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Torino Teatro Alfieri Martedì 22.IX.09 Ore 22 Mercoledì 23.IX.09 Ore 22 Il
Torino Il canto del vuoto tagliente Teatro Alfieri Martedì 22.IX.09 Current 93 manifests as C93 ore 22 James Blackshaw Mercoledì 23.IX.09 Nurse With Wound ore 22 & Blind Cave Salamander Larsen & z’ev Progetto Grafico Studio Cerri & Associati Il canto del vuoto tagliente è stato ideato dal di cui è l’iniziativa inaugurale Il Festival proseguirà con Storie di altri mondi (27 settembre/2 ottobre) e Teatri del tempo presente (1/4 ottobre) In collaborazione con Torino Spiritualità Videoimpaginazione e stampa • la fotocomposizione - Torino martedì 22 settembre ore 22 Il canto del vuoto tagliente Atto primo Current 93 manifests as C93 James Blackshaw Current 93, la storica band di Hallucinatory Patripassianist Song, in attività sin dal 1982 guidata da David Tibet, apparirà in diverse forme e con diverse line up per tutto il 2009 per celebrare il suo nuovo album Aleph At Hallucinatory Mountain. Alla manifestazione di Torino, unica data italiana, prendono parte: Alex Neilson, batteria Andrew Liles, electronics Baby Dee, pianoforte, tastiere David Tibet, voce, chitarra Keith Wood, chitarra James Blackshaw, chitarra James Blackshaw, chitarrista dedito a ipnotiche composizioni per dodici corde e pianoforte, aprirà la serata con un set solista per presentare il suo nuovo album The Glass Bead Gam, inciso per l’etichetta di Michael Gira Young God Records. www.durtro.com www.myspace.com/current93 www.myspace.com/jamesblackshaw Se desiderate commentare questo concerto, potete farlo sul sito www.sistemamusica.it o su blog.mitosettembremusica.it mercoledì -
Helden Am Himmel – Helden Im Himmel
Tanja S. Scheer Helden am Himmel – Helden im Himmel Sphärenwechsel zu den Sternen im griechischen Mythos Abstract: The Catasterisms of Pseudo-Eratosthenes and the Astronomia, written by an author named Hyginus are the most important extant sources concerning ancient Greek star-myths. Analysing these texts this paper discusses questions about the reasons and circumstances that lead mythical heroes and heroines to changing the earthly sphere for the heavens in Greek myth. Which conse- quences did these changes inflict on the protagonists concerned? What did it mean to be put among the stars? The texts allowed their audience a wide range of possibilities “to think with”, including divine compassion, gratitude and eternal memory of great deeds as well as presenting warning examples for man- kind on earth. Since when these examples were told, is difficult to assess. The case of the Arkadian heroine Callisto shows how strata of mythical subjects (mythische Stoffe) changed over the centuries. The Homeric Odysseus was told of the ‘Bear’ as an important heavenly constellation, but it seems that it took some centuries before the heroine Callisto reached the sky and this bear finally got a personal name. Authors like Pseudo-Eratosthenes and Hyginus do not express the belief that such a changing of spheres included a happy afterlife or immortal feasting in the presence of the Olympic gods. Nevertheless their read- ers were at liberty to hope for it. 1 Einführung: Himmelsbilder Nachdem Galileo Galilei im Jahr 1610 die Jupitermonde entdeckt hatte, stellten sich die neuzeitlichen Gelehrten in eine lange Tradition – als Fortschreiber des griechischen Mythos. -
1 Musik Spezial
1 Musik Spezial - Radiophon 21.03 bis 22.00 Uhr Sendung: 31.01.2013 Von Harry Lachner Musikmeldung 1. A Little Place Called Trust The Paper Chase (John Congleton) 28101-2 CD: Hide The Kitchen Knives 2. Ceremonial Magic II John Zorn (John Zorn) Tzadik TZ 8092 CD: Music and Its Double 3. Black Angels - I. Departure Quatuor Diotima (George Crumb) Naive 5272 CD: American Music 4. L.A. Confidential Jerry Goldsmith (Goldsmith) Restless 0187-72946-2 CD: LA Confidential 5. The Prophecy John Zorn (John Zorn) Tzadik TZ 8303 CD: A Vision in Blakelight 6. Room 203 Graham Reynolds (Graham Reynolds) Lakeshore 33863 CD: A Scanner Darkly 7. Fantasie For Horns II Hildegard Westerkamp (Hildewgard