The Superfluous Man' in Nineteenth
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The Transformation of Pushkin's Eugene Onegin Into Tchaikovsky's Opera
THE TRANSFORMATION OF PUSHKIN'S EUGENE ONEGIN INTO TCHAIKOVSKY'S OPERA Molly C. Doran A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2012 Committee: Eftychia Papanikolaou, Advisor Megan Rancier © 2012 Molly Doran All Rights Reserved iii ABSTRACT Eftychia Papanikolaou, Advisor Since receiving its first performance in 1879, Pyotr Il’yich Tchaikovsky’s fifth opera, Eugene Onegin (1877-1878), has garnered much attention from both music scholars and prominent figures in Russian literature. Despite its largely enthusiastic reception in musical circles, it almost immediately became the target of negative criticism by Russian authors who viewed the opera as a trivial and overly romanticized embarrassment to Pushkin’s novel. Criticism of the opera often revolves around the fact that the novel’s most significant feature—its self-conscious narrator—does not exist in the opera, thus completely changing one of the story’s defining attributes. Scholarship in defense of the opera began to appear in abundance during the 1990s with the work of Alexander Poznansky, Caryl Emerson, Byron Nelson, and Richard Taruskin. These authors have all sought to demonstrate that the opera stands as more than a work of overly personalized emotionalism. In my thesis I review the relationship between the novel and the opera in greater depth by explaining what distinguishes the two works from each other, but also by looking further into the argument that Tchaikovsky’s music represents the novel well by cleverly incorporating ironic elements as a means of capturing the literary narrator’s sardonic voice. -
The Superfluous Man in Nineteenth-Century Russian Literature
Hamren 1 The Eternal Stranger: The Superfluous Man in Nineteenth-Century Russian Literature A Thesis Submitted to The Faculty of the School of Communication In Candidacy for the Degree of Master of Arts in English By Kelly Hamren 4 May 2011 Hamren 2 Liberty University School of Communication Master of Arts in English Dr. Carl Curtis ____________________________________________________________________ Thesis Chair Date Dr. Emily Heady ____________________________________________________________________ First Reader Date Dr. Thomas Metallo ____________________________________________________________________ Second Reader Date Hamren 3 Acknowledgements I would like to thank those who have seen me through this project and, through support for my academic endeavors, have made it possible for me to come this far: to Dr. Carl Curtis, for his insight into Russian literature in general and Dostoevsky in particular; to Dr. Emily Heady, for always pushing me to think more deeply about things than I ever thought I could; to Dr. Thomas Metallo, for his enthusiastic support and wisdom in sharing scholarly resources; to my husband Jarl, for endless patience and sacrifices through two long years of graduate school; to the family and friends who never stopped encouraging me to persevere—David and Kathy Hicks, Karrie Faidley, Jennifer Hughes, Jessica Shallenberger, and Ramona Myers. Hamren 4 Table of Contents: Chapter 1: Introduction………………………………………………………………………...….5 Chapter 2: Epiphany and Alienation...................................……………………………………...26 Chapter 3: “Yes—Feeling Early Cooled within Him”……………………………..……………42 Chapter 4: A Soul not Dead but Dying…………………………………………………………..67 Chapter 5: Where There’s a Will………………………………………………………………...96 Chapter 6: Conclusion…………………………………………………………………………..130 Works Cited…………………………………………………………………………………….134 Hamren 5 Introduction The superfluous man is one of the most important developments in the Golden Age of Russian literature—the period beginning in the 1820s and climaxing in the great novels of Dostoevsky and Tolstoy. -
Frederic Ozanam, a Life in Letters
