floor Toms : 14’’,16’’,18’’ Floor Tom :2x 16’’ Snare: 14x5 Maple Snare : 6.5x14 Atlas-Pro Hardware Pearl Masterworks Red Sparkle Tama Starclassic Kick : 22’’ Cherry Sunburst Rack Toms : 10’’,12’’,13’’ Kick : 22’’ Floor Toms : 14’’,16’’ Rack Toms : 10’’ , 12’’ Snare : 14x6.5 Maple Signature Floor Tom : 16’’ Snare : 14x5’’ Gretsch Renown Maple Dark Brown Kick : 22’’ Yamaha Custom Recording Birch Rack Toms : 10’’,12’’ Black Hanging Floor Toms : 14’’,16’’ Kick : 22’’ Snare : 14x5 Maple Rack Toms : 10’’,12’’,13’’, 14’’ Floor Tom : 16’’ Snare : 14x7 Birch MoreDRUM KITS Yamaha Generic Kit Red Cymbal Brands Kick : 22’’ Zildjian Rack Toms : 12’’,13’’ Sabian Floor Tom : 16’’ Paiste Snare : 14x6.5 Chrome Yamaha Maple Custom Natural Finish Kick : 22’’ Rack Toms : 10’’,12’’,13’’ Hanging Floor Toms : 14’’,16’’ Snare : 14x4 Maple Yamaha Maple Custom Absolute Electric Blue Kicks : 20’’,22’’ Rack Toms : 8’’,10’’,12’’,13’’ Floor Toms : 14’’,16’’,18’’ Snare : 14x5 Maple Additional Snares Yamaha 13x6 Oak Yamaha 13x6 Brass Ludwig 14x6.5 Black Beauty Ludwig 14x5 Black Beauty Pearl 14x3 Brass Free Floater Mapex 13x5 Maple Pearl 10x5 Firecracker PERCUSSION Percussion L.P.
[Show full text]
5.16 Patents Und Inventions
5-208 5. Magnetic pickups 5.16 Patents und inventions 5.16.1 American Patents (selection) 1890 435679 Breed: the first guitar pickup? 1890!! 1927 1933299 Vierling: piano-pickup (PU) 1929 1839395 Kauffman: tremolo (vibrato-unit) 1929 1838886 Tuininga: violin-HB 1930 2027073 Vierling: piano-PU (see also 1933299) 1931 1906607 Jacobs: piano-PU 1931 1915858 Miessner: piano-PU 1931 1978583 Kentner: piano-PU 1934 1941870 Severy: synthesizer 1934 2020557 Loar: guitar with structure-borne-sound-PU 1934 2025875 Loar: guitar with structure-borne-sound-PU 1934 2089171 Beauchamp: Rickenbacker Frying Pan, Horseshoe-PU 1935 2026841 Lesti: PU w/out permanent magnet 1935 2119584 Knoblaugh: stacked HB w/out permanent magnet 1936 2087106 Hart/Fuller (Gibson): Charlie-Christian-PU 1936 2170294 Dopyera: National Hawaiian guitar, Blade-PU 1936 2152783 Beauchamp: Rickenbacker Electro Spanish Guitar, Horseshoe-PU 1937 2175325 Sunshine/Epiphone: "Oblong Pickup" 1938 2145490 Miller (Gibson): further development of 2087106 1938 2241911 Kauffman: motorized tremolo for steel-guitar 1939 2262335 Russell: HB w/horseshoe-magnet 1940 2261358 Fuller (Gibson): retrofit-PU 1940 2294861 Fuller (Gibson): retrofit-PU 1944 2455575 Fender/Kauffman: Solidbody guitar w/PU 1946 2455046 DeArmond: PU "Type-1000" 1948 2542271 Alvarez: Piano-HB 1948 2567570 McCarty (Gibson): PU within the pickguard 1948 2686270 Ayres: piano-HB 1949 2557754 Morrison: Solidbody guitar w/PU potted in wax, 6 cylindrical magnets 1950 2573254 Fender: Telecaster-precursor 1950 2612072 DeArmond: PU w/6 adjustable
[Show full text]
AT AUCTION FEBRUARY 27 Dear Guitar Collector
GUITARS AT AUCTION FEBRUARY 27 Dear Guitar Collector: On this disc are images of the 284 guitars currently in this Auction plus an additional 82 lots of collectible amps, music awards and other related items GUITARS all being sold on Saturday, February 27. The Auction is being divided into three AT AUCTION FEBRUARY 27 sessions starting at 10am, 2pm and 7pm (all East Coast time.) Session I, at 10am, contains the Delaware Collection of instruments and other music-related objects all autographed by well known musicians. Sessions II and III contain an extraordinary array of fine and exciting instruments starting with Lot 200 on this disc. The majority of lots in this Auction are being sold without minimum reserve. AUCTION Saturday, February 27 Session I – 10am: The Delaware Collection Session II – 2pm: Commencing with Lot #200 The event is being held “live” at New York City’s Bohemian National Hall, a great Session III – 7pm: Commencing with Lot #400 setting at 321 East 73rd Street in Manhattan. For those unable to attend in person, PUBLIC PREVIEW February 25 & 26 the event is being conducted on two “bidding platforms”… liveauctioneers. Noon to 8pm (each day) com and invaluable.com. For those who so wish, telephone bidding can easily be arranged by contacting us. All the auction items will be on preview display LOCATION Bohemian National Hall 321 East 73rd Street Thursday and Friday, February 25 and 26, from 12 noon to 8 pm each day. New York, NY Please note that this disc only contains photographic images of the items along ONLINE BIDDING Liveauctioneers.com Invaluable.com with their lot headings.
