Zarathustra: a God That Can Dance
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The Transformation of Pushkin's Eugene Onegin Into Tchaikovsky's Opera
THE TRANSFORMATION OF PUSHKIN'S EUGENE ONEGIN INTO TCHAIKOVSKY'S OPERA Molly C. Doran A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2012 Committee: Eftychia Papanikolaou, Advisor Megan Rancier © 2012 Molly Doran All Rights Reserved iii ABSTRACT Eftychia Papanikolaou, Advisor Since receiving its first performance in 1879, Pyotr Il’yich Tchaikovsky’s fifth opera, Eugene Onegin (1877-1878), has garnered much attention from both music scholars and prominent figures in Russian literature. Despite its largely enthusiastic reception in musical circles, it almost immediately became the target of negative criticism by Russian authors who viewed the opera as a trivial and overly romanticized embarrassment to Pushkin’s novel. Criticism of the opera often revolves around the fact that the novel’s most significant feature—its self-conscious narrator—does not exist in the opera, thus completely changing one of the story’s defining attributes. Scholarship in defense of the opera began to appear in abundance during the 1990s with the work of Alexander Poznansky, Caryl Emerson, Byron Nelson, and Richard Taruskin. These authors have all sought to demonstrate that the opera stands as more than a work of overly personalized emotionalism. In my thesis I review the relationship between the novel and the opera in greater depth by explaining what distinguishes the two works from each other, but also by looking further into the argument that Tchaikovsky’s music represents the novel well by cleverly incorporating ironic elements as a means of capturing the literary narrator’s sardonic voice. -
The Superfluous Man in Nineteenth-Century Russian Literature
Hamren 1 The Eternal Stranger: The Superfluous Man in Nineteenth-Century Russian Literature A Thesis Submitted to The Faculty of the School of Communication In Candidacy for the Degree of Master of Arts in English By Kelly Hamren 4 May 2011 Hamren 2 Liberty University School of Communication Master of Arts in English Dr. Carl Curtis ____________________________________________________________________ Thesis Chair Date Dr. Emily Heady ____________________________________________________________________ First Reader Date Dr. Thomas Metallo ____________________________________________________________________ Second Reader Date Hamren 3 Acknowledgements I would like to thank those who have seen me through this project and, through support for my academic endeavors, have made it possible for me to come this far: to Dr. Carl Curtis, for his insight into Russian literature in general and Dostoevsky in particular; to Dr. Emily Heady, for always pushing me to think more deeply about things than I ever thought I could; to Dr. Thomas Metallo, for his enthusiastic support and wisdom in sharing scholarly resources; to my husband Jarl, for endless patience and sacrifices through two long years of graduate school; to the family and friends who never stopped encouraging me to persevere—David and Kathy Hicks, Karrie Faidley, Jennifer Hughes, Jessica Shallenberger, and Ramona Myers. Hamren 4 Table of Contents: Chapter 1: Introduction………………………………………………………………………...….5 Chapter 2: Epiphany and Alienation...................................……………………………………...26 Chapter 3: “Yes—Feeling Early Cooled within Him”……………………………..……………42 Chapter 4: A Soul not Dead but Dying…………………………………………………………..67 Chapter 5: Where There’s a Will………………………………………………………………...96 Chapter 6: Conclusion…………………………………………………………………………..130 Works Cited…………………………………………………………………………………….134 Hamren 5 Introduction The superfluous man is one of the most important developments in the Golden Age of Russian literature—the period beginning in the 1820s and climaxing in the great novels of Dostoevsky and Tolstoy. -
BYRONISM in LERMONTOV's a HERO of OUR TIME by ALAN HARWOOD CAMERON B.A., U N I V E R S I T Y O F C a L G a R Y , 1968 M.A
BYRONISM IN LERMONTOV'S A HERO OF OUR TIME by ALAN HARWOOD CAMERON B.A., University of Calgary, 1968 M.A., University of British Columbia, 1970 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in the Department SLAVONIC STUDIES We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA April, 1974 In presenting this thesis in par ial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of The University of British Columbia Vancouver 8, Canada Date Afr, I l0} I f7f ABSTRACT Although Mikhail Lermontov is commonly known as the "Russian Byron," up to this point no examination of the Byronic features of A Hero of Our Time, (Geroy nashego vremeni)3 has been made. This study presents the view that, while the novel is much more than a simple expression of Byronism, understanding the basic Byronic traits and Lermontov1s own modification of them is essential for a true comprehension of the novel. Each of the first five chapters is devoted to a scrutiny of the separate tales that make up A Hero of Our Time. The basic Byronic motifs of storms, poses and exotic settings are examined in each part with commentary on some Lermontovian variations on them. -