OTHER BOOKS BY JOSEPH I. DIRVIN, C.M. St. Catherine Laboure of the Miraculous Medal Farrar, Straus & Cudahy, New York, 1958; reissue Tan Books and Publishers, Rockland, Illinois 1984. Woman Clothed With the Sun (Collaboration), Hanover House, New York, 1960. Mrs. Seton, Foundress of the American Sisters of Charity Farrar, Straus & Cudahy, New York, 1962, 1975. Louise de Marillac Farrar, Straus & Giroux, New York, Spring, 1970. Frederic Ozanam A LIFE IN LETTERS ' " , ~~ , ,-·~-- . ,, ~~~ Frederic Ozanam 1813-1853 ~ Frederic Ozanam A LIFE IN LETTERS Translated and edited by JOSEPH I. DIRVIN, C.M. SOCIETY OF ST. VINCENT DE PAUL COUNCIL OF THE UNITED STATES © 1986 by Society of St. Vincent de Paul, Council of the United States, 4140 Lindell, St. Louis, Missouri 63108 All rights reserved. No part of this book may be reproduced, in any form or by any means, without permission in writing from the publisher. Printed in the United States of America Library of Congress Cataloging-in-Publication Data Ozanam, A.-F. (Antoine Frederic), 1813-1853. Frederic Ozanam, a life in letters. Includes index. 1. Ozanam, A.-F. (Antoine Frederic), 1813-1853- Correspondence. 2. Catholics-France-Correspondence. 3. Society of St. Vincent de Paul. I. Dirvin, Joseph I. II. Title. BX4705.08A4 1986 282'.092'4 [B] 86-26127 10 9 8 7 6 5 4 3 2 1 FOREWORD The Council of the United States has taken on the responsibility of publishing an annotated English translation of selected correspondence of our Frederic Ozanam. This praiseworthy effort is made possible by the unselfish labor of Father Joseph I. Dir, vin, C.M., who has translated the letters from the original French. -
"Prisoners of the Caucasus: Literary Myths and Media Representations of the Chechen Conflict" by H
University of California, Berkeley Prisoners of the Caucasus: Literary Myths and Media Representations of the Chechen Conflict Harsha Ram Berkeley Program in Soviet and Post-Soviet Studies Working Paper Series This PDF document preserves the page numbering of the printed version for accuracy of citation. When viewed with Acrobat Reader, the printed page numbers will not correspond with the electronic numbering. The Berkeley Program in Soviet and Post-Soviet Studies (BPS) is a leading center for graduate training on the Soviet Union and its successor states in the United States. Founded in 1983 as part of a nationwide effort to reinvigorate the field, BPSs mission has been to train a new cohort of scholars and professionals in both cross-disciplinary social science methodology and theory as well as the history, languages, and cultures of the former Soviet Union; to carry out an innovative program of scholarly research and publication on the Soviet Union and its successor states; and to undertake an active public outreach program for the local community, other national and international academic centers, and the U.S. and other governments. Berkeley Program in Soviet and Post-Soviet Studies University of California, Berkeley Institute of Slavic, East European, and Eurasian Studies 260 Stephens Hall #2304 Berkeley, California 94720-2304 Tel: (510) 643-6737 [email protected] http://socrates.berkeley.edu/~bsp/ Prisoners of the Caucasus: Literary Myths and Media Representations of the Chechen Conflict Harsha Ram Summer 1999 Harsha Ram is an assistant professor in the Department of Slavic Languages and Literatures at UC Berkeley Edited by Anna Wertz BPS gratefully acknowledges support from the National Security Education Program for providing funding for the publication of this Working Paper . -
The Eye in Lermontov's a Hero of Our Time
THE EYE IN LERMONTOV’S A HERO OF OUR TIME: PERCEPTION, VISUALITY, AND GENDER RELATIONS by IRYNA IEVGENIIVNA ZAGORUYKO A THESIS Presented to the Russian, East European, and Eurasian Studies Program and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Master of Arts June 2016 THESIS APPROVAL PAGE Student: Iryna Ievgeniivna Zagoruyko Title: The Eye in Lermontov’s A Hero of Our Time: Perception, Visuality, and Gender Relations This thesis has been accepted and approved in partial fulfillment of the requirements for the Master of Arts degree in the Russian, East European, and Eurasian Studies Program by: Katya Hokanson Chairperson Jenifer Presto Member Yelaina Kripkov Member