Experts' Opinions on the Current Touristic Situation in French Polynesia
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Hard Custom, Hard Dance : Social Organisation, (Un)
PETRA M. AUTIO HARD CUSTOM, HARD DANCE SOCIAL ORGANISATION, (UN)DIFFERENTIATION AND NOTIONS OF POWER IN A TABITEUEAN COMMUNITY, SOUTHERN KIRIBATI Academic Dissertation to be publicly discussed, by due permission of the Faculty of Social Sciences at the University of Helsinki, in Auditorium XII of the Main Building, April 17th, 2010, at 10 a.m. PETRA M. AUTIO HARD CUSTOM, HARD DANCE SOCIAL ORGANISATION, (UN)DIFFERENTIATION AND NOTIONS OF POWER IN A TABITEUEAN COMMUNITY, SOUTHERN KIRIBATI Research Series in Anthropology University of Helsinki Academic Dissertation Research Series in Anthropology University of Helsinki, Finland Distributed by Helsinki University Press P.O. Box 4 (Vuorikatu 3 A) 00014 University of Helsinki Finland fax +358-9-7010 2374 http://www.yliopistopaino.fi ISSN 1458-3186 ISBN 978-952-10-6150-9 (paperback) ISBN 978-952-10-6151-6 (PDF) Helsinki University Print Helsinki 2010 To my daughter Oili Raakel Maria CONTENTS List of illustrations vii Notes on names, citations and typographical conventions viii Acknowledgements ix 1. INTRODUCTION 1 Social Differentiation, Undifferentiation and Power in Southern Kiribati 3 Kiribati Introduced 11 The Kiribati Custom 15 Tabiteuea and Its Northern District 17 Tabiteuean Custom and Its Hardness 19 Kiribati Studied 21 Fieldwork and Research Questions 27 The Approach and Course of Chapters 29 2. THE ANCESTOR WITHOUT DESCENDANTS: DIFFERENTIATION AND NOTIONS OF POWER IN TABITEUEA 33 Chiefs Are Forbidden? Myth, history, concept 33 Story of the Story 36 The Story of Kourabi (Karakin Kourabi) 42 Lines of power: The Karongoa clan 46 The apical ancestor: Tematawarebwe the first-born 50 Children of many fathers 52 The twofold ancestor: Akau the younger brother 53 Karongoa clan and power 56 Dualities and Transformation of Power 58 Power in the (Un)making 62 Making men, making chiefs 64 Making women 68 Binding but Not Unbinding: Remaining tabu 76 Power in his things 77 Power in the bones 80 Summary: Differentiation and its cut-off point 83 3. -
Political Reviews • Polynesia 211 Wilkie Olaf Patua Rasmussen References
political reviews • polynesia 211 voting in Dr Terepai Maoate as leader with one proposing as few as seven. by a 4–2 vote. My model called for the northern George successfully fought an appli- group islands to be independent from cation for a High Court injunction by the rest of the Cooks (CIN, 4 July the Maoate faction to prevent him 1998). The government has set aside from holding a dap conference. The nz$100,000 for a commission of conference went ahead, with George inquiry into political reform. Fearing confirmed as leader. The conference that the commission might take a appointed a new executive, leaving the decade to complete its work, Director old executive who stayed with the of the Rarotonga campus of the Uni- Maoate faction to claim that they still versity of the South Pacific John constituted the legitimate Democratic Herrmann, the main protagonist of Alliance Party. After several months of political reform, has called for a refer- tit for tat in the newspapers and the endum on the issue before the next courts, Chief Justice Quilliam found general election. in favor of the Maoate faction on 3 wilkie olaf patua rasmussen April. Almost immediately, Norman George launched the New Alliance Party, and the Democratic Alliance References Party proceeded to hold its “proper” CIN, Cook Islands News. Rarotonga. Daily. conference. The opposition remains dogged by CIP, Cook Islands Press. Rarotonga. fragmentation. The Democratic Alli- Weekly. ance Party claims the support of the CIS, Cook Islands Star. Auckland. Fort- majority of successful candidates in nightly. local council and mayoral elections in Parliament of the Cook Islands. -
THE ISLANDS of TAHITI the Big Influencers in the South Pacific Ocean: French Polynesia
Special Report This supplement is printed and This report was produced distributed by the Los Angeles Times in partnership with Media Group. It does not involve the editorial staff of Los Angeles Times. One World Media. 2019 TAHITI COME DISCOVER THE TREASURES: Tahiti is one of the most coveted leisure destinations in the world! Find the Mana: in search of the Polynesian Soul also for business THE ISLANDS OF TAHITI The big influencers in the South Pacific Ocean: French Polynesia ocated in the center of the “Another very real asset is our people”, Southern Pacific Ocean, Tahiti adds President Fritch, “The liveliness of our is the largest island of the people and our deep cultural roots make Windward group of French this country one of a kind, with men and Polynesia. Featuring world women eager to be producers, or partners, renowned black sand beaches or workers”. and clear blue seas, it has long been the One of the most difficult challenges Lcultural, economic and political center of the the country faces today has to do with country, as well as a hotspot for international modernization. In a global economy where tourism. technology plays an important role, many Having previously been a French colony, developing countries are struggling to keep today French Polynesia is considered France’s up with the pace. “Digital networks have only Country Abroad, entitling the territory become as important to countries as are to have more independence, with their own roads, ports and airports”, says President President and complete control over their Fritch, “This is why we are improving our economy and currency, the CPF Franc. -