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Lermontov: the Failure of Humanism
Russian Studies in Philosophy ISSN: 1061-1967 (Print) 1558-0431 (Online) Journal homepage: http://www.tandfonline.com/loi/mrsp20 Lermontov: The Failure of Humanism Irina F. Shcherbatova To cite this article: Irina F. Shcherbatova (2016) Lermontov: The Failure of Humanism, Russian Studies in Philosophy, 54:2, 145-159, DOI: 10.1080/10611967.2016.1203190 To link to this article: http://dx.doi.org/10.1080/10611967.2016.1203190 Published online: 20 Oct 2016. Submit your article to this journal Article views: 66 View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=mrsp20 Download by: [Professor Marina Bykova] Date: 20 March 2017, At: 10:54 Russian Studies in Philosophy, vol. 54, no. 2, 2016, pp. 145–159. q 2016 Taylor & Francis Group, LLC ISSN: 1061-1967 (print)/ISSN 1558-0431 (online) DOI: 10.1080/10611967.2016.1203190 IRINA F. SHCHERBATOVA Lermontov: The Failure of Humanism In this article, Lermontov is viewed as one who expresses ideas of humanism not associated with any social class or cast that was typical for the aristocratic period of the Russian culture. The article discusses the situation when the orientation of the democratic criticism—dominant at the time—at the understanding of humanism that had only limited association with a specific class did not contribute to the realization of humanist ideals, leading instead to social disintegration, and a nihilistic neglect of culture and identity. Keywords: Lermontov, aristocracy, absolute humanism, solitude, honor, U¨ bermensch, “little man” Lermontov rose to fame after writing the poem “Death of the Poet,” in which he reproached high society for persecuting Pushkin. -
Epistolary Encounters: Diary and Letter Pastiche in Neo-Victorian Fiction
Epistolary Encounters: Diary and Letter Pastiche in Neo-Victorian Fiction By Kym Michelle Brindle Thesis submitted in fulfilment for the degree of PhD in English Literature Department of English and Creative Writing Lancaster University September 2010 ProQuest Number: 11003475 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 11003475 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Abstract This thesis examines the significance of a ubiquitous presence of fictional letters and diaries in neo-Victorian fiction. It investigates how intercalated documents fashion pastiche narrative structures to organise conflicting viewpoints invoked in diaries, letters, and other addressed accounts as epistolary forms. This study concentrates on the strategic ways that writers put fragmented and found material traces in order to emphasise such traces of the past as fragmentary, incomplete, and contradictory. Interpolated documents evoke ideas of privacy, confession, secrecy, sincerity, and seduction only to be exploited and subverted as writers idiosyncratically manipulate epistolary devices to support metacritical agendas. Underpinning this thesis is the premise that much literary neo-Victorian fiction is bound in an incestuous relationship with Victorian studies. -
HERO GAMES™ PRIMUS™ by Shelley Chrystal Mactyre
PRIMUS™ By Shelley Chrystal Mactyre HERO GAMES™ PRIMUS™ By Shelley Chrystal Mactyre Published by: Hero Games® P.O. Box 699 Aptos, CA 95001-0699 [email protected] Copyright ©1998 by Hero Games. All rights reserved. Hero System, Fantasy Hero, Champions, Hero Games and Star Hero are all registered trademarks of Hero Games. Acrobat and the Acrobat logo are trademarks of Adobe Systems Incorporated which may be registered in certain jurisdictions. All other trademarks and registered trademarks are properties of their owners. Published by Hero Games. Hero Games Hero Games is the manufacturer of fine games, dedicated to using the latest technology to bring products to our customers more efficiently, more rapidly, and at competitive prices. Hero Games can be reached at [email protected]. Let us know what you think! Send us your mailing address (email and snail mail) and we’ll make sure you’re informed of our latest products. Visit our Web Site at http://www.herogames.com Permission is granted to photocopy for personal use. Permission is granted to output this document via Docutech or other method for personal use. PRIMUS™ By Shelley Chrystal Mactyre Artist: Dale McKee Editor: Bruce Harlick Package Cover Illustration: Mike Witherby Package Cover Composite: Steve Peterson Layouts: Bruce Harlick Editorial Contributions: Mary Ann Raley, Robert Hudson Hero Games Managing Editor: Bruce Harlick HERO GAMES™ TABLE OF CONTENTS Introduction............................... 7 New Perquisites for PRIMUS Why use PRIMUS? ........................... 8 Campaigns ....................................... 28 The Brownie Point System...................... 28 PRIMUS Attitudes .................................... 8 Character Creation Example: Notes about power level ............................ 9 Overview of PRIMUS .............. 10 Assault Agent Terry Kestler ..... -
