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ARCHIVES 810.8 P432 1965 C.2 ARCHIVES 810.8 P432 Perspectives (Morningside College)
· - ARCHIVES 810.8 P432 1965 c.2 ARCHIVES 810.8 P432 Perspectives (Morningside College). PERSPECTIVES VOLUME XXIV SPRING 1965 NUMBER 1 Staff Editor ................................................................................... _.......... ................... Judith Abbott Business Manager ................. _................................................................. Sharon Nelson Art Consultant .................................................................. Mr. William Zimmennan Faculty Advisor ..............................................._ .......... ........._ ..... Dr. Howard Levant PERSPEOTIVES is published by the students of Morningside College Sioux City, Iowa TI-te Generation Of Leaves Judith H. Abbott She closed her eyes again, obliterating the morning light that filtered into the room through the half drawn Venetian blinds which cast long shadows on the barren gray walls. Soon the stillness of the slumbering hospital would be . stirred into the living motions of this day. Sterile nurses in odorless starched white uniforms with "good morning, time to get up" smiles, would be disturbing her and pressing her with "how are you feeIing'1 questions to which they sought nor awaited an answer~ If only this morning she might rest in peace, foregoing the process of being lifted from her bed into life. She would .once again sit before the window observing those who passed by on their way to work or school. She was experiencing the transfor mation of autumn into winter as she watched the leaves one by one descending from their height to the earth. "Good morning, Mrs. Robbinson. Time to get up." The nurse crossed her room to the windows and opened the blinds . letting the full brightness of the day flood the room. From her bed she could see only the blue sky and the top of the oak tree whose leaves in summer nearly blinded her view of the outside woTld. -
1 Musik Spezial
1 Musik Spezial - Radiophon 21.03 bis 22.00 Uhr Sendung: 31.01.2013 Von Harry Lachner Musikmeldung 1. A Little Place Called Trust The Paper Chase (John Congleton) 28101-2 CD: Hide The Kitchen Knives 2. Ceremonial Magic II John Zorn (John Zorn) Tzadik TZ 8092 CD: Music and Its Double 3. Black Angels - I. Departure Quatuor Diotima (George Crumb) Naive 5272 CD: American Music 4. L.A. Confidential Jerry Goldsmith (Goldsmith) Restless 0187-72946-2 CD: LA Confidential 5. The Prophecy John Zorn (John Zorn) Tzadik TZ 8303 CD: A Vision in Blakelight 6. Room 203 Graham Reynolds (Graham Reynolds) Lakeshore 33863 CD: A Scanner Darkly 7. Fantasie For Horns II Hildegard Westerkamp (Hildewgard Westerkamp) Empreintes Digitales IMED 9631 CD: Transformations 8. Hier und dort Ernst Jandl, Christian Muthspiel (Ernst Jandl, Christian Muthspiel) Universal 0602517784901 (LC: 12216) CD: für und mit ernst 9. Tristan Eric Schaefer (Richard Wagner) ACT 9543-2 CD: Who is afraid of Richard W.? 10. Je ne pense kanous Hélène Breschand, Sylvain Kassap (Hélène Breschand, Sylvain Kassap) D'Autres Cordes dac 311 CD: Double-Peine 11. Harbour Symphony Hildegard Westerkamp (Hildegard Westerkamp) Empreintes Digitales IMED 9631 CD: Transformations 2 12. Soudain l'hiver dernier Hélène Breschand, Sylvain Kassap (Hélène Breschand, Sylvain Kassap) D'Autres Cordes dac 311 CD: Double-Peine 13. Voyage en Egypte Paul Bowles (Paul Bowles, Bill Laswell) Meta Records MTA9601 CD: Baptism of Solitude 14. Floundering Shelley Hirsch, Simon Ho (Shelley Hirsch, Simon Ho) Tzadik 7638 CD: Where Were You, Then? 15. Flea Bite Nurse with Wound (Steven Stapleton) UD 032 CD CD: A Sucked Orange 16. -
Oslo 5—8 June 2013