Du Premier Au Second Gouvernement Temaru: Une Annee De Crise Politique Et Institutionnelle
1 DU PREMIER AU SECOND GOUVERNEMENT TEMARU: UNE ANNEE DE CRISE POLITIQUE ET INSTITUTIONNELLE EmmanuelPie Guiselin * Il arrive parfois que le temps politique s’accélère. Pour la Polynésie française, une page clef de l’histoire vient de s’écrire avec le retour au pouvoir de l’Union pour la démocratie (UPLD) et de son leader Oscar Temaru. Ce retour est intervenu à la faveur des élections partielles du 13 février 2005, moins de cinq mois après que le premier gouvernement Temaru ait été renversé par une motion de censure. Entre l’UPLD et le Tahoeraa Huiraatira, entre Oscar Temaru et Gaston Flosse, le cadre statutaire et le mode de scrutin ont constitué la toile de fond d’un combat plus profond mettant aux prises légalité et légitimité. Sometimes the political tempo of a country speeds up. In the case of French Polynesia, a major chapter in its history was written with the return to power of the Union for Democracy party (UPLD) and its leader Oscar Temaru. This came about as a result of the partial elections of 13 February 2005, that is less than 5 months after the first Temaru government had been ousted by a censure motion. Between UPLD and Tahoeraa Hiuraatira, between Oscar Temaru and Gaston Flosse, the legal framework and the voting system created the backdrop for a significant battle concerning legality and legitimacy. 27 février 2004, 7 mars 2005 1. Un peu plus de douze mois séparent ces deux dates, la première marquant la promulgation de la loi organique relative au nouveau statut d’autonomie de la Polynésie française 2, la seconde portant présentation du second gouvernement constitué par Oscar Temaru. -
Polynesian Dance in the Hawaiian Tourist Industry In
POLYNESIAN DANCE IN THE HAWAIIAN TOURIST INDUSTRY IN WAIKIKI, 1981 A Plan B Paper Submitted to the Graduate Division of the University of Hawai'i in Partial Fulfillment of the Requirements for the Degree of Master of Arts In Pacific Islands Studies May 1986 by Ricalda Renee Uchiyama Project Committee: Barbara B. Smith, Chairman Judy Van Zile Deborah Waite HEMO TO: Dr. Kiste FROM: Barbara Smith 17/W Attached is FORH VI for Ricalda Renee Uchiyama. The signatures indicate approval of her PLAN B paper. (If, in fact, she still has another requirement(s) for the degree, the date on the title page of this paper could be changed if she doesn't 'make it' for May degree award. I have a few sheets of the bond paper on which the deposit copy is xeroxed.) Table of Contents Chapter I: Introduction ••.••.•. .. 1 1.1 Purposes and Methods .. .. ... 2 1.2 Guide to Presentation •• 4 Note to Chapter I 6 Chapter II: The Organization of a polynesian Show ••• .... · .. 7 2.1 Shows Included in This Study. • • 7 2.1.1 "A" Kalo's South Sea Review •••• 7 2.1.2 "B" Kamoiwa • 7 2.1.3 "e" Kodak Hula Show · · · · · · 8 2.1.4 "D" Palani's Polynesian Extravaganza . · · ·· · · 9 2.1.5 "E" The Royal Hawaiian Lu'au. · 9 2.1.6 lip II Tavana's Polynesian Spectacular . · · · ·· · 9 2.1.7 "G" Tihati's South Sea Spectacular •• •• •. 10 2.1.8 "H" The Young People's Hula Show. ........... 10 2.2 High-Budget, Low-Budget, and Mixed Mixed-Budget Shows •••••••• • 11 2.2.1 High-Budget Shows •• 11 2.2.2 Low-Budget Shows •• • 12 2.2.3 Mixed-Budget Shows • • 13 2.3 Selection and Training of Dancers . -
The Metabolic Demands of Culturally-Specific
THE METABOLIC DEMANDS OF CULTURALLY-SPECIFIC POLYNESIAN DANCES by Wei Zhu A thesis submitted in partial FulFillment oF the requirements For the degree of Master oF Science in Health and Human Development MONTANA STATE UNIVERSITY Bozeman, Montana November 2016 ©COPYRIGHT by Wei Zhu 2016 All Rights Reserved ii TABLE OF CONTENTS 1. INTRODUCTION ......................................................................................................... 1 Historical Background ............................................................................................... 1 Statement oF Purpose ............................................................................................... 3 SigniFicance oF Study ................................................................................................. 3 Hypotheses ............................................................................................................... 4 Limitations ................................................................................................................ 5 Delimitations ............................................................................................................. 5 2. REVIEW OF THE LITERATURE ..................................................................................... 6 Introduction .............................................................................................................. 6 Health Status in NHOPI ............................................................................................. 6 PA – A Strategy -