The Diary of a Superfluous Man and Other Novellas
The Diary of a Superfluous Man and Other Novellas The Diary of a Superfluous Man and Other Novellas Ivan Turgenev Translated by Michael Pursglove ALMA CLASSICS AlmA clAssics an imprint of AlmA books ltd 3 Castle Yard Richmond Surrey TW10 6TF United Kingdom www.almaclassics.com ‘The Diary of a Superfluous Man’ first published in Russian in 1850 ‘Asya’ first published in Russian in 1858 ‘First Love’ first published in Russian in 1860 This translation first published by Alma Classics in 2019 Translation and Introduction © Michael Pursglove, 2019 Extra Material © Alma Books Ltd Cover design: Will Dady Printed and bound by CPI Group (UK) Ltd, Croydon, CR0 4YY isbn: 978-1-84749-762-8 All the pictures in this volume are reprinted with permission or pre sumed to be in the public domain. Every effort has been made to ascertain and acknowledge their copyright status, but should there have been any unwitting oversight on our part, we would be happy to rectify the error in subsequent printings. All rights reserved. No part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or other- wise), without the prior written permission of the publisher. This book is sold subject to the condition that it shall not be resold, lent, hired out or otherwise circulated without the express prior consent of the publisher. Contents Introduction vii The Diary of a Superfluous Man and Other Novellas 1 The Diary of a Superfluous Man 3 Asya 55 First Love 103 Appendix: The Alternative Ending to ‘First Love’ 169 Note on the Text 171 Notes 171 Extra Material 179 Ivan Turgenev’s Life 181 Ivan Turgenev’s Works 192 Select Bibliography 204 Introduction The three works in this collection are in a form at which Turgenev excelled – what Russians call the povest’ – the tale, the “long” short story or the novella. -
Intellectuals in Chinese Fiction a Publication of the Institute of East Asian Studies University of California Berkeley, California 94720
Intellectuals in Chinese Fiction A publication of the Institute of East Asian Studies University of California Berkeley, California 94720 The China Research Monograph series, whose first title appeared in 1967, is one of several publications series sponsored by the Institute of East Asian Studies in conjunction with its constituent units. The others include the Japan Research Monograph series, the Korea Research Monograph series, the Indochina Research Monograph series, and the Research Papers and Pol icy Studies series. The Institute sponsors also a Faculty Reprint series. Correspondence may be sent to: Ms. Joanne Sandstrom, Editor Institute of East Asian Studies University of California Berkeley, California 94720 CHINA RESEARCH MONOGRAPH 33 & INSTITUTE OF EAST ASIAN STUDIES UNIVERSITY OF CALIFORNIA • BERKELEY CCS CENTER FOR CHINESE STUDIES Intellectuals in Chinese Fiction YUE DAIYUN Although the Institute of East Asian Studies is responsible for the selection and acceptance of manuscripts in this series, responsibility for the opinions expressed and for the accuracy ofstatements rests with their authors. Copyright © 1988 by the Regents of the University of California ISBN 0-912966-97-1 Library of Congress Catalog Card Number 87-82667 Printed in the United States of America All rights reserved. Contents Foreword vii Joyce K. Kallgren Acknowledgments viii Introduction 1 1. The First Anecdotal Collection Describing the Lives of Intellectuals: A New Account of Tales of the World 8 2. Intellectuals at an Impasse and the Collapse of Feudal Society: Six Chapters of a Floating Life 38 3. Modem Chinese Intellectuals in Modem Chinese Literature: The Eclipse and Rainbow of Mao Dun 57 4. The Young Intelligentsia in the War Years: Lu Ling's Children of the Rich 83 5. -
Margarita As Supernatural Woman: Bulgakov's Subversion of the Superfluous Man in the Master and Margarita