OSLO 5—8 JUNE 2013 MachineDreams ‘Everywhere it is machines – real ones, not figurative ones: machines driving other machines, machines being driven by other machines, with all the necessary couplings and connections. An organ-machine is plugged into an energy- source-machine: the one produces a flow that the other interrupts.’ Gilles Deleuze & Felix Guattari, Anti Oedipus: Capitalism and Schizophrenia In our software-operated society celebrations of the vanishing white noise we use surfaces on flat, shiny objects between FM stations where voices are to access information and heard fading in and out of range; an entertainment. And through these examination of the vocoder, a human- objects we communicate. voice scrambling machine born within the But when machines began to US military which went on to define the make their way into everyday life sound of electro; explorations of time following the Industrial Revolution, machines; mechanical pianos; machines the prospect of automation was met transforming images into sound and vice with fear as well as euphoria; with the versa; customised sonic tools as well as concern that some important human obsolete technology which seemed to dimension might be lost. The American offer the possibility of communication writer Henry David Thoreau wrote in with another world altogether. 1854, in the opening chapter of Walden: The ‘progress’ which machines “We are in great haste to construct are said to bring has always had its a magnetic telegraph from Maine to supporters and its critics. Through Texas, but Maine and Texas, it may our diverse programme, we hope to be, have nothing to communicate”. -
Part 1 Part 2 13 May 2016, 10Pm 14 May 2016, 9.30Pm Schloss Leuk Schloss Leuk
Forum Wallis Ars Electronica Selection 2016 1/6 Part 1 Part 2 13 May 2016, 10pm 14 May 2016, 9.30pm Schloss Leuk Schloss Leuk Nicholas Chase Nicholas Chase hai•ku 1.1 hai•ku 1.2 world premiere (version FW) European premiere Leonie Roessler James Andean Stop en Luister, Den Haag! (Stop and Listen, The déchirure Hague!) Swiss premiere Swiss premiere Robert Fleisher Orestis Karamanlis Loretto Alfresco Toys Swiss premiere Swiss premiere Jannik Giger Manfredi Clemente Fragmentum II Les dimensions du réel Dave Gedosh Swiss premiere Guitar Construction #2: Progressive Fracture Emilie Payeur European premiere Fumes Bihe Wen world premiere Regression Christoffer Schunk European premiere Until No Longer Effective Joseph Michaels European premiere Ein geschlossener Waffenstillstand Mirjana Nardelli Swiss premiere There is Nothing Left to Fear European premiere Laurence Bouckaert Mémoires de femmes, paysage, passage Yasuhiro Otani European premiere nOt well Nothing noT Almost world premiere John Nichols Nothing That Breathes Mikel Chamizo European premiere Nieve world premiere Marco Molteni Rubber, Lime & Glue (ePWsM 04) Jannik Giger Swiss premiere blind Michael Sterling Smith Peter Streiff Ictus Chronos-Kairos (1972) Swiss premiere Charles Halka Stephen Lilly 'Live Bass Improv ...in a shower of all my days... Swiss premiere Swiss premiere Alain Michon Eau de feu Nicholas Chase Swiss premiere hai•ku 2.3 world premiere (version FW) Phil Taylor Pathways world premiere Schloss Leuk, 13 May 2016, 10pm & 14 May 2016, 9.30pm www.ForumWallis.ch Forum Wallis Ars Electronica Selection 2016 2/6 Mikel Chamizo (ESP) Yasuhiro Otani (JP) Emilie Payeur (CAN) Nieve (world premiere) nOt well Nothing noT Almost (world premiere) Fumes (world premiere) Nieve (snow) is inspired by the falling of the Duration; 13:48. -
Delia Derbyshire Sound and Music for the BBC Radiophonic Workshop, 1962-1973
Delia Derbyshire Sound and Music For The BBC Radiophonic Workshop, 1962-1973 Teresa Winter PhD University of York Music June 2015 2 Abstract This thesis explores the electronic music and sound created by Delia Derbyshire in the BBC’s Radiophonic Workshop between 1962 and 1973. After her resignation from the BBC in the early 1970s, the scope and breadth of her musical work there became obscured, and so this research is primarily presented as an open-ended enquiry into that work. During the course of my enquiries, I found a much wider variety of music than the popular perception of Derbyshire suggests: it ranged from theme tunes to children’s television programmes to concrete poetry to intricate experimental soundscapes of synthesis. While her most famous work, the theme to the science fiction television programme Doctor Who (1963) has been discussed many times, because of the popularity of the show, most of the pieces here have not previously received detailed attention. Some are not widely available at all and so are practically unknown and unexplored. Despite being the first institutional electronic music studio in Britain, the Workshop’s role in broadcasting, rather than autonomous music, has resulted in it being overlooked in historical accounts of electronic music, and very little research has been undertaken to discover more about the contents of its extensive archived back catalogue. Conversely, largely because of her role in the creation of its most recognised work, the previously mentioned Doctor Who theme tune, Derbyshire is often positioned as a pioneer in the medium for bringing electronic music to a large audience. -