Moorea,Day 2
一言言作 叉 aノ1・ta IA ORAINA(YO-RAH-NAH)=HELLO MOOREA,DAY 2 FRIDAY, SOCIETY ISLANDS, FRENCH POLYNESIA jANUARY 29, 2016 ALLABOARD 4:30PM M/S PAUL GAUGUIN ARRIVAL PAPEETE フ:30PM Sensualanddynamic・lncrediblyrapidhipmovements,amoreorbarkskirtnashingaround a dancer's legsin a blur of speed, the sound ofdrums dominating dancers and audience alike.Then slower, wilh a ukulele bringing a melody and voices singing while ripplingj supple hands tella story. Fragrant flowers,adoming the long black hairof the vahine, geometric and stylizedtattoos tra(:ingthe muscles of the warrior-liketane. These are the sights andsounds that have made ・Ori Tahiti or Tahitian dance famous throughout the world. 仙edan(e forms of the difFerent Polynesian lslands may well be as old as the Polynesians themselves, Polynesians whom many archeologists pla(e among the French Polynesian island archipelagoes around the time of Christ,and on the island of Tahiti itselfsome l,200 years ago, Be(ause the Polynesian cultures have always been oral ones, with primarily ephemeral art forms, and because thispassing of knowledge was badly shattered by the arrivalof Europeans and the European diseases that laid waste to the population, wedo not know for sure. We do know that these dances shocked, delighted,and awed the first Europeans to arrivein the mid,1700s.They certainlyappalled the missionaries who arrived in l797,and as these missionaries gained power and innuence, the dan(es were outlawed, and went underground for well over a century・ Although much was(ertainly lost during this period, dance was saved from oblivion by those who dan(ed in secret,and by those from islands farther from the center of European innuence.lnthe1950s,a renaissance of Tahitian dance began, led by Madeleine Moua, who restored to 'OriTahitiitsdignityandprideofplaceatthecenterofTahitianculture. -
The Social Meanings of Hula
The social meanings of hula Hawaiian traditions and politicized identities in Hilo Eilin Holtan Torgersen Thesis submitted in partial fulfilment of the M.A. degree Department of Social Anthropology, University of Bergen June 2010 Front cover photograph: “Hula - Na 'Olelo O Ka Pu'uwai, Hula - The Language Of The Heart: Champion dancer Haunani Paredes moves to the chant Kui Wailua , from the legend of Pele, the Fire Goddess, and Pele's sister, Hi'iaka” (Braun 2008), used with the permission of the photographer. © Randy Jay Braun, http://www.randyjaybraun.com/woh.html. 2 Hula is the language of the heart, therefore the heartbeat of the Hawaiian people - King David Kal ākaua 3 Contents Acknowledgements ....................................................................................................................6 Chapter One: Introduction Introduction.................................................................................................................................8 Central themes and problems......................................................................................................9 Resistance, identity and the continuity of cultural forms..............................................10 Knowledge, blood and Hawaiian identity.....................................................................13 Existing research on hula dance................................................................................................14 Methodology.............................................................................................................................16 -
1 Scenarios of Encounter: Place, Performance, and Commemoration
Scenarios of Encounter: Place, Performance, and Commemoration in Tūranganui-a-Kiwa and London Huw Alun Rowlands Submitted for the degree of Doctor of Philosophy Department of Geography Royal Holloway, University of London 2020 1 Declaration of Authorship I, Huw Rowlands, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: ___ ______________ Date: _____14 December 2020______________ 2 Acknowledgements I offer my thanks to Professor Felix Driver – I greatly value the huge contribution your experience and unfailingly positive support have made to my learning over the past six years; to Professor Helen Gilbert – your precise and thoughtful interventions have always brought clarity and renewed motivation to my work on this thesis; and to the numerous members of Royal Holloway, University of London’s Social, Cultural, and Historical Geography community amongst whom I have been privileged to work – I have enjoyed and benefited from your enthusiasm, knowledge, and generosity. I offer my thanks to the Technē AHRC Doctoral Training Partnership for the studentship and for their outstanding support, to RHS for a field work grant, and to the British Library and William Frame for the opportunity to undertake a three-month placement in support of work on the Library’s exhibition James Cook: The Voyages. I offer my thanks to everyone who participated in interviews and conversations; your knowledge, wisdom, and experience are woven into this -
