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Lancashire Arts
Degree Show edition Lancashire Arts A guide to events and exhibitions May - August 2019 INTRODUCTION WHAT’S ON The Faculty of Culture and the Creative Industries is excited to present the May pg 4-16 • Graham Massey and Toolshed Degree Show edition of the Lancashire Arts booklet, showcasing the amazing • Social Fusion Funnel • Worldwise Samba Drummers talent and dedication of our creative students, staff and collaborators. • Preston People’s Choir You will find an extensive programme of degree shows, performances, • Preston Scratch Band • Jay’s Jazz Jam exhibitions, workshops and events, appealing to a range of audiences – many • Preston People’s Choir • Border Morris Dancing of which are free to attend. We are also delighted to be hosting the second • Borders and Boundaries • Making Presence Felt Preston Jazz and Improvisation Festival during the first week in June, in • I’m Here • Tea Time Jazz partnership with Preston City Council and supported by Arts Council England. • FutureSound • Jazz Guitar Double Header The festival is set to bring Preston alive with jazz with performances and • Border Morris Dancing (until August) • Conga Drumming Course workshops led by internationally renowned artists as well as local musicians. • Preston Samba Dancers • A Day of Django • Rhythm Jam See our Degree Shows at their most vibrant, • Gondwana 10 • Embodying Health • Creative Prayer: Don’t Worry! save Thursday 13 June in your calendar! • Creative Prayer: Psalm 23 • Degree Shows • The Finale • Preston Samba Dancers This is the date of our Private View where you are welcome to join our students as • Sweet Charity they celebrate with friends, family and industry. -
Numero 24 Marzo-Aprile 2015 BIMESTRALE - POSTE ITALIANE S.P.A
ISSN 2280-8817 anno v numero 24 marzo-aprile 2015 BIMESTRALE - POSTE ITALIANE S.P.A. SPED. IN A.P. 70% - ROMA - COPIA EURO 0,001 - COPIA 70% - ROMA A.P. SPED. IN S.P.A. BIMESTRALE - POSTE ITALIANE I PUBBLICI DEI MUSEI NUMERI E GRAFICI ARTE & LETTERATURA LOMBARDIA, MILANO, BERGAMO QUATTRO MESI A NEW YORK IL MERCATO DELLE GALLERIE DAVID FOSTER WALLACE MAPPE E CONSIGLI DI VIAGGIO CITTÀ-STATO: REPORTAGE TOTO COTUGNO BANCHE & ARTE DA SINGAPORE A MALTA UNA FOTO CONCETTUALE UBS, ART BASEL E LA GAM àncora di salvezza sul dissesto della cultura nella Capitale del Paese – dissesto di cui incessantemente parliamo da anni – potrebbe in maniera inaspettata giungere dal Vaticano. L’annuncio del Giubileo Straordinario da parte di Papa Bergoglio schiude opportunità impensabili per una città che ha totalmente perduto, dal punto di vista della programmazione museale, il treno di Expo 2015, ma che ora ha la chance di prendere quello del Giubileo 2016. L’allure del cambio di millennio non c’è, i soldi che vi furono allora non ci sono (3mila miliardi e mezzo di TONELLI lire), non c’è neppure un papa dallo spessore di Giovanni Paolo II sebbene Francesco abbia un seguito non indifferente. Quel che potrebbe esserci è l’afflusso di pubblico da tutto il mondo. Anzi la quantità di pellegrini e di turisti che utilizzeranno il Giubileo come scusa per visitare la Città Eterna potrebbe aumentare perché MASSIMILIANO la propensione a spostarsi è enormemente aumentata rispetto al 2000. Ci sono le low cost e all’epoca non c’erano. Ci sono i treni veloci e allora non c’erano. -
Mediated Music Makers. Constructing Author Images in Popular Music
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Helsingin yliopiston digitaalinen arkisto Laura Ahonen Mediated music makers Constructing author images in popular music Academic dissertation to be publicly discussed, by due permission of the Faculty of Arts at the University of Helsinki in auditorium XII, on the 10th of November, 2007 at 10 o’clock. Laura Ahonen Mediated music makers Constructing author images in popular music Finnish Society for Ethnomusicology Publ. 16. © Laura Ahonen Layout: Tiina Kaarela, Federation of Finnish Learned Societies ISBN 978-952-99945-0-2 (paperback) ISBN 978-952-10-4117-4 (PDF) Finnish Society for Ethnomusicology Publ. 16. ISSN 0785-2746. Contents Acknowledgements. 9 INTRODUCTION – UNRAVELLING MUSICAL AUTHORSHIP. 