Tempo Reale Corfu Concert – 29/6/2013 – 21.00 Carlo Maria
Tempo Reale Corfu Concert – 29/6/2013 – 21.00 Carlo Maria Amadio Un tributo a Jaco Pastorius (2012) Salvatore Miele La natura frattale (2011) Lelio Camilleri Four Haiku (2011) Water | Rubber | Voices |Strings Mattia Bonafini Photos of Helsinki (2011) Francesco Giomi Scabro (2011) Stefano Diso Let me be misunderstood (2012) Lelio Camilleri Minimal poems (based on poems by Aram Saroyan) (2012) The program is based on pieces which extend the concept of soundscape: soundscape of cities and real world sounds but also of pre-existent music, material, words. The composers of these pieces belong to the center Tempo Reale, Florence and the Conservatory of Music G.B. Martini, Bologna. =========================== Carlo Maria Amadio - Un tributo a Jaco Pastorius (2011) 5’36 It is an electro-acoustic composition made on pre existent materials taken from Jaco Pastorius and Weather report music. I've tried to select and rework the most characteristic features of Pastorius poetry of playing. Carlo Maria Amadio is currently involved in different fields of electronic music as composer, live performer, student and obviously listener. He is currently attending the last year of the Electronic Music course at Conservatory “G.B. Martini ” of Bologna where he had the occasion of playing in two concerts mainly focused on improvisation and live electronic performance. In addition to the academic experiences he performed with HOLO – laptop ensamble and in May of 2013 he have released on Soluxion Record Netlabel his first EP, a work focused on techno music. Salvatore Miele - La Natura frattale (2011) 10’42” La Natura frattale is an acousmatic composition inspired by soundscapes concerning the self-similarity, which characterizes the fractal, as well as in the selection of material and gestural elements. -
Sardinian Composers of Contemporary Music
Interdisciplinary Studies in Musicology 12,2012 © PTPN & Wydawnictwo Naukowe UAM, Poznań 2012 CONSUELO GIGLIO Music Conservatory, Trapani Sardinian composers of contemporary music ABSTRACT: The meeting point between the school headed by Franco Oppo and the rich traditional music of the island gave birth in Sardinia to an intense flowering in the field of New Music, with a strong feeling of belonging and a constant call for a positive concept of identity. Thus, since the time of Oppo (1935) and his contemporary Vittorio Montis, we come across many composers that differ between each other but are almost always recognizably “Sardinian”. Oppo has been one of the most interesting figures on the international scene during the last few decades. After his studies in Rome, Venice and Poland in the early 1960s, he remained, by his own choice, in his home territory, sharing his “Sardinian-ness” in a free and dialectic manner with the avant-garde. After formulating his own particular aleatory approach, Oppo reached a turning point halfway through the 1970s: in Musica per chitarra e quartetto d’archi, Praxodia and, finally, in Anninnia I, the meeting point between avant-garde research and the special phonic quality of tra ditional music became more and more close-knit and organic, at the same time also acting on the founding language structure whilst still remaining under the control of incisive and informed dis ciplines (during the same period, moreover, he put forward new methodologies of analysis which were also necessary for his teaching). In this sense the most important works are chamber pieces like Anninnia I and II (1978, 1982), Attitidu (1983) and Sagra (1985), the theatrical work Eleonora d’Arborea (1986), some piano “transcriptions” - the Three berceuses (1982), Gallurese and Baroniese (1989; 1993) - Trio III (1994), Sonata B for percussion and piano (2005) and the two Concerts for piano and orchestra (1995-97; 2002). -
MUSLAB UAM 00 10.Pdf