Hawai'i: Cosmopolitan Culture at the Crossroads of the Pacific Richards
Hawai'i: Cosmopolitan Culture at the Crossroads of the Pacific RichardS. Kennedy W"ith Lynn Martin The Hawaiian Islands are at the same time rupted these direct relationships but this one of the most isolated spots on the globe understanding has been kept alive in some and one of the most cosmopolitan. Travel of the cultural traditions of the Hawaiian guides and most authoritative studies of people. In music and dance, the presenta Hawai'i often gloss over these critical con tion of the lei and the reverence felt for the tours of the state's landscape. While isola gift of a quilt, we can still discover a respect tion is becoming a less useful term to distin for the land and aloha for one's neighbor. guish cultural characteristics in this global Both values remain as vital expressions of village of satellite relays and facsimile com the uniqueness of the state of Hawai'i. munications, the geographic position of Hawai'i in the Pacific basin has shaped the history of the islands from their discovery Proverbial sayings, 'olelo no 'eau, learned and first settlement over 1, 500 years ago up orally and passed down from generation to to the present day. In the past hundred and generation, are important in traditional Ha fifty years, however, the strategic location of waiian culture. By far the largest number of the islands has made Hawai'i a crossroads these sayings describe aloha 'Ziina, love or through which the people of the world have respect for the land. A similar concern for passed. -
Annual Report 2010
ANNUAL REPORT 2010 Front Cover Photographs (courtesy of) Roadshow in Guam Sandra Low Henry Tam & Donna Haliday (New Zealand) Southern Exposure Commonwealth Games Bronze Medalists Badminton Australia Kate Wilson-Smith/He Tian Tang (AUS) 2010 Annual Report www.oceaniabadminton.org Page 2 OFFICE BEARERS Executive Board Nigel Skelt New Zealand (President) Geraldine Brown Australia (Deputy President) Warren Yee Fiji Lynne Scutt New Zealand Loke Poh Wong Australia Toala Pule Risale Samoa Mathieu Dufermon New Caledonia Office Staff Corinne Barnard Chief Operating Officer Tony Mordaunt Regional Development Manager (left July 2010) Nadia Bleaken Regional Development Manager (started Sept 2010) Bob Lindberg Bookkeeper Delegates Nigel Skelt BWF Vice President Geraldine Brown BWF Women in Badminton Committee Peter Cocker BWF Technical Officials Commission Tania Luiz BWF Athletes Commission Life Members Heather Robson 2010 Annual Report www.oceaniabadminton.org Page 3 Committees Technical Officials Peter Cocker (Australia) (Chair) Yogen Bhatnagar (Australia) Lynne Nixey (New Zealand) Rob Denton (New Zealand) Events Ian Williamson (New Zealand) Julie Carrel (New Zealand) Kristine Thomas (Australia) Corinne Barnard (Oceania) Players Advisory Group Glenn Warfe (Australia) (Chair) Andra Whiteside (Fiji) Donna Haliday (New Zealand) Women in Badminton Geraldine Brown (Australia) (Chair) Violet Williams (Fiji) Denise Alexander (New Zealand) Ashleigh Marshall (Australia) Rhonda Cator (Australia) Corinne Barnard (Oceania) Nadia Bleaken (Oceania) International -
General Assembly Distr.: General 8 January 2021 English Original: French
United Nations A/AC.109/2021/7 General Assembly Distr.: General 8 January 2021 English Original: French Special Committee on the Situation with regard to the Implementation of the Declaration on the Granting of Independence to Colonial Countries and Peoples French Polynesia Working paper prepared by the Secretariat Contents Page The Territory at a glance ......................................................... 3 I. Constitutional, political and legal issues ............................................ 5 II. Economic conditions ............................................................ 8 A. General ................................................................... 8 B. Agriculture, pearl farming, fisheries and aquaculture ............................. 9 C. Industry .................................................................. 9 D. Transport and communications ............................................... 10 E. Tourism .................................................................. 10 F. Environment .............................................................. 10 III. Social conditions ............................................................... 11 A. General ................................................................... 11 B. Employment .............................................................. 11 C. Education ................................................................. 12 D. Health care ................................................................ 12 IV. Relations with international organizations and