11 Background – On authorship in popular music. 13 Underlying themes and leading ideas – The author and the work. 15 Theoretical framework – Constructing the image. 17 Specifying the image types – Presented, mediated, compiled. 18 Research material – Media texts and online sources . 22 Methodology – Social constructions and discursive readings. 24 Context and focus – Defining the object of study. 26 Research questions, aims and execution – On the work at hand. 28 I STARRING THE AUTHOR – IN THE SPOTLIGHT AND UNDERGROUND . 31 1. The author effect – Tracking down the source. .32 The author as the point of origin. 32 Authoring identities and celebrity signs. 33 Tracing back the Romantic impact . 35 Leading the way – The case of Björk . 37 Media texts and present-day myths. .39 Pieces of stardom. .40 Single authors with distinct features . 42 Between nature and technology . 45 The taskmaster and her crew. -
Dayens Menuetto Integrated Amplifier
1 C:\Users\Stuart\Desktop\DOCUMENTS THIS ONE\Hifi Pig\DESKTOP BACKUP\HIFI PIG\ADVERTISEMENTS\TQ\Grand Slam Large 2 (1).png 2 Hifi Pig www.hifipig.com CONTENTS HIFI REVIEWS Wadia DI122 Digital Audio Decoder Pro-Ject MaiA DS Integrated Amplifier Dayens Menuetto Integrated Amplifier Soundsmith Carmen Moving Iron Cartridge Ferguson Hill FH007 and FH008 Loudspeaker System www.hifipig.com Scansonic M-5 Loudspeakers Telephone: +33 (0)2 97 23 70 78 E mail: [email protected] Audio GE – Sincerus 80 Loudspeakers Paradox Audio Cables GADGET REVIEWS Ben QGW2270H Monitor Devil Volt Power Pack Eyejusters Reading Glasses www.gadgetynews.com Guild 1.5AH Hammer Drill E mail: [email protected] Huawei MediaPad M2 10.0 Tablet Huawei P9 Tascam TrackPack US-2x2 Home Studio PLUS Retro Bites Fidelity Matters The Views Of Stu Album Reviews BEHIND THE BRANDS Hifi Pig speaks to KR Audio’s Eunice Kron CLASSIC ALBUM Lynton Kwesi Johnson’s Bass Culture 3 4 5 Hifi Pig www.hifipig.com Wadia DI122 Digital Audio Decoder The Wadia Dl122 adia have been a big name in digital front end equipment for many years now and Digital Audio Decoder Wfor me have always provided products with great styling, flexibility, feature rich options and will decode files at solid sound performance. So when Absolute Sounds who distribute the world renowned brand here in the UK suggested a review of the new DI122 DAC – 24-bit/192kHz has a predecessor to the 121 which I know very well, I was USB input that accepts happy to oblige. The unit arrived extremely well packaged with up to 32-bit signals medium density foam completely encasing the unit, with sufficient space for the included power supply and support for DSD64, and remote control. -
Newslist Drone Records 31. January 2009
DR-90: NOISE DREAMS MACHINA - IN / OUT (Spain; great electro- acoustic drones of high complexity ) DR-91: MOLJEBKA PVLSE - lvde dings (Sweden; mesmerizing magneto-drones from Swedens drone-star, so dense and impervious) DR-92: XABEC - Feuerstern (Germany; long planned, finally out: two wonderful new tracks by the prolific german artist, comes in cardboard-box with golden print / lettering!) DR-93: OVRO - Horizontal / Vertical (Finland; intense subconscious landscapes & surrealistic schizophrenia-drones by this female Finnish artist, the "wondergirl" of Finnish exp. music) DR-94: ARTEFACTUM - Sub Rosa (Poland; alchemistic beauty- drones, a record fill with sonic magic) DR-95: INFANT CYCLE - Secret Hidden Message (Canada; long-time active Canadian project with intelligently made hypnotic drone-circles) MUSIC for the INNER SECOND EDITIONS (price € 6.00) EXPANSION, EC-STASIS, ELEVATION ! DR-10: TAM QUAM TABULA RASA - Cotidie morimur (Italy; outerworlds brain-wave-music, monotonous and hypnotizing loops & Dear Droners! rhythms) This NEWSLIST offers you a SELECTION of our mailorder programme, DR-29: AMON – Aura (Italy; haunting & shimmering magique as with a clear focus on droney, atmospheric, ambient music. With this list coming from an ancient culture) you have the chance to know more about the highlights & interesting DR-34: TARKATAK - Skärva / Oroa (Germany; atmospheric drones newcomers. It's our wish to support this special kind of electronic and with a special touch from this newcomer from North-Germany) experimental music, as we think its much more than "just music", the DR-39: DUAL – Klanik / 4 tH (U.K.; mighty guitar drones & massive "Drone"-genre is a way to work with your own mind, perception, and sub bass undertones that evoke feelings of total transcendence and (un)-consciousness-processes. -