Paolo Pastorino (1983) is an italian guitarist, composer. UAM-X(sound installation with 3 bass loudspeakers and very Since 2006 he starts to work as sound engineer for some low frequency waves) and HF 114 (electronic composition Rock, Industrial and Nu-Metal bands. He studied and for 7 transmitters) more and more means from the graduated in computer music and sound technology at area of the electronic music, the sound design, the high- the Conservatory of Sassari (2015). frequency engineering and the internet are included in his artistic conception. In his works he use not only electronic instruments e electronic composition NEARNESS was published and algorithms realized by soware but also tradiional on the “Sonic Circuit” festival CD 2001. instruments electronically elaborated and others concrete e 3rd string quartet (1998/99) was played by the Nevsky elements existents in nature. His experience doesn´t string of Quartet St. Petersburg for the rst time. regards only traditional and electronic composing, but CD production for „Ich schulde der Welt einen Toten“ also the implementation of control systems, developed (theatre play 1997). on MAX MSP, for live electronics and for assisted He got the composition price of the city of Stuttgart (1982) and the composition price “Luis de Narvàez” Granada (1993) for the 1st and 2nd string quartet. Recordings made by WDR, ORF, Deutschlandradio, radio Koper, Ljubljana-TV and BR. Compositions for chamber ensemble, orchestra, Christoph eiler electronics, theatre and radio play. (1959/BRD) Concerts and performances in Austria, Germany, Switzerland, former Yugoslavia, Italy, Spain, Belgium, Paolo Pastorino “Raumloser Ort“ means Room-less place, a place with France, no dimensions. -
Newslist Drone Records 31. January 2009
DR-90: NOISE DREAMS MACHINA - IN / OUT (Spain; great electro- acoustic drones of high complexity ) DR-91: MOLJEBKA PVLSE - lvde dings (Sweden; mesmerizing magneto-drones from Swedens drone-star, so dense and impervious) DR-92: XABEC - Feuerstern (Germany; long planned, finally out: two wonderful new tracks by the prolific german artist, comes in cardboard-box with golden print / lettering!) DR-93: OVRO - Horizontal / Vertical (Finland; intense subconscious landscapes & surrealistic schizophrenia-drones by this female Finnish artist, the "wondergirl" of Finnish exp. music) DR-94: ARTEFACTUM - Sub Rosa (Poland; alchemistic beauty- drones, a record fill with sonic magic) DR-95: INFANT CYCLE - Secret Hidden Message (Canada; long-time active Canadian project with intelligently made hypnotic drone-circles) MUSIC for the INNER SECOND EDITIONS (price € 6.00) EXPANSION, EC-STASIS, ELEVATION ! DR-10: TAM QUAM TABULA RASA - Cotidie morimur (Italy; outerworlds brain-wave-music, monotonous and hypnotizing loops & Dear Droners! rhythms) This NEWSLIST offers you a SELECTION of our mailorder programme, DR-29: AMON – Aura (Italy; haunting & shimmering magique as with a clear focus on droney, atmospheric, ambient music. With this list coming from an ancient culture) you have the chance to know more about the highlights & interesting DR-34: TARKATAK - Skärva / Oroa (Germany; atmospheric drones newcomers. It's our wish to support this special kind of electronic and with a special touch from this newcomer from North-Germany) experimental music, as we think its much more than "just music", the DR-39: DUAL – Klanik / 4 tH (U.K.; mighty guitar drones & massive "Drone"-genre is a way to work with your own mind, perception, and sub bass undertones that evoke feelings of total transcendence and (un)-consciousness-processes. -
Il Corpo Nel Suono Curatore Del Progetto Cristiano Grifone Il Corpo Nel Suono – I