and Scott L. Pratt Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded June 2016 ! ii © 2016 Iryna Ievgeniivna Zagoruyko ! iii THESIS ABSTRACT Iryna Ievgeniivna Zagoruyko Master of Arts Russian, East European, and Eurasian Studies Program June 2016 Title: The Eye in Lermontov’s A Hero of Our Time: Perception, Visuality, and Gender Relations This thesis views Lermontov’s novel A Hero of Our Time as centered on images, glances and vision. In his text Lermontov conveys a persistent fascination with visual perception. The attentive reader can read this language of the eye—the eye can be seen as a mirror of the soul, a fetish, a means of control, and a metaphor for knowledge. The texts that form the novel are linked together by a shared preoccupation with the eye. At the same time, these texts explore the theme of visual perception from different angles, and even present us with different attitudes towards vision. -
Lorine Niedecker's Personal Library of Books: A
LORINE NIEDECKER’S PERSONAL LIBRARY OF BOOKS: A BIBLIOGRAPHY Margot Peters Adams, Brooks. The Law of Civilization and Decay. New York: Vintage Books, 1955. Adéma, Marcel. Apollinaire, trans, Denise Folliot. London: Heineman, 1954. Aldington, Hilda Doolittle (H.D.). Heliodora and Other Poems. Boston: Houghton, Mifflin, 1924. Aldington, Richard, ed. The Religion of Beauty: Selections from the Aesthetes. London: Heineman, 1950. Alighieri, Dante. The Divine Comedy. New York: Random House, 1950. Allen, Donald M., ed. The New American Poetry: 1945-1960. New York: Grove Press, 1960. Allen, Glover Morrill. Birds and Their Attributes. New York: Dover, 1962. Alvarez, A. The School of Donne. New York: Mentor, 1967. Anderson, Charles R. Emily Dickinson’s Poetry: Stairway of Surprise. New York: Holt, Rinehart & Winston, 1960. Anderson, Sherwood. Six Mid-American Chants. Photos by Art Sinsabaugh. Highlands, N.C.: Jargon Press, 1964. Arnett, Willard E. Santayana and the Sense of Beauty. Bloomington, IN: Indiana University Press, 1957. Arnold, Matthew. Passages from the Prose Writings of Matthew Arnold, ed. William E. Buckler, New York: New York University Press, 1963. Saint Augustine. The Confessions. New York: Pocket Books, n.d. Aurelius, Marcus (Marcus Aelius Aurelius Antoninus). Meditations. London: Dent, 1948. Bacon, Francis. Essays and the New Atlantis, ed. Gordon S. Haight. New York: Van Nostrand, 1942. Basho. The Narrow Road to the Deep North and Other Travel Sketches, trans. Nobuyuki Yuasa. Baltimore: Penguin, 1966. 1 Baudelaire, Charles. Flowers of Evil. New York: New Directions, 1958. Beard, Charles A. & Mary R. Beard. The Rise of American Civilization. New York: Macmillan, 1939. Bell, Margaret. Margaret Fuller: A Biography. -
Levan Bregadze the Markers of Nikoloz Baratashvili's
Levan Bregadze The Markers of Nikoloz Baratashvili’s Romanticism Abstract: It is discussed N. Baratashvili’s romanticism in close connection with the worldview of one of the most prominent creators and thinkers, “foremost” romanticist Novalis; on the basis of Novalis’ perception of the life romanticizing, using the technical means of polarization and potentiation it is studied how in the Nikoloz Baratashvili’s creative works the relationship with the universe, people, everyday occurrences is romanticized, the goal of which is to make the life intensive, full-blooded, to open its way towards infinity. Key words: Baratashvili, Novalis, romanticism, polarization, potentiation. Most of the writer-romanticists lived short lives: Edgar Allan Poe lived 40 years on this earth, Giacomo Leopardi and Juliusz Słowacki died at their 39th years of age, Charlotte Brontë passed away at the age of 38, Robert Burns and Alexander Pushkin diedat 37, George Gordon Byron – 36, José María Heredia – 35, Heinrich von Kleist, José de Espronceda and Gustavo Adolfo Bécquer – 34, Wilhelm Müller – 33, Percy Bysshe Shelley and Emily Brontë -30, Novalis, Anne Brontë and Branko Radičević – 29, Nikoloz Baratashvili – 27, Mikhail Lermontov, Sándor Petőfi, Karel Hynek Mácha and Karoline von Günderrode – 26, John Keats, Wilhelm Hauff and Wilhelm Heinrich Wackenroder – 25... and yet, in the short time of their lives, they created the literature of such a quality that they will remain in the memory of mankind forever; some of them marked the history of literature so profoundly that they still influence and will continue to influence in future the spiritual formation of people. How did they manage that? What explanation can be found? The answer to this conundrumhas to be found in their philosophy of life, in the philosophy of romantic life. -