House, Techno & the Origins of Electronic Dance Music
HOUSE, TECHNO & THE ORIGINS OF ELECTRONIC DANCE MUSIC 1 EARLY HOUSE AND TECHNO ARTISTS THE STUDIO AS AN INSTRUMENT TECHNOLOGY AND ‘MISTAKES’ OR ‘MISUSE’ 2 How did we get here? disco electro-pop soul / funk Garage - NYC House - Chicago Techno - Detroit Paradise Garage - NYC Larry Levan (and Frankie Knuckles) Chicago House Music House music borrowed disco’s percussion, with the bass drum on every beat, with hi-hat 8th note offbeats on every bar and a snare marking beats 2 and 4. House musicians added synthesizer bass lines, electronic drums, electronic effects, samples from funk and pop, and vocals using reverb and delay. They balanced live instruments and singing with electronics. Like Disco, House music was “inclusive” (both socially and musically), infuenced by synthpop, rock, reggae, new wave, punk and industrial. Music made for dancing. It was not initially aimed at commercial success. The Warehouse Discotheque that opened in 1977 The Warehouse was the place to be in Chicago’s late-’70s nightlife scene. An old three-story warehouse in Chicago’s west-loop industrial area meant for only 500 patrons, the Warehouse often had over 2000 people crammed into its dark dance foor trying to hear DJ Frankie Knuckles’ magic. In 1982, management at the Warehouse doubled the admission, driving away the original crowd, as well as Knuckles. Frankie Knuckles and The Warehouse "The Godfather of House Music" Grew up in the South Bronx and worked together with his friend Larry Levan in NYC before moving to Chicago. Main DJ at “The Warehouse” until 1982 In the early 80’s, as disco was fading, he started mixing disco records with a drum machines and spacey, drawn out lines. -
Dive Covenant Ah Cama-Sotz Revolting Cocks
edition April - June 2017 free of charge, not for sale 25 quarterly published music magazine DIVE COVENANT AH CAMA-SOTZ REVOLTING COCKS ARSENIC OF JABIR | FROZEN NATION | ALVAR CAUSENATION | DOLLS OF PAIN | VUDUVOX BESTIAL MOUTHS | 31ST TILE | ALPHAMAY X-MOUTH SYNDROME | LLUMEN | ELM - 1 - www.peek-a-boo-magazine.be - 2 - contents 04 CD reviews 22 Interview REVOLTING COCKS 06 Interview ALPHAMAY 24 Interview VUDUVOX 08 Interview DOLLS OF PAIN 26 CD reviews 10 Interview LLUMEN 28 Interview COVENANT 12 Interview ELM 30 CD reviews 14 Interview X-MOUTH SYNDROME 32 Interview AH CAMA-SOTZ 16 Interview ALVAR 18 Interview DIVE 34 Interview ARSENIC OF JABIR 20 Interview BESTIAL MOUTHS 35 Calendar Peek-A-Boo Magazine • BodyBeats Productions • Tabaksvest 40 • 2000 Antwerpen • contact@ and [email protected] colophon ORGANISATION EDITORS WRITERS (continued) BODYBEATS Productions Gea STAPELVOORT Paul PLEDGER www.bodybeats.be Leanne AITKEN Ron SCHOONWATER Dimitri CAUVEREN Sara VANNACCI Stef COLDHEART Wool-E Shop Tine SWAENEPOEL Ward DE PRINS Dries HAESELDONCKX Wim LENAERTS Bunkerleute WRITERS Xavier KRUTH Frédéric COTTON Charles “Chuck” MOORHOUSE Le Fantastique Fred GADGET PHOTOGRAPHERS PARTNERS Gustavo A. ROSELINSKY Benny SERNEELS Dark Entries team Jurgen BRAECKEVELT Marquis(pi)X www.darkentries.be Manu L DASH Gothville team Mark VAN MULLEM MAGAZINE & WEBSITE www.gothville.com Masha KASHA Ward DE PRINS - 3 - www.peek-a-boo-magazine.be ONCEHUMAN - Evolution (CD) (Ear Music) Sometimes you have to take a leap of faith when choosing a CD for your listening pleasure and experience. However, mostly, you take a diligent peek at the visual aspects (artwork, layout, photography...). -
Music 10378 Songs, 32.6 Days, 109.89 GB