il Corpo nel Suono 1 Curatore del progetto Cristiano Grifone Il Corpo nel Suono – I 2017 a cura di / edited by Cristiano Grifone Contributi di / Contributions by Marco Ariano Paolo Demitry Philip Feeney Kim Helweg Valentina Iadeluca Han Otten Jonathan Still Keith Terry Aracne editrice www.aracneeditrice.it [email protected] Copyright © MMXVII Gioacchino Onorati editore S.r.l. – unipersonale www.gioacchinoonoratieditore.it [email protected] via Vittorio Veneto, 20 00020 Canterano (RM) (06) 45551463 isbn 978-88-255-0647-1 I diritti di traduzione, di memorizzazione elettronica, di riproduzione e di adattamento anche parziale, con qualsiasi mezzo, sono riservati per tutti i Paesi. Non sono assolutamente consentite le fotocopie senza il permesso scritto dell’Editore. I edizione: ottobre 2017 Indice / Index Parte I Italiano 9 Premessa. Atti impuri Cristiano Grifone 11 Tra musica e danza. Keith Terry racconta la Body Music in una intervista di Valentina Iadeluca Keith Terry Valentina Iadeluca 25 Fluido, relazionale, di movimento. Verso una musicologia dell’esperienza musicale quotidiana in ambito coreutico Jonathan Still 37 Ripensare Bizet per rottami metallici e parti di automobili. Musica per Car–Men Han Otten 53 Farsi Fuori. Fenomenologia del corpo–suono e improvvisa- zione come evento Marco Ariano Paolo Demitry 67 Come i danzatori ascoltano la musica Philip Feeney 77 Dalla Sinfonia al Plié. Osservazioni sulla pratica coreomusi- cale nella lezione di danza classica Kim Helweg 89 Gli autori 5 6 Indice / Index Parte II English 97 Foreword. Impure Acts Cristiano Grifone 99 Between music and dance. Keith Terry talks about Body Music in an interview by Valentina Iadeluca Keith Terry Valentina Iadeluca 111 Mobile, fluid and relational. -
17-06-27 Full Stock List Drone
DRONE RECORDS FULL STOCK LIST - JUNE 2017 (FALLEN) BLACK DEER Requiem (CD-EP, 2008, Latitudes GMT 0:15, €10.5) *AR (RICHARD SKELTON & AUTUMN RICHARDSON) Wolf Notes (LP, 2011, Type Records TYPE093V, €16.5) 1000SCHOEN Yoshiwara (do-CD, 2011, Nitkie label patch seven, €17) Amish Glamour (do-CD, 2012, Nitkie Records Patch ten, €17) 1000SCHOEN / AB INTRA Untitled (do-CD, 2014, Zoharum ZOHAR 070-2, €15.5) 15 DEGREES BELOW ZERO Under a Morphine Sky (CD, 2007, Force of Nature FON07, €8) Between Checks and Artillery. Between Work and Image (10inch, 2007, Angle Records A.R.10.03, €10) Morphine Dawn (maxi-CD, 2004, Crunch Pod CRUNCH 32, €7) 21 GRAMMS Water-Membrane (CD, 2012, Greytone grey009, €12) 23 SKIDOO Seven Songs (do-LP, 2012, LTM Publishing LTMLP 2528, €29.5) 2:13 PM Anus Dei (CD, 2012, 213Records 213cd07, €10) 2KILOS & MORE 9,21 (mCD-R, 2006, Taalem alm 37, €5) 8floors lower (CD, 2007, Jeans Records 04, €13) 3/4HADBEENELIMINATED Theology (CD, 2007, Soleilmoon Recordings SOL 148, €19.5) Oblivion (CD, 2010, Die Schachtel DSZeit11, €14) Speak to me (LP, 2016, Black Truffle BT023, €17.5) 300 BASSES Sei Ritornelli (CD, 2012, Potlatch P212, €15) 400 LONELY THINGS same (LP, 2003, Bronsonunlimited BRO 000 LP, €12) 5IVE Hesperus (CD, 2008, Tortuga TR-037, €16) 5UU'S Crisis in Clay (CD, 1997, ReR Megacorp ReR 5uu2, €14) Hunger's Teeth (CD, 1994, ReR Megacorp ReR 5uu1, €14) 7JK (SIEBEN & JOB KARMA) Anthems Flesh (CD, 2012, Redroom Records REDROOM 010 CD , €13) 87 CENTRAL Formation (CD, 2003, Staalplaat STCD 187, €8) @C 0° - 100° (CD, 2010, Monochrome -
Paula Guerra
Paula Guerra Lou Reed: rock and roll is so genial in its conception that some people would be willing to die for it (…). Music gives a pulse that allows you to dream. It’s an entire generation walking to the sound of a Fender bass. It’s necessary that people be willing to die for music, that is all. People die no matter what, so why not music? Die for it. Isn’t it pretty? To want to die for beauty? (McNeil & McCain, 2006: 45). The 1960’s, from an music aesthetic and expression point of view, were marked by an intense creativity that spread throughout all artistic and cultural mediums. We associate this era with a revolutionary mark, be in cultural, moral or social terms, with the importance of figures such as Rimbaud, north American black blues, rock pioneers, beat generation, Henry Miller, Malraux, Baudelaire, Marcuse, Indian gurus, Marx, Trotsky, Mao Tse Tung… (Paraire, 1992: 75-77). In the USA, rock acquired an institutionalization close to that of the traditional star system, with the role of the English pop movement, in particular that of the Beatles, one of the most remarkable in this respect. It will not, then, be out of place to consider that rock music throughout the -------- 1 This text was first published in Portuguese with the following reference: Guerra, P., 2010. A instável leveza do rock. Génese, dinâmica e consolidação do rock alternativo em Portugal. The unstable lightness of rock. Genesis, dynamics and consolidation of alternative rock in Portugal (1980-2010). Faculty of Arts of University of Porto, Porto.