BYRONISM in LERMONTOV's a HERO of OUR TIME by ALAN HARWOOD CAMERON B.A., U N I V E R S I T Y O F C a L G a R Y , 1968 M.A
BYRONISM IN LERMONTOV'S A HERO OF OUR TIME by ALAN HARWOOD CAMERON B.A., University of Calgary, 1968 M.A., University of British Columbia, 1970 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in the Department SLAVONIC STUDIES We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA April, 1974 In presenting this thesis in par ial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of The University of British Columbia Vancouver 8, Canada Date Afr, I l0} I f7f ABSTRACT Although Mikhail Lermontov is commonly known as the "Russian Byron," up to this point no examination of the Byronic features of A Hero of Our Time, (Geroy nashego vremeni)3 has been made. This study presents the view that, while the novel is much more than a simple expression of Byronism, understanding the basic Byronic traits and Lermontov1s own modification of them is essential for a true comprehension of the novel. Each of the first five chapters is devoted to a scrutiny of the separate tales that make up A Hero of Our Time. The basic Byronic motifs of storms, poses and exotic settings are examined in each part with commentary on some Lermontovian variations on them. -
Impersonal Names Index Listing for the INSCOM Investigative Records Repository, 2010
Description of document: US Army Intelligence and Security Command (INSCOM) Impersonal Names Index Listing for the INSCOM Investigative Records Repository, 2010 Requested date: 07-August-2010 Released date: 15-August-2010 Posted date: 23-August-2010 Title of document Impersonal Names Index Listing Source of document: Commander U.S. Army Intelligence & Security Command Freedom of Information/Privacy Office ATTN: IAMG-C-FOI 4552 Pike Road Fort George G. Meade, MD 20755-5995 Fax: (301) 677-2956 Note: The IMPERSONAL NAMES index represents INSCOM investigative files that are not titled with the name of a person. Each item in the IMPERSONAL NAMES index represents a file in the INSCOM Investigative Records Repository. You can ask for a copy of the file by contacting INSCOM. The governmentattic.org web site (“the site”) is noncommercial and free to the public. The site and materials made available on the site, such as this file, are for reference only. The governmentattic.org web site and its principals have made every effort to make this information as complete and as accurate as possible, however, there may be mistakes and omissions, both typographical and in content. The governmentattic.org web site and its principals shall have neither liability nor responsibility to any person or entity with respect to any loss or damage caused, or alleged to have been caused, directly or indirectly, by the information provided on the governmentattic.org web site or in this file. The public records published on the site were obtained from government agencies using proper legal channels. Each document is identified as to the source. -
The Interface of Religious and Political Conflict in Egyptian Theatre