University of Denver Digital Commons @ DU Electronic Theses and Dissertations Graduate Studies 1-1-2017 Margarita as Supernatural Woman: Bulgakov's Subversion of the Superfluous Man in The Master and Margarita Jana Marie Domanico University of Denver Follow this and additional works at: https://digitalcommons.du.edu/etd Part of the Feminist, Gender, and Sexuality Studies Commons, History Commons, and the Russian Literature Commons Recommended Citation Domanico, Jana Marie, "Margarita as Supernatural Woman: Bulgakov's Subversion of the Superfluous Man in The Master and Margarita" (2017). Electronic Theses and Dissertations. 1251. https://digitalcommons.du.edu/etd/1251 This Thesis is brought to you for free and open access by the Graduate Studies at Digital Commons @ DU. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ DU. For more information, please contact [email protected],[email protected]. Margarita as Supernatural Woman: Bulgakov’s Subversion of the Superfluous Man in The Master and Margarita _________ A Thesis Presented to the Faculty of Arts and Humanities University of Denver _________ In Partial Fulfillment of the Requirements for the Degree Master of Arts _________ by Jana M. Domanico June 2017 Advisor: Dr. Eric Gould Author: Jana M. Domanico Title: Margarita as Supernatural Woman: Bulgakov’s Subversion of the Superfluous Man in The Master and Margarita Advisor: Dr. Eric Gould Degree Date: June 2017 ABSTRACT The superfluous man is a prevalent motif in Russian literature dating back to the 19th century. While definitions and portrayals of the motif vary by author, the superfluous man is most often associated with his fear of government authority and an inability to take action in his own daily life. -
“Superfluous Man” in Russian Literature by Christopher Henry
The Redemption of the “Superfluous Man” in Russian Literature By Christopher Henry Carr B.B.A. University of Michigan, Ann Arbor, 1998 M.A. Middlebury College, 2004 M.A. Brown University, 2012 Dissertation Submitted in partial fulfillment of the requirements for the Degree of Doctor of Philosophy in the Department of Slavic Studies at Brown University PROVIDENCE, RHODE ISLAND May 2016 © Copyright 2016 by Christopher Henry Carr This dissertation by Christopher Henry Carr is accepted in its present form by the Department of Slavic Studies as satisfying the dissertation requirement for the degree of Doctor of Philosophy. Date_____________ _________________________________ Vladimir Golstein, Advisor Recommended to the Graduate Council Date_____________ _________________________________ Svetlana Evdokimova, Reader Date_____________ _________________________________ Alexander Levitsky, Reader Approved by the Graduate Council Date_____________ _________________________________ Peter M. Weber, Dean of the Graduate School iii VITA Christopher Henry Carr was born in Jackson Heights, New York in 1976. He received a B.B.A. from the University of Michigan in 1998, an M.A. in Russian from Middlebury College in 2004, an M.A. in Slavic Studies from Brown University in 2012, and a Ph.D. in Slavic Studies from Brown University in 2016. Prior to his doctoral studies, Christopher taught English composition and literature several colleges in New York City. During his time at Brown, he has taught the Russian language, served as a teaching assistant for Russian literature courses, and has taught writing courses at Providence College and in Brown’s summer pre-college program. Within the Department of Slavic Studies at Brown, Christopher has co-organized graduate student conferences and colloquia, one of which was funded by a grant from Brown’s Office of International Studies in 2010-11. -
Of Fathers and Sons
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2003 Of fathers and sons: generational conflicts and literary lineage--the case of Ernest Hemingway and Ernest Gaines Wolfgang Lepschy Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the English Language and Literature Commons Recommended Citation Lepschy, Wolfgang, "Of fathers and sons: generational conflicts and literary lineage--the case of Ernest Hemingway and Ernest Gaines" (2003). LSU Doctoral Dissertations. 2589. https://digitalcommons.lsu.edu/gradschool_dissertations/2589 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. OF FATHERS AND SONS: GENERATIONAL CONFLICTS AND LITERARY LINEAGE— THE CASE OF ERNEST HEMINGWAY AND ERNEST GAINES A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of English by Wolfgang Lepschy M.A., Augsburg University, 1997 December 2003 My father, a wise and grave man, gave me serious and excellent counsel against what he foresaw was my design. He ask’d me what reasons more than a meer wandring inclination I had for leaving my father’s house and my native country, where I might be well introduced, and had a prospect of raising my fortunes by application and industry, with a life of ease and pleasure.