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Forced Exposure New Releases for the Week of 10/19/2020

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Forced Exposure New Releases for the Week of 10/19/2020 Brainwashed - Forced Exposure New Releases for the Week of 10/19/2020 Written by Forced Exposure Sunday, 18 October 2020 09:54 - New music is due from Croatian Amor, KMRU, and Thurston Moore, while old music is due from loscil, Nurse With Wound, and The Residents. FORCED EXPOSURE MAILORDER UPDATE NEW RELEASES FOR THEwe also WEEK accept OF orders10/19/2020 via FAX at 781 321 0321 and via mail: FORCED EXPOSURE / 60 Lowell Street / Arlington, MA 02476 / USA for more information about shipping or ordering please refer to our FAQ direct any questions to [email protected] 1960'S RECORDS (UK) PRICE: $23.50 CAT #: RANDB 061LP FILE UNDER: ROCK ROLLING STONES, THE Live At The Oakland Coliseum 1969 LP This LP contains soundboard recordings of the Rolling Stones' live performance in Oakland, California at the start of their ground breaking November 1969 trek across North America. Subsequently broadcast on Radio KSAN at the behest of Bill Graham, these nine tracks demonstrate why on this tour the Stones were introduced as "the greatest rock n' roll band in the world." Four of these songs -- "Prodigal Son", "You Gotta Move", "Gimme Shelter", and "Satisfaction" -- were not included on the Get Yer Ya-Ya's Out! LP (1970), recorded later on the tour in New York and Baltimore. A FOLDER (UK) PRICE: $30.50 CAT #: AF 018LP FILE UNDER: ELECTRONIC POW ELL Flash Across The Intervals LP Flash Across The Intervals is the first new Powell LP since 2016's Sport on XL Recordings, and the first music available physically since his 2018 collaboration with Turner-Prize winning artist Wolfgang Tillmans. Oscar (Powell) wanted it known that this is not intended as a definitive album, the realization/release of some bold new statement, a singular mark of identity or triumphant elucidation of years of valiant work. Rather, it is simply 35 minutes of music segmented from an overall flow of stuff, a variable torrent of hyper-synthetic composition brought about by entirely other things -- circumstances that relate in no way to a previous life led within an occasionally toxic bubble of taste, music, entertainment, and "community". As René Char once wrote, "No bird has the heart to sing in a thicket of questions," and so it is that we can become bereft of courage, stripped of any enduring connection to our work, dissociated from many of the fragile and reactionary structures that previously held us up. When the illusion of reality dissolves around you, how can you not think as Leibniz once did: "We thought we had arrived at port, but found ourselves thrown back out on the open sea." It is easy to be molded by a contemporary space that leaves you with no possibility of creating anything at all; in a kind of zero state of expression that inevitably forces you to look elsewhere ? to pursue a Deleuzian line of escape out towards a horizon line that never draws closer. Here, at least, out on the waves, new cartographies can be traced and new connections formed. This "album" thus functions as a message in a bottle: cast from unknown coordinates, it maps some of these connections, not least in its close relationship with the visual work of Michael Amstad and Marte Eknæs (afolder.studio). Their imagery inflates this sleeve; the music inflates their films. What emerges from the fog is a luminous three-headed constellation of melodic lines in non-sensical interplay with one another. Here on record, spinning at a speed of your choosing and with eyes closed and no imagery to hand, the feeling persists of a deep decentering, music discontinuously carbonated by a different geography of relations, the depths of which this music begins to explore. Includes double-sided, four-panel printed insert; edition of 250. AXIS PRICE: $23.00 CAT #: AX 091LP FILE UNDER: ELECTRONIC BYR ON THE AQUARIUS Ambrosia 2LP "The overall goal was to create something that bared the traits and signs that would catch the attention of a music lover. Someone that has danced themselves into a relationship with music that is unconditional and undeniable." --Jeff MillsByron The Aquarius is no stranger to true music fans. In January 2020 he gathered his friend musicians in Atlanta for a session of a few days at Patchwerk Studios under Jeff Mills's supervision. The result is a fantastic mix between soulful house and jazz music with a touch of blues. When Byron The Aquarius talks about live frequencies, his enthusiasm is infectious. A keys player by trade, one can detect echoes of the likes of Keith Jarrett, Jan Hammer, and Herbie Hancock. With a tinge of pitch bend and the early release of words, you can hear the rhythm in the way he speaks. This might be a common trait