[Show full text]
Fender Bass Guitars
FENDER® BASS GUITARS MAKE HISTORY 82 Fender® Frontline In-Store | 2009 Fender® Frontline In-Store | 2009 83 Fender® Electric Basses ARTIST ARTIST Fender® Electric Basses STEVE BAILEY JAZZ BASS® VI MARCUS MILLER JAZZ BASS® When you play this bass you’re in good company with Steve Bailey himself, a pro bassist’s pro The Marcus Miller Jazz Bass® guitar delivers one of the most distinctive voices in the history of bassist, bass teacher and instructional author with a diverse and stellar list of performing and bass. An ash body coupled with a one-piece maple neck (7.25” radius) is accented with eye- recording credits that includes Dizzy Gillespie, the Rippingtons and Jethro Tull. The Fender® catching white binding and Pearloid block inlays on a maple fingerboard. Marcus’ signature Steve Bailey Fretless Jazz Bass® VI is a phenomenal vehicle for self expression that offers you black pickguard/control plate houses a unique active preamp with a mini-toggle active/passive the opportunity to explore a virtually limitless tonal palette in the quest of defining your own switch. A string-through-body or top-load bridge and chrome neck pickup cover top off the voice on the instrument. From silky singing cello-like tones, to the thundering bottom end that feature set of this signature bass. Deluxe gig bag included. only a beautifully executed low “B” string can produce, this instrument is the finest example of Part # Description MSRP the marriage of art and engineering. Features include a select alder body, a quartersawn maple 300 (3-Color Sunburst) neck
[Show full text]
Tonequest Magazine Interview with Tom
Mountainview Publishing, LLC INSIDE the Mambo Sons Tom Guera… 20 Years of Rockin’Tone on stage The Player’s Guide to Ultimate Tone & TM studio $10.00 US, April 2007/VOL.8 NO.6 Report Reviews – 9 The rare Digging for Tones Bassman you really want… the blonde Fender ‘61 6G6 “There’s a basic rule which runs through all kinds of music – kind of an unwritten rule. I don’t know what it is, but I’ve got it.” - Ron Wood The ‘64 AA864 blackface Bassman… affordable, portable, and It is fundamental to the human condition that we constantly strive to improve our lot in life, and still plentiful guitar players are not immune to such urges when it comes to choosing what we play. But how many players possess the confident independence and vision to clear their own path in the quest 11 for tone? It certainly is easier following a clearly marked trail left by others, but the old trails The $400 hybrid blazed by the true pioneers in musical instrument manufacturing have swelled to super highways Marshall 3203 30W… clogged by timid tonefreaks clinging to the middle of the road. And while the aptly named “infor- mation highway” has vividly enhanced our fantasies of perfect tone, it has also fostered a “me 12 too” culture in which individuals seek security and validation in numbers. New from Lindy Fralin, RS Guitarworks & Greg Martin… “Psychebilly” humbuckers & wiring kit inspired by Greg’s ‘58 Les Paul! 15 The Stellartone Tonestyler… 16 tones from a single tone pot! 16 New from Fender… the American & vintage Hot Rod Stratocasters Like the old Tower of Power song, “What Is Hip?” our perceptions of what may indeed be hip 18 are constantly assaulted by stale myths, giddy sycophants drunk on the kool-aid flavor of the Step on this… month, and well-greased marketing campaigns that promote exclusionary images of what is Voodoo Lab essential, cool and bleeding edge.
[Show full text]
Hotone-Ravo-Manuel-Utilisateur-En-69583.Pdf
GUITAR/BASS MULTI-EFFECTS PROCESSOR & USB AUDIO INTERFACE OWNER’S MANUAL Tonebank You can download Tonebank here: RAVO Tonebank is a free tone editor software designed for www.hotoneaudio.com/support RAVO*. It has a friendly, easy-to-use graphical user interface and all edits will be transferred in real time. You can use the RAVO Tonebank software for editing, importing/exporting and sharing your own patches. Connect your RAVO to your computer with a USB cable (sold separately), open the RAVO *Note: RAVO Tonebank is now only compatible with PC. Tonebank software, and ROCK! OWNER’S MANUAL Thank you for purchasing a HOTONE product. Please read this manual carefully to learn about all functions of the RAVO. CONTENTS Precautions 3 Usage Precautions 6 Definitions 7 Panel lntroduction 9 Connections 12 Beginner’s Guide 13 How To Play 13 Bypass/Mute/Tuner Function 15 Loop Function 18 Drum Module 22 1 CONTENTS Advanced Operations 24 Edit Your Own Sound 24 Store 29 Factory Reset 31 Pre-Patch-Select Function 32 Using Expression Pedal 34 Expression Pedal Calibration 38 Using Audio Interface Function 43 Effect Types And Parameters 44 Effect Types List 45 Patch List 88 Drum Rhythm List 98 Troubleshooting 108 Specifications 110 2 Precautions Please observe the following precaution tips to ensure safe use of this unit. Power Considerations Since power consumption of this unit is high, we recommend the use of an AC adapter. If you use batteries, please use alkaline batteries. AC Adapter Operation • Always use a DC9V center negative 500mA AC adapter. Use of an adapter other than that speciﬁed could damage the unit or cause malfunction and pose a safety hazard.
[Show full text]