The Interface of Religious and Political Conflict in Egyptian Theatre Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Amany Youssef Seleem, Stage Directing Diploma Graduate Program in Theatre The Ohio State University 2013 Dissertation Committee: Lesley Ferris, Advisor Nena Couch Beth Kattelman Copyright by Amany Seleem 2013 Abstract Using religion to achieve political power is a thematic subject used by a number of Egyptian playwrights. This dissertation documents and analyzes eleven plays by five prominent Egyptian playwrights: Tawfiq Al-Hakim (1898- 1987), Ali Ahmed Bakathir (1910- 1969), Samir Sarhan (1938- 2006), Mohamed Abul Ela Al-Salamouni (1941- ), and Mohamed Salmawi (1945- ). Through their plays they call attention to the dangers of blind obedience. The primary methodological approach will be a close literary analysis grounded in historical considerations underscored by a chronology of Egyptian leadership. Thus the interface of religious conflict and politics is linked to the four heads of government under which the playwrights wrote their works: the eras of King Farouk I (1920-1965), President Gamal Abdel Nasser (1918-1970), President Anwar Sadat (1918-1981), and President Hosni Mubarak (1928- ). While this study ends with Mubarak’s regime, it briefly considers the way in which such conflict ended in the recent reunion between religion and politics with the election of Mohamed Morsi, a member of the Muslim Brotherhood, as president following the Egyptian Revolution of 2011. This research also investigates how these scripts were written— particularly in terms of their adaptation from existing canonical work or historical events and the use of metaphor—and how they were staged. -
Courier Gazette : April 3, 1897
Rockland (iazette The Largest Rockland Tribune Circulation Union Times In Eastern Maine Consolidated March 17, IR97 T he Courier-Gazette, r - ■*--------------- TWICE-A-WEEK . ..TUESDAY AND SATURDAY. Two Dollars a Year R ockland Maine Saturday April 3 1897 Yol. 52. N o. 16 OLD REVOLUTIONARY HEROES- soldier of the Revolution and lost part of MAINE ODDITIES- WHEELS AND SPOKES- TABLE TALK AT JUNIUS'S IN A CORNER OF THE LIBRARY. one ear by a gunshot wound. A Wonderful Statement NnuiPH o f Those Pertaining To Thin Pnrt Pillsbury, Nathan— Served in the army up Items lint tiered from nil Corners of the A Poem nnd 11 Font script. wards of six years, after which came from When Mrs Junius pulled up at an almost The complete novel in the A pril issue of of Maine—Interesting Record. (2nod Old Fine Tree State. From Mr.. MnOllliu to Mr*. Flnkham. K ittery to Thomaston; a pensioner. W hich sksll It bn? Oh heart of mine unlookrd for semicolon her husband seized Llpplncott’s is “Ray’s Recruit," by Captain Help me to osrcfully divine the opportunity to say : Charles King. It is in this favorite author’s Editor of The Courier Gazette: Thinking Robbins, J siah— Born in W alpole, M aas, Both physicians and undertakers are busy The hlddnn worth of tkoan that stand, ••Seeing that the free-silver auestfin was X think it my duty, dear M rs. Pink- it may be a matter of tome intereit to your died in Union, Me , served at the battle of i 1 Belfast. -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title On the Threshold of Eurasia: Intersecting Discourses of Empire and Identity in the Russian Empire Permalink https://escholarship.org/uc/item/3053917v Author Feldman, Leah Michele Publication Date 2013 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles On the Threshold of Eurasia: Intersecting Discourses of Empire and Identity in the Russian Empire A Dissertation Submitted in Partial Satisfaction of the Requirements for the Degree Doctor of Philosophy In Comparative Literature by Leah Michele Feldman 2013 © Copyright by Leah Michele Feldman 2013 ABSTRACT OF THE DISSERTATION On the Threshold of Eurasia: Intersecting Discourses of Empire and Identity in the Russian Empire by Leah Michele Feldman Doctor of Philosophy in Comparative Literature University of California, Los Angeles, 2013 Professor Aamir Mufti, Co-Chair Professor Azade-Ayse Rorlich, Co-Chair This dissertation considers the foundation of discourses of Orientalism and Postcolonialism in representations of the Caucasus in the literature of Russians and Muslims of the empire from 1828 through 1920. From the mid-nineteenth century through World War I, the Russian empire continued an era of expansion, colonizing the diverse ethnic and cultural territories of the Muslim Caucasus and Central Asia. The oil boom, the creation of an international Turkic language press, the spread of Russian language education and the construction of