Westerkamp) Empreintes Digitales IMED 9631 CD: Transformations 8. Hier und dort Ernst Jandl, Christian Muthspiel (Ernst Jandl, Christian Muthspiel) Universal 0602517784901 (LC: 12216) CD: für und mit ernst 9. Tristan Eric Schaefer (Richard Wagner) ACT 9543-2 CD: Who is afraid of Richard W.? 10. Je ne pense kanous Hélène Breschand, Sylvain Kassap (Hélène Breschand, Sylvain Kassap) D'Autres Cordes dac 311 CD: Double-Peine 11. Harbour Symphony Hildegard Westerkamp (Hildegard Westerkamp) Empreintes Digitales IMED 9631 CD: Transformations 2 12. Soudain l'hiver dernier Hélène Breschand, Sylvain Kassap (Hélène Breschand, Sylvain Kassap) D'Autres Cordes dac 311 CD: Double-Peine 13. Voyage en Egypte Paul Bowles (Paul Bowles, Bill Laswell) Meta Records MTA9601 CD: Baptism of Solitude 14. Floundering Shelley Hirsch, Simon Ho (Shelley Hirsch, Simon Ho) Tzadik 7638 CD: Where Were You, Then? 15. Flea Bite Nurse with Wound (Steven Stapleton) UD 032 CD CD: A Sucked Orange 16. -
Willieverbefreelikeabird Ba Final Draft
Háskóli Íslands Hugvísindasvið Japanskt mál og menning Fashion Subcultures in Japan A multilayered history of street fashion in Japan Ritgerð til BA-prófs í japönsku máli og menningu Inga Guðlaug Valdimarsdóttir Kt: 0809883039 Leðbeinandi: Gunnella Þorkellsdóttir September 2015 1 Abstract This thesis discusses the history of the street fashion styles and its accompanying cultures that are to be found on the streets of Japan, focusing on the two most well- known places in Tokyo, namely Harajuku and Shibuya, as well as examining if the economic turmoil in Japan in the 1990s had any effect on the Japanese street fashion. The thesis also discusses youth cultures, not only those in Japan, but also in North- America, Europe, and elsewhere in the world; as well as discussing the theories that exist on the relation of fashion and economy of the Western world, namely in North- America and Europe. The purpose of this thesis is to discuss the possible causes of why and how the Japanese street fashion scene came to be into what it is known for today: colorful, demiurgic, and most of all, seemingly outlandish to the viewer; whilst using Japanese society and culture as a reference. Moreover, the history of certain street fashion styles of Tokyo is to be examined in this thesis. The first chapter examines and discusses youth and subcultures in the world, mentioning few examples of the various subcultures that existed, as well as introducing the Japanese school uniforms and the culture behind them. The second chapter addresses how both fashion and economy influence each other, and how the fashion in Japan was before its economic crisis in 1991. -
Pre-Pedidos: 11 - Octubre - 2019
CLICK AQUÍ PARA VISITAR EL INDICE CON TODOS LOS LISTADOS DISPONIBLES descuento del 9% para pedidos de este listado recibidos hasta el 18 - octubre - 2019 inclusive PRE-PEDIDOS: 11 - OCTUBRE - 2019 WORMHOLE GRUMPTRONIX - NIGHTMOVES # 3: 14.30 € WISDOM DIRTY SHEETS / LOVEFIX / NIGHTMOVES / COSMIC GLIDE 13.01 € WORMO2.3 12" TECHNO / HOUSE / ACID / REPRESS: 02 - Diciembre - 2019 NLD ELECTRO As with the previous 2 releases in the 3-part Grumptronix series, the A-side features the duo's most sought A1 after tracks from their back catalogue. This concluding chapter features the futuristic-funk and vocoder- laden 'Dirty Sheets', an enigmatic electro classic that has been become almost impossible to find for collectors. This is followed by the travelling and morphing sounds of 'Lovefix' - a track that is long regarded A2 as one of the greatest electro tracks of the era. As with the rest of the series, the two reissue tracks are featured alongside 2 previously unheard, unreleased productions that were created during the same time period, at the same studio in Tampa, Florida. The first previously unreleased track is 'Nightmoves', a B1 potential future classic. An immediate call to the dancefloor that provides the discerning DJ with something to break through even the most monotonous of sets. The final track of the series is 'Cosmic Glide', a bouncy rhythm with purple, funk-fuelled keys that are equal parts future and past. Nightmoves #3 B2 is last in the series, but by absolutely no means least. WORMO2's transmission is complete, over and out 12.80 € MODEIGHT VENDA - OVIO EP 11.65 € MODEIGHT008 12" HOUSE / MINIMAL-HOUSE Vinyl Only / 180 grams UKR Following his recent Australian tour, Modeight label mastermind Silat Beksi now connects the dots between A1 Europe's thriving minimal underground and the emerging scene down under by showcasing Aussie modular specialist Venda for Modeight's 8th vinyl release. -