Page 1 of 297 Music 10378 songs, 32.6 days, 109.89 GB Name Time Album Artist 1 Ma voie lactée 3:12 À ta merci Fishbach 2 Y crois-tu 3:59 À ta merci Fishbach 3 Éternité 3:01 À ta merci Fishbach 4 Un beau langage 3:45 À ta merci Fishbach 5 Un autre que moi 3:04 À ta merci Fishbach 6 Feu 3:36 À ta merci Fishbach 7 On me dit tu 3:40 À ta merci Fishbach 8 Invisible désintégration de l'univers 3:50 À ta merci Fishbach 9 Le château 3:48 À ta merci Fishbach 10 Mortel 3:57 À ta merci Fishbach 11 Le meilleur de la fête 3:33 À ta merci Fishbach 12 À ta merci 2:48 À ta merci Fishbach 13 ’¡¡ÒàËÇèÒ 3:33 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 14 ’¡¢ÁÔé’ 2:29 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 15 ’¡à¢Ò 1:33 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 16 ¢’ÁàªÕ§ÁÒ 1:36 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 17 à¨éÒ’¡¢Ø’·Í§ 2:07 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 18 ’¡àÍÕé§ 2:23 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 19 ’¡¡ÒàËÇèÒ 4:00 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 20 áÁèËÁéÒ¡ÅèÍÁÅÙ¡ 6:49 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 21 áÁèËÁéÒ¡ÅèÍÁÅÙ¡ 6:23 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 22 ¡ÅèÍÁÅÙ¡â€ÃÒª 1:58 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 23 ¡ÅèÍÁÅÙ¡ÅéÒ’’Ò 2:55 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 24 Ë’èÍäÁé 3:21 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 25 ÅÙ¡’éÍÂã’ÍÙè 3:55 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 26 ’¡¡ÒàËÇèÒ 2:10 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 27 ÃÒËÙ≤˨ђ·Ãì 5:24 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… -
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI Via AP Balazs Mohai
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI via AP Balazs Mohai Sziget Festival March 26-April 2 Horizon Festival Arinsal, Andorra Web www.horizonfestival.net Artists Floating Points, Motor City Drum Ensemble, Ben UFO, Oneman, Kink, Mala, AJ Tracey, Midland, Craig Charles, Romare, Mumdance, Yussef Kamaal, OM Unit, Riot Jazz, Icicle, Jasper James, Josey Rebelle, Dan Shake, Avalon Emerson, Rockwell, Channel One, Hybrid Minds, Jam Baxter, Technimatic, Cooly G, Courtesy, Eva Lazarus, Marc Pinol, DJ Fra, Guim Lebowski, Scott Garcia, OR:LA, EL-B, Moony, Wayward, Nick Nikolov, Jamie Rodigan, Bahia Haze, Emerald, Sammy B-Side, Etch, Visionobi, Kristy Harper, Joe Raygun, Itoa, Paul Roca, Sekev, Egres, Ghostchant, Boyson, Hampton, Jess Farley, G-Ha, Pixel82, Night Swimmers, Forbes, Charline, Scar Duggy, Mold Me With Joy, Eric Small, Christer Anderson, Carina Helen, Exswitch, Seamus, Bulu, Ikarus, Rodri Pan, Frnch, DB, Bigman Japan, Crawford, Dephex, 1Thirty, Denzel, Sticky Bandit, Kinno, Tenbagg, My Mate From College, Mr Miyagi, SLB Solden, Austria June 9-July 10 DJ Snare, Ambiont, DLR, Doc Scott, Bailey, Doree, Shifty, Dorian, Skore, March 27-April 2 Web www.electric-mountain-festival.com Jazz Fest Vienna Dossa & Locuzzed, Eksman, Emperor, Artists Nervo, Quintino, Michael Feiner, Full Metal Mountain EMX, Elize, Ernestor, Wastenoize, Etherwood, Askery, Rudy & Shany, AfroJack, Bassjackers, Vienna, Austria Hemagor, Austria F4TR4XX, Rapture,Fava, Fred V & Grafix, Ostblockschlampen, Rafitez Web www.jazzfest.wien Frederic Robinson, -
The Aesthetics of Acid
The Aesthetics Of Acid by Rick Bull Since the technological paranoia of the cold-war era, and the ensuing political and social consequences of the military technological boom, the development of electronic musics and proliferation of technologies through the 1970’s to the 90’s has seen the amalgamation of a multitude of cultural music ‘systems’- the formation of a universal and hybridised(ing) ‘pop aesthetic’1. In the West at least, the employment of electronic music technology has largely been used to reinforce the ‘classificatory arrangements’2 of the anglo-saxon listening ear - those classical tonal / structural orders criticised by the likes of Webern, Schoenberg and Boulez3......Towards the end of the 1980’s however, the popular appropriation of available technologies was challenged greatly by groups of experimentalists from Detroit, Chicago and Frankfurt - leaders of the ‘acid house’ explosion of the late 80’s, whose musics’ roots greatly shaped the aesthetic of today’s diversified ‘techno’ music genre. Much could be discussed in regards to history and subsequent sterilisation / diversification of such music, yet this essay seeks to focus primarily upon the change in cultural ‘hearing’ that could be suggested has occurred in the late 20th century; reflected and catalysed by the appropriators of frequently ‘obsolete’ musical technologies. I suggest, that through the popularised use of sampling and analogue tone production, and overall shift in the electro- pop listening aesthetic can be observed; ie. that from high to frequently ‘low’ tone fidelity - from a transparent to ‘opaque’ technological ethic, from a melodic / harmonic to largely modal and heavily rhythm based ideal. -