coming from one who lives in Birmingham, Alabama and has been greatly educated on jazz by his grandfather. In his music, he reminds the listener how precious the single note can be again and this makes the attraction to his music irresistible. Proudly put, his music does wait for anyone's approval and this is exactly what makes this man and what he creates so unique. Byron's love for melody and harmony has consistently drawn the attention of electronic music's leading labels and producers and he's worked along with some of the best. In 2015, Byron released a ten-track solo album on BBE entitled Planets of Love. When he wasn't working on his own music, he was playing keys in the studio with Atlanta-based house DJ/artist Kai Alce. These creations soon fell upon the radar of the Detroit maestro Theo Parrish, who loved the sound of his sublime jazz-infected house and selected two tracks to release on his legendary Sound Signature label in 2016. The resulting Highlife EP has been hailed nothing less than "stunning", "intoxicating", and "essential." In the years since, Byron has released a consistently high level of music on Wild Oats, Eglo Records, and more. He has toured the planet playing festivals such as Dimensions, Dekmantel, Suncebeat, Lente Kabinet, All Points East, and many more as well as a plethora of the world's best clubs. Despite the limitation brought on by the pandemic, 2020 has been a busy one for Byron. B.F.E. RECORDS (SPAIN) PRICE: $30.50 CAT #: BFE 059LP FILE UNDER: ROCK LAUGHING HANDS Dog Photos LP Laughing Hands worked in the experimental music scene in Melbourne in the very early 1980s. They were an improvisation group using tapes, synthesizers, guitar, and hand percussion much of which was then treated through the synthesizers, producing their soft, insistent and rhythmic sound. Dog Photos was originally released in 1981 by band's own label Adhesive records. The sounds in these 11 pieces are a combination of direct to tape and cassette to tape recordings, a perfect mix of electronic tape explorations, spectral synths shadings, and foreground rhythm abstractions. For fans of: Chris & Cosey, Dome, Cabaret Voltaire, Coil. Engineered by David Chesworth. Remastered at Plataforma Continental by José Guerrero. 1 / 12 Brainwashed - Forced Exposure New Releases for the Week of 10/19/2020 Written by Forced Exposure Sunday, 18 October 2020 09:54 - BA DA BING! PRICE: $10.00 CAT #: BING 162CD FILE UNDER: ROCK DEAD C, THE Unknow ns CD "Some bands struggle to transcend their initial mythos, those stories that introduce them to the public eye. But The Dead C is a notable exception. They appeared in 1986 under a cloud of mystery, their unconventional location (South Island, New Zealand) helping to fuel their erratic sound. Name-dropped through the nineties by groups like Sonic Youth and Yo La Tengo, they gained influence and acclaim but never strayed from their original mainlined performing technique, which can sound like chaos to the casual listener. What kind of a world greets them and their new album Unknowns in 2020? New Zealand culture is better known throughout the world, not to mention a low-virus paradise. Yes, isolated as in the past, but this time for being a nation of efficacy in tackling a public health crisis. But what about the rest of the world? The music of Mssrs. Robbie Yates, Bruce Russell and Michael Morley endures, partially because their errant sounds, once so alienating, now feel like they've been made flesh in a large part of the modern-day world. Continuing to delve inwards for inspiration with tin ears towards trends, styles and technique, The Dead C forge onward. Unpolished, dusty and gritty, these three have again taken two guitars and drums, a combo which has less to say than ever, and leave the listener stunned. Unknowns has Morley slurring over spiraling dissemblance, with tracks ricocheting from intense to assaultive to drained, yet consistently magnificent. As reliable as ever, The Dead C are firmly grounded as an unassailable Truth." PRICE: $10.00 CAT #: BING 163CD FILE UNDER: ROCK EISENBERG, WENDY Aut o CD "Drawing the connections between Wendy Eisenberg's releases feels like undertaking a wide-ranging investigation. Albums of wildly inventive guitar, tempo-shifting avant rock and curiously leftfield pop fit together as offerings of Eisenberg's curious mind. On Auto, their most innovative and inner-reaching album yet, Eisenberg explores emotional, subjective truth, and how it interacts with an objectivity no person alone can grasp. Inspired by the solo work of Mark Hollis (Talk Talk) and David Sylvian's Blemish, with playing skills that have already seen them climbing Best Guitarist lists and an unvarnished vocal immediacy, Wendy Eisenberg has created an album of subtle display that resonates with maximal impact.
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