Saturn As the “Sun of Night” in Ancient Near Eastern Tradition ∗
Saturn as the “Sun of Night” in Ancient Near Eastern Tradition ∗ Marinus Anthony van der Sluijs – Seongnam (Korea) Peter James – London [This article tackles two issues in the “proto-astronomical” conception of the planet Saturn, first attested in Mesopotamia and followed by the Greeks and Hindus: the long-standing problem of Saturn’s baffling association with the Sun; and why Saturn was deemed to be “black”. After an extensive consideration of explanations offered from the 5th century to the 21st, as well as some new “thought experiments”, we suggest that Saturn’s connection with the Sun had its roots in the observations that Saturn’s course appears to be the steadiest one among the planets and that its synodic period – of all the planets – most closely resembles the length of the solar year. For the black colour attributed to Saturn we propose a solution which is partly lexical and partly observational (due to atmospheric effects). Finally, some thoughts are offered on the question why in Hellenistic times some considered the “mock sun” Phaethon of Greek myth to have been Saturn]. Keywords: Saturn, planets, Sun, planet colour. 1. INTRODUCTION Since the late 19th century scholars have been puzzled by a conspicuous peculiarity in the Babylonian nomenclature for the planet Saturn: a number of texts refer to Saturn as the “Sun” ( dutu/20 or Šamaš ), instead of its usual astronomical names Kayam ānu and mul UDU.IDIM. 1 This curious practice was in vogue during the period c. 750-612 BC 2 and is not known from earlier periods, with a single possible exception, discussed below. -
The Poetics of Science: Intertextual and Metatextual Themes in Ovid's Depiction of Cosmic and Human Origins
Provided by the author(s) and NUI Galway in accordance with publisher policies. Please cite the published version when available. Title The poetics of science: intertextual and metatextual themes in Ovid's depiction of cosmic and human origins Author(s) Kelly, Peter Publication Date 2016-09-09 Item record http://hdl.handle.net/10379/6075 Downloaded 2021-09-28T20:42:11Z Some rights reserved. For more information, please see the item record link above. The Poetics of Science Intertextual and Metatextual Themes in Ovid’s Depiction of Cosmic and Human Origins By Peter M. J. Kelly A Thesis Submitted to the National University of Ireland, Galway in the College of Arts, Social Sciences and Celtic Studies for the degree of Doctor of Philosophy in Classics September 2016 Supervisor: Prof. Michael Clarke ii Preface This work explores ancient views of cosmogony and the material structure of the universe in Ovid’s Metamorphoses. In particular it focuses on the way in which Ovid problematizes how we define myth and poetry versus science and philosophy. It examines how Ovid generates a parallel between the form and content of the text in order to depict a world where abstract scientific principles can become personified deities. This work will seek to reevaluate the impact of Greek Philosophy on Roman poetry through extending the series of intertexts which we may observe Ovid alluding to. Through following and analysing these sets of allusions this work will seek to gain an insight into Ovid’s depiction of the metatextual universe. iii iv For my Parents The scientist’s demand that nature shall be lawful is a demand for unity. -
Numero 24 Marzo-Aprile 2015 BIMESTRALE - POSTE ITALIANE S.P.A