Music for These Post Prince Times: April/May New Album Reviews
Music For These Post Prince Times: April/May New Album Reviews. Music | Bittles’ Magazine: The music column from the end of the world With the sad passing of musical icon Prince this week, it has genuinely been difficult to get excited about new music again. The need to wallow in his legacy was overwhelming, with albums such as Purple Rain, Sign O The Times and 1999 demanding both tears and repeated plays. Yet Prince himself was never one to dwell on the past, or stand still. He constantly strove forward, reinventing himself, and bringing out new material with such regularity that all but the most ardent of fans struggled to keep up. By JOHN BITTLES With this in mind I tore myself away from the umpteenth listen to Controversy to immerse myself in the mountain of new music which had been sent my way. Among the twenty five albums reviewed in the following we have the skewed indie funk of Suuns and Luh, deep house dopeness from Stimming, DJ Koze’s Pampa Records and Sieren, booty shaking electro from Egyptian Lover, the techno textures of Juan Atkins & Moritz Von Oswald and Lucy, the spacious electronica of CocaineJesus, and tons more. So without further ado, let us begin… Montreal band Suuns have long approached the rigid confines of rock music a little differently to most. Hence new album Hold/Still sounds like no other guitar album you will hear this year! Across eleven dense, intelligent, yet surprisingly subtle tracks the band create a rich and varied aural kaleidoscope to produce what may just be their best album yet. -
Musicbricks D2.3 V.1.0 MM
Project Acronym: #MusicBricks Project Full Title: Musical Building Blocks for Digital Makers and Content Creators Grant Agreement: N°644871 Project Duration: 18 months (January 2015 - June 2016) D2.3 Final report on communication, dissemination and exploitation activities Deliverable Status: Final File Name: #MusicBricks_D2.3 Due Date: 30 June 2016 (M18) Submission Date: 1 July 2016 Dissemination Level: Public Task Leader: Stromatolite Authors: Michela Magas (STROMATOLITE); Sara Morris (STROMATOLITE); Terry Tyldesley (STROMATOLITE); Andrew Dubber (STROMATOLITE); Piotr Paduch (STROMATOLITE); Steffen Holly (Fraunhofer) ! This project has received funding from the European Union’s Horizon 2020 research and innovation programme under grant agreement n°644871 Page !2 of !69 D2.3 - Final report on communication activities ■ June 2016 ■ Stromatolite #MusicBricks has received funding from the European Union’s Horizon 2020 research and innovation programme under grant agreement 644871 The #MusicBricks project consortium is composed of: SO Sigma Orionis (until Month 15) France STROMATOLITE Stromatolite Ltd UK IRCAM Institut de Recherche et de Coordination Acoustique Musique France UPF Universitat Pompeu Fabra - Music technology Group Spain Fraunhofer Fraunhofer-Gesellschaft zur Foerderung der Angewandten Forschung E.V Germany TU WIEN Technische Universitaet Wien Austria Disclaimer All intellectual property rights are owned by the #MusicBricks consortium members and are protected by the applicable laws. Except where otherwise specified, all document contents are: “©MusicBricks Project - All rights reserved”. Reproduction is not authorised without prior written agreement. All #MusicBricks consortium members have agreed to full publication of this document. The commercial use of any information contained in this document may require a license from the owner of that information. All #MusicBricks consortium members are also committed to publish accurate and up to date information and take the greatest care to do so.