ISSN 2280-8817 anno v numero 24 marzo-aprile 2015 BIMESTRALE - POSTE ITALIANE S.P.A. SPED. IN A.P. 70% - ROMA - COPIA EURO 0,001 - COPIA 70% - ROMA A.P. SPED. IN S.P.A. BIMESTRALE - POSTE ITALIANE I PUBBLICI DEI MUSEI NUMERI E GRAFICI ARTE & LETTERATURA LOMBARDIA, MILANO, BERGAMO QUATTRO MESI A NEW YORK IL MERCATO DELLE GALLERIE DAVID FOSTER WALLACE MAPPE E CONSIGLI DI VIAGGIO CITTÀ-STATO: REPORTAGE TOTO COTUGNO BANCHE & ARTE DA SINGAPORE A MALTA UNA FOTO CONCETTUALE UBS, ART BASEL E LA GAM àncora di salvezza sul dissesto della cultura nella Capitale del Paese – dissesto di cui incessantemente parliamo da anni – potrebbe in maniera inaspettata giungere dal Vaticano. L’annuncio del Giubileo Straordinario da parte di Papa Bergoglio schiude opportunità impensabili per una città che ha totalmente perduto, dal punto di vista della programmazione museale, il treno di Expo 2015, ma che ora ha la chance di prendere quello del Giubileo 2016. L’allure del cambio di millennio non c’è, i soldi che vi furono allora non ci sono (3mila miliardi e mezzo di TONELLI lire), non c’è neppure un papa dallo spessore di Giovanni Paolo II sebbene Francesco abbia un seguito non indifferente. Quel che potrebbe esserci è l’afflusso di pubblico da tutto il mondo. Anzi la quantità di pellegrini e di turisti che utilizzeranno il Giubileo come scusa per visitare la Città Eterna potrebbe aumentare perché MASSIMILIANO la propensione a spostarsi è enormemente aumentata rispetto al 2000. Ci sono le low cost e all’epoca non c’erano. Ci sono i treni veloci e allora non c’erano. -
Dayens Menuetto Integrated Amplifier
1 C:\Users\Stuart\Desktop\DOCUMENTS THIS ONE\Hifi Pig\DESKTOP BACKUP\HIFI PIG\ADVERTISEMENTS\TQ\Grand Slam Large 2 (1).png 2 Hifi Pig www.hifipig.com CONTENTS HIFI REVIEWS Wadia DI122 Digital Audio Decoder Pro-Ject MaiA DS Integrated Amplifier Dayens Menuetto Integrated Amplifier Soundsmith Carmen Moving Iron Cartridge Ferguson Hill FH007 and FH008 Loudspeaker System www.hifipig.com Scansonic M-5 Loudspeakers Telephone: +33 (0)2 97 23 70 78 E mail: [email protected] Audio GE – Sincerus 80 Loudspeakers Paradox Audio Cables GADGET REVIEWS Ben QGW2270H Monitor Devil Volt Power Pack Eyejusters Reading Glasses www.gadgetynews.com Guild 1.5AH Hammer Drill E mail: [email protected] Huawei MediaPad M2 10.0 Tablet Huawei P9 Tascam TrackPack US-2x2 Home Studio PLUS Retro Bites Fidelity Matters The Views Of Stu Album Reviews BEHIND THE BRANDS Hifi Pig speaks to KR Audio’s Eunice Kron CLASSIC ALBUM Lynton Kwesi Johnson’s Bass Culture 3 4 5 Hifi Pig www.hifipig.com Wadia DI122 Digital Audio Decoder The Wadia Dl122 adia have been a big name in digital front end equipment for many years now and Digital Audio Decoder Wfor me have always provided products with great styling, flexibility, feature rich options and will decode files at solid sound performance. So when Absolute Sounds who distribute the world renowned brand here in the UK suggested a review of the new DI122 DAC – 24-bit/192kHz has a predecessor to the 121 which I know very well, I was USB input that accepts happy to oblige. The unit arrived extremely well packaged with up to 32-bit signals medium density foam completely encasing the unit, with sufficient space for the included power supply and support for DSD64, and remote control. -
Newslist Drone Records 31. January 2009
DR-90: NOISE DREAMS MACHINA - IN / OUT (Spain; great electro- acoustic drones of high complexity ) DR-91: MOLJEBKA PVLSE - lvde dings (Sweden; mesmerizing magneto-drones from Swedens drone-star, so dense and impervious) DR-92: XABEC - Feuerstern (Germany; long planned, finally out: two wonderful new tracks by the prolific german artist, comes in cardboard-box with golden print / lettering!) DR-93: OVRO - Horizontal / Vertical (Finland; intense subconscious landscapes & surrealistic schizophrenia-drones by this female Finnish artist, the "wondergirl" of Finnish exp. music) DR-94: ARTEFACTUM - Sub Rosa (Poland; alchemistic beauty- drones, a record fill with sonic magic) DR-95: INFANT CYCLE - Secret Hidden Message (Canada; long-time active Canadian project with intelligently made hypnotic drone-circles) MUSIC for the INNER SECOND EDITIONS (price € 6.00) EXPANSION, EC-STASIS, ELEVATION ! DR-10: TAM QUAM TABULA RASA - Cotidie morimur (Italy; outerworlds brain-wave-music, monotonous and hypnotizing loops & Dear Droners! rhythms) This NEWSLIST offers you a SELECTION of our mailorder programme, DR-29: AMON – Aura (Italy; haunting & shimmering magique as with a clear focus on droney, atmospheric, ambient music. With this list coming from an ancient culture) you have the chance to know more about the highlights & interesting DR-34: TARKATAK - Skärva / Oroa (Germany; atmospheric drones newcomers. It's our wish to support this special kind of electronic and with a special touch from this newcomer from North-Germany) experimental music, as we think its much more than "just music", the DR-39: DUAL – Klanik / 4 tH (U.K.; mighty guitar drones & massive "Drone"-genre is a way to work with your own mind, perception, and sub bass undertones that evoke feelings of total transcendence and (un)-consciousness-processes. -
17-06-27 Full Stock List Drone
DRONE RECORDS FULL STOCK LIST - JUNE 2017 (FALLEN) BLACK DEER Requiem (CD-EP, 2008, Latitudes GMT 0:15, €10.5) *AR (RICHARD SKELTON & AUTUMN RICHARDSON) Wolf Notes (LP, 2011, Type Records TYPE093V, €16.5) 1000SCHOEN Yoshiwara (do-CD, 2011, Nitkie label patch seven, €17) Amish Glamour (do-CD, 2012, Nitkie Records Patch ten, €17) 1000SCHOEN / AB INTRA Untitled (do-CD, 2014, Zoharum ZOHAR 070-2, €15.5) 15 DEGREES BELOW ZERO Under a Morphine Sky (CD, 2007, Force of Nature FON07, €8) Between Checks and Artillery. Between Work and Image (10inch, 2007, Angle Records A.R.10.03, €10) Morphine Dawn (maxi-CD, 2004, Crunch Pod CRUNCH 32, €7) 21 GRAMMS Water-Membrane (CD, 2012, Greytone grey009, €12) 23 SKIDOO Seven Songs (do-LP, 2012, LTM Publishing LTMLP 2528, €29.5) 2:13 PM Anus Dei (CD, 2012, 213Records 213cd07, €10) 2KILOS & MORE 9,21 (mCD-R, 2006, Taalem alm 37, €5) 8floors lower (CD, 2007, Jeans Records 04, €13) 3/4HADBEENELIMINATED Theology (CD, 2007, Soleilmoon Recordings SOL 148, €19.5) Oblivion (CD, 2010, Die Schachtel DSZeit11, €14) Speak to me (LP, 2016, Black Truffle BT023, €17.5) 300 BASSES Sei Ritornelli (CD, 2012, Potlatch P212, €15) 400 LONELY THINGS same (LP, 2003, Bronsonunlimited BRO 000 LP, €12) 5IVE Hesperus (CD, 2008, Tortuga TR-037, €16) 5UU'S Crisis in Clay (CD, 1997, ReR Megacorp ReR 5uu2, €14) Hunger's Teeth (CD, 1994, ReR Megacorp ReR 5uu1, €14) 7JK (SIEBEN & JOB KARMA) Anthems Flesh (CD, 2012, Redroom Records REDROOM 010 CD , €13) 87 CENTRAL Formation (CD, 2003, Staalplaat STCD 187, €8) @C 0° - 100° (CD, 2010, Monochrome -
Paula Guerra
Paula Guerra Lou Reed: rock and roll is so genial in its conception that some people would be willing to die for it (…). Music gives a pulse that allows you to dream. It’s an entire generation walking to the sound of a Fender bass. It’s necessary that people be willing to die for music, that is all. People die no matter what, so why not music? Die for it. Isn’t it pretty? To want to die for beauty? (McNeil & McCain, 2006: 45). The 1960’s, from an music aesthetic and expression point of view, were marked by an intense creativity that spread throughout all artistic and cultural mediums. We associate this era with a revolutionary mark, be in cultural, moral or social terms, with the importance of figures such as Rimbaud, north American black blues, rock pioneers, beat generation, Henry Miller, Malraux, Baudelaire, Marcuse, Indian gurus, Marx, Trotsky, Mao Tse Tung… (Paraire, 1992: 75-77). In the USA, rock acquired an institutionalization close to that of the traditional star system, with the role of the English pop movement, in particular that of the Beatles, one of the most remarkable in this respect. It will not, then, be out of place to consider that rock music throughout the -------- 1 This text was first published in Portuguese with the following reference: Guerra, P., 2010. A instável leveza do rock. Génese, dinâmica e consolidação do rock alternativo em Portugal. The unstable lightness of rock. Genesis, dynamics and consolidation of alternative rock in Portugal (1980-2010). Faculty of Arts of University of